Silversmithing is an exciting and developing craft, which combines traditional techniques with contemporary design and technology. This practical book introduces the craft with a guide to the workshop and its tools, then emphasises the importance of drawing and design before explaining key techniques and showing how they can be used in clearly illustrated projects. By keeping the individual pieces small, it explains a range of skills that can be developed and combined to make more adventurous items. It discusses transforming silver sheets or rods into three-dimensional shapes using sinking, raising and forging techniques. It teaches how to silver solder and attach handles to the rounded body of a bowl and create well-fitting seams. Nine projects illustrate the techniques in use and include making spoons, round boxes, hinged lids, drinker beakers and candlesticks.

The breadth of National Museums Scotland's collections, together with the support of The Glenmorangie Company, puts National Museums in a unique position to reveal the role of silver in the development of the first kingdoms of Scotland. It was silver, not gold, which was the most important and powerful precious metal in Scotland for over six hundred years and, as well as showcasing beautiful objects, the book builds on the Glenmorangie Research Project to gives fresh insights into this formative period of Scottish history. Based on the exhibition Scotland's Early Silver which was at the National Museum of Scotland and is now on tour.

Welcome to a celebration of alternatively designed wrist- and pocket watches, which honors innovative craftsmanship within the world of modern horology. The 150 different brands featured in this unique book each have a double-page spread dedicated to rare, specially selected timepieces. Featured manufacturers include Patek Philippe, Jaeger LeCoultre, Vacheron Constantin, Chopard, Tag Heuer, and Hublot. There is also a broad selection of avant-garde watchmakers like MB & F, Urwerk, and DeBethune. The design and technical information of each watch, ranging from simple to elaborate, is described in this lavish showcase of mostly high-end watch brands. A wristwatch made entirely of wooden parts, a timepiece designed after a Ferrari engine, and other one-of-a-kind movements, are just a few examples of the stunning variety of alternatively conceived men's and unisex watches. Many have not appeared in print before. This collection should appeal to both watch lovers and aficionados of good design.

An indispensable guide to identifying mistakes and accidents, and foolproof ways to fix them. This comprehensive resource is a must-have for all jewellers. It covers hundreds of mistakes, accidents, roadblocks and disasters that jewellers, especially beginner and intermediate, may encounter. Laid out in an instinctive problem-to-solution order and exhaustively illustrated, it is designed for quick reference and ease of use. Troubleshooting for Jewellers opens with 150 diagnostic charts that act as a first point of reference to identify the most common problems. The principal task is to recognize where the jeweller is going wrong, so the book provides several options for possible causes alongside suggested remedies. These are organized by metalwork technique. Other helpful features include: Colour-coded tabs for easy navigation; Descriptions of how a problem looks and feels; Potential causes are listed for each problem; Beautiful finished pieces are shown to demonstrate what can be achieved; Key stages of the technique are demonstrated; Images of the faults to aid easy diagnosis; Photographs demonstrate the best ways to remedy the issue at hand. The book's five technique chapters contain two types of content, each with detailed text and dozens of photographs. Best Practices introduces topics that help to lay the foundations for problem-free skills and to prevent future problems; and Fix-Its describe faults and mistakes, their causes, and provide specific instructions to make repairs. Troubleshooting for Jewellers closes with indispensable measurements and conversion tables, health and safety procedures, and a glossary. This is a practical reference that all jewellery makers will use at one time or another. It is an essential purchase, especially for trade and art schools and libraries.

Doris Betz (b. 1960) is devoted to exploring linear form in her work. In her drawings she fathoms the depths of the potential of the line and the possibilities of the material silver, which she then contorts, turns, rolls and turns again, finally lacquering, oxidising or patinating with a flame to create the final jewel. Unforeseen fragile-looking and poetic formations emerge as Betz overlaps, knots and layers her material, rendering visible her jewellery's relationship to the vegetal language of natural forms - a source of inspiration for the artist. This book presents a selection of her jewellery works together with drawings from 2009 to 2016 for the very first time.With essays by: Monika Fahn, Pravu Mazumdar, Ira Mazzoni and Olga Zobel.

This book is designed for the exhibition of the collection of Mr. Guy Ladriere, which will be presented by the School of Jewelery Arts from 12 May to the 1 October 2022, under the commission of Mr. Philippe Malgouyres, chief curator of heritage in the art department of the Louvre. Widely illustrated and documented, this book will constitute a genuine introductory manual to the art of glyptics, thanks to its chrono-thematic approach to the history of engraved stones in the West. The author reveals a whole world in miniature, fascinating kings and emperors as much as collectors and art lovers. With materials with subtle engraved effects, cameos (relief engraving) and intaglios (intaglio engraving) have come down to us as jewels or relics, thus following all the themes of the History of Art: mythologies, symbols, portraits, allegories, etc.

In this book, Cristina Filipe offers a critical examination, from a social and art historical perspective, of some of the artists and contexts that contributed to the transformations in Portuguese jewellery from the vanguard of the 1960s to the early twenty-first century - a decisive period in which the term 'jewellery' itself was redefined. In addition, Contemporary Jewellery in Portugal contextualises the international scene, reflecting on how Portuguese artists responded to these external influences. What jewellery was made? Who made it? What were the underlying trends and creative references? These are some of the questions that this book seeks to answer through the analysis of artist interviews and exhaustive factual research, accompanied by a visual narrative mirroring the changes in contemporary jewellery in Portugal.

This marvellously illustrated book is a blend of the avant-garde, the unconventional and the delightful. It showcases nearly 600 contemporary rings by some 300 international designers who stimulate the imagination by challenging traditional practices and standard definitions. The finished products are sculpture for the hands, and range from the simple to the abstract, from everyday rings to those that are more challenging. Here are rings made of gold, platinum and precious stones, of wood, bones, fibre and shells... Without exception, they are all beautifully made and intriguing in their own way.

Precious metal wire is a versatile material that can be used to great advantage in jewellery design. This book focuses on using soldering techniques to confidently construct wearable wire jewellery designs. It incorporates fundamental skills such as cutting, filing, annealing and soldering, and encourages the maker to master these basic techniques, so they can create individual articles of wire jewellery using their own inspiration and designs.

Medieval Jewelry and Burial Assemblages in Croatia analyzes the Croatian archaeological heritage from the 8th to the 15th century, consisting mostly of jewelry (earrings) findings from cemeteries. Stratigraphy is used to establish horizons and phases of material culture, as well as the structure of the burial chambers. All in comparison with materials from neighboring regions of Europe.

The Cincinnati Art Museum holds over 400 pieces of silver designed, crafted, and sold in its city. With its founding in 1788, Cincinnati established itself as a leading centre for the luxury silver trade in the United States. Cincinnati Silver: 1788 -1940 traces the silver industry in the Queen City from the early years of production before the Civil War, through the growth of mechanisation and mass production, and into the Arts and Crafts and Art Deco periods. As the first comprehensive volume to be published on this subject in nearly forty years, Cincinnati Silver: 1788-1940 is a vital resource for scholars, collectors, and enthusiasts of American silver, as well as those interested in American material culture and the development of eighteenth - and nineteenth - century commerce. With stunning colour photography and in-depth research, this volume recounts the complex and fascinating story of the development of one of America's most important cities.