Text in German & English. The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy? This creativity is however mostly restricted purely to its own field. In this respect, Rob Krier, born in 1938 in Grevenmacher, Luxembourg, is indeed the proverbial exception that proves the rule. Besides his actual profession, which demands his daily attention, Krier has for years also made a vocation of his love of art, one which he nurtures parallel to his work. Fine art could stand in dialogue with architecture and it is Krier's ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders and move them to thoughtful reflection. In the works of Mies van der Rohe it is not rare that one finds naturalistic figures from, for example, Aristide Maillol or Wilhelm Lehmbruck -- as an anthropomorphic contrast to the strict geometry of the architecture, notes Rob Krier in the comments on his journal. If one is already aware of the realisation of his masterful architectural accomplishments through projects such as Potsdam-Kirchsteigfeld (1991 to 1997), De Resident in The Hague (1993-2001), Noorderhof in Amsterdam (1994-99), Veste Brandevoort near Helmond (since 1995), Citadel Broekpolder near Beverwijk (2000-04), or the Cite Judiciaire in Luxembourg (1992-2008) -- be assured, Krier's artistic skills are in no way inferior to his architectural work. Quite the contrary: as a sculptor and illustrator, too, Rob Krier brings together extraordinarily musical qualities and incorporates them into his work: his bronze The Jumper was erected in Montpellier in 2004, the Cowering Woman ten years earlier on Berlin's Friedrichstrasse, the four metre-high duo Bosch i Alsina and Papasseit on Moll de la Fusta in Barcelona in 1992.

The Benefits and uses of a Photo Album for a Baby Girl Save All of the Memories. When a girl reaches her teenage years, many parents wish they could return to simpler times. As hard as raising a teenage girl can be, however, it is nothing compared to taking care of a baby. Remind yourself of this fact with a baby album. Don't just keep the cute moments, like that first crawl, but keep pictures of all the little burps and spit ups and midnight cries, too. Every time she screams and slams the door, or cries herself to sleep over that boy you warned her about, you can look at the album of your daughter when she was little, and remind yourself that at least she can use the bathroom on her own.

What should a television look like? How should a dial on a radio feel to the touch? These were questions John Vassos asked when the Radio Corporation of America (RCA) asked him to design the first mass-produced television receiver, the TRK-12, which had its spectacular premier at the 1939 New York World's Fair. Vassos emigrated from Greece and arrived in the United States in 1918. His career spans the evolution of central forms of mass media in the twentieth century and offers a template for understanding their success. This is Vassos's legacy-shaping the way we interact with our media technologies. Other industrial designers may be more celebrated, but none were more focused on making radio and television attractive and accessible to millions of Americans. In John Vassos: Industrial Design for Modern Life, Danielle Shapiro is the first to examine the life and work of RCA's key consultant designer through the rise of radio and television and into the computer era. Vassos conceived a vision for the look of new technologies still with us today. A founder of the Industrial Designers Society of America, he was instrumental in the development of a self-conscious industrial design profession during the late 1920s and 1930s and into the postwar period. Drawing on unpublished records and correspondence, Shapiro creates a portrait of a designer whose early artistic work in books like Phobia and Contempo critiqued the commercialization of modern life but whose later design work sought to accommodate it. Replete with rich behind-the-product stories of America's design culture in the 1930s through the 1950s, this volume also chronicles the emergence of what was to become the nation's largest media company and provides a fascinating glimpse into its early corporate culture. In our current era of watching TV on an iPod or a smartphone, Shapiro stimulates broad discussions of the meaning of technological design for mass media in daily life.

