This volume is about the history and cultural use of turquoise in Mexico and North America. Contributions address the meanings and significance of turquoise in its archaeological, historical and ethnographic dimensions by bringing together the expertise of museum curators and scientists from a variety of disciplines from Mexico, North America and Europe.

Welcome to a celebration of alternatively designed wrist- and pocket watches, which honors innovative craftsmanship within the world of modern horology. The 150 different brands featured in this unique book each have a double-page spread dedicated to rare, specially selected timepieces. Featured manufacturers include Patek Philippe, Jaeger LeCoultre, Vacheron Constantin, Chopard, Tag Heuer, and Hublot. There is also a broad selection of avant-garde watchmakers like MB & F, Urwerk, and DeBethune. The design and technical information of each watch, ranging from simple to elaborate, is described in this lavish showcase of mostly high-end watch brands. A wristwatch made entirely of wooden parts, a timepiece designed after a Ferrari engine, and other one-of-a-kind movements, are just a few examples of the stunning variety of alternatively conceived men's and unisex watches. Many have not appeared in print before. This collection should appeal to both watch lovers and aficionados of good design.

The prowess of Chinese creative abilities in the decorative arts in the 19th and early 20th centuries was well known globally, but, while much has been written about Chinese textiles and on the influence of the East on European styles of the time, the story of the influence of Western formats and tastes on the manufacture of Chinese jewellery in the period has, amazingly, never been told. In examining 50 objects of exatraordinary quality from an important private North American collection, this book seeks to redress the situation and reveal the splendour of silver and silver-gilt jewellery of the late Qing dynasty. An ancient and sophisticated culture, the Chinese - who have since records begun made up about a quarter of world's population - had almost everything they could need or want within their own borders ...except for silver. The metal had long cultural, commercial and governmental associations but had to be imported largely from South America, after both national and Japanese reserves were quickly exhausted by huge Chinese demand. Beginning in the mid 19th century - where the story told here begins - after two successive defeats in the Opium Wars, sixteen treaty ports were established on coastal and inland cities, enabling Western merchants freer movement and trade with the Chinese. The 50 pieces of jewellery and ornament presented here have been beautifully photographed and carefully documented. In superb unrestored condition, the objects incorporate exotic materials like tiger-shark teeth, teak wood, amber, precious and semi-precious stones from India and Sri Lanka, enamel, as well as finely carved and pierced nephrite, jadeite and lapis lazuli. Daoist imagery and motifs dominate but with the inclusion of some surprising Buddhist imagery as well. Though not from the imperial collection of the Qing, these exquisite pieces were seemingly commissioned and worn by prosperous members of the society from all over the vast country. The differences in manufacture, even in this varied sample of 50 items, is striking. Their appeal is more than just aesthetic, and their design and decoration speak of the social, religious, economic and political climate of their time. Questions regarding the sale and consumption of these object are discussed, and changing local and foreign tastes in the wake of the fall of the Qing dynasty and the establishment of the Republican period are also addressed.

Precious metal wire is a versatile material that can be used to great advantage in jewellery design. This book focuses on using soldering techniques to confidently construct wearable wire jewellery designs. It incorporates fundamental skills such as cutting, filing, annealing and soldering, and encourages the maker to master these basic techniques, so they can create individual articles of wire jewellery using their own inspiration and designs.

