For a thousand years an extraordinary empire made possible Europe's transition to the modern world: Byzantium. An audacious and resilient but now little known society, it combined orthodox Christianity with paganism, classical Greek learning with Roman power, to produce a great and creative civilization which for centuries held in check the armies of Islam. Judith Herrin's concise and compelling book replaces the standard chronological approach of most histories of Byzantium. Instead, each short chapter is focused on a theme, such as a building (the great church of Hagia Sophia), a clash over religion (iconoclasm), sex and power (the role of eunuchs), an outstanding Byzantine individual (the historian Anna Komnene), a symbol of civilization (the fork), and a battle for territory (the crusades). In this way she makes accessible and understandable the grand sweeps of Byzantine history, from the founding of its magnificent capital Constantinople (modern Istanbul) in 330, to its fall to the Ottoman Turks in 1453.

In this book, Lindley S. Butler traverses oft-noted but little understood events in the political and social establishment of the Carolina colony. In the wake of the English Civil Wars in the mid-seventeenth century, King Charles II granted charters to eight Lords Proprietors to establish civil structures, levy duties and taxes, and develop a vast tract of land along the southeastern Atlantic coast. Butler argues that unlike the New England theocracies and Chesapeake plantocracy, the isolated colonial settlements of the Albemarle-the cradle of today's North Carolina-saw their power originate neither in the authority of the church nor in wealth extracted through slave labor, but rather in institutions that emphasized political, legal, and religious freedom for white male landholders. Despite this distinct pattern of economic, legal, and religious development, however, the colony could not avoid conflict among the diverse assemblage of Indigenous, European, and African people living there, all of whom contributed to the future of the state and nation that took shape in subsequent years. Butler provides the first comprehensive history of the proprietary era in North Carolina since the nineteenth century, offering a substantial and accessible reappraisal of this key historical period.

In Lost in Transition: Removing, Resettling, and Renewing Appalachia, Aaron D. Purcell presents a thematic and chronological exploration of twentieth-century removal and resettlement projects across southern Appalachia. The book shares complex stories of loss and recollection that have grown and evolved over time. This edited volume contains seven case studies of public land removal actions in Virginia, Kentucky, the Carolinas, and Tennessee from the 1930s through the 1960s. Some of the removals include the Tennessee Valley Authority and the Norris Basin, Shenandoah National Park and the New River, the Great Smoky Mountains National Park, and the Keowee-Toxaway Project in northwestern South Carolina. Each essay asks key questions: How did governmental entities throughout the twentieth century deal with land acquisition and removal of families and communities? What do the oral histories of the families and communities, particularly from different generations, tell us about the legacies of these removals? This collection reveals confrontations between past and present, federal agencies and citizens, and the original accounts of removal and resettlement and contemporary interpretations. The result is a blending of practical historical concerns with contemporary nostalgia and romanticism, which often deepen the complexity of Appalachian cultural life. Lost in Transition provides a nuanced and insightful study of removal and resettlement projects that applies critical analysis of fact, mythology, and storytelling. It illustrates the important role of place in southern Appalachian history. This collection is a helpful resource to anthropologists, folklorists, and Appalachian studies scholars, and a powerful volume of stories for all readers who reflect upon the importance of place and home.

This book tells the stories of freeborn northern African Americans in Philadelphia struggling to maintain families while fighting against racial discrimination. Taking a long view, from 1850 to the 1920s, Holly A. Pinheiro Jr. shows how Civil War military service worsened already difficult circumstances due to its negative effects on family finances, living situations, minds, and bodies. At least seventy-nine thousand African Americans served in northern USCT regiments. Many, including most of the USCT veterans examined here, remained in the North and constituted a sizable population of racial minorities living outside the former Confederacy. In The Families' Civil War, Holly A. Pinheiro Jr. provides a compelling account of the lives of USCT soldiers and their entire families but also argues that the Civil War was but one engagement in a longer war for racial justice. By 1863 the Civil War provided African American Philadelphians with the ability to expand the theater of war beyond their metropolitan and racially oppressive city into the South to defeat Confederates and end slavery as armed combatants. But the war at home waged by white northerners never ended. Civil War soldiers are sometimes described together as men who experienced roughly the same thing during the war. However, this book acknowledges how race and class differentiated men's experiences too. Pinheiro examines the intersections of gender, race, class, and region to fully illuminate the experiences of northern USCT soldiers and their families.

