Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.

This volume explores the politics and poetics of Victorian surfaces in their manifold manifestations. In so doing, it examines various cultural products 'as they are' and highlights the art of surface composition in the Victorian era as well as the socio-cultural ramifications of the preoccupation with the exterior. By closely reading the various surfaces materialising in Victorian literature and culture, the individual contributions explore the dialectics of surface and depth in Victorian (and Neo-Victorian) cultures as well as the legibility of surfaces. They look into the surfaces of literary narratives, paintings, and film but also into natural surfaces such as skin or bark. Each chapter foregrounds what is present rather than absent in a text, while also paying attention to the surfaces that become manifest on the diegetic level of the text, be they cloth, landscapes, or human bodies or faces. This is an open access book.

This book is an interdisciplinary collection exploring the impact of emergent technologies on the production, distribution and reception of media content in the Asia-Pacific region. Exploring case studies from China, Japan, South Korea, India, Thailand and Australia, as well as American co-productions, this collection takes a Cultural Studies approach to the constantly evolving ways of accessing and interacting with visual content. The study of the social and technological impact of online on-demand services is a burgeoning field of investigation, dating back to the early-2010s. This project will be a valuable update to existing conversations, and a cornerstone for future discussions about topics such as online technologies, popular culture, soft power, and social media.

Decluttering her tiny New York apartment, Daphne Maritch decides to throw out any belongings that do not spark joy. These include a high-school yearbook inherited from her school teacher mother, June, to whom the class of '68 dedicated the volume. June in turn attended every class reunion, scribbling notes and observations - not always charitably - after each one. When neighbour Geneva Wisenkorn finds the discarded book and wants to use it for her own ends, Daphne realises she wants to keep it after all. Fighting to reclaim it, she uncovers some alarming Maritch family secrets and sets in motion a series of events that prove to be both poignant and absurd. Good Riddance is a vastly entertaining screwball comedy from the Jane Austen of modern New York.

Allusions to Shakespeare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Shakespeare's plays and motifs have been appropriated in fragmentary forms onstage and onscreen since motion pictures were invented in 1893. This collection of essays extends beyond a US-UK axis to bring together an international group of scholars to explore Shakespearean appropriations in unexpected contexts in lesser-known films and television shows in India, Brazil, Russia, France, Australia, South Africa, East-Central Europe and Italy, with reference to some filmed stage works.

This edited collection brings together scholars from across the world, including France, Italy, Germany, Hungary, Japan, the USA and India, to offer a truly international perspective on the global reception of Shakespeare's Sonnets from the 18th century to the present. Global Shakespeare has never been so local and familiar as it is today. The translation, appropriation and teaching of Shakespeare's plays across the world have been the subject of much important recent work in Shakespeare studies, as have the ethics of Shakespeare's globalization. Within this discussion, however, the Sonnets are often overlooked. This book offers a new global history of the Sonnets, including the first substantial study of their translation and of their performance in theatre, music and film. It will appeal to anyone interested in the reception of the Sonnets, and of Shakespeare across the world.

- This is the first book for academic podcasters. With theoretical background as well as detailed practical instructions, this book explores the what, why and how of academic podcasting. - Podcasting is becoming an ever-more popular form of both creating knowledge and disseminating research to reach both academic and non-academic audiences. - Competing titles are solely concerned with podcasting as an object of study or as a how-to guide. This book is unique in that it brings together research into a subfield of podcasting, with arguments about why it is a normatively good thing for academia before synthesising this knowledge by detailing how to do it. This is the only book specifically about academic podcasting.

First published in 1982. The intent of this book is to build an understanding of the people who create humor and are expert at making people laugh. Who are the comedians and clowns of the world? Where do they come from? Why are they so dedicated to tickling funny bones? In what ways are they unique? It is primarily to studying comedians, clowns, and other funny people. It seeks to provide an understanding of the origins, the motivations, and personalities of those who make humor and in exploring the factors that shape actors and other public entertainers.

This book provides fresh insight into the creative practice developed by Paul McCartney over his extended career as a songwriter, record producer and performing musician. It frames its examination of McCartney's work through the lens of the systems model of creativity developed by Mihaly Csikszentmihalyi and combines this with the research work of Pierre Bourdieu. This systems approach is built around the basic structures of idiosyncratic agents, like McCartney himself, and the choices he has made as a creative individual. It also locates his work within social fields and cultural domains, all crucial aspects of the creative system that McCartney continues to be immersed in. Using this tripartite system, the book includes analysis of McCartney's creative collaborations with musicians, producers, artists and filmmakers and provides a critical analysis of the Romantic myth which forms a central tenet of popular music. This engaging work will have interdisciplinary appeal to students and scholars of the psychology of creativity, popular music, sociology and cultural studies.

