This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic.

The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann, and Luigi Russolo constantly abused existing media technologies and hijacked public communication. Niebisch traces how the early avant-garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication and how they aimed at creating a media ecology based on and inspired by technologies such as the radio and the photo cell.

* Features over thirty contributors from a diverse range of backgrounds within the field of composing for film and TV from across the world. * Illustrates how students and aspiring professionals can break into the industry and apply the technical skills they have. * Provides accessible and relatable perspectives on topics such as how to break into the field; how to develop, nurture, and navigate business relationships; and how to do creative work under pressure.

This book provides a comprehensive reading of a space/place-based experience from the birth of the American horror genre (nineteenth century American Romanticism) to its rise and evolution in the twentieth and twenty-first centuries. Exploring a series of narratives, this study focuses on the role of space and place as key elements for successful articulation of horror. The analysis, therefore, employs different theoretical premises and concepts belonging to human geography, which, while being part of the larger discipline of geography, predominantly directs its attention towards the presence and activities of humans. By connecting such theoretical readings with the continuously evolving American horror genre, this book offers a unique insight into the academically unexplored trans-disciplinary spatially based reading of the genre.

- Interdisciplinary hot topic, related to broadcast, tv, film, as well as audio. - International scope, including diverse case studies, as well as consideration of how standards differ between countries (e.g. Japan vs. USA) - Well-connected and well-regarded author, with six Emmys for his work on live sound for broadcast events, including 11 Olympic games

Expert advice from several industrial professionals who have worked for some of the world's biggest tech and interactive companies. Best practices that not only prepare writers on how to apply their craft to new fields, but also prepare them for the common ambiguity they will find in corporate and start-up environments. Breakdown of platforms that shows how tech capabilities can fulfill content expectations and how content can fulfill tech expectations. Basic storytelling mechanics customized to today's popular technologies and traditional gaming platforms.

A broad range of essays and case studies of different approaches to delivering performing arts teaching remotely - via Zoom or similar media Aimed at performing arts teachers and instructors at all levels from secondary school to postgraduate studio work The first and only book on how to teach performance without being in the same room as one's students

A broad range of essays and case studies of different approaches to delivering performing arts teaching remotely - via Zoom or similar media Aimed at performing arts teachers and instructors at all levels from secondary school to postgraduate studio work The first and only book on how to teach performance without being in the same room as one's students

- Interdisciplinary hot topic, related to broadcast, tv, film, as well as audio. - International scope, including diverse case studies, as well as consideration of how standards differ between countries (e.g. Japan vs. USA) - Well-connected and well-regarded author, with six Emmys for his work on live sound for broadcast events, including 11 Olympic games

* Provides a unique perspective to media production while considering aesthetics, ideas and ethics and includes a robust companion website with interactive exercises for each chapter as well as a downloadable instructor's manual. * Suitable for beginner to intermediate media students, balancing technical details with an approachable writing style. * Explores a broad range of media production beyond film and TV, including fine art and online applications.

* Uniquely brings together a critical study of film, with the practical ways in which filmmakers can apply the same practice to their own filmmaking - drawing on aesthetics to create brilliant and effective storytelling. * Draws on technical skills and a critical interest to provide advanced students of filmmaking with a textbook that addresses directly how they can create powerful films by using creative decisions. * Unlike the competition, this book is pedagogically and practically focused, whilst using critical and theoretical content to explore the more practical aspects of filmmaking.

* Uniquely brings together a critical study of film, with the practical ways in which filmmakers can apply the same practice to their own filmmaking - drawing on aesthetics to create brilliant and effective storytelling. * Draws on technical skills and a critical interest to provide advanced students of filmmaking with a textbook that addresses directly how they can create powerful films by using creative decisions. * Unlike the competition, this book is pedagogically and practically focused, whilst using critical and theoretical content to explore the more practical aspects of filmmaking.

* Provides a unique perspective to media production while considering aesthetics, ideas and ethics and includes a robust companion website with interactive exercises for each chapter as well as a downloadable instructor's manual. * Suitable for beginner to intermediate media students, balancing technical details with an approachable writing style. * Explores a broad range of media production beyond film and TV, including fine art and online applications.

This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith's novels, which have been a popular source for adaptation since Alfred Hitchcock's Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.

- A new edition of a successful textbook on an established, growing and core area of film study, this book is specifically aimed at students taking film business courses. - The only book to look at the film business outside of Hollywood and to teach how to finance films within an international context. - Includes real life examples and case studies from UK, Europe and the USA, including new dedicated chapters on Netflix and the Chinese Film Industry.

- A new edition of a successful textbook on an established, growing and core area of film study, this book is specifically aimed at students taking film business courses. - The only book to look at the film business outside of Hollywood and to teach how to finance films within an international context. - Includes real life examples and case studies from UK, Europe and the USA, including new dedicated chapters on Netflix and the Chinese Film Industry.