Praise for the author's A Brief Guide to the Greek Myths: 'Eminently sane, highly informative' PAUL CARTLEDGE, BBC History magazine In 2022 it will be 2,500 years since the final defeat of the invasion of Greece by the Persian King Xerxes. This astonishing clash between East and West still has resonances in modern history, and has left us with tales of heroic resistance in the face of seemingly hopeless odds. Kershaw makes use of recent archaeological and geological discoveries in this thrilling and timely retelling of the story, originally told by Herodotus, the Father of History. The protagonists are, in Europe, the Greeks, led on land by militaristic, oligarchic Sparta, and on sea by the newly democratic Athens; in Asia, the mighty Persian Empire - powerful, rich, cultured, ethnically diverse, ruled by mighty kings, and encompassing modern Iran, Iraq, Turkey, Syria and Egypt. When the rich, sophisticated, Greek communities of Ionia on the western coast of modern Turkey, rebel from their Persian overlord Darius I, Athens sends ships to help them. Darius crushes the Greeks in a huge sea battle near Miletus, and then invades Greece. Standing alone against the powerful Persian army, the soldiers of Athens' newly democratic state - a system which they have invented - unexpectedly repel Darius's forces at Marathon. After their victory, the Athenians strike a rich vein of silver in their state-owned mining district, and decide to spend the windfall on building a fleet of state-of-the-art warships. Persia wants revenge. The next king, Xerxes, assembles a vast multinational force, constructs a bridge of boats across the Hellespont, digs a canal through the Mount Athos peninsula, and bears down on Greece. Trusting in their 'wooden walls', the Athenians station their ships at Artemisium, where they and the weather prevent the Persians landing forces in the rear of the land forces under the Spartan King Leonidas at the nearby pass of Thermopylae. Xerxes's assault is a disastrous failure, until a traitor shows him a mountain track that leads behind the Greeks. Leonidas dismisses the Greek troops, but remains in the pass with his 300 Spartan warriors where they are overwhelmed in an heroic last stand. Athens is sacked by the Persians. Democracy is hanging by a thread. But the Athenians convince the Greek allies to fight on in the narrow waters by the island of Salamis (underwater archaeology has revealed the Greek base), where they can exploit local weather conditions to negate their numerical disadvantage. Despite the heroism of the Persian female commander Artemisia, the Persian fleet is destroyed. Xerxes returns to Asia Minor, but still leaves some forces in Greece. In 479 BCE, the Spartans lead a combined Greek army out against the Persians. In a close-run battle near the town of Plataea, the discipline, fighting ability and weaponry of the Greeks prevail. The Persian threat to the Greek mainland is over. Athens forms a successful anti-Persian coalition to drive the Persians from Greek territory, seek reparations, and create security in the future. But this 'alliance' is gradually converted into an Athenian Empire. The democracy becomes increasingly radical. In this context we see the astonishing flowering of fifth-century BCE Athenian culture - in architecture, drama and philosophy - but also a disastrous war, and defeat, at the hands of Sparta by the end of the century. The book concludes by exploring the ideas that the decisive battles of Thermopylae and Salamis mark the beginnings of Western civilization itself and that Greece remains the bulwark of the West , representing the values of generous and unselfish peace, freedom and democracy in a neighbourhood ravaged by instability and war.

