The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.

An epic visual story of wildlife photography's pioneers and world firsts. From some of the very first pictures of wild lions and tigers on record and the first-ever underwater colour photograph, right up to the spectacular images from the wildest corners of the earth that modern-day technology allows, Into the Wild is an extraordinary collection of over 250 images and 150 years of our efforts to document the natural world. Now, more than ever, these are the photographs and stories that matter. "Gemma Padley takes us on a fascinating journey through 150 years of the wildlife photography that has informed and delighted us. The text tells us not only about the images themselves, but describes how cameras gradually got faster shutter speeds, longer lenses, greater resolution and are now mostly digital. But it is the patience and endurance of the photographer who waits for hours or even days in tropical heat or arctic freeze to capture these special shots: taken at just the right moment in just the right light and from just the right angle. Into the Wild is a must-have coffee table book." Dr. Jane Goodall, DBE Founder of the Jane Goodall Institute & U.N. Messenger of Peace

Emphasizing the peculiar, the perverse, the clandestine and the scandalous, this volume opens up a critical discourse on sexuality and visual culture in early modern Italy. Contributors consider not just painted (conventional) representations of sexual activities and eroticized bodies, but also images from print media, drawings, sculpted objects and painted ceramic jars. In this way, the volume presents an entirely new picture of Renaissance sexuality, stripping away layers of misconceptions and manipulations to reveal an often-misunderstood world. 'Sex acts' is interpreted broadly, from the acting out, or performing, of one's (or another's) sex to sexual activity, including what might be considered, now or then, peculiar practices and preferences and a variety of possibly scandalous scenarios. While the contributors come from a variety of disciplinary backgrounds, this collection foregrounds the visual culture of early modern sexuality, from representations of sex and sexualized bodies to material objects associated with sexual activities. The picture presented here nuances our understanding of Renaissance sexuality as well as our own.

In 1428, a devastating fire destroyed a schoolhouse in the northern Italian city of Forli, leaving only a woodcut of the Madonna and Child that had been tacked to the classroom wall. The people of Forli carried that print - now known as the Madonna of the Fire - into their cathedral, where two centuries later a new chapel was built to enshrine it. In this book, Lisa Pon considers a cascade of moments in the Madonna of the Fire's cultural biography: when ink was impressed onto paper at a now-unknown date; when that sheet was recognized by Forli's people as miraculous; when it was enshrined in various tabernacles and chapels in the cathedral; when it or one of its copies was - and still is - carried in procession. In doing so, Pon offers an experiment in art historical inquiry that spans more than three centuries of making, remaking, and renewal.

Common views of religion typically focus on the beliefs and meanings derived from revealed scriptures, ideas, and doctrines. David Morgan has led the way in radically broadening that framework to encompass the understanding that religions are fundamentally embodied, material forms of practice. This concise primer shows readers how to study what has come to be termed material religion-the ways religious meaning is enacted in the material world. Material religion includes the things people wear, eat, sing, touch, look at, create, and avoid. It also encompasses the places where religion and the social realities of everyday life, including gender, class, and race, intersect in physical ways. This interdisciplinary approach brings religious studies into conversation with art history, anthropology, and other fields. In the book, Morgan lays out a range of theories, terms, and concepts and shows how they work together to center materiality in the study of religion. Integrating carefully curated visual evidence, Morgan then applies these ideas and methods to case studies across a variety of religious traditions, modeling step-by-step analysis and emphasizing the importance of historical context. The Thing about Religion will be an essential tool for experts and students alike.

This book explores American landscape painting today, its relevance in the contemporary art world, and its historic roots. This volume profiles sixty individual living artists whose contributions distinguish important aspects of the genre and address land use, nature appreciation, and ecology through landscape painting. Encompassing every style from traditional realism (with a contemporary edge) to abstraction and non-objectivity, these contemporary artists range from today's art stars to emerging or regionally recognized talent in the eastern, western, and southwestern regions of the nation. An additional chapter addresses urban landscapes nationally. The range of styles and reputations presented creates an encompassing survey of the trends and enduring elements in this genre of painting and the art market today.

