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Books > Arts & Architecture > Performing arts > General
During the past 15 years, artists have established a remarkable
record of innovation and success in institutional settings. Their
work with hospital patients, prisoners, the elderly, the disabled,
the mentally ill, and others has shown that the arts can have a
significant positive impact on the lives of these people. This book
recounts the histories of 22 institutional and community arts
programs across the country pioneering this approach through
activities such as creative writing and the performing and visual
arts. Consisting largely of first-hand accounts, the book
demonstrates how the creative processes have been used to address
and solve some of society's most pressing problems. Included are
case studies, research, and descriptions of the wide variety of
artistic, educational, and therapeutic approaches utilized by each
of the 22 programs. Also described are many of the financial and
political strategies used to build and sustain support for these
unlikely endeavors. This work will provide valuable insights for
artists, educators, social service providers, and community
leaders.
Nicholas Rudall, whose acclaimed translations of Ibsen and the
Greek classic playwrights have brought a fresh perspective to the
American theater, turns his talents to one of the Norwegian
dramatist's most provocative plays. In a rebuke to the Victorian
notion of community as well as to the blessings of democracy, Ibsen
creates a situation in which one man must stand alone to face the
forces allied against him. In a coastal town, a community-minded
physician has promoted the development of public baths in order to
attract tourists. When he discovers that the water supply for the
baths is contaminated and attempts to publicize the failing and
correct it, he and his family are all but driven out of the town he
was trying to save.
This is the February 2018 (128th - and 20th Anniversary) issue of
Music Street Journal. It includes coverage of the following artists
and more: Alcatrazz Jon Anderson Robert Berry Big Country Graham
Bonnet Charles Brown California Guitar Trio Johnny Cash
Cheer-Accident Clark Colborn Alan Davey Delta Deep Joe Deninzon
Downes Braide Association Terry Draper Dreadnaught Echo Us Keith
Emerson Fischer's Flicker Focus Randy George Pontus Gunve Steve
Hackett Heaven & Earth HR Glenn Hughes Sonja Kristina Lana Lane
Tony Levin Marillion Miriodor Bill Nelson Erik Norlander Rausch
Jordan Rudess Rush Samson ScienceNV Don Schiff Billy Sherwood Alan
Simon Snoozy Moon Spirits Burning Spock's Beard 3rd Ear Experience
Uriah Heep John Wetton WildeStarr Yes Frank Zappa While Gary Hill
edited and published the book and wrote many of the articles, Mike
Korn, Greg Olma and Larry Toering all contributed articles.
SHAFTED moves forwards and backwards over time, starting after the
miners strike in 1984. Act One demonstrates the depression and
hopelessness which engulfed a West Yorkshire mining village post
the strike and the plethora of menial jobs which HARRY found in
order to try to make a living. By the late 1990's DOT had suggested
they move to Bridlington to start a new life running a Boarding
House. Act Two starts in 2016 with DOT suffering from cancer,
immobile in a wheelchair, the act moves backwards thought to
success of the boarding house and their new life together, to the
time they left UPTON to run the boarding house in the 1990's.
This book demonstrates how and why a majority of US artists must
now function as producers of their original works, as well as
creators. The author shows how, over the span of 20 years, the
USA's cultural policy sector radically redefined US artists'
practices without cohesively articulating the expectations of
artists' new role.
A glimpse into the private world of the hilarious Friars. The
legendary New York Friars Club and its members are known the world
over. This is a hilarious compilation of tales, anecdotes, and
historical information about the club, featuring funny and moving
moments from hundreds of stars like Milton Berle, Frank Sinatra,
Jerry Lewis, Don Rickles, and more, as well as stars of today, like
Kelsey Grammer, Jason Alexander, Billy Crystal, and Drew Carey. The
Friars are renowned for dishing out jokes and doling out insults in
order to roast countless performers, politicians, and popular
personalities. From their first testimonial dinner in 1907 to their
televised roast of Jerry Stiller in 1999, you'll be inside the
club, where ribaldry is synonymous with fraternity. The Friars have
never held back when the promise of a good laugh, especially at
someone else's expense, was at hand. Find out what was really said
and done at those titillating tongue-lashings known as the private
and exclusive Friars Roasts (where even the waiters were ordered
out of the room).
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The Hits
(Hardcover)
Alexander P.M. van den Bosch
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R577
Discovery Miles 5 770
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Ships in 18 - 22 working days
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''Timmy Creed's explosive one-man show...this intense production
fearlessly tackles Irish masculine stereotypes.'' SUNDAY TIMES
Timmy plays hurling, the fastest field sport in the world. He loves
it. He hates it. Honest, brave and hard-hitting, Spliced is a
visceral account of his struggle to become an individual outside of
the sporting institution that raised him. He wants to talk about
identity, masculinity and mental health in a sports club. From one
of Ireland's exciting up-and-coming writers comes a fun, fierce,
site-specific show with thrilling music and video.