From the earliest days of Jim Crow, African Americans in New Orleans rallied around the belief that the new system of racially biased laws, designed to relegate them to second-class citizenship, was neither legitimate nor permanent. Drawing on shared memories of fluid race relations and post-Civil War political participation, they remained committed to a disciplined and sustained pursuit of equality. Defying Jim Crow tells the story of this community's decades-long struggle against segregation, disenfranchisement, and racial violence. Amid mounting violence and increasing exclusion, black New Orleanians believed their best defense depended upon maintaining a close-knit and politically engaged community. Donald E. DeVore's peerless research shows how African Americans sought to reverse the trends of oppression by prioritizing the kind of capacity building-investment in education, participation in national organizations, and a spirit of entrepreneurship in markets not dominated by white businessmen-that would ensure the community's ability to keep fighting for their rights in the face of setbacks and hostility from the city's white leaders. As some black activists worked to attain equity within the "separate but equal" framework, they provided a firm foundation and crucial support for more overt challenges to the racist government structures. The result of over a decade's research into the history of civil rights and community building in New Orleans, Defying Jim Crow provides a thorough and insightful analysis of race relations in one of America's most diverse cities and offers a vital contribution to the complex history of the African American struggle for freedom.

Tin Pan Alley, once New York City's songwriting and recording mecca, issued more than a thousand songs about the American South in the first half of the twentieth century. In Reinventing Dixie, John Bush Jones explores the broad impact of these songs in creating and disseminating the imaginary view of the South as a land of southern belles, gallant gentlemen, and racial harmony. In profiles of Tin Pan Alley's lyricists and composers, Jones explains how a group of undereducated and untraveled writers-the vast majority of whom were urban northerners or European immigrants- constructed the specific and detailed images of the South used in their song lyrics. In the process of evaluating the origins of Tin Pan Alley's songbook, Jones analyzes these songwriters' attitudes about North-South reconciliation, ideals of honor and hospitality, and the recurring theme of the yearning for home. Though a few of the songs employed parody or satire to undercut the vision of a peaceful, romantic South, the majority ignored the realities of racism and poverty in the region. By the end of Tin Pan Alley's era of cultural prominence in the mid-twentieth century, Jones contends that the work of its writers had cemented the "moonlight and magnolias" myth in the minds of millions of Americans. Reinventing Dixie sheds light on the role of songwriters in forming an idyllic vision of the South that continues to influence the American imagination.

The Colonial Records of the State of Georgia document the colony through its first twenty-five years and includes correspondence between Georgia founder James Oglethorpe and the Trustees for Establishing the Colony, as well as records pertaining to land grants; agreements and interactions with indigenous peoples; the settlement of a small Jewish community and the Salzburgers, German-speaking Protestant refugees; and the removal on restrictions of land tenure, rum, and slavery in the colony. Most of the local records of colonial Georgia were destroyed during the Revolution. Under Governor James Wright's direction, merchant John Graham loaded much of the official records on his vessel in the Savannah River. During the Battle of the Rice Boats in March 1776, the Inverness was burned while it lay at anchor. The destructive civil war that occurred in the latter phases of the Revolution resulted in further destruction. The Colonial Records of the State of Georgia, drawn from archival material in Great Britain, remain a unique source. Volume 28, Part I, contains the papers of governors John Reynolds, Henry Ellis, and James Wright from 1757 to 1763.

The Colonial Records of the State of Georgia document the colony through its first twenty-five years and includes correspondence between Georgia founder James Oglethorpe and the Trustees for Establishing the Colony, as well as records pertaining to land grants; agreements and interactions with Indigenous peoples; the settlement of a small Jewish community and the Salzburgers, German-speaking Protestant refugees; and the removal of restrictions on land tenure, rum, and slavery in the colony. Most of the local records of colonial Georgia were destroyed during the Revolution. Under Governor James Wright's direction, merchant John Graham loaded much of the official records on his vessel in the Savannah River. During the Battle of the Rice Boats in March 1776, the Inverness was burned while it lay at anchor. The destructive civil war that occurred in the latter phases of the Revolution resulted in further destruction. The Colonial Records of the State of Georgia, drawn from archival material in Great Britain, remain a unique source. Volume 30 contains the Trustees' Letter Book, 1738-1745. The Georgia Open History Library has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this collection, do not necessarily represent those of the National Endowment for the Humanities.

