It covers less than half of one percent of the Earth's landmass, but is responsible for more than 40% of the world's great inventions. The first car, first train and first aeroplane (sorry, Wright Brothers) came from Great Britain, and much more besides, as this book demonstrates.

Wisconsin's trees heard "Timber " during World War II, as the forest products industry of the Badger State played a key role in the Allied aerial campaign. It was Wisconsin that provided the material for the De Havilland Mosquito, known as the "Timber Terror," while the CG-4A battle-ready gliders, cloaked in stealthy silence, carried the 82nd and 101st Airborne into fierce fighting throughout Europe and the Pacific. Sara Witter Connor follows a forgotten thread of the American war effort, celebrating the factory workers, lumberjacks, pilots and innovative thinkers of the U.S. Forest Products Laboratory who helped win a world war with paper, wood and glue.

The perfect study tool for students in a World History course or for any history buff s collection. A timeline covering the utmost critical points, events, figures, cultural migrations and destructions that led to the formation of the world of today. Part 1 of a series, this guide covers the earliest humans through establishing links of a globalized world."

Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture.
Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. This volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller's 300 and Sin City, DC Comics' Wonder Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.

At once disturbing and perversely comforting, the crime novel has historically been used to curtail social anxieties through the ‘open and shut case’ of its narrative form. But what happens to that form in a world where guilt and innocence cannot be so easily assigned?

Return to the Scene of the Crime takes on the trope of the investigator who returns to the postcolony on a quest for knowledge. In tandem with solving the case, they must also grapple with the complexities of their own origins. Kamil Naicker shows how five authors defy generic expectation in order to illustrate the complexity of personal identity, transitional justice and civil violence in the postcolonial world.

Bringing together novels set in South Africa, China, Guatemala, Sri Lanka and Somalia, this book makes a marked intervention in the field of literary studies, by both bringing to light the trend of the returnee figure and exploring the possibilities of world-making through the explosion of a familiar form.

Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwinas personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwinas geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themesathe Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalismato bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.

Tiny Amelia Island, in the northeast corner of Florida, was once among the most important ports in the western hemisphere. Before Florida was granted statehood, the island served as an international gateway between Spanish Florida and the English colonies that would later become the United States. Where Spanish monks and pirates once roamed, the island eventually developed into a significant seaport that exported the rich resources of Florida's interior in the late 1800s. This era was known as the Golden Age of Amelia Island and the town located on its north end, Fernandina. The railroad that connected Amelia Island to the Gulf Coast was largely responsible for the Golden Age, as it brought a burgeoning economy and many of the South's most prominent and wealthy figures. Today the island is best known as a resort community but retains the influence and charm of its remarkable past.

The diary of Antera Duke is one of the earliest and most extensive surviving documents written by an African residing in coastal West Africa predating the arrival of British missionaries and officials in the mid-19th century. Antera Duke (ca.1735-ca.1809) was a leader and merchant in late eighteenth-century Old Calabar, a cluster of Efik-speaking communities in the Cross River region. He resided in Duke Town, forty miles from the Atlantic Ocean in modern-day southeast Nigeria. His diary, written in trade English from 18 January 1785 to 31 January 1788, is a candid account of daily life in an African community during a period of great historical interest. Written by a major African merchant at the height of Calabar's overseas commerce, it provides valuable information on Old Calabar's economic activity both with other African businessmen and with European ship captains who arrived to trade for slaves, produce and provisions. It is also unique in chronicling the day-to-day social and cultural life of a vibrant African community. Antera Duke's diary is much more than a historical curiosity; it is the voice of a leading African-Atlantic merchant who lived during an age of expanding cross-cultural trade. The book reproduces the original diary of Antera Duke, as transcribed by a Scottish missionary, Arthur W. Wilkie, ca. 1907 and published by OUP in 1956. A new rendering of the diary into standard English appears on facing pages, and the editors have advanced the annotation completed by anthropologist Donald Simmons in 1954 by editing 71 and adding 158 footnotes. The updated reference information incorporates new primary and secondary source material on Old Calabar, and notes where their editorial decisions differ from those made by Wilkie and Simmons. Chapters 1 and 2 detail the eighteenth-century Calabar slave and produce trades, emphasizing how personal relationships between British and Efik merchants formed the nexus of trade at Old Calabar. To build a picture of Old Calabar's regional trading networks, Chapter 3 draws upon information contained in Antera Duke's diary, other contemporary sources, and shipping records from the 1820s. Chapter 4 places information in Antera Duke's diary in the context of eighteenth-century Old Calabar political, social and religious history, charting how Duke Town eclipsed Old Town and Creek Town through military power, lineage strength and commercial acumen.

