The first serious study of tournaments throughout Europe reveals their importance - in the training of the medieval knight, the development of arms and armour, as an instrument of political patronage, and as a grand public spectacle. Will appeal to a wide audience. It is beautifully presented...the illustrations add further glory to a thorough historical analysis which is based on extensive research in Europe-wide sources... particularly useful in bringing toour attention lesser-known materials from the Iberian peninsula. The level of discussion, range and thoroughness of treatment and excellence of annotation make this a useful reference work for the academic historian too: it is hard to find any aspect of tournaments that is not covered.HISTORY The first serious study of tournaments throughout Europe reveals their importance - in the training of the medieval knight, the development of arms and armour, as an instrument of political patronage, and as a grand public spectacle.

Each story in this collection begins with an undesirable or out-of-balance situation and, through the use of metaphor and an imaginative story journey, leads to a more desirable resolution. In this way, the stories also have the potential for nurturing positive values. The stories cover many kinds of universal behaviour. Following the alphabet from A to Z, the behaviour is identified in the story title e.g. anxious, bossy, cranky ... greedy ... jealous ... lazy ... swearing ... uncooperative ... and more. The stories can be told directly, or adapted. They can be turned into home-made picture books and puppet shows, or used as springboards for the creation of new tales for particular behaviour challenges and situations.

During a remarkable lifetime, Andrew Sinclair has bridged the worlds of university and literature, art and cinema. A child of the Second World War, he has known many of the leading figures of the past seventy years - ranging from William Golding to Ted Hughes, Harold Pinter to Francis Bacon, Robert Lowell to Graham Greene, as well as publishing such classic screenplays as 'The Blue Angel', 'The Third Man' and 'Stagecoach'. He also directed a number of films including Dylan Thomas's 'Under Milk Wood' starring Richard Burton, Elizabeth Taylor and Peter O'Toole. This unique `anti-memoires' of episodes and encounters captures new insights into many of the leading creative talents and stars of their times. In his own adventures, Andrew became involved in the revolt against the Suez invasion and overground nuclear tests, the Cuban revolution led by Fidel Castro and Che Guevara, the 1968 global student uprisings and finally in the worldwide digital revolution in education and the arts. Now in his ninth decade, this author of some 40 books, including the much-lauded The Breaking of Bumbo and Gog, Andrew Sinclair in the tradition of John Aubrey's Brief Lives looks back on a rich life and fond memories of the people he has studied and known.

This book traces the cultural transformation of nostalgia on the Chinese screen over the past three decades. It explores how filmmakers from different generations have engaged politically with China's rapidly changing post-socialist society as it has been formed through three mutually constitutive frameworks: political discourse, popular culture and state-led media commercialisation. The book offers a new, critical model for understanding relationships between filmmakers, industry and the State.

InkShard is a compendium of articles and social commentary, written by author Eric Muss-Barnes, between 2004 and 2018. Revised and expanded, this volume assembles various topics culled from posts on social media websites to the scripts of video essays. Carefully compiled from the finest of his journalistic work, InkShard represents the definitive collection of Eric's most compelling dissertations and beloved editorials.