Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Perhaps one of the most memorable sights in the Second World War was the arrival in Scapa Flow of the Home Fleet after the successful sinking of Scharnhorst in the last week of 1943. Harry Semark was one of the few civilians privileged to witness it. This and other of his eye witness accounts, remembered with such clarity down the years, add value to the record of what was a monumentous six years in the history of not only these isles but most of the world. This book describes with complete accuracy and in a most unassuming way, the real story of the varied service that one man, like thousands of others, gave ungrudgingly largely unnoticed and unrewarded, to keep the Naval War machine, ready to fight and win. Harry Semark makes light of the hardships the world often worked in, in biting weather on large guns with practically no assistance, being expected to analyse and make good faults as requested by the Gunnery Officer (this was World War II practice). It is to his credit that he invariably found a way to achieve the aim, be it converting a fishing drifter for its self-protection to modifying a battleship's 15" guns to allow it to engage and destroy the enemy. A technical expert, he makes gunfitting come alive, this obvious zest for knowledge and life ensures that the cameos he paints are always vital and fascinating.

Shortlisted for the James Cropper Wainwright Prize 2022 for Nature Writing - Highly Commended Winner for the Richard Jefferies Award 2021 for Best Nature Writing 'A rural, working-class writer in an all too rarefied field, Chester's work is unusual for depicting the countryside as it is lived on the economic margins.' The Guardian 'An important portrait of connection to the land beyond ownership or possession.' Raynor Winn 'It's ever so good. Political, passionate and personal.' Robert Macfarlane 'Evocative and inspiring...environmental protest, family, motherhood and...nature.' Claire Fuller, author of Unsettled Ground, Costa Novel Award Winner 2021 Nature is everything. It is the place I come from and the place I got to. It is family. Wherever I am, it is home and away, an escape, a bolt hole, a reason, a place to fight for, a consolation, and a way home. As a child growing up in rural England, Guardian Country Diarist Nicola Chester was inexorably drawn to the natural landscape surrounding her. Walking, listening and breathing in the nature around her, she followed the call of the cuckoo, the song of the nightingale and watched as red kites, fieldfares and skylarks soared through the endless skies over the chalk hills of the North Wessex Downs: the ancient land of Greenham Common which she called home. Nicola bears witness to, and fights against, the stark political and environmental changes imposed on the land she loves, whilst raising her family to appreciate nature and to feel like they belong - core parts of who Nicola is. From protesting the loss of ancient trees to the rewilding of Greenham Common, to the gibbet on Gallows Down and living in the shadow of Highclere Castle (made famous in Downton Abbey), On Gallows Down shows how one woman made sense of her world - and found her place in it.

Blacker's Boys tells the First World War history of the 9th (Service) Battalion, Princess Victoria's (Royal Irish Fusiliers) (County Armagh), one of thirteen infantry battalions raised in Ireland for 36th (Ulster) Division. It begins with the political context of the long-running Home Rule crisis and the formation of the Ulster Volunteer Force in 1912. It describes the raising of the Battalion in September 1914 from the men of the Ulster Volunteers of Counties Armagh, Cavan and Monaghan, their training, their move to France and early experiences in the trenches. There are detailed accounts of the actions of the Battalion in the Battles of the Somme, Third Ypres and Cambrai, during the German offensive in 1918 and in the Advance to Victory. The main text is supported by detailed appendices that commemorate those who served and include a Roll of Honour of those who died; the awards and decorations earned; biographical summaries of more than 250 officers and details of over 3,400 men who served in its ranks, and an examination of its excellent discipline record. They explain how this Battalion transitioned from comprising only Protestant volunteers from Ulster to one that was a mix of Protestant and Roman Catholic Irishmen, Englishmen from Yorkshire, Nottinghamshire and London, regular soldiers, war-time volunteers and conscripts. The text is supported by full colour maps and many unique photographs.