If you love Jo Watson, Zara Stoneley and Sophie Ranald, you'll LOVE Hannah Orenstein! 'A good read for the holidays (or lockdown)' 5* reader review Love at First Like is the perfect rom-com for anyone who's ever looked for love online! 'Such a perfect book for this digital age' 5* reader review 'The perfect vacation read!' 5* reader review 'I inhaled this book' 5* reader review WHAT DOES IT TAKE TO FAKE THE PERFECT LOVE LIFE? Eliza Roth and her sister Sophie co-own a jewelry shop in Brooklyn. One night, after learning of an ex's engagement, Eliza accidentally posts a photo of herself wearing a diamond ring on that finger to her Instagram account beloved by 100,000 followers. Sales skyrocket, press rolls in, and Eliza learns that her personal life is good for business. So she has a choice: continue the ruse or clear up the misunderstanding. With mounting financial pressure, Eliza sets off to find a fake fiance. Fellow entrepreneur Blake seems like the perfect match on paper, and in real life he shows promise too - if only Eliza didn't feel also drawn to someone else. But Blake doesn't know Eliza is 'engaged'; Sophie asks Eliza for an impossible sum of money; and Eliza's lies start to spiral out of control. Now she can either stay engaged online - or fall in love in real life. Written with singular charm and style, Love at First Like is for anyone growing up and settling down in the digital age. 'This glittering gem of a novel is a wise and witty take on family, ambition, and modern love' Andrea Dunlop, author of We Came to Forget

Under the ambiguous term HUNT (English: the hunt; Estonian: the wolf), Kadri Malk unites her collection of contemporary art jewellery. As a lone wolf, the Estonian artist and teacher compiled the pieces in her eternal hunt for beauty, mystery and creativity. Since jewellery is designed to be worn, Malk's fellow artists are not only immortalised in these works; they also pose in portraits alongside their favourite pieces. The jewellery is thus brought to life on the bodies of the collector's friends and companions. Text in English and Estonian.

Beading is an absorbing hobby. You need very little equipment and the materials are a joy to collect and will provide much of the inspiration for your pieces. It is a pleasure to quickly make up a piece of jewellery to complement an outfit, or create a pair of earrings as a gift. The first section in the book introduces the tools, materials and fundamental techniques used throughout the projects. It also provides a pictorial reference of most sizes and styles of seed beads and an outline of other common bead types. The projects presented in the book include both beginner and advanced techniques, from basic stringing and knotting to more complex bead weaving.

This catalogue of the Wyvern sculpture collection, which is not open to the public, comprises outstanding European sculptures of the medieval period, as well as some Late Antique and Byzantine pieces and related works of the post-medieval era. Objects are made from wood, stone (including alabaster and marble) and terracotta. Also included are medieval works of art in metal, mostly consisting of crucifix figures (corpora), and other functional metalware such as aquamanilia (water vessels for the washing of hands) and candlesticks. This sumptuous publication will interest all those concerned with the material culture of the Middle Ages.

From the author of Women from the Ankle Down comes a lively cultural biography of diamonds, which explores our society's obsession with the world's most brilliant gemstone and the real-world characters who make them shine. "A diamond is forever." Who among us doesn't recognize this phrase and, with it, the fascination that these shiny gemstones hold in our collective imagination as symbols of royalty, stars, and eternal love? But who gave us this catchphrase? Where do these gemstones and their colorful legacies originate? How did they become our culture's symbol of engagement and marriage? Why have they retained their coveted status throughout the centuries? Rachelle Bergstein's cultural biography of the diamond illuminates the enticing, often surprising story of our society's enduring obsession with the hardest gemstone-and the people who have worked tirelessly to ensure its continued allure. From the South African mines where most diamonds have been sourced since the late 1890s to the companies who have fought to monopolize them; from the stars who have dazzled in them to the people behind the scenes who have carefully crafted our understanding of their value-Brilliance and Fire offers a glittering history of the world's most coveted gemstone and its greatest champions and most colorful enthusiasts. Brilliance and Fire is illustrated with 16 pages of color photographs.

Caroline Broadhead (b. 1950) is a highly versatile artist who started in jewellery in the late 1970s. Since then she has extended her practice from "wearable objects" and textile works to dance collaborations and installations in historic buildings. Broadhead's work is concerned with the boundaries of an individual and the interface of inside and outside, public and private, including a sense of territory and personal space, presence and absence and a balance between substance and image. It has explored outer extents of the body as seen through light, shadows, reflections and movement. Published to accompany the Exhibition at CODA Museum Apeldoorn (NL), 4 February - 15 April 2018 and the Exhibition at Lethaby Gallery, Central Saint Martins, London, 11 January - 2 February 2019.

