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Books > Arts & Architecture > Art forms, treatments & subjects > Decorative arts & crafts > Gold & silversmithing
This is the first comprehensive and fully illustrated study of
silver vessels from ancient Macedonia from the 4th to the 2nd
centuries BC. These precious vessels formed part of dining sets
owned by the royal family and the elite and have been discovered in
the tombs of their owners. Eleni Zimi presents 171 artifacts in a
full-length study of form, decoration, inscriptions and
manufacturing techniques, set against contemporary comparanda in
other media (clay, bronze, glass). She adopts an art historical and
sociological approach to the archaeological evidence and
demonstrates that the use of silver vessels as an expression of
wealth and a status symbol is not only connected with the wealth
spread in the empire after Alexander's the Great expedition to the
East, but constitutes a practice reflecting the opulence and
appreciation for luxury at least in the Macedonian court from the
reign of Philip II onwards.
Beautifully illustrated throughout, this distinctive collection
will give an insight into the work of an English, twentieth
century, master goldsmith.Each photograph is of a unique piece,
showing that the skills of a traditionally trained goldsmith can
still create gold and silver pieces that can rival that of the past
revered Russian master goldsmiths.This book will be of interest to
anyone who can appreciate and is interested in the skills of a
master goldsmith, and one who takes pleasure in including flora and
fauna, made from precious metals, into many of his designs and
finished pieces.
Precious metal wire is a versatile material that can be used to
great advantage in jewellery design. This book focuses on using
soldering techniques to confidently construct wearable wire
jewellery designs. It incorporates fundamental skills such as
cutting, filing, annealing and soldering, and encourages the maker
to master these basic techniques, so they can create individual
articles of wire jewellery using their own inspiration and designs.
Beading is an absorbing hobby. You need very little equipment and
the materials are a joy to collect and will provide much of the
inspiration for your pieces. It is a pleasure to quickly make up a
piece of jewellery to complement an outfit, or create a pair of
earrings as a gift. The first section in the book introduces the
tools, materials and fundamental techniques used throughout the
projects. It also provides a pictorial reference of most sizes and
styles of seed beads and an outline of other common bead types. The
projects presented in the book include both beginner and advanced
techniques, from basic stringing and knotting to more complex bead
weaving.
Silver is an exciting and versatile material for jewellery makers,
both beginners and the more advanced, and nothing beats the
satisfaction of creating and making your own designs. This book
shows you how. Full of inspiring ideas and finished pieces, it
explains over forty processes including the more advanced
techniques such as fold forming and keum-boo and encourages the
reader to experiment with their own designs. Further topics include
step-by-step explanations with bench tips from the author's own
experience; advice on the jewellery process, including how to
gather inspiration for designs and considerations for making
wearable jewellery. Finally, there is a chapter dedicated to the
surface finishing and polishing of silver to give your designs a
professional finish.
Tiaras have always inspired a great fascination and the most
beautiful and influential women have been painted, photographed and
admired whilst wearing them. Even in the 21st century they are
still worn and continue to inspire special poise, elegance and
sophistication. This lavishly illustrated book includes exclusive
photographs, many repro duced for the first time, of a variety of
Royal tiaras together with those of French and Russian Imperial
provenance, including four stunning tiaras designed by Prince
Albert for Queen Victoria. Geoffrey Munn has also been granted
privileged access to the archives of many famous jewellers,
including Boucheron, Cartier, Van Cleef and Arpels and Faberge, for
his research. The regal images of some of the most prestigious
jewels in the world will captivate the reader and ensure turning
the page to the next enticing image becomes irresistible. Many of
these mes merising tiaras also have great historical signifi cance
and their provenance is fully explained here. Among the con
temporary pieces referred to are tiaras belonging to Jamie Lee
Curtis, Vivienne Westwood, Elton John and Madonna, that were made
by Galliano, Slim Barratt and Versace. The scholarly text, which
incorporates more than 400 illustrations, includes chapters on
tiaras as crown jewels, Russian style tiaras, tiaras as works of
art and the relationship between the tiara and the costume ball.