Future History traces the ways that English and American writers oriented themselves along an East-West axis to fantasize their place in the world. The book builds on new transoceanic scholarship and recent calls to approach early American studies from a global perspective. Such scholarship has largely focused on the early national period; Bross's work begins earlier and considers the intertwined identities of America, other English colonial sites and metropolitan England during a period before nation-state identities were hardened into the forms we know them today, when an English empire was nascent, not realized, and when a global perspective such as we might recognize it was just coming into focus for early modern Europeans. The author examines works that imagine England on a global stage in the Americas and East Indies just as-and in some cases even before-England occupied such spaces in force. Future History considers works written from the 1620s to the 1670s, but the center of gravity of Future History is writing at the mid-century, that is, writings coincident with the Interregnum, a time when England plotted and launched ambitious, often violent schemes to conquer, colonize or otherwise appropriate other lands, driven by both mercantile and religious desires.

Lord Derby, Lancashire's highest-ranked nobleman and its principal royalist, once offered the opinion that the English civil wars had been a 'general plague of madness'. Complex and bedevilling, the earl defied anyone to tell the complete story of 'so foolish, so wicked, so lasting a war'. Yet attempting to chronicle and to explain the events is both fascinating and hugely important. Nationally and at the county level the impact and significance of the wars can hardly be over-stated: the conflict involved our ancestors fighting one another, on and off, for a period of nine years; almost every part of Lancashire witnessed warfare of some kind at one time or another, and several towns in particular saw bloody sieges and at least one episode characterised as a massacre. Nationally the wars resulted in the execution of the king; in 1651 the Earl of Derby himself was executed in Bolton in large measure because he had taken a leading part in the so-called massacre in that town in 1644.In the early months of the civil wars many could barely distinguish what it was that divided people in 'this war without an enemy', as the royalist William Waller famously wrote; yet by the end of it parliament had abolished monarchy itself and created the only republic in over a millennium of England's history. Over the ensuing centuries this period has been described variously as a rebellion, as a series of civil wars, even as a revolution. Lancashire's role in these momentous events was quite distinctive, and relative to the size of its population particularly important. Lancashire lay right at the centre of the wars, for the conflict did not just encompass England but Ireland and Scotland too, and Lancashire's position on the coast facing Catholic, Royalist Ireland was seen as critical from the very first months.And being on the main route south from Scotland meant that the county witnessed a good deal of marching and marauding armies from the north. In this, the first full history of the Lancashire civil wars for almost a century, Stephen Bull makes extensive use of new discoveries to narrate and explain the exciting, terrible events which our ancestors witnessed in the cause either of king or parliament. From Furness to Liverpool, and from the Wyre estuary to Manchester and Warrington...civil war actions, battles, sieges and skirmishes took place in virtually every corner of Lancashire.

Spanning nearly 100 years, Faith & Defiance: The Life of Sally Motlana tells the story of one of South Africa’s most eminent women activists and community builders - Sally Bampifeletseng (Maunye) Motlana.

Born of humble roots in the old village of Moremela near Pilgrims Rest in the then-Transvaal, Sally grew into a fierce activist and voice of the oppressed who answered the call when she saw all that needed to be done in the struggle for freedom and a democratic South Africa. As a toddler, Sally moved to Johannesburg with her mother, where they joined her father and lived first in Vrededorp and then Sophiatown. Educated at St Cyprian’s School, she was taken under the wing of esteemed Anglican missionary Father Trevor Huddleston.

Profoundly influenced by her religious upbringing, she developed a passionate protectiveness of the poor – especially women and children– and an unquenchable thirst for justice that never diminished during her numerous detentions and harassment by the Security Police. Instead of a straight biography, author Mukoni Ratshitenga has skilfully crafted a riveting account of a woman and her country, rich with vignettes and fascinating encounters of great historical significance.

One of the many encounters in the book tells how during his hiding from the police for seventeen months before his arrest in 1962, Nelson Mandela, visited Sally at her Dube home and what transpired thereafter. Another tells how during one of her spells of detention in 1978 at Jeppe Police station, she came across two Azanian People’s Liberation Army (APLA) combatants who had been detained there after they had been deployed from Tanzania. Fearing that they would be killed, she hatched and executed a daring plan for their escape - all whilst being detained herself.

The book contains many accounts of Sally’s fearlessness in the face of apartheid police harassment and brutality. It highlights how her commitment to the struggle for liberation and her deep Christian faith reinforced each other. Faith & Defiance: The Life of Sally Motlana is a record of both the brutality of apartheid and colonialism and the determination of one woman to fight it and through her story, the story of millions.

In the 1830s, a small community known as El Fronton de Santa
Isabel set roots on the banks of the Laguna Madre Bay. Official claim for the land was granted to Don Rafael Garcia as part of the
Potrero ("Pasture") de Santa Isabel in 1828. Less than two decades
later, Point Isabel was home to Zachary Taylor's Fort Polk and found itself a home base during the Mexican-American War. In 1853, construction was completed on the Point Isabel lighthouse, a
navigational beacon with a 16-mile view. Port Isabel was incorporated in 1928, and a deep-water port shipped its first commercial load in 1937. By the 1950s, Port Isabel was the "Shrimping Capital of the World," and the first Queen Isabella Causeway connected South Padre Island to the mainland. Port Isabel continues to deepen its roots on the banks of the Laguna Madre Bay. Heritage and cultural tourism, a relaxed quality of life, and an appreciation for all things coastal are synonymous with Port Isabel.