Joachim Capdevila (b. 1944) is a master of the art of goldsmithing, whose understanding of how to meld traditional handcraft with contemporary avant-garde jewellery is second to none. At the same time, his roots, which lie in painting, are unmistakable. Yet Capdevila does not just paint metal; his one-off jewellery pieces are rather the materialisation of a creative process in which metal and colour combine to become a completely new entity. The Barcelona-based jewellery artist has created a unique oeuvre in some fifty years, which is now being presented in a 175-piece-strong review for the very first time. In addition, Pilar Velez explores Capdevila's artistic development and his role as a pioneer and a major proponent of New Jewellery in Europe. Joaquim Capdevila is represented in numerous museums, including the Schmuckmuseum Pforzheim (DE), Museum fur Kunst und Gewerbe Hamburg (DE), MAK Museum of Applied Arts / Contemporary Art, Vienna (AT), Musee Olympique, Lausanne (CH), Royal Museums of Scotland, Edinburgh (GB), Collection de la Ville de Cagnes-sur-Mer (FR), Col.- leccio d Art de l Avui, Barcelona (ES), Museu de Montserrat (ES), Museu del Disseny de Barcelona (ES), Dallas Museum of Art, Rose-Asenbaum Collection (US).

Manfred Bischoff (1947-2015) was one of the most innovative jewellery artists of our time. He designed items of jewellery that tell stories and enriched his language of forms through references to contemporary art, quotations from art history and philosophy, and inspiration from his bountiful world of ideas. Through this, he developed his own particular way of mounting his jewellery pieces on drawings, on which messages and titles appear in his own characteristic hand. In this book, his work is showcased in its entirety for the very first time, including early works, which attracted little attention in previous publications. The publication is oriented on the sequence of places that each had a major influence on his works: first Berlin, followed by further locations in Italy. The book not only documents Manfred Bischoff's multifaceted oeuvre with numerous illustrations and preliminary sketches; it also provides insights, via additional private photos and notes, into a remarkable artistic universe. Text in English and German.

A remarkable private collection formed over the last thirty years is the focus of this richly illustrated book that introduces the reader to English silver spanning a century and a half from a little before the Tudor age (1485-1603) to the threshold of the Civil War (1642-51). This was a period when England changed out of all recognition. At the beginning it was still essentially a medieval country dominated by an autocratic king and a rich and powerful Church; by the end of the period the Church had lost virtually all of its power and, with the execution of Charles I in 1649, the monarchy itself was abolished. To a degree, this changing world is mirrored in the styles represented by the silver featuring in the collection. Besides setting the silver against its social and historical background the book examines the wide range of techniques used by silversmiths at the time to shape and adorn silver objects.

This volume, the second catalogue of the Wyvern Collection, celebrates an outstanding group of medieval ivory carvings and small sculpture, the finest assemblage of its kind in private hands. The book has pieces from every period of the Middle Ages, including rare examples from the Early Christian era; spectacular panels from the workshops of tenth-century Constantinople; objects produced by the celebrated carvers active in south Italy in the eleventh and twelfth centuries; and several important pieces from the Romanesque period. At the heart of the collection is an outstanding group of Gothic ivories whose highlights include one of the most important secular medieval ivories discovered in recent years. The collection also features a number of small amber, hardstone, jet, wood and mother-of-pearl carvings. In addition to their virtuoso craftsmanship, many of these objects have illustrious histories as part of famous aristocratic or ecclesiastical collections. This is a precious opportunity to study these miniature masterpieces.

The intention of Reinhold Ziegler's jewellery objects is to move the attention of the wearer or onlooker from themselves onto something greater - a radical strategy within a field that is strongly occupied with emphasising the individuality of the wearer. Ziegler's art is influenced by the French philosopher Georges Bataille, who in his work Eroticism identifies a strong dilemma in humanity in which, on one hand, we want to fight for our individuality yet, at the same time, have a strong desire to be united with what he calls 'everything that is'. In this book, Ziegler deals with this topic from many angles - gravitation, vibration, meteorites, fossils, and general aspects of humanity such as tools (from the Stone Age), talismans, spirituality, and consciousness.