A case study in the renowned architect's thought and practice, showcasing the museum that was his last great design This book analyzes the form and function of the final building designed by Louis I. Kahn (1901-1974): the Yale Center for British Art. As the Center's first director, author Jules David Prown was instrumental in Kahn's selection as the new building's architect in 1969. He was present throughout the processes of planning and construction until the year of Kahn's death, three years before the Center opened. Relying on direct quotations from Kahn, and using photographs and drawings, Prown distills and articulates the architect's philosophy as it is embodied in the Center. Beginning with this volume, the series On Center will explore the collections, history, and professional activities of the Yale Center for British Art. Distributed for the Yale Center for British Art

Through the conceptual framework of five overlapping themes, readers will consider the following issues:
Choreographed Experience. Just as globalization and cultural conformity make the uniqueness of place more essential, so too does our virtual connectedness call for a physical counterweight. The work of Duda/Paine Architects explores how visual, auditory, and tactile perception anchors an individual's physical experience and intellectual understanding of his or her surroundings. Like storytellers, choreographers, and directors, they design meaningful sequences of movement and discovery that add layers of sensory information, giving personal meaning to the architectural experience.
Creating Context. Duda/Paine Architects often adapt urban strategies to suburban and edge city settings, creating destinations with a strong sense of place - even in the absence of an existing architectural context of neighboring buildings, sidewalks, and open spaces. Each of these projects uses multiple buildings to strike a balance between built form and open space; each contrasts man-made gardens with the natural landscape; and each looks at the physical qualities of its site and surroundings to inspire an appropriate architectural language.
Transformations. Progressive leaders in business, healthcare, and education often aspire to cross disciplinary boundaries, collaborate more effectively, and innovate more freely. Architecture, like alchemy can effect transformation. Duda/Paine's interactive and inclusive design process not only reflects their clients' strategic visions but can also act as a catalyst to help redefine how they live, work, play or learn. The projects in this section establish new paradigms by bringing people together in ways that stimulate fresh ideas and practices.
Skyline/Streetscape. A majority of the world's population now lives in cities for the first time, making the tower typology more crucial than ever. Towers make public gestures in the skyline and the streetscape, acting at the scale of the city as well as the more intimate scale of the human body. Whether seen from a distance or experienced close-up, these projects become landmarks in the city skyline while simultaneously responding to the characteristics of the existing urban fabric and amplifying the vibrancy of its' street life.
Public Rooms. The benefits of today's virtual connectedness and increased mobility cannot replace the importance of physical gathering places where we share experiences, build collective memories, and see ourselves as part of a larger community. The privatization that leads to suburban sprawl and gated communities reinforces the architect's civic duty to provide public spaces that counteract this tendency. Whether urban or suburban, indoors or out, Duda Paine's public rooms nurture civic life by encouraging social interaction through chance encounters and casual conversations.

The giant architectural practices that set the pace today rarely have the capacity to devote their attention to a single house. This collection of six houses is the product of Denton Corker Marshall, an architectural practice that over the past 40 years has built on the largest scale across Asia, Australia and Europe. They have designed representational buildings such as embassies and law courts. They have built skyscrapers, conceived masterplans and created landmarks and landscapes. They have built museums, war memorials, convention centres, and hotels. Works such as the Manchester Civil Justice Centre, the Melbourne Museum and Embassies in Beijing, Tokyo and Jakarta demonstrate the practice's significant contribution to the global architectural scene, but - as they say of themselves - from time to time they enjoy the opportunity to design houses. This monograph presents a collection of houses built for friends and colleagues, for people who work together, who share values and relationships and priorities. The houses display, as Deyan Sudjic writes in his introduction, a delicacy and precision that comes close to jewellery.

Author Lynn Barnes admits she's known all along that she'd been a little different in ways she can't explain. In her memoir, The Last Exit before the Toll, she examines her life and tries to make sense of who and what she is and how her being affects her existence.

She reflects on growing up as an only child and her life now as a single, surrealist artist and Poe aficionado. Barnes recalls the events that have greatly impacted her, including the deaths of her mother and father and the suicide of her best friend, Marc. But it was the discovery that she has undiagnosed Asperger's syndrome that helped piece together the puzzle that has been her life and allowed her to come to terms with the troubling personality traits she has experienced all her life.

An insightful and creative look at Barnes's life, The Last Exit before the Toll provides a glimpse into the sometimes frustrating and unknown world of someone who lives with Asperger's syndrome.