Katie has gone from a little girl who used to climb trees, ride
bikes and go on adventures to an adult who worries about
everything. But now Katie is a mum, she must be brave in a whole
new way. Determined that her young daughter will never lose the
powerful, fierce magic she arrived into the world with, Katie sets
off on a mission with the help of a stolen BMX, a policewoman with
bad hair and a pigeon in a bag as she rides around Newport to find
what she's really made of. By listening to the unheard voices of
the city, she begins to discover what the women who have gone
before can teach her about how to be brave. Sian Owen's one-woman
play is about what we are made of, what we leave behind, and
learning to be brave when your world is falling apart.
A broad and inclusive volume of the celebrations and critiques of
performance arts Focusing on the living arts-dance, theatre, music,
performance art, ritual, and popular entertainment-performance
studies expands our understanding of "performance" as both a vital
artistic practice and a means by which to understand social and
cultural processes. Bridging the gap between cultural studies,
performing arts, and anthropology, performance studies explores
myriad ways in which performance creates meaning and shapes our
everyday lives. The broadest and most inclusive volume to date, The
Ends of Performance both celebrates and critiques the
institutionalization of the field. Only recently has the field
given keen attention to the interpretive force and consequences of
performance events, and it is these consequences that the The Ends
of Performance articulates. Here performance studies illuminates
the complex social and cultural formations of our time--the impact
of virtual technology, the racialized discourses of legal and
cultural citizenship, the impact of new medical discourses, and the
medicalization of the body. Featuring work by leading theorists
such as Joseph Roach, Diana Taylor, and Richard Schechner,
excursions into performative writing by Eve Kosofsky Sedgwick and
Della Pollock, and texts by performance artists Orlan and Deb
Margolin, The Ends of Performance illuminates the provocative
intellectual ends which motivate these varied approaches to
performing writing, and to writing performance.
Performing Pedagogy examines the theory and practice of performance
art as an art of politics. It discusses the different with in which
performance artists use memory and cultural history to critique
dominant cultural assumptions, to construct identity, and to attain
political agency. In doing so, Garoian argues, performance artists
like Rachel Rosenthal, Guillermo Gomez-Pena, Robbie McCauley,
Suzanne Lacy, and the performance art collective Goat Island engage
in the practice of critical citizens and radical forms of democracy
that have significant implication for teaching in the schools.
Finally, Garoian contextualizes performance art pedagogy within his
own cultural work to illustrate how his own memory and cultural
history have inform his production of performance art works and his
classroom teaching practices.
400 millilitres. That's how much liquid was drained from Michael's
left testicle when he was a teenager. That's more than a can of
coke. He should have told someone sooner, but who could he turn to?
His dad died ten years ago and besides, school is full of rumours
about what the giant bulge in his trousers actually is. Who wants
to stop that? A true coming of age comedic play about Belfast,
masculinity, friendship, family, love, grief and testicles.
Sarah Bernhardt, possibly the greatest actress of the late
nineteenth century, was a symbol of French Romantic theatre at its
height and of the melodramatic excesses that led to its demise. The
theatre of Bernhardt's time was changing rapidly, and Salmon
depicts this change as it was reflected in her roles, temperament,
and approach to acting. This book reexamines Sarah Bernhardt, not
solely as an individual, but in comparison with other contemporary
thespians and their styles and approaches to theatrical
performance. The romantic vision of Bernhardt and her
contemporaries in time produced the emotionalism, vulgarity,
sensationalism, and empty spectacle that typified Romanticism in
decline, and pushed it into the deeper channels of fin-de-siecle
naturalism. This study explores the complex relationship between
art and craft, between art and its creator, between celebrity or
notoriety and real achievement, and between Romantic Theatre a la
Bernhardt and other theatrical expressions of Romanticism.
Dr. Linda Hamilton's ground breaking book, The Person Behind the
Mask: A Guide to Performing Arts Psychology, takes the reader on a
vivid journey of the performer's private world, where personal
insecurity often wages an unsuccessful battle against the stresses
of the profession-whether these are unrealistic weight
requirements, debilitating injuries, or stage fright. Intended for
performers, teachers, and health-care workers, this is a book that
describes the psychological problems of the stage, with a focus on
education and prevention.
"This is a useful reference work for popular culture and performing
arts collections." Choice
The Song lyrics to 168 songs composed by D. between 1977-2004 with
accompanying chords.