ONE OF THE TIMES AND SUNDAY TIMES' BEST BOOKS FOR 2022 'Eye-opening and full of surprises . . . A treasure' Sunday Times 'A biography as rich with colourful characters as any novel' Telegraph John Constable, the revolutionary nineteenth-century painter of the landscapes and skies of southern England, is Britain's best-loved but perhaps least understood artist. His paintings reflect visions of landscape that shocked and perplexed his contemporaries: attentive to detail, spontaneous in gesture, brave in their use of colour. What we learn from his landscapes is that Constable had sharp local knowledge of Suffolk, a clarity of expression of the skyscapes above Hampstead, an understanding of the human tides in London and Brighton, and a rare ability in his late paintings of Salisbury Cathedral to transform silent suppressed passion into paint. Yet Constable was also an active and energetic correspondent. His letters and diaries - there are over one thousand letters from and to him - reveal a man of passion, opinion and discord, while his character and personality is concealed behind the high shimmering colour of his paintings. They reveal too the lives and circumstances of his brothers and his sisters, his cousins and his aunts, who serve to define the social and economic landscape against which he can be most clearly seen. These multifaceted reflections draw a sharp picture of the person, as well as the painter. James Hamilton's biography reveals a complex, troubled man, and explodes previous mythologies about this timeless artist, and establishes him in his proper context as a giant of European art.

The National Portrait Gallery holds the world's most extensive collection of portraits: a museum of people, a gallery of stories and ideas, and a home of artistic masterpieces. It celebrates the power and creativity of individuals - artists as well as their sitters. Icons and Identities draws upon the outstanding collections of the National Portrait Gallery to investigate and celebrate the variety and complexity of the genre. It draws together 'icons' - the most famous faces from British history from Queen Elizabeth I and Sir Isaac Newton to Audrey Hepburn and The Beatles - alongside less well-known sitters that provide a fascinating insight into the representation of identity in portraits. It also includes some intriguing surprises to reflect the diversity of the National Portrait Gallery's collection and to introduce audiences around the world to exceptional portraits of many kinds. This publication will show how artists, working across a range of media including painting, photography and multimedia, have revealed the visually stimulating and intellectually vibrant tradition of portrait making. It is structured around a series of key timeless themes and each section will include a selection of works from a range of periods, allowing audiences to consider how artists and sitters have engaged with themes of power, fame, the self, innovation, identity, memory and loss.

Master artist and best-selling author David Bellamy shares with you his techniques, ideas and approach to painting his beloved landscape throughout the year. A revised and expanded edition of David Bellamy's Winter Landscapes in Watercolour, David looks at each season in detail and explores the challenges and surprises they present to the landscape artist. Also covered are learning techniques for seasonal effects such as rendering hoar frost on trees; misty and atmospheric effects; injecting rogue colours to add excitement to your work; how to tackle a variety of tree branches for different species; depicting light branches against dark backgrounds; altering the composition to suit your needs, and so much more.

Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this

WILLA Literary Award Winner in Creative Nonfiction 2022 Spur Award Winner 2022 Top Pick in Southwest Books of the Year New Mexico-Arizona Book Awards Finalist in Cover Design Honorable Mention in the At-Large NFPW Communications Contest The Forgotten Botanist is the account of an extraordinary woman who, in 1870, was driven by ill health to leave the East Coast for a new life in the West-alone. At thirty-three, Sara Plummer relocated to Santa Barbara, where she taught herself botany and established the town's first library. Ten years later she married botanist John Gill Lemmon, and together the two discovered hundreds of new plant species, many of them illustrated by Sara, an accomplished artist. Although she became an acknowledged botanical expert and lecturer, Sara's considerable contributions to scientific knowledge were credited merely as "J.G. Lemmon & wife." The Forgotten Botanist chronicles Sara's remarkable life, in which she and JG found new plant species in Arizona, California, Oregon, and Mexico and traveled throughout the Southwest with such friends as John Muir and Clara Barton. Sara also found time to work as a journalist and as an activist in women's suffrage and forest conservation. The Forgotten Botanist is a timeless tale about a woman who discovered who she was by leaving everything behind. Her inspiring story is one of resilience, determination, and courage-and is as relevant to our nation today as it was in her own time.

This dazzling collection showcases the very best of the British Wildlife Photography Awards, presenting over 150 of the winning, commended and shortlisted images from the 2017 competition. Featuring a range of photography from world-leading professionals as well as inspired amateurs, it is a book that captures the magnificent diversity of the British Isles. Now in its eighth year, the annual competition has a long tradition of supporting conservation. It provides a platform for the finest examples of British nature photography, revealing its wonders to a wide audience and engaging with all ages through its evocative and powerful imagery. With a 20,000 prize from lead sponsor Canon, it is one of the most prestigious photography competitions, attracting major sponsors and culminating in an exhibition at London's Mall Gallery. British Wildlife Photography Awards 9 is divided into the competition's fifteen categories, from Animal Portraits through to the Young People's Awards. Every photograph is beautifully reproduced in a large format, with detailed technical information alongside the photographer's personal account, to appeal to both photographers and natural historians. Featuring a fresh new design, and supported by a major media campaign, this is a book that will bring every reader closer to the often unseen and always surprising world of British nature.