This edited collection brings together essays that share in a critical attention to visual culture as a means of representing, contributing to and/or intervening with discursive struggles and territorial conflicts currently taking place at and across the outward-facing and internal borders of the People's Republic of China. Elucidated by the essays collected here for the first time is a constellation of what might be described as visual culture wars comprising resistances on numerous fronts not only to the growing power and expansiveness of the Chinese state but also the residues of a once pervasively suppressive Western colonialism/imperialism. The present volume addresses visual culture related to struggles and conflicts at the borders of Hong Kong, the South China Sea and Taiwan as well within the PRC with regard the so-called "Great Firewall of China" and differences in discursive outlook between China and the West on the significances of art, technology, gender and sexuality. In doing so, it provides a vital index of twenty-first century China's diversely conflicted status as a contemporary nation-state and arguably nascent empire.

The political climate is laden with discord but in this political thriller, the subject intensifies when the United States President falls into the fierce grip of an unprecedented illness. Revolving around a President's battle with Alzheimer s, his talks with a drunkard and rash Russian president leaning towards war, and a corrupt U.S. Vice President eager to take charge, the plotline in this fictional screenplay follows President Jefferson Payne's White House staff as they scramble to hold together the political jigsaw puzzle that arises after the president undergoes brain surgery using a controversial a memory-loss cure from human embryo stem cells developed by a discredited neurobiologist. Based on new, actual scientific discoveries coming from today's biomedical laboratories, the plot also tracks the progress of a brilliant scientist working against all obstacles political, scientific, religious, powerful and corrupt to get the antidote to the doctors in time to restore Payne s memory, save his presidency and halt potential war.

The scandal sheets and gossip magazines fabricate stories about who is sleeping with whom and who is getting divorced, or pregnant, or suffering from some exotic disease. Instead of depending on these very unreliable sources for her celebrity fix, psychic Lai Ubberud is going straight to a genuine source -- their pets.

Did you know

Tinkerbell's disappearance may not have been an accident?

El Alamein and Little Man miss their Gipper?

Max is hopeful that George will find the right lady?

Read, learn, and smile your way through this charming and beautifully illustrated book to see just what Paris Hilton's delightful dog, Ronald Reagan's regal horses, and George Clooney's potbellied pig think about their owners' quirks, habits, and dislikes.

"I wish I'd met Lai while I was still alive. She could have interpreted for me to the scientists and the people who just saw me as an experiment! I had feelings like any other animal or human being. "Celebrity Pets" will help science take a step forward."

-- Dolly the cloned Sheep

"I really enjoyed the stories about celebrities. They prove that people in the limelight are like everybody else: They have feelings, get sick, suffer, stress out, worry and -- above all -- love and trust their beloved pets. Great job!"

-- Benji the movie and TV star

"What an exciting book! It is witty and sad, yet very insightful and expresses the love that animals have for our human families! Congratulations. I couldn't have done better myself."

-- Mr. Ed the talking Horse

"I think "Celebrity Pets Tell All" will open new lines of communication with animals, confirming that we animals are as capable of talking as humans are.Congratulations for making interspecies communication easier."

-- Koko the signing Gorilla

A renowned and beloved international actress, first successful on the London stage, Jessica Tandy captured Broadway as Blanche DuBois in Tennessee Williams' A Streetcar Named Desire in 1947, making that role forever hers. After a series of major theatrical triumphs and moderate film successes, many with her husband, Hume Cronyn, she won an Oscar for Best Actress at the age of 80 for her performance as Daisy Werthan in Driving Miss Daisy in 1989. This comprehensive reference guide to Tandy's distinguished career features a biographical sketch followed by a chronology of highlights in her life and chapters documenting her careers in theatre, film, television, and on recordings. Her many awards and honors are listed in a separate chapter. An annotated bibliography selects major book, newspaper, and magazine features and interviews; and reviews are also noted with appropriate productions in the previous chapters. Memorable Broadway roles are illustrated with scenes from Streetcar, The Fourposter (with Hume Cronyn, 1951), Five Finger Exercise (1959), A Delicate Balance (with Cronyn, 1966), The Gin Game (1977), Rose (1981), and Foxfire (with Cronyn, 1982).

This book offers the first comprehensive analysis of the role of cinema in the communication strategy of the Italian Communist party (the PCI). It examines the entire period during which the party had a systematic and organized approach to cinematographic production, starting with the early experiments in 1946 and concluding with the closure of PCI film company Unitelefilm at the end of the 1970s. Its analysis sheds light on a range of issues, such as the relationship between the party and Italian intellectuals, the Stalinist imprint of the Italian Communist Party and the historical significance of the Salerno turn, the PCI's relationship with the student movements in 1968 and 1977, and the PCI's response to the rise in political violence in the 1970s. Ultimately, the book demonstrates that cinema was essential to the PCI's propaganda effort.