Tiaras - A History of Splendour is a magnificent work that will
enthral all those interested in fashion and style, jewellery,
European history and Royalty. "... beautifully written and
magnificently produced... for anyone interested in social history,
it's as good a read as you are likely to have this year." Daily
Telegraph "A truly majestic book" Antiques Info "... elegantly
melds social history, fashion criticism and an appreciation of the
jeweler's art." Town & Country
A complete and practical guide to using precious and semi-precious
stones in any metal - from traditional settings to contemporary
looks. This is a detailed, technical guide to stone-setting for
jewellers and jewellery students. It explores traditional, modern
and experimental approaches to stone-setting, from the purely
functional to design-led solutions for securing stones. This book
takes you through the entire process of setting stones from
choosing a suitable stone, designing and making the setting, to
seating and setting the stone. The extensive setting techniques are
combined with step-by-step demonstrations, precise diagrams and
images of contemporary work from international jewellers. A
comprehensive reference section, featuring an illustrated glossary,
makes this book the essential stone-setting resource for both
students and professional jewellers. Demonstrations produced using
3D modelling software provide the most up-to-date reflection of
current practice and technology, and allow explanations of skills
and techniques to be presented with expert accuracy. This book is
the perfect resource for jewellers of all levels.
This detailed guide is written for intermediate and experienced
Rhino 3D CAD users who wish to improve their understanding of NURBS
and subdivision modelling methods in Rhino 3D. It explains how 3D
modelling applies to jewellery and manufacturing through a
combination of step-by-step tutorials, analysis of the software
techniques and demonstrations of real world case studies. Packed
with essential techniques and strategies, it can be used as a
self-learning tool or a classroom text to take your use of Rhino's
3D NURBS and subdivision modelling tools to a higher level. This
new book gives a comprehensive and fluid strategic approach to
modelling solids, surfaces and subdivision objects in Rhino. The
application of jewellery manufacturing tolerances across a range of
different jewellery types is covered. The essential tools and
holistic strategy of Rhino's SubD organic modelling suite, and how
it fits within the greater scheme of Rhino modelling is discussed.
Finally, there is an overview of useful practices for creating good
CAD renders using Rhino Cycles.
"...here's eye candy on every page of the book." - Natural Diamonds
This sumptuous book showcases the work of women jewellers in the
20th century. Beginning with Arts & Crafts jewellers in
Britain, Europe and North America, the author then examines the key
figures and movements of the pre-war period including Coco Chanel's
legendary 'Bijoux de Diamants' exhibition of 1932, the designs of
Suzanne Belperron and the roles of Jeanne Toussaint at Cartier and
Renee Puissant at Van Cleef & Arpels. From the 1950s to the
present day, a wide range of international designers are examined
in detail with many examples of their work clearly illustrated. The
author focuses on themes associated with jewellery, including
colour, light, proportion, nature and legends. Among the many names
included are Vivianna Torun Bulow-Hube (designer for Georg Jensen),
Margaret De Patta, Wendy Ramshaw, Angela Cummings, Paloma Picasso,
Marina B, Lydia Courteille and Michelle Ong. Jewellery firms
include: Boivin, Cartier, Van Cleef & Arpels, Bulgari, Jensen,
Tiffany & Co. Designers featured: Alma Pihl, Coco Chanel,
Suzanne Belperron, Juliette Moutard, Olga Tritt, Elisabeth Treskow,
Margaret de Patta, Jeanne Toussaint, Line Vautrin, Margret Craver,
Vivianna Torun Bulow-Hube, Nanna Ditzel, Marianne Ostier, Barbara
Anton, Gerda Floeckinger, Astrid Fog, Cornelia Roethel, Catherine
Noll, Angela Cummings, Elsa Peretti, Wendy Ramshaw, Marina B,
Marie-Caroline de Brosses, Marilyn Cooperman, Paloma Picasso,
Victoire de Castellane, Alexandra Mor, Ornella Iannuzzi, Neha Dani,
Paula Crevoshay, Nathalie Castro, Claire Choisne, Bina Goenka,
Carla Amorim, Monique Pean, Michelle Ong - Carnet, Kara Ross, Lydia
Courteille, Suzanne Syz, Sylvie Corbelin, Kaoru Kay Akihara -
Gimel, Katey Brunini, Luz Camino, Cindy Chao, Aida Bergsen, Anna
Hu, Barbara Heinrich, Jacqueline Cullen, Cynthia Bach.