The Colonial Records of the State of Georgia document the colony through its first twenty-five years and includes correspondence between Georgia founder James Oglethorpe and the Trustees for Establishing the Colony, as well as records pertaining to land grants; agreements and interactions with Indigenous peoples; the settlement of a small Jewish community and the Salzburgers, German-speaking Protestant refugees; and the removal on restrictions of land tenure, rum, and slavery in the colony. Most of the local records of colonial Georgia were destroyed during the Revolution. Under Governor James Wright's direction, merchant John Graham loaded much of the official records on his vessel in the Savannah River. During the Battle of the Rice Boats in March 1776, the Inverness was burned while it lay at anchor. The destructive civil war that occurred in the latter phases of the Revolution resulted in further destruction. The Colonial Records of the State of Georgia, drawn from archival material in Great Britain, remain a unique source. Volume 20 concerns the actual founding of Georgia and covers the years 1732-35. It provides background on the settlement and a great deal about the arrival of the colonists and the conditions that they found. Volume 27, spanning the years 1754-56, contains the papers of Georgia's first governor, John Reynolds, as well as the correspondence of various inhabitants. Volume 28, Part I, contains the papers of governors John Reynolds, Henry Ellis, and James Wright from 1757 to 1763. Volume 28, Part II includes the papers of Governor James Wright, acting governor James Habersham, and others. Volume 29 contains the Trustees' Letter Book, 1732-1738. Volume 30 contains the Trustees' Letter Book, 1738-1745 Volume 31 contains the Trustees' Letter Book, 1745-1752 Volume 32 includes entry books of commissions, powers, instructions, leases, grants of land, and other documents by the Trustees.

The eighteen volumes of Detailed Reports on the Salzburger Emigrants Who Settled in America (reproduced in sixteen discrete books) contain the diaries and letters of Lutheran pastors who ministered to the Salzburgers, German-speaking Protestant refugees, in Georgia. Samuel Urlsperger collected and edited these writings into the Urlsperger Reports printed at Orphanage Press, Halle, Germany, from 1735 to 1760. The original German publication, Ausfuhrliche Nachricht von den saltzburgischen Emigranten, is available through the Internet Archive, but this English-language translation has not been available online until now. In the mid-eighteenth century, Samuel Urlsperger of the Lutheran Ministry in Augsburg edited the German edition of the Detailed Reports after having distributed the many reports to the faithful in Germany. He made major deletions for both diplomatic and economic reasons and suppressed proper names. His son, Johann August Urlsperger, succeeded him. He took even greater liberties with the text, deleting large sections and rearranging others. The English version, translated and edited by George Fenwick Jones, a German scholar, restores the deleted sections and the proper names and provides the original sequencing of the material. The Detailed Reports offer insight into daily life in colonial Georgia and provide precious details and vignettes on subjects that receive less attention in other sources, notably African Americans, women, silk production, and the cost of goods in a frontier colony. The Reports are an underutilized resource for the study of this period and an unparalleled source for the evolution of a rural community during the early years of the colony.

The eighteen volumes of Detailed Reports on the Salzburger Emigrants Who Settled in America (reproduced in sixteen discrete books) contain the diaries and letters of Lutheran pastors who ministered to the Salzburgers, German-speaking Protestant refugees, in Georgia. Samuel Urlsperger collected and edited these writings into the Urlsperger Reports printed at Orphanage Press, Halle, Germany, from 1735 to 1760. The original German publication, Ausfuhrliche Nachricht von den saltzburgischen Emigranten, is available through the Internet Archive, but this English-language translation has not been available online until now. In the mid-eighteenth century, Samuel Urlsperger of the Lutheran Ministry in Augsburg edited the German edition of the Detailed Reports after having distributed the many reports to the faithful in Germany. He made major deletions for both diplomatic and economic reasons and suppressed proper names. His son, Johann August Urlsperger, succeeded him. He took even greater liberties with the text, deleting large sections and rearranging others. The English version, translated and edited by George Fenwick Jones, a German scholar, restores the deleted sections and the proper names and provides the original sequencing of the material. The Detailed Reports offer insight into daily life in colonial Georgia and provide precious details and vignettes on subjects that receive less attention in other sources, notably African Americans, women, silk production, and the cost of goods in a frontier colony. The Reports are an underutilized resource for the study of this period and an unparalleled source for the evolution of a rural community during the early years of the colony.