Kimberly Rhodes's interdisciplinary book is the first to explore fully the complicated representational history of Shakespeare's Ophelia during the Victorian period. In nineteenth-century Britain, the shape, function and representation of women's bodies were typically regulated and interpreted by public and private institutions, while emblematic fictional female figures like Ophelia functioned as idealized templates of Victorian womanhood. Rhodes examines the widely disseminated representations of Ophelia, from works by visual artists and writers, to interpretations of her character in contemporary productions of Hamlet, revealing her as a nexus of the struggle for the female body's subjugation. By considering a broad range of materials, including works by Anna Lea Merritt, Elizabeth Siddal, Dante Gabriel Rossetti, and John Everett Millais, and paying special attention to images women produced, Rhodes illuminates Ophelia as a figure whose importance crossed class and national boundaries. Her analysis yields fascinating insights into 'high' and mass culture and enables transnational comparisons that reveal the compelling associations among Ophelia, gender roles, body image and national identity.

Now she turns her attention to our mysterious, playful and surprisingly wise feline friends. Every page of this full colour gift book pairs a charming photograph with just the right sentiment, offering an inspiring life lesson we can learn from cats. 'Rub people the right way.' 'Be fearless...but have an escape plan.' 'Stay a little wild.' Whether they are hunting, snoozing, playfully wreaking havoc, or showering us with affection, cats have a lot to teach us about living a full life (after all, with nine lives, they have a lot of experience!). As Copeland reminds us, all we have to do is observe with an open heart and mind. Tender, funny, and warm, Really Important Stuff My Cat Has Taught Me is a loving tribute to the feline spirit.

Publishers Weekly starred review A Best Book of 2018 in Religion, Publishers Weekly Reading great literature well has the power to cultivate virtue, says acclaimed author Karen Swallow Prior. In this book, she takes readers on a guided tour through works of great literature both ancient and modern, exploring twelve virtues that philosophers and theologians throughout history have identified as most essential for good character and the good life. Covering authors from Henry Fielding to Cormac McCarthy, Jane Austen to George Saunders, and Flannery O'Connor to F. Scott Fitzgerald, Prior explores some of the most compelling universal themes found in the pages of classic books, helping readers learn to love life, literature, and God through their encounters with great writing. The book includes end-of-chapter reflection questions geared toward book club discussions, original artwork throughout, and a foreword by Leland Ryken. The hardcover edition was named a Best Book of 2018 in Religion by Publishers Weekly. "[A] lively treatise on building character through books.'"--Publishers Weekly (starred review)

When the gun smoke cleared, four men were found dead at the hardware store in a rural East Texas town. But this December 1934 shootout was no anomaly. San Augustine County had seen at least three others in the previous three years, and these murders in broad daylight were only the latest development in the decade-long rule of the criminal McClanahan-Burleson gang. Armed with handguns, Jim Crow regulations, and corrupt special Ranger commissions from infamous governors ""Ma"" and ""Pa"" Ferguson, the gang racketeered and bootlegged its way into power in San Augustine County, where it took up robbing and extorting local black sharecroppers as its main activity. After the hardware store shootings, white community leaders, formerly silenced by fear of the gang's retribution, finally sought state intervention. In 1935, fresh-faced, newly elected governor James V. Allred made good on his promise to reform state law enforcement agencies by sending a team of qualified Texas Rangers to San Augustine County to investigate reports of organized crime. In East Texas Troubles, historian Jody Edward Ginn tells of their year-and-a-half-long cleanup of the county, the inaugural effort in Governor Allred's transformation of the Texas Rangers into a professional law enforcement agency. Besides foreshadowing the wholesale reform of state law enforcement, the Allred Rangers' investigative work in San Augustine marked a rare close collaboration between white law enforcement officers and black residents. Drawing on firsthand accounts and the sworn testimony of black and white residents in the resulting trials, Ginn examines the consequences of such cooperation in a region historically entrenched in racial segregation. In this story of a rural Texas community's resurrection, Ginn reveals a multifaceted history of the reform of the Texas Rangers and of an unexpected alliance between the legendary frontier lawmen and black residents of the Jim Crow South.

Following in the success of internationally acclaimed artist Hunt Slonem, Butterflies is the third book in his art/nature series, following Bunnies and Birds (also published by G Editions). This is an extraordinary presentation in terms of the oversized format, vast amount of artworks included, five-color printing throughout, a ribbon marker, edging on the three exterior sides of the book block, and an acetate jacket that can be removed so that consumers can have a "painting" without text on their coffee table. It is important to note that Butterflies follows two very successful publications that are mainstay collaborations between author and publisher. According to Tank Magazine: "Hunt Slonem is unabashedly in love with his subjects...and it shows."