This book focuses on the characters that populate the Game of Thrones universe and on one of the most salient features of their interaction: violence and warfare. It analyses these questions from a multidisciplinary perspective that is chiefly based on Classical Studies. The book is divided into two sections. The first section explores Martin's characters as the mainstay of both the novels and the TV series, since the author has peopled his universe with three-dimensional intriguing characters that resonate with the reader/audience. The second section is devoted to violence and warfare, both pervasive in the Game of Thrones universe. In particular, the TV series' depiction of violence is explicit, going beyond the limits that have seldom been traversed in primetime television i.e. the execution of Ned Stark, the "Red Wedding" and "Battle of the Bastards". In the Game of Thrones universe, violence is not only restricted to warfare but is an everyday occurrence, a result of the social and gender inequalities characterising the world created by Martin.

And ANOTHER Thing, as the subtitle states, is an eclectic collection of musings, afterthoughts and paternal rantings. It is simply a collection of the authors private thoughts, thoughts that you may have had yourself but never verbalized. And ANOTHER Thing could have been a collection of anyone's thoughts. It could have been a collection of YOUR thoughts!

Gain the essential skills of a professional grip to become the jack and master of all trades on any movie or television show set. This new edition has been fully updated and revised and will enable aspiring and professional grips to discover vital insider tips ranging from how to operate cutting-edge rigging and lighting equipment to performing difficult camera mounts on aircraft, boats, trains, and cars. Seasoned Hollywood grip Michael G. Uva teaches you to install, set up, maintain, and ensure the safety of all equipment on a set, such as C-stands, cameras, and any specialty gear needed for a shoot. Expanded content on navigating the set, including set etiquette and how to succeed as a technical crew member will jumpstart your career and make you a valuable asset on any film or television crew. This 7th edition has been updated to include the latest technology; further explanations of equipment and how to use it for those new to the role; a new chapter on working as a grip on Virtual Sets. Other features include technical expertise on maintaining the latest and greatest filmmaking equipment; a self-test section containing over one hundred questions and answers; a comprehensive appendix containing a robust glossary of insider and equipment terms; and guidelines on what a grip has to be physically able to perform in their day-to-day duties. Ideal for the aspiring or working grip to use on the role, as well as aspiring students looking to break into the industry.

Dr. Bertram and Sandra Cabot invite longtime friends Dirk and Celeste Von Stofenberg to their beautiful Connecticut Gold Coast home in honor of James, the Von Stofenbergs' only son, who has recently been released from an esteemed private psychiatric hospital. The feast promises to be delicious, but when Sandra enlists Dirk to help her change the course of her life, the sky turns a strange color, Canadian geese start crashing into the bay window, and the fate of the evening tilts toward an inevitable conclusion that promises to change the lives of all who come to the table.

In this collection of interviews, artists from various disciplines and in various stages of their careers discuss how they balance their art with the practical aspects of earning a living. They explore how this dichotomy, which affects them creatively, financially, spiritually, and professionally, can be both frustrating and nourishing. Some artists have managed to find art-related work to make ends meet. Others contemplate their dual role in both the artistic community and in the corporate or academic world. They discuss the role art plays in influencing social change and the role technology has played in revolutionizing the creation of art and its marketing and distribution.

These insights into how artists merge their creative life with their financial obligations will be useful to both instructors and students in the arts. Topics such as how artists have managed to acquire flexible work schedules and educational leave will also appeal to professional artists looking for employment suggestions or alternatives. Representative artists include painters, writers, musicians, dancers, actors, and performance artists.

This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation's diverse modes of filmmaking, it offers an insight into how global debates around cinema are played out on and off screen in a distinctive national context. The insertion of post-conflict Peru within neoliberalism resulted in widespread commodification of all areas of life, significantly impacting cinema culture. Consequently, the principal structural concept of this collection is the interplay between film production and market forces, an interaction which makes dynamism and instability the defining features of 21st-century Peruvian cinema.

Total Darkness is a revealing look into the dark mentalism and s ance mind of Mark Edward. A 233 page hardback book with an exclusively designed dust-jacket by artist Vincent Mattina. Featuring a foreword by Tony 'Doc' Shiels, 15 in-depth fully photo illustrated s ance pieces concluding with six more effects in the first published release of The Keith Moon S ance.

This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett's theatrical practice and a range of concepts drawn from Deleuze's philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett's later theatrical work and provides an overview of Deleuze's conception of philosophical practice as an ongoing struggle to think with immanence.

American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon.

Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes: DEGREESL DEGREESDBLA brief biography DEGREESL DEGREESDBLA discussion of major works and themes DEGREES DEGREESDBLA survey of the writer's critical reception DEGREESL DEGREESDBLA bibliography of primary and secondary sour

Actress Colleen Dewhurst (1926-1991) is best remembered for her seminal characterizations in the plays of Eugene O'Neill, which highlighted a career on stage, screen, and television that spanned forty years and earned her two Tony awards and four Emmys. Writing about her Broadway triumph as Josie Hogan in A Moon for the Misbegotten (1973), critic Clive Barnes said she spoke O'Neill as if it were being spoken for the first time--and not for the first time in a theater . . . but for the first time in a certain New England farm, on a certain September night in 1923. Though known for her portrayals of tragic heroines, Dewhurst also played comic roles and played Murphy Brown's mother for three seasons in that television series. At her death, she left an indelible mark in American theater, but, curiously, little written commentary beyond reviews and journalistic articles. This study documents her diverse performance and directing careers, with information also on her personal life and her participation in political and philanthropic causes, including two terms as president of Actors' Equity. An extensive productions section provides data on her major and minor roles in all media, including credits, runs, synopses, and review citations. This is supplemented by an annotated bibliography of major reviews and other writings, a list of awards, a biographical study, and a chronology of her life and career, all carefully cross-referenced and indexed. This book adds to the growing number of studies that organize essential resources on performance for effective research use.