Providing a new insight into twentieth-century architecture, this is the first book in English on the work of French architect Fernand Pouillon (1912-1986). It includes Jacques Lucan's analysis of his post-war urbanism and its critique of mainstream modernism, a description of material construction by Adam Caruso, and Pouillon himself inspired by Aix-en-Provence and reflecting on the contemporary architect's position in a cultural continuum. At the book's heart lie survey drawings and photographs of Pouillon's key Parisian housing projects. This book is first in a series on 'The Limits of Modernism - a Forgotten Generation of European Architects'.

What does it actually look like in the offices of people who think on a day-to-day basis about good architecture? Where do the ideas and designs of contemporary architecture originate? Seventy-six architectural firms, in German-speaking countries and internationally, open their doors and show us the spaces in which they work. There is a view of the outside of each architectural firm, one of the interior, and a floor plan, where the work places of the owners are highlighted. This not only exemplifies the similarities and differences between the architects, but also the internal organization of the offices as well as the attitude expressed by each respective building. The rooms in which architects work and receive visitors today tell of a profession that is itself a polyglot, down to earth, makeshift, honest, ironic, serious, or playful. Employees work in skyscrapers and barns, in townhouses and storage buildings, on the water and in the woods. The exemplary views of the seventy-six architectural firms are accompanied by a fundamental observation of continuities and discontinuities of the "atelier/studio."

MOSHOOD ADEMOLA FAYEMIWO was a newspaper publisher/editor in Nigeria where he grew up but now lives in Chicago. An alumnus of University of Lagos, Nigeria, University of South Florida, and State University of New York, he is author of Who's Who of Africans in America and four published books.. His next book is; Jonathan; The Squandering of Good Luck. MARGIE MARIE NEAL is former university professor, education consultant, and reading coach in Chicago. An alumna of State University of New York, Chicago State University, American College of Education, and University of Illinois at Urbana-Champaign. She is co-author, People Power in Africa: A Week That Changed Nigeria Forever," and author of; "The Roles of Professional Organizations in the Effective Teaching of Reading in Chicago Public School-CPS: The IRA and IRC as Case Studies," (forthcoming). Praise For ALIKO MOHAMMAD ADNGOTE THE BIOGRAPHY OF THE RICHEST BLACK PERSON IN THE WORLD "A highly recommended book to anyone who enjoys learning about how different people of all walks of life become rich and successful, and what it takes to get to the top"---Readers Favorite Book (Starred Review), USA. "A compelling book about a unique personality in Africa"---Goodreads, USA. "Flawlessly written, Dangote stands out as a hallmark of excellent artisanship and knowledgeable chronicling"--- Bookplex Review of Books, Mumbai, India. "Nigerian Aliko Dangote, the richest black person in the world, is a witness to the fact that success as a passionate entrepreneur is not limited by race, ethnicity or national origin"---Congressman Jesse L. Jackson, Jr.-(D - IL), 2nd Congressional District, U.S. House of Representatives, Washington, DC, USA. In a land lacking a culture of independent biography, this is a starting point, and Dangote is a promising introduction to the fascinating and still largely unmapped universe of one of the world's richest men."---The Huffington Post, USA. "Dangote has trumped long held assumptions, cultural archetypes and stereotypes, to become known as a respected business man, power broker and philanthropist"---Hon Gloria Hyatt, Member of the British Empire (MBE), motivational speaker, education, coach and managing director, Teach Consultancy Limited, UK. "This is a timely book on Aliko Dangote and the positive changes that are taking place in Africa,"---Prof. Vijay Mahajan, The John Harbin Centennial Chair of Business, McCombs School of Business, University of Texas, Austin USA. Publisher's website: http: //sbpra.com/MoshoodAdemolaFayemiwoandMargieMarieNeal

UIRA is the architectural design for na orbital Olympic Villlage, the first of the world, created by the Brazilian architect Emanuel Dimas de Melo Pimenta. In 2011 Pimenta launched the architectural design of Kairos - for a building orbiting planet Earth, considered the first design of architecture for