Engraving by hand is the oldest art of mankind and one that still
flourishes today. With a simple message the precious metal engraver
can give a unique personality to an otherwise commonplace cigarette
box, goblet or compact. Despite the singular character of the craft
very few practical books have been written on engraving precious
and other materials employed by the jeweller; in fact none have
been published in the United Kingdom for many years. Engraving on
Precious Metals is for professionals and others who wish to learn
hand engraving as a hobby or trade, and reveals many previously
undisclosed practices of the commercial engraver which help to make
his skill quite astonishing. All aspects of the craft are covered
exhaustively, including the relatively modern innovation of the
high-class machine engraver. This machine is particularly useful
for repeat monograms and designs which are afterwards filled,
because the template that guides the machine can be cut by hand.
Illustrated throughout with over 250 drawings, the book gives
practical hints for use in the workshop, while artistic matters are
covered extensively in chapters on lettering design and layout,
monograms, nameplates and ornamentation. A basic knowledge of
ancillary crafts can be found in the sections on piercing,
polishing, soldering and inlaying, and the use of unusual materials
such as ivory, wood or plastic is also discussed. The final chapter
contains a wide selection of different styles of lettering which
are numbered for easy reference, and can be used by the retailer to
indicate styles to customers and engravers.
"Understanding Jewellery is a love letter to glorious pieces from
the last hundred years." -M. J. Rose, The Adventurine "An enjoyably
scholarly romp through the past and a feast for the eyes for the
novice and the consummate jewelry fan and collector."-Beth
Bernstein, Forbes "A must-have coffee table book for jewellery
aficionados..." -Elisa Vallata, Departures International "As with
stocks, education is the way to begin. There are many excellent
books on the jewelry market, but start with Understanding
Jewellery, the industry bible by two former Sotheby's jewelry
executives, David Bennett and Daniela Mascetti." -Bloomberg
Understanding Jewellery, by authors David Bennett and Daniela
Mascetti, is often described as the must-have jewellery book of our
time - a 'Bible' in the jewellery trade. First published in 1989,
it has remained in print ever since, amassing a loyal following of
devotees who admire its detailed information and stunning imagery.
In this new work, Bennett and Mascetti have taken the original
concept of Understanding Jewellery a stage further. Now, with the
benefit of 20 years of hindsight, they have concentrated on the
20th century alone by conducting a detailed survey of each decade,
identifying the key players, trends and movements. The book is an
encyclopedic history of the various forms, techniques and materials
employed by the companies and individuals who defined jewellery in
the 20th century. Most significantly, this book includes a new set
of photographs, which make Understanding Jewellery: The Twentieth
Century one of the most dazzling, absorbing and varied collections
of jewellery images ever assembled in a book. This large format
hardback volume is a perfect gift for all lovers of jewellery and
the definitive guide for those who desire a deeper understanding of
the subject.
In the dynamic first quarter of the 20th century, Louis Comfort
Tiffany and his Tiffany Studios in New York City produced 24
distinctly different bronze desk-set patterns with nearly 1,000
different items sold separately, so that successful business
leaders could decide which and how many they could arrange on their
desks. The typical set might include inkwell, pen tray, paper rack,
rocker blotter, and decorative ends for the desk blotter. Some
patterns have a dozen or fewer items, but a few patterns have about
80 items available. Over 600 color photographs show most of the
desk set items, with carefully researched text, including their
Tiffany item numbers, markings, sizes, related pieces, and rarity,
and an indispensible Master List of all the original Tiffany
Studios items, including lamps, planters, match holders, etc., in
numerical order. It will help to identify pieces never seen before
and mismatched and put-together items. This is the most
comprehensice collecting guide to the subject..
This book is the catalog for two of the first major exhibits to
show only modernist jewelry from such a broad group of artists.
Both take place in 2008 in Fort Wayne, Indiana: one at The Fort
Wayne Museum of Art (May 2 to August 24) and the other at The
University of St. Francis School of Creative Arts (May 2 to May
30). Over fifty collectors and living art jewelers have lent some
of the best examples of this innovative style. Sculptors Alexander
Calder, Harry Bertoia, Jose de Rivera, Peter and Daniel
Macchiarini, Earl and Tod Pardon, and merry rank are among the 96
artists featured, along with their extensive jewelry creations.
Their work was experimental and stimulated originality in
successive generations. Plastics, pearls, brass, copper, silver,
gold, and enamels are among the materials found here in
mini-sculptures and jewelry ornaments for men and women alike. The
author's extensive research uncovers connections among the artists
and documents this important art period and medium. Artists,
collectors, cultural historians, and students all will want to see
the exhibits and own the catalog.