- This is the first book for academic podcasters. With theoretical background as well as detailed practical instructions, this book explores the what, why and how of academic podcasting. - Podcasting is becoming an ever-more popular form of both creating knowledge and disseminating research to reach both academic and non-academic audiences. - Competing titles are solely concerned with podcasting as an object of study or as a how-to guide. This book is unique in that it brings together research into a subfield of podcasting, with arguments about why it is a normatively good thing for academia before synthesising this knowledge by detailing how to do it. This is the only book specifically about academic podcasting.

"Dance Studies: The Basics is a concise introduction to the study of dance ranging from the practical aspects such as technique and to more theoretical considerations such as aesthetic appreciation and the place of dance in different cultures. Including examples from dance forms such as ballet, jazz, tap, contemporary and urban, this book answers questions such as: Exactly how do we define 'dance'? What kinds of people dance and what kind of training is necessary? How are dances made? What do we know about dance history? Featuring a glossary, chronology of dance history and list of useful websites, this book is the ideal starting point for anyone interested in the study of dance"--

The United States has been attacked. Men are being castrated, women enumerated. Ellen has been in hiding for fifty-two days, subsisting on very little, hoping against hope for her husband to return. As the world around her falls further into senseless chaos, she takes an unlikely action, one that just might signal a new beginning.

This book identifies and analyzes the ways in which RuPaul's Drag Race has reshaped the visibility of drag culture in the US and internationally, as well as how the program has changed understandings of reality TV. This edited volume illustrates how drag has become a significant aspect of LGBTQ experience and identity globally through RuPaul's Drag Race, and how the show has reformed a media landscape in which competition and reality itself are understood as given. Taking on lenses addressing race, ethnicity, geographical origin, cultural identity, physicality and body image, and participation in drag culture across the globe, this volume offers critical, non-traditional, and first-hand perspectives on drag culture.

Built to resemble an old New England barn, the Boothbay Playhouse operated from 1937 to 1974, under two separate managements, as a professional summer theatre. In the old-resident-company tradition, a different play was presented each week from June to September- and at prices that seem unbelievable today. But even then the challenge of filling seats was a perennial uphill battle that led to ongoing financial crunches for both managements until surmounting losses forced its closure. This is the story of that landmark theatre's trials, triumphs and tribulations, told by someone who was there for five of those 37 years. Illustrated with 60 photos, the volume also features casts and credits for all Playhouse productions

This book provides a user-friendly guide to the expanding scope of visual sociology, through a discussion of a broad range of visual material, and reflections on how such material can be studied sociologically. The chapters draw on specific case-study examples that examine the complexity of the hyper-visual social world we live in, exploring three domains of the 'relational image': the urban, social media, and the aerial. Zuev and Bratchford tackle issues such as visual politics and surveillance, practices of visual production and visibility, analysing the changing nature of the visual. They review a range of methods which can be used by researchers in the social sciences, utilising new media and their visual interfaces, while also assessing the changing nature of visuality. This concise overview will be of use to students and researchers aiming to adopt visual methods and theories in their own subject areas such as sociology, visual culture and related courses in photography, new-media and visual studies.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Lily Tomlin and Jane Wagner have been partners in life and work for more than forty years. Over those years they have been comedic pioneers in television, sound recording, film, theatre, and animation. They have won numerous prestigious awards and endeared themselves to generations of Americans. Although Lily Tomlin is the famous one-Ernestine ('Have I reached the party to whom I am speaking?') and Edith Ann ('And that's the truth.') - her most meaningful work has been created in partnership with Jane Wagner. This book explores the ways they have used and expanded notions of queer to make their unique impact on American culture.

An essential update to this classic book from the ultimate insider, Tom Logan. It contains everything you need to know about the profession of acting from both sides of the camera. Previously a highly successful working actor, Tom brings that experience to this book but through the unique lens of now being an extremely successful working TV, film, and commercial director, writer, and producer. You'll learn how ultimately succeeding in an audition has absolutely nothing to do with acting. Rather, it's having the essential audition skills, which you won't find in a "how to" audition book. And that's what you'll learn from a master who has spent a career in and around the universe of auditions and the casting process. All sixteen chapters, eight on the "do's" and eight on the "don't," have been brought up-to-date, making How to Act & Eat at the Same Time the must read for today's aspiring and working actors. And all of the appendices containing all the essential practical information an actor needs in his toolbox has been updated to - resource websites; SAG, AFTRA, and Equity locations; rules and requirements for joining SAG, AEA, and Equity; plus, an updated glossary.