Generations of scholars have debated why the Union collapsed and descended into civil war in the spring of 1861. Turning this question on its head, Brian C. Neumann's Bloody Flag of Anarchy asks how the fragile Union held together for so long. This fascinating study grapples with this dilemma by reexamining the nullification crisis, one of the greatest political debates of the antebellum era, when the country came perilously close to armed conflict in the winter of 1832-33 after South Carolina declared two tariffs null and void. Enraged by rising taxes and the specter of emancipation, 25,000 South Carolinians volunteered to defend the state against the perceived tyranny of the federal government. Although these radical Nullifiers claimed to speak for all Carolinians, the impasse left the Palmetto State bitterly divided. Forty percent of the state's voters opposed nullification, and roughly 9,000 men volunteered to fight against their fellow South Carolinians to hold the Union together. Bloody Flag of Anarchy examines the hopes, fears, and ideals of these Union men, who viewed the nation as the last hope of liberty in a world dominated by despotism-a bold yet fragile testament to humanity's capacity for self-government. They believed that the Union should preserve both liberty and slavery, ensuring peace, property, and prosperity for all white men. Nullification, they feared, would provoke social and political chaos, shattering the Union, destroying the social order, and inciting an apocalyptic racial war. By reframing the nullification crisis, Neumann provides fresh insight into the internal divisions within South Carolina, illuminating a facet of the conflict that has long gone underappreciated. He reveals what the Union meant to Americans in the Jacksonian era and explores the ways both factions deployed conceptions of manhood to mobilize supporters. Nullifiers attacked their opponents as timid "submission men" too cowardly to defend their freedom. Many Unionists pushed back by insisting that "true men" respected the law and shielded their families from the horrors of disunion. Viewing the nullification crisis against the backdrop of global events, they feared that America might fail when the world, witnessing turmoil across Europe and the Caribbean, needed its example the most. By closely examining how the nation avoided a ruinous civil war in the early 1830s, Bloody Flag of Anarchy sheds new light on why America failed three decades later to avoid a similar fate.

Following the Drums: African American Fife and Drum Music in Tennessee is an epic history of a little-known African American instrumental music form. John M. Shaw follows the music from its roots in West Africa and early American militia drumming to its prominence in African American communities during the time of Reconstruction, both as a rallying tool for political militancy and a community music for funerals, picnics, parades, and dances. Carefully documenting the music's early uses for commercial advertising and sports promotion, Shaw follows the strands of the music through the nadir of African American history during post-Reconstruction up to the form's rediscovery by musicologists and music researchers during the blues and folk revival of the late 1960s and early 1970s. Although these researchers documented the music, and there were a handful of public performances of the music at festivals, the story has a sad conclusion. Fife and drum music ultimately died out in Tennessee during the early 1980s. Newspaper articles from the period and interviews with music researchers and participants reawaken this lost expression, and specific band leaders receive the spotlight they so long deserved. Following the Drums is a journey through African American history and Tennessee history, with a fascinating form of music powering the story.

Remembering Enslavement explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved. Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums. It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.

As Louis Armstrong forever tethered jazz to New Orleans and Clifton Chenier fixed Lafayette as home to zydeco, Slim Harpo established Baton Rouge as a base for the blues. In the only complete biography of this internationally renowned blues singer and musician, Martin Hawkins traces Harpo's rural upbringing near Louisiana's capital, his professional development fostered by the local music scene, and his national success with R&B hits like Rainin' in My Heart, Baby Scratch My Back, and I'm A King Bee, among others. Hawkins follows Harpo's global musical impact from the early 1960s to today and offers a detailed look at the nature of the independent recording business that enabled his remarkable legacy. With new research and interviews, Hawkins fills in previous biographical gaps and redresses misinformation about Harpo's life. In addition to weaving the musician's career into the lives of other Louisiana blues players-including Lightnin' Slim, Lazy Lester, and Silas Hogan-the author discusses the pioneering role of Crowley, Louisiana, record producer J. D. Miller and illustrates how Excello Records in Nashville brought national attention to Harpo's music recorded in Louisiana. This engaging narrative examines Harpo's various recording sessions and provides a detailed discography, as well as a list of blues-related records by fellow Baton Rouge artists. Slim Harpo: Blues King Bee of Baton Rouge will stand as the ultimate resource on the musician's life and the rich history of Baton Rouge's blues heritage.