'Piercingly honest... witty... wonderful' - The Observer 'My
favourite way to learn is when a funny, clever, honest person is
teaching me - that's why I love Rosie Wilby!' - Sara Pascoe 'Funny,
sweet, entertaining, insightful, life-affirming...' - Viv Groskop
'Hilarious, honest and brilliant' - Helen Thorne 'Rosie Wilby
unearths the hope and hilarity that can come from heartbreak' -
Abigail Tarttelin In 2011, comedian and podcaster Rosie Wilby was
dumped by email... though she did feel a little better about it
after correcting her ex's spelling and punctuation. Obsessing about
breakups ever since, she embarked on a quest to investigate,
understand and conquer the psychology of heartbreak. This book is a
love letter to her breakups, a celebration of what they have taught
her peppered with anecdotes from illustrious friends and interviews
with relationship therapists, scientists and sociologists about
separating in the modern age of ghosting, breadcrumbing and
conscious uncoupling. Mixing humour, memoir and science, she
attempts to assimilate their advice and ideas in order to not break
up with Girlfriend, her partner of nearly three years. Will this
self-confessed serial monogamist, and breakup addict, finally
settle down?
Comedian, actor, and writer Bill Cosby is one of the most
successful and respected entertainers in America. Yet the Cosby we
know today came from a much different place and time than the ideal
featured in his 1980s hit series "The Cosby Show," where the main
character was a loveable, responsible doctor and family man.
Cosby: The Life of a Comedy Legend by Ronald L. Smith, a recognized
writer on comedy and comedians, tracks the humble upbringing of the
Cos in the Philadelphia projects; explores the inspiration he drew
from his family, his teachers, the strong female figures in his
life, and the books he read; discusses the hardships he experienced
while working several jobs to help support his sisters and brothers
after his father deserted the family; and reveals his lean years as
a budding comic, his early successes, and the big break that
brought him to television.
As the only biography of Bill Cosby for the adult market, this book
explores his feelings and thoughts in great detail, while
masterfully documenting Cosby's trailblazing work as a pioneering
black performer who was one of the first to co-star in a drama
series, "I Spy." Also discussed is Cosby's dedication to education
and his efforts on behalf of children.
Included are exclusive interviews with family, friends, Cosby's
college coach, his first manager, technical advisors from "The
Cosby Show" and other big stars. Smith also includes a complete and
up-to-date checklist of Cosby's writings, records, films, and
television credits.
From a basic two-camera interview to an elaborate 26 camera HD
concert film, this comprehensive guide presents a platform-agnostic
approach to the essential techniques required to set up and edit a
multi-camera project. Actual case studies are used to examine
specific usages of multi-camera editing and include a variety of
genres including concerts, talk shows, reality programming,
sit-coms, documentaries for television, event videography and
feature films. Other features include: Advanced multi-camera
techniques and specialty work-flows are examined for tapeless &
large scale productions with examples from network TV shows,
corporate media projects, event videography, and feature films. New
techniques for 3D projects, 2k/4k media management and color
correction are revealed. Technical breakdowns analyze system
requirements for monitoring, hard drives & RAIDs, RAM, codecs
and computer platforms. Apple Final Cut Pro, Avid Media Composer,
Adobe Premiere Pro and several other software programs are
detailed. Tables, charts, screen-grabs, photos, web-links, blogs,
tech school lists and other resource tools for further study.
Unique interviews with the 'Masters of Multi-Cam' including EMMY
and academy award-winning directors and editors who share their
project notes and give insight to award-winning techniques.
In 1996, a groundbreaking television drama debuted on the Fox
network. Created by Chris Carter, Millennium tells the story of
Frank Black (Lance Henriksen), a legendary forensic profiler gifted
with the ability to see into the minds of killers. Through his work
as a consultant with the F.B.I. and the mysterious Millennium
Group, the series offers a thoughtful exploration of the nature and
manifestations of evil in the modern world. Back to Frank Black
offers an unprecedented volume of material exploring this landmark
series. With forewords from Lance Henriksen and Frank Spotnitz and
an introduction by series creator Chris Carter, the collection
features interviews with cast and crew as well as in-depth essays
analyzing Millennium's characters, themes, and enduring legacy.
Inspired by the growing movement to return this iconic hero to the
screen, Back to Frank Black finds its focus in an incomparable
figure of hope: Frank Black. We need him now more than ever.
This is the first extended text-based analysis of the social and
political implications of the "Harry Potter" phenomenon. Arguments
are primarily based on close readings of the first four "Harry
Potter" books and the first two films - in other words, a
'text-to-world' method is followed. This study does not assume that
the phenomenon concerns children alone, or should be lightly
dismissed as a matter of pure entertainment. The amount of money,
media coverage, and ideological unease involved indicates
otherwise. The first part provides a survey of responses (both of
general readers and critics) to the "Harry Potter" books. Some of
the methodological decisions underlying this study itself are also
explained here. The second part examines the presentation of
certain themes, including gender, race and desire, in the "Harry
Potter" books, with a view to understanding how these may impinge
on social and political concerns of our world.
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