An insider's look at the power of comedy to effect social change From Trevor Noah's The Daily Show and Hasan Minhaj's Patriot Act, to Issa Rae's Insecure and Corey Ryan Forrester's Twitter feed, today's multi-platform comedy refuses to shy away from the social issues that define our time.As more comedians lean into social justice activism, they help reshape the entertainment industry and offer creative, dynamic avenues for social change. The Revolution Will Be Hilarious offers a compelling insider's look at how comedy and social justice activists are working together in a revolutionary media moment. Caty Borum invites readers into an expanding, enterprising arena of participatory culture and politics through in-depth interviews with comedians, social justice leaders, and Hollywood players. Their insights shed light on questions such as: What role does comedy play in helping communities engage the public with challenging social issues? How do social justice organizations and comedians co-create entertaining comedy designed to build the civic power of marginalized groups? And how are entertainment industry leaders working with social justice organizations to launch new comedy as both entertainment and inspiration for social change? Through this exploration, Borum argues that building creative power is crucial for marginalized groups to build civic power. The Revolution Will Be Hilarious positions the rise of social justice comedy as creative, disruptive storytelling that hilariously invites us to agitate the status quo and re-imagine social realities to come closer to the promise of equity and justice in America.

Drawing on a wealth of academic research, statistics and interviews with key Australian media people including present and former Australian Broadcasting Corporation staffers, this book explores the transitions of the ABC under various types of organisational re-strategising, governance and political shifts. The book provides the reader with an authoritative narrative as to how the ABC has lost its iconic status in Australian society, and unfolds how the ABC has strayed from its respected public charter which endowed the ABC with a distinctive and important role in informing, educating and entertaining the Australian public. Successive federal government funding cuts have shrunk staffing levels and services while it has pursued a corporatist model that mimics the trappings and practices of commercial media. In that process it has become politicised and trivialised, thereby threatening its demise. The book is a unique and timely contribution at a time of dwindling interest for the funding of public assets everywhere. There is no other book in the market that addresses the decline of the organisation (the ABC) and analyses the reasons for its demise within an organisational theoretical framework. The book is written for an educated general audience, with academics and media practitioners specifically in mind, and has everyday applications for business organisations operating in the public sector by bringing together important findings of public funding, budgets, management and organisational strategies and evolution.

This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?

Offering for the first time a student introduction to Aristophanes' most explosive political satire, this volume is an essential guide to the context, themes and later reception of Cavalry. The ancient comedy is a fascinating insight into power relations between slaves and slaveholders and the upper and lower classes in classical Athens, and its political and social themes resonate with a modern audience more now than ever before. Originally performed in 424 BCE, Cavalry targets the Athenian demagogue Cleon, who had risen to prominence since the death of Pericles and to pre-eminence after an audacious victory over Sparta in 425. In Cavalry, Aristophanes attacks Cleon's popularity with the urban underclass, but also targets democracy itself as guilty of gullibility, self-interest, and political short-sightedness. As the play shows, the only hope of escape from this crisis is for Athens to find a leader even more foul-mouthed, depraved, and shameless than Cleon himself. And who better than a sausage-seller, if only because he turns out in the end to have a good heart and a true love of traditional Athenian values?

The legal terminology is portrayed in a simple and accessible way, making it ideal for beginner filmmakers with zero law knowledge Organized chronologically according to the life cycle of a film, but written in a way that allows the filmmaker to jump in and find a specific answer without having to read the book cover to cover first. A section featuring frequently asked questions help you zero in on particularly pressing issues, while appendices at the end form a portable law library to provide you with separate handy guides to intellectual property, contract, labor and employment law

This book focuses on the theme of counter-surveillance in art through a multi-faceted engagement with the highly controversial Norwegian play Ways of Seeing. Denounced by the prime minister and subject to a police investigation, the play gained notoriety when it featured footage showing the homes of the country's financial and political elite as part of its scenography. The book provides a thorough consideration of the work's reception context before elucidating its relation to the politics of neoliberalism. What is foregrounded in this analysis are, first, the use of an aesthetics of sousveillance to visualize the material infrastructure of racism and right-wing populism, second, the tangled interrelations of art and law, third, questions of censorship and artistic freedom, and fourth, the promotion of an alternative mode of political governance - grounded in feminism and ecological awareness - through the example of the Rojava experiment.

The Differentiation of Modernism analyzes the phenomenon of intermediality in German radio plays, film music, and electronic music of the late modernist period (1945-1980). After 1945, the purist "medium specificity" of high modernism increasingly yielded to the mixed forms of intermediality. Theodor Adorno dubbed this development a "Verfransung," or "fraying of boundaries," between the arts. TheDifferentiation of Modernism analyzes this phenomenon in German electronic media arts of the late modernist period (1945-80): in radio plays, film music, and electronic music. The first part of the book begins with a chapter on Adorno's theory of radio as an instrument of democratization, going on to analyze the relationship of the Hoerspiel or radio play to electronic music. In the second part, on film music, a chapter on Adorno and Eisler's Composing for the Film sets the parameters for chapters on the film Das Madchen Rosemarie (1957) and on the music films of Jean-Marie Straub and Daniele Huillet. The third part examines the music of Karlheinz Stockhausen and its relationship to radio, abstract painting, recording technology, and theatrical happenings. The book's central notion of the "differentiation of culture" suggests that late modernism, unlike high modernism, accepted the contingency of modern mass-media driven society and sought to find new forms for it. Larson Powell is Curator's Professor of Film Studies at University of Missouri, Kansas City. He is the author of The Technological Unconscious in German Modernist Literature (Camden House, 2008).