How civil liberties triumphed over national insecurity Between the two major red scares of the twentieth century, a police raid on a Communist Party bookstore in Oklahoma City marked an important lesson in the history of American freedom. In a raid on the Progressive Bookstore in 1940, local officials seized thousands of books and pamphlets and arrested twenty customers and proprietors. All were detained incommunicado and many were held for months on unreasonably high bail. Four were tried for violating Oklahoma's "criminal syndicalism" law, and their convictions and ten-year sentences caused a nationwide furor. After protests from labor unions, churches, publishers, academics, librarians, the American Civil Liberties Union, members of the literary world, and prominent individuals ranging from Woody Guthrie to Eleanor Roosevelt, the convictions were overturned on appeal. Shirley A. Wiegand and Wayne A. Wiegand share the compelling story of this important case for the first time. They reveal how state power-with support from local media and businesses-was used to trample individuals' civil rights during an era in which citizens were gripped by fear of foreign subversion. Richly detailed and colorfully told, Books on Trial is a sobering story of innocent people swept up in the hysteria of their times. It marks a fascinating and unnerving chapter in the history of Oklahoma and of the First Amendment. In today's climate of shadowy foreign threats-also full of unease about the way government curtails freedom in the name of protecting its citizens-the past speaks to the present.

As a white woman of means living in segregated Georgia in the first half of the twentieth century, Lillian Smith (1897-1966) surprised readers with stories of mixed-race love affairs, mob attacks on "outsiders," and young female campers exploring their sexuality. Critical Essays on the Writings of Lillian Smith tracks the evolution of Smith from a young girls' camp director into a courageous artist who could examine controversial topics frankly and critically while preserving a lifelong connection to the north Georgia mountains and people. She did not pull punches in her portrayals of the South and refused to obsess on an idealized past. Smith took seriously the artist's role as she saw it-to lead readers toward a better understanding of themselves and a more fulfilling existence. Smith's perspective cut straight to the core of the neurotic behaviors she observed and participated in. To draw readers into her exploration of those behaviors, she created compelling stories, using carefully chosen literary techniques in powerful ways. With words as her medium, she drew maps of her fictionalized southern places, revealing literally and metaphorically society's disfunctions. Through carefully crafted points of view, she offers readers an intimate glimpse into her own childhood as well as the psychological traumas that all southerners experience and help to perpetuate. Comprised of seven essays by contemporary Smith scholars, this volume explores these fascinating aspects of Smith's writings in an attempt to fill in the picture of this charismatic figure, whose work not only was influential in her time but also is profoundly relevant to ours. Contributions by Tanya Long Bennett, David Brauer, Cameron Williams Crawford, Emily Pierce Cummins, April Conley Kilinski, Justin Mellette, and Wendy Kurant Rollins.

The Colonial Records of the State of Georgia document the colony through its first twenty-five years and includes correspondence between Georgia founder James Oglethorpe and the Trustees for Establishing the Colony, as well as records pertaining to land grants; agreements and interactions with Indigenous peoples; the settlement of a small Jewish community and the Salzburgers, German-speaking Protestant refugees; and the removal of restrictions on land tenure, rum, and slavery in the colony. Most of the local records of colonial Georgia were destroyed during the Revolution. Under Governor James Wright's direction, merchant John Graham loaded much of the official records on his vessel in the Savannah River. During the Battle of the Rice Boats in March 1776, the Inverness was burned while it lay at anchor. The destructive civil war that occurred in the latter phases of the Revolution resulted in further destruction. The Colonial Records of the State of Georgia, drawn from archival material in Great Britain, remain a unique source. Volume 28, Part I, contains the papers of governors John Reynolds, Henry Ellis, and James Wright from 1757 to 1763. The Georgia Open History Library has been made possible in part by a major grant from the National Endowment for the Humanities: Democracy demands wisdom. Any views, findings, conclusions, or recommendations expressed in this collection, do not necessarily represent those of the National Endowment for the Humanities.