"It imparts the type of educational information that all stages of
jewelry collectors, as well as jewelry enthusiasts from students to
dealers, will go back to again and again." - Beth Bernstein,
Instore Mag "The Modern Guide to Antique Jewellery will make a
collector of you yet" -Annie Davidson, JCK "...filled with fun
factual titbits that are presented in a witty, conversational
style, with lively narratives exploring each piece's history." -
Solitaire International "The ultimate go-to guide." - Retail
Jeweller World The ultimate go-to guide, The Modern Guide to
Antique Jewellery takes the reader on a tour through time,
venturing from the 1700s all the way through to the early 20th
century. From how to look chic while wearing jewellery that
outdates you by 100 years, to how to spot and score the best
pieces, this book is a must-read for all enthusiasts and collectors
who have an affinity for the jewels of the past. Fun factual
tidbits are presented in a witty, conversational style, and lively
narratives explore each piece's history. Part travelogue, featuring
the most influential shops in New York, LA, London, Paris and
Amsterdam; part educational guide, with anecdotes from dealers and
experts; and part celebration of historical jewellery, this book is
an invaluable and accessible reference. Topics covered include (but
are not limited to): how to identify the most popular gemstones,
materials, styles and collectible pieces in the market today, and
how to select antique jewellery to complement your lifestyle. The
Modern Guide to Antique Jewellery will reveal what to look for and
where to locate rare finds, as well as how the experts score the
pieces that decorate the fingers, ears, necks and wrists of the
collector.
Royalty, Aristocrats, American heiresses, exiled Russian Grand
Dukes, Randlords, Maharajas, Socialites and Financiers with newly
made fortunes flocked to Faberge in London to buy gifts for each
other. The Imperial Russian Goldsmith's London branch was the only
one outside of Russia and its jewelled and enamelled contents were
as popular there as they were in St. Petersburg or Moscow. Using
previously unreferenced sources and a newly discovered archive of
papers relating to Faberge in London, Kieran McCarthy studies the
branch's structure, customers and exclusive stock. The book will be
of interest to enthusiasts of the decorative arts, the social
history of the Edwardian Golden Age and especially of European
Royalty. Faberge's works were and continue to be intimately
associated with the British Royal Family. For Violet Trefusis,
daughter of King Edward VII's mistress Mrs. Keppel and lover of
Vita Sackville-West, a Faberge cigarette case was the emblem of
Royalty, as symbolical as the 'bookies' cigar', or the 'ostler's
straw'.
The discovery of silver cannot be pinpointed; humans have mined it
far back into antiquity. Our fascination with this malleable metal
and the beautiful works of art that can be shaped from it continues
to this day. This book brings together two expansive collections of
silver objects, the 'Lion' collection and the 'Hamme' collection.
The 'Lion' collection provides a broad overview of beautiful silver
objects made by a great variety of British contemporary
silversmiths. It is divided between holloware, caddy spoons and
napkin rings. Part of the collection revolves around the theme of
lions, because the lion image bears a resemblance to the
collector's family history. The Hamme collection is a spectacular
array of 'hero' pieces and commissions that demonstrate some of the
best of each silversmith's work. With more than 500 images,
Contemporary British Silver Designers shares some of the finest
work crafted by 21st-century silversmiths. Interviews with numerous
modern silversmiths - Jane Short, Kevin Grey, Miriam Hanid, Nan Nan
Liu, Phil Jordan, Ray Walton, Rod Kelly, Tamar de Vries Winter,
Wayne Meeten, Yusuke Yamamoto, Zoe Watts, Fred Rich, Michael Lloyd
and Wally Gilbert - offer insight into the silversmiths' process
and inspirations. Brief biographies are also included on numerous
other silversmiths whose work is featured in this book: Phil
Barnes, James Dougall, Ryan McClean, Stuart Jenkins, Martin Baker,
Martin Keane, Sarah Wilson, Don Porritt, Martyn Pugh, Maureen
Edgar, Alistair McCallum, Colette Bishop, Adi Toch, Malcolm
Appleby, Adrian Hope, Jen Ricketts, Cara Murphy, Graham Stewart, ,
Kathryn Hinton, Brett Payne, Clive Burr, Rauni Higson, Angus
McFadyen, Kyosun Jung, Karina Gill, Stella Campion, Angela Cork,
Abigail Brown, Jessica Jue, Ndidi Ekubia, Elizabeth Auriol Peers
and Katie Watson, among others.
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