David Moore's book chronicles how the momentous season unfolded, match by match, week by week, starting with the successful pre-season tour of Germany and Holland right up to the famous encounter with Liverpool. It is a story of a triumphant season as Derby County were crowned champions of England for the first time. It was the Rams' seventy-second in League football, forty-five of which had been played in the top flight and Brian Clough's tiny squad of first team players had to finish above the likes of Don Revie's formidable Leeds United and Bill Shankly's outstanding Liverpool side to win the title. David Moore's book chronicles how the momentous season unfolded, match by match, week by week, starting with the successful pre-season tour of Germany and Holland right up to the famous encounter with Liverpool at the beginning of May which was followed seven days later by the nail-biting climax when Leeds and Liverpool failed to secure the points needed to deny Derby the title they richly deserved. Clough and Taylor also found time to mastermind victory in the Texaco Cup, but a promising run in the FA Cup came to a dramatic end in a 5th Round second replay against double holders Arsenal at Leicester City's Filbert Street in March. To round off a memorable season Derby's reserve side won the Central League. David's book records the Rams' exploits in those competitions too.

Colleges and universities in urban centers have often leveraged their locales to appeal to students while also taking a more active role in addressing local challenges. They embrace civic engagement, support service-learning, tailor courses to local needs, and even provide university-community collaborations such as lab schools and innovation hubs. Engaging Place, Engaging Practices highlights the significant role the academy, in general, and urban history, in particular, can play in fostering these critical connections. The editors and contributors to this volume address topics ranging from historical injustices and affordable housing and land use to climate change planning and the emergence of digital humanities. These case studies reveal the intricate components of a city's history and how they provide context and promote a sense of cultural belonging. This timely book appreciates and emphasizes the critical role universities must play as intentional-and humble-partners in addressing the past, present, and future challenges facing cities through democratic community engagement.

The Civil War in Missouri was a time of great confusion, violence, and destruction. Although several major battles were fought in the state between Confederate and Union forces, much of the fighting in Missouri was an ugly form of terrorism carried out by loose bands of Missouri guerrillas, by Kansas "Jayhawkers," or by marauding patrols of Union soldiers. This irregular warfare provided a training ground for people like Jesse and Frank James who, after the war, used their newly learned skills to form an outlaw band that ultimately became known all over the world.

Jesse James and the Civil War in Missouri discusses the underlying causes of the Civil War as they relate to Missouri and reveals how the war helped create both the legend and the reality of Jesse James and his gang. Written in an accessible style, this valuable little book will be welcomed by anyone with an interest in the Civil War, the legend of Jesse James, or Missouri history.

This book of selected essays presents constructive analyses of vital economic problems confronting the United States since the 1970s, giving special attention to challenges facing working families. The analyses, produced by Charles Whalen over three decades, address the causes and consequences of macroeconomic instability, job offshoring, community economic dislocation, financialization, and income inequality. They also explore the various dimensions of worker insecurity and underscore the dynamics of an ever-changing economy. The result is a compelling case for reforming capitalism by addressing workers' interests as an integral part of the common good, and for reconstructing economics in the direction of post-Keynesian institutionalism. Whalen's reformist approach builds not only on the institutional economics of John R. Commons, but also on the post-Keynesianism of Hyman Minsky, who stressed that society should be democratic and humane. To that end, the book gives attention to policy-making processes as well as policy details. Scholars and students of economics and labor studies will appreciate the incisive analyses and real-world focus. Historians and economic sociologists will be interested in the book's attention to the evolution of US capitalism; and policy analysts and concerned citizens will welcome its emphasis on economic reform and optimistic vision for our economic future.

Foreword by Dan Snow. Ten holders of the Victoria Cross, the highest British military honour - for 'valour in the face of the enemy' - are associated with the Borough of Tunbridge Wells, Kent, UK. They include the very first VC to be awarded (in the Crimea, 1856).

Danny McFaul was born in the town of Larne in the County of Antrim in Northern Ireland. He was brought up in the Old Town of Larne in the Mill Street and Mill Lane area prior to the erection of Tower Blocks and the demolition of Mill Street and the maze of surrounding lanes. The house with the chimney breast was number 22 Mill Street where Danny lived with his father's sister Sarah, when his father went off to fight in the battle for North Africa with his regiment, the North Irish Horse in 1942. Sadly his father did not return as he died of his wounds in Tunisia on 28th March 1943. His father, Trooper Denis McFaul's grave is in the Military Cemetery at Tabarka in Tunisia near the border with Algeria.