The overthrow of the 'gang of four' in 1976 had profound effects in all areas of Chinese society, and probably nowhere can this be seen more clearly than in the performing arts. Jiang Qing, Mao Zedong's widow, was strongly interested in the performing arts and exercised great influence over them. Professor Mackerras describes this influence and the effects its removal had on the arts in the years after Mao's death, as well as in the years following the Cultural Revolution. This book, first published in 1981, deals not only with opera, the spoken play, music and dance but also with cinema, describing how in all these cases the Chinese have adapted traditional art forms for political, social and propagandist purposes, both domestic and international. It charts the transformations that have taken place in all the multiple aspects of the performing arts and sets them against the development of Chinese society as a whole. It also looks at the role of the actor and performer in society, including their training, social status and livelihood.

The explosion of interest in the gothic in recent years has coincided with a number of seismic political changes that have reshaped the world as we know it. Neoliberal Gothic explores that world, considering the ways in which the exponential increase in the cultural visibility of the gothic attests to the mode's engagement with the most significant dynamics of our age. These include the triumph of free market economics, the revolution in information and communication technologies, the emergence of global biotechnologies, the increasing power of transnational corporations, the US-led 'War on Terror' and the global financial crisis of 2008. Through analysis of texts drawn from literature, film, television, theatre and the visual arts (from Europe to South East Asia, Africa to North and South America) the collection examines the ways in which the representational strategies of the gothic mode are ideally suited to an exploration of the dark side of neoliberal enterprise. -- .

'Warning: so funny, even the strongest pelvic floors will be tested' - Net Mums 'A very funny, honest look at the ups and downs of parenting. I absolutely loved it.' - Emily Dean, host of Walking the Dog 'Lucy, a favourite comic of mine, manages to shed new light on something so universal. Her reaction to parenting is ridiculously refreshing and loaded with guilty laugh out loud honesty. After the school run, I implore you to pick a page, any page, then realise you're not alone. A gentle funny stroke of parenting genius' - Johnny Vegas 'As a mum of two girls, I was nodding, laughing and emotional. I recognised so much of Lucy's journey in my own... I really loved it.' YolanDa Brown, BBC Loose Ends From TV's award-winning comedy mum and the writer of Hullraisers, Lucy Beaumont, comes her hilarious debut on the trials and tribulations of motherhood. Known for her sharp, witty and surreal view on everyday life, Lucy shares the unpredictable craziness of being a mum in this brilliant and laugh-out-loud 'mumoir'. Mums everywhere will recognise the madness of it all. Like when Lucy was hospitalised during her third trimester with chest pains but it turned out to be a burrito. Or when she was so tired at the park she forgot her own child's name. Heart-warming and laugh-out-loud funny, Drinking Custard also captures Lucy's marriage to comedian Jon Richardson, as they navigate Lucy's raging pregnancy hormones and balk at pram prices together. Get ready to make room on mum's bookshelf for Drinking Custard to sit alongside other mum classics such as Why Mummy Drinks, Hurrah For Gin! and The Unmumsy Mum.

- gives the reader a clear and coherent understanding of the what entertainment is and how it functions in the performing arts - for a broad range of artists and performers looking to deepen their understanding of how their work impacts audiences - the only book that tackles entertainment in the context of the performing arts from an artist's perspective

- gives the reader a clear and coherent understanding of the what entertainment is and how it functions in the performing arts - for a broad range of artists and performers looking to deepen their understanding of how their work impacts audiences - the only book that tackles entertainment in the context of the performing arts from an artist's perspective

Born in Wigan in 1901 and a childhood friend of George Formby, who was later to become his chief rival, Frank Randle was one of the greatest music-hall comedians of all time. His theatre career started in 1916, when he appeared as an acrobatic artist under the name of Arthur Twist. It was not until the thirties, however, that he achieved his greatest popularity and notoriety as a comedian whose wild, manic temperament introduced a fresh note of invention into popular entertainment. For ten years he ran his own touring company, Randle's Scandals, playing to enthusiastic audiences all over the country. He also made a number of shoe-string movies and was the star of Blackpool's most distinguished summer-season show. During the early fifties his health declined and he died in Blackpool in 1957. Originally published in 1978, Jeff Nuttall's account of Frank Randle is both a portrait of a 'very, very, funny man' and the story of his own search as he pieced that portrait together by talking to Randle's acquaintances, friends, colleagues and relations. What emerges from his narrative is a beautifully recorded analysis of the ways in which working-class values are expressed in popular entertainment and are thus ritualised by it. The image Nuttall builds of Randle also allows him to explore the perennial theme of the clown as outsider and, with the passing of Randle, he acknowledges the passing of a certain naive optimism which Randle so expressively embodied.

David Bowie and Romanticism evaluates Bowie's music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists. These chapters expand our understanding of both the literature studied as well as Bowie's music, exploring the boundaries of reason and imagination, and of identity, gender, and genre. This collection uses the conceptual apparata and historical insights provided by the study of Romanticism to provide insight into identity formation, drawing from Romantic theories of self to understand Bowie's oeuvre and periods of his career. The chapters discuss key themes in Bowie's work and analyze what Bowie has to teach us about Romantic art and literature as well.

* The only book that breaks down and describes all the aspects needed to break into the role of Office Production Assistant and guide the reader through the career path. * Demystifies roles within Film and TV Production and explains how the industry works in a clear and concise way. * Written by two industry experts with over 40 years combined of production experience.