Stories abound in this book, and a river runs through it. The stories are random and recurring, like memory itself. Family history. A conversation struck up with an old man in a bar. A long ago Pony League team undefeated. A young marine walking in an empty baseball field in Oahu, reading his college acceptance letter. The stories, like the cue balls Pearn describes in another poem, touch each other and change trajectories. The river is the Poudre - born in the Rocky Mountains, eastern slope, flowing through Fort Collins. Pearn gives his readers its colors and its creatures in many lights and seasons. Like memory, it is a place to return to, a source of renewal. There is another force moving these poems, one not found so much in contemporary writing. Call it boundless hope. In his poem "Three Square Meals," Pearn says he "did not have the American dream" because he never wanted to be rich; he just wanted to be a writer. But the American dream is writ large in these poems - true grit and work and the possibility of glory in baseball fields and boot camp - and in poetry. Many of the poems in this book are conversations with poetry and poets that begin in a seventh-grade classroom and are now part of his outlook and his art. The American dream shines in Pearn's memories of Jacksonville, Illinois, in the good days of the 1950s and 60s when there was work in huge and colorful variety for anyone who was willing to do it. But he also tells some 21st centuries stories of hope and struggle. His wife, a recent immigrant from China, confronts the gulf between her education and the jobs available to her. They walk the bureaucratic maze in their efforts to bring her son to the United States. This is a book to read and return to. -Peggy Sower Knoepfle

Sue-Ellen Case is arguably the most influential and significant scholar in feminist and queer theatre studies. This collection brings together her most important writing. Framing this with new introductory material, Sue-Ellen Case will contextualise her work within broader developments in critical theory and feminist / lesbian studies.

And ANOTHER Thing, as the subtitle states, is an eclectic collection of musings, afterthoughts and paternal rantings. It is simply a collection of the authors private thoughts, thoughts that you may have had yourself but never verbalized. And ANOTHER Thing could have been a collection of anyone's thoughts. It could have been a collection of YOUR thoughts!

In this collection of interviews, artists from various disciplines and in various stages of their careers discuss how they balance their art with the practical aspects of earning a living. They explore how this dichotomy, which affects them creatively, financially, spiritually, and professionally, can be both frustrating and nourishing. Some artists have managed to find art-related work to make ends meet. Others contemplate their dual role in both the artistic community and in the corporate or academic world. They discuss the role art plays in influencing social change and the role technology has played in revolutionizing the creation of art and its marketing and distribution.

These insights into how artists merge their creative life with their financial obligations will be useful to both instructors and students in the arts. Topics such as how artists have managed to acquire flexible work schedules and educational leave will also appeal to professional artists looking for employment suggestions or alternatives. Representative artists include painters, writers, musicians, dancers, actors, and performance artists.

Pillars of Destiny, Foundations in the Chinese Zodiac for Psychic Entertainers is a book for Mentalists and Mystery Performers on exploring Mysticism in Chinese culture. Matt Pulsar is a western entertainer who has been living in Asia for 7 years and performing for mostly Asian audiences. This is his story of exploration and learning about Chinese culture and how the zodiac functions in Chinese society. Pillars of Destiny teaches how to learn someone's Chinese Zodiac sign, how to tell the day of their birthday, the basics of Feng Shui, what the Ba Zi is and how an entertainer can use it, giving readings based on the Chinese Zodiac, incorporating western star signs with a reading, full routines with a Chinese Zodiac theme and much much more.

More than a century ago, filmmakers made their primary focus innovative and widely promulgated visions of antiquity, creating a profound effect on the critical, popular, and scholarly reception of antiquity. In this volume, scholars from a variety of countries and varying academic disciplines have addressed film s way of using the field of Classical Reception to investigate, contemplate, and develop hypotheses about present-day culture, society, and politics, with a particular emphasis on gender and gender roles, their relationship to one another, and how filmic constructions of masculinity and femininity shape and are shaped by interacting economic, political, and ideological practices.

American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon.

Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes: DEGREESL DEGREESDBLA brief biography DEGREESL DEGREESDBLA discussion of major works and themes DEGREES DEGREESDBLA survey of the writer's critical reception DEGREESL DEGREESDBLA bibliography of primary and secondary sour

There are few grand narratives that loom over Asian Americans more than the model minority. While many Asian Americanist scholars and activists aim to disprove the model minority as myth, author Takeo Rivera instead rethinks the model minority as cultural politics. Rather than disproving the model minority, Rivera instead argues that Asian Americans have formulated their racial and gendered subjectivities in relation to what Rivera terms model minority masochism. Examining hegemonic masculine Asian American cultural performance across multiple media, from literature and theater to videogames and activist archives, Rivera details two complementary forms of contemporary racial masochism: a self-subjugating masochism which embraces the model minority, and its opposite, a self-flagellating masochism that punishes oneself for having been associated with the model minority at all.