Through this lavishly illustrated volume, readers will discover how various cultures, ranging from ancient societies to more recent Western cultures, created gilded surfaces and how the allure of gold inspired new and ingenious technologies. Among others, practical techniques covered include foil and leaf gilding, depletion and diffusion techniques, fire gilding and electroplating. Conservation issues are also addressed.

Karl Fritsch (b. 1963), master of extravagant rings, returns with a publication that lures us deep into his world. Ruby Gold is a "no-frills" pared-back book, without pagination, without essays. Instead it comprises 81 rings from the past 20 years featuring embedded gemstones and such memorable slogans as "Fuck Off" and "Nudelsuppe" (Noodle Soup). The jewellery artist's unmatched mastery of material and expression is apparent in every single ring, and every piece possesses tremendous energy as a result of the delicate yet archaic handling of the precious metals: Karl Fritsch carves in silver, shapes in gold, sets rubies and zirconias as a child would decorate a cake - with self-confidence and with no regard for waste. In between the detailed illustrations, Fritsch brings the rings and fingers into ironic dialogues with each other: "Ring: I am art. / Finger: Oh come on..." And: "Ring: I am a ring. / Finger: You are unwearable." Text in English and German. Published to accompany an exhibition at Galerie Zink, Waldkirchen, Germany, 12 September - 20 December 2020.

The Swiss artist Otto Kunzli has revolutionised modern art jewellery. In the 45-odd years in which he has been addressing the topic of jewellery, Kunzli has carved out for himself a unique position of far-reaching international influence, not only as an artist and a pioneer but also as an author and mentor. Otto Kunzli's works are based on complex reflection, conceptual and visual imagination. The result: objects with a clear, minimalist appearance, captivatingly crafted to perfection and highly visible - jewellery that adorns and at the same time possesses an autonomous aesthetic status of its own. The publication presents for the first time Otto Kunzli's highly diverse oeuvre. It includes hundreds of jewellery objects as well as interdisciplinary conceptual works from the artist's various creative phases. An extraordinary artist's book designed in close collaboration with Otto Kunzli and Die Neue Sammlung - The International Design Museum Munich. Otto Kunzli was born in 1948 in Zurich, Switzerland. Since 1991 Kunzli has held the Chair of Art Jewellery at the Academy of Fine Arts in Munich - as the successor of Prof. Hermann Junger. Otto Kunzli's work is represented in numerous international museums and collections. Alongside numerous awards, in 2010 Otto Kunzli was awarded the Swiss Grand Prix Design, and in 2011 the Goldener Ehrenring der Gesellschaft fur Goldschmiedekunst, the golden ring of honour conferred by the German Association for Goldsmiths' Art.

Despite being one of the most influential - and indeed most eccentric - of the American modernist jewellers, Sam Kramer (1913-1964) has received little recognition. His expressive, organic work and surreal workshop, located on West 8th Street in New York's Greenwich Village, paved the way for other mid-twentieth century metalsmiths, and for many more working today. Sam Kramer: Jeweler on the Edge investigates Kramer as both a seminal artist and a cult personality. Through lavish colour photographs of rarely seen works as well as newly discovered archival material, the story of this unique individual is told against a backdrop of post-Second World War America, from the late 1940s to the early 1960s. Mirroring both the existential angst and quirky humour of the Beat Generation, Sam Kramer embodied the iconoclastic spirit of his era.