Immigrant laborers who came to the New South in the late nineteenth and early twentieth centuries found themselves poised uncomfortably between white employers and the Black working class, a liminal and often precarious position. Campaigns to recruit immigrants primarily aimed to suppress Black agency and mobility. If that failed, both planters and industrialists imagined that immigrants might replace Blacks entirely. Thus, white officials, citizens, and employers embraced immigrants when they acted in ways that sustained Jim Crow. However, when they directly challenged established political and economic power structures, immigrant laborers found themselves ostracized, jailed, or worse, by the New South order. Both industrial employers and union officials lauded immigrants' hardworking and noble character when it suited their purposes, and both denigrated and racialized them when immigrant laborers acted independently. Jennifer E. Brooks's Resident Strangers restores immigrant laborers to their place in the history of the New South, considering especially how various immigrant groups and individuals experienced their time in New South Alabama. Brooks utilizes convict records, censuses, regional and national newspapers, government documents, and oral histories to construct the story of immigrants in New South Alabama. The immigrant groups she focuses on appeared most often as laborers in the records, including the Chinese, southern Italians, and the diverse nationals of the Austro-Hungarian Empire, along with a sprinkling of others. Although recruitment crusades by Alabama's employers and New South boosters typically failed to bring in the vast numbers of immigrants they had envisioned, significant populations from around the world arrived in industries and communities across the state, especially in the coal- and ore-mining district of Birmingham. Resident Strangers reveals that immigrant laborers' presence and individual agency complicated racial categorization, disrupted labor relations, and diversified southern communities. It also presents a New South that was far from isolated from the forces at work across the nation or in the rest of the world. Immigrant laborers brought home to New South Alabama the turbulent world of empire building, deeply embedding the region in national and global networks of finance, trade, and labor migration.

On the day after Christmas in 1811, the state of Virginia lost its governor and almost one hundred citizens in a devastating nighttime fire that consumed a Richmond playhouse. During the second act of a melodramatic tale of bandits, ghosts, and murder, a small fire kindled behind the backdrop. Within minutes, it raced to the ceiling timbers and enveloped the audience in flames. The tragic Richmond Theater fire would inspire a national commemoration and become its generation's defining disaster. A vibrant and bustling city, Richmond was synonymous with horse races, gambling, and frivolity. The gruesome fire amplified the capital's reputation for vice and led to an upsurge in antitheater criticism that spread throughout the country and across the Atlantic. Clerics in both America and abroad urged national repentance and denounced the stage, a sentiment that nearly destroyed theatrical entertainment in Richmond for decades. Local churches, by contrast, experienced a rise in attendance and became increasingly evangelical. In The Richmond Theater Fire, the first book about the event and its aftermath, Meredith Henne Baker explores a forgotten catastrophe and its wide societal impact. The story of transformation comes alive through survivor accounts of slaves, actresses, ministers, and statesmen. Investigating private letters, diaries, and sermons, among other rare or unpublished documents, Baker views the event and its outcomes through the fascinating lenses of early nineteenth-century theater, architecture, and faith, and reveals a rich and vital untold story from America's past.

The Colonial Records of the State of Georgia document the colony through its first twenty-five years and includes correspondence between Georgia founder James Oglethorpe and the Trustees for Establishing the Colony, as well as records pertaining to land grants; agreements and interactions with indigenous peoples; the settlement of a small Jewish community and the Salzburgers, German-speaking Protestant refugees; and the removal on restrictions of land tenure, rum, and slavery in the colony. Most of the local records of colonial Georgia were destroyed during the Revolution. Under Governor James Wright's direction, merchant John Graham loaded much of the official records on his vessel in the Savannah River. During the Battle of the Rice Boats in March 1776, the Inverness was burned while it lay at anchor. The destructive civil war that occurred in the latter phases of the Revolution resulted in further destruction. The Colonial Records of the State of Georgia, drawn from archival material in Great Britain, remain a unique source. Volume 27, spanning the years 1754-56, contains the papers of Georgia's first governor, John Reynolds, as well as the correspondence of various inhabitants.