Actress Colleen Dewhurst (1926-1991) is best remembered for her seminal characterizations in the plays of Eugene O'Neill, which highlighted a career on stage, screen, and television that spanned forty years and earned her two Tony awards and four Emmys. Writing about her Broadway triumph as Josie Hogan in A Moon for the Misbegotten (1973), critic Clive Barnes said she spoke O'Neill as if it were being spoken for the first time--and not for the first time in a theater . . . but for the first time in a certain New England farm, on a certain September night in 1923. Though known for her portrayals of tragic heroines, Dewhurst also played comic roles and played Murphy Brown's mother for three seasons in that television series. At her death, she left an indelible mark in American theater, but, curiously, little written commentary beyond reviews and journalistic articles. This study documents her diverse performance and directing careers, with information also on her personal life and her participation in political and philanthropic causes, including two terms as president of Actors' Equity. An extensive productions section provides data on her major and minor roles in all media, including credits, runs, synopses, and review citations. This is supplemented by an annotated bibliography of major reviews and other writings, a list of awards, a biographical study, and a chronology of her life and career, all carefully cross-referenced and indexed. This book adds to the growing number of studies that organize essential resources on performance for effective research use.

I'm really looking forward to robbing this bank! Mischief's smash-and-grab hit The Comedy About A Bank Robbery is a fast, fabulous comedy caper and the funniest show in the West End! Summer 1958. Minneapolis City Bank has been entrusted with a priceless diamond. An escaped convict is dead set on pocketing the gem with the help of his screwball sidekick, trickster girlfriend... and the maintenance man. With mistaken identities, love triangles and hidden agendas, even the most reputable can't be trusted. In a town where everyone's a crook, who will end up bagging the jewel? Written by Henry Lewis, Jonathan Sayer and Henry Shields, the creators of the Olivier Award-winning Best New Comedy The Play That Goes Wrong and Peter Pan Goes Wrong, The Comedy About A Bank Robbery opened at the Criterion Theatre in London's West End in April 2016. 'The best new comedy to open straight into the West End in decades' Time Out 'Thrilling and daringly inventive' The Guardian

Total Darkness is a revealing look into the dark mentalism and s ance mind of Mark Edward. A 233 page hardback book with an exclusively designed dust-jacket by artist Vincent Mattina. Featuring a foreword by Tony 'Doc' Shiels, 15 in-depth fully photo illustrated s ance pieces concluding with six more effects in the first published release of The Keith Moon S ance.

Journey into the arcane world of Doctor Jacob Tordoff. A selection of new and updated bizarre magick performances from the repertoire and creative mind of Roger Curzon. As an exclusively designed dust cover bound hardback, it features a foreword by Jim Critchlow, plus some supporting contributions from Roni Shachnaey, Steve Drury, Kotah, Andrew Normansell and Ashton Carter.

Texas High School Hotshots: The Stars Before They Were Stars is a one-of-a-kind book that offers an entertaining look back at the younger years of more than 200 celebrities who attended high school in Texas.

Since its establishment in 1949, the People's Republic of China has upheld a nationwide ban on pornography, imposing harsh punishments on those caught purchasing, producing, or distributing materials deemed a violation of public morality. A provocative contribution to Chinese media studies by a well-known international media researcher, "People's Pornography" offers a wide-ranging overview of the political controversies surrounding the ban, as well as a fascinating glimpse into the many distinct media subcultures that have gained widespread popularity on the Chinese Internet as a result. Rounding out this exploration of the many new tendencies in digital citizenship, pornography, and activist media cultures in the greater China region are thought-provoking interviews with individuals involved.A timely contribution to the existing literature on sexuality, Chinese media, and Internet culture, "People's Pornography "provides a unique angle on the robust voices involved in the debate over about pornography's globalization.

"Dance Studies: The Basics is a concise introduction to the study of dance ranging from the practical aspects such as technique and to more theoretical considerations such as aesthetic appreciation and the place of dance in different cultures. Including examples from dance forms such as ballet, jazz, tap, contemporary and urban, this book answers questions such as: Exactly how do we define 'dance'? What kinds of people dance and what kind of training is necessary? How are dances made? What do we know about dance history? Featuring a glossary, chronology of dance history and list of useful websites, this book is the ideal starting point for anyone interested in the study of dance"--

Built to resemble an old New England barn, the Boothbay Playhouse operated from 1937 to 1974, under two separate managements, as a professional summer theatre. In the old-resident-company tradition, a different play was presented each week from June to September- and at prices that seem unbelievable today. But even then the challenge of filling seats was a perennial uphill battle that led to ongoing financial crunches for both managements until surmounting losses forced its closure. This is the story of that landmark theatre's trials, triumphs and tribulations, told by someone who was there for five of those 37 years. Illustrated with 60 photos, the volume also features casts and credits for all Playhouse productions