The fabled land of Nubia, whose very name means 'gold,' was famous in ancient times for its supplies of precious metal, exotic material, and intricate craftsmanship. Many of the adornments made in Nubia are masterpieces of the jeweler's art-marvels of design and construction rivaling, and often surpassing, adornments made in Egypt and the rest of the ancient Mediterranean world. Although these unique treasures are among the most stunning to have survived from antiquity, they remain little known. Richly illustrated with beautiful photographs of these exquisite items, many of them never before published, Nubian Gold also places the jewelry within the cultural contexts in which it was manufactured and employed. It tells the story not only of the treasures themselves but of the exciting tales of their discovery and the rich background of the exotic and remote civilizations that produced them. The book also explores the innovative techniques used to procure the precious materials used in the jewelry and to craft them into intricate ornaments replete with magical purpose and coded meaning.Featured in the book are not only the intricately crafted pieces themselves but depictions of them in sculpture, relief, and painting as well as references to them in ancient texts, locating them within the full spectrum of Nubian history, from the earliest beginnings of society to the advent of Christianity.

Chunghi Choo (b. 1938 in South Korea) is a world-renowned metalsmith and jewellery artist who is best known for her works that incorporate such techniques as electroforming and electro-applique. Choo's artwork is represented in major museums around the world, including the Metropolitan Museum of Art (US), the Victoria and Albert Museum (UK) and the Musee des Arts decoratifs (FR). In addition, she is professor emeritus of the University of Iowa (US), where she established a metals programme, which she brought to international prominence during her more than thirty years of service. Many of her students have since become critically acclaimed artists in the fields of fine arts, jewellery, textiles, metalsmithing and sculpture. This volume reviews Choo's remarkable career, showing selected pieces from the last six decades of extraordinary craftsmanship that earned her status as Elected Fellow of the American Craft Council. Works by thirty former students reveal Choo's influence on a subsequent generation.

New Bracelets showcases more than 400 bracelets by 200 jewellers, selected from a pool of artists from across the world. This new title by Nicolas Estrada confirms that contemporary jewellery is flourishing: readers will be surprised and delighted with the freshness, diversity, and colourfulness of the many different styles in this collection. It incorporates jewellery designs in a wide variety of materials and approaches, including classic gold, silver, and precious stones, as well as paper, wood, plastic, and resins. This comprehensive selection puts its finger on the pulse of what is happening in the world of jewellery artists right now. It is part of our ongoing series on contemporary jewellery. New Bracelets includes prefaces by Barbara Schmidt and Helen Britton.

Kumihimo is a popular jewellery-making technique with origins in Japanese tradition. This colourful and informative beginner's guide to the craft explains how to use a circular kumihimo disc and a variety of braids and beads to create 12 stunning pieces of jewellery, plus colour and style variations, for any occasion. Kumihimo is a transportable craft so once you have mastered the basics of placing your braids over the disc in different formations to make a variety of patterns and motifs, you can create kumihimo jewellery wherever you go.

The importance of the Law of Treasure is largely the result of the spectacular growth in the activity of metal detecting which, starting in the 1960's, has grown so much in popularity that it now brings to our knowledge each year more than a thousand objects of historical, cultural or archaeological interest. The nature and volume of these finds has in turn led to a greater public concern to ensure that measures exist which will be conducive to the retention and effective preservation of the more important of those objects. It is, of course, essential that facilities exist for the physical examination and conservation of finds and that those facilities should be accessible and adequate. But the law has an important part to play in this process by ensuring that finds of substantial value or importance should be preserved for the nation and made available to the public in museums. For many hundreds of years, the Law of Treasure was the common law of treasure trove. Today it is essentially based on the Treasure Act 1996. Although the Act is a great improvement on the common law it is nevertheless not always rational and the meaning of some of its provisions is sometimes obscure. This book aims to provide a reliable guide to the Law of Treasure in England, Wales and Northern Ireland and also to explain the role played by legal institutions, such as the Coroner, in that process. This book will be of interest to archaeologists, museums, coroner's offices, finds liaison officers, farmers and landlords' associations. It will also be of interest and utility to metal detectorists since, in addition to explaining what objects are considered to be treasure by the law, it explains the legal restrictions on searching for artefacts, the duty to report finds of treasure and the structure of the valuation process and rewards.