“Aan die einde van 12 weke se basiese opleiding moes al hierdie mans weet hoe om te skiet en baie moes bereid wees om dood te skiet.”

Anelia Heese hervertel die rou en soms skokkende stories van Suid-Afrikaanse mans wat in die 1970’s en 1980’s verplig is om weermagdiens te doen. In Diensplig praat van dié mans, baie van hulle vir die eerste keer, openhartig oor hul ervaringe. Sy gesels met die bekroonde joernalis Murray La Vita, die skrywer Deon Lamprecht, genl.maj. Roland de Vries en talle ander oor hulle ondervindings in die weermag.

Die meeste dienspligtiges was eintlik maar nog seuns toe hulle gedwing is om aan te tree en hul hare onseremonieel afgeskeer is. Hulle praat hier eerlik oor onder meer die eerste kontak, die eerste keer toe iemand ’n makker verloor het, hoe sommige “terrie-ore” versamel het, oor patrollies in die townships, en die interne stryd wat dikwels agterna gevolg het.

Anelia vra soms ongemaklike vrae om haarself en ander — veral jonger — Suid-Afrikaners te help sin maak van diensplig en die nadraai daarvan. Soos wie nou eintlik die vyand was, en wat dit beteken om jou land te dien . . .

In 1923, with its currency effectively worthless (the exchange rate in December of that year was one dollar to 4,200,000,000,000 marks), the Weimar Republic was all but reduced to a barter economy. Expensive cigars, artworks and jewels were routine...

In a plot taken from today's headlines, the U.S. economy is sliding into another Great Recession, a resurgent Russia plans to manipulate the oil market, and NSA is listening to everyone. With his re-election in peril, the President agrees with advisors; release the anger of Jacqueline Desjardin. Suicidal, suffering from PTSD, the beautiful French photojournalist seeks revenge for tragic losses suffered as a child. Manipulated by forces an ocean away, Desjardin becomes a pawn in a macabre plan devised by a secret Pentagon hit squad. The K Street Boys takes you inside the White House, NSA, the Pentagon, and into the minds of military bureaucrats and politicians protecting their power at any cost. Les Kinney's storytelling will enchant you with engaging characters and spell binding action. Get ready for the best read of the year.

In October 1805 Lord Horatio Nelson, the most brilliant sea commander who ever lived, led the British Royal Navy to a devastating victory over the Franco-Spanish fleets at the great battle of Trafalgar. It was the foundation of Britain's nineteenth-century world-dominating empire. Adam Nicolson's "Seize the Fire" is not only a close and revealing portrait of a legendary hero in his final action but also a vivid account of the brutal realities of battle; it asks the questions: Why did the winners win? What was it about the British, their commanders and their men, their beliefs and their ambitions, that took them to such overwhelming victory?

When Louisiana seceded from the Union on January 26, 1861, no one doubted that a battle to control the Mississippi River was imminent. Throughout the war, the Federals pushed their way up the river. Every port and city seemed to fall against the force of the Union Navy. The capitol was forced to retreat from Baton Rouge to Shreveport. Many of the smaller towns, like Bayou Sara and Donaldsonville, were nearly shelled completely off the map. It was not until the Union reached Port Hudson that the Confederates had a fighting chance to keep control of the mighty Mississippi. They fought long and hard, under supplied and under manned, but ultimately the Union prevailed.

The United Africa Company (UAC), formed in 1929 by the fusion of the Niger Company and the African and Eastern Corporation, was by far the largest single commercial organization in West and Equatorial Africa, and thus central to modern African economic history. This is the first detailed account to be published and one which fills a serious gap in the literature. It was not commissioned by the company (now reabsorbed into Unilever) but the author had full access to all confidential material in the UAC and Unilever archives and complete freedom in what he wrote. The book is not intended to be primarily a company history but uses the UAC as a focal point for detailed study of how the role of foreign merchant capital changed in response to economic and political developments in Black Africa during this critical half century.

Sixties British rock and pop changed music history. While American popular music dominated the record industry in the late fifties and early sixties, the Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups soon invaded the world at large and put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews session musicians who recorded anonymously with the Beatles, Hermans Hermits, and the Kinks, professional musicians who toured with British bands promoting records or providing dance music, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. The consequences of World War Two for pop music in the late fifties and early sixties form the backdrop for discussion of recording equipment, musical instruments, and new jet-age transportation, all contributors to the rise of British pop-music alongside the personalities that more famously made entertainment news. And these famous personalities traverse the pages of Please Please Me as well: performing songwriters John Carter and Ken Lewis, Lennon and McCartney, Jagger and Richards, Ray Davies, and Pete Townshend took center stage while the production teams and session musicians created the art of recording behind the doors of Londons studios. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process. Opening up important new historical and musical understandings in a repertoire that is at the core of rock music's history, Please Please Me will appeal to all students, scholars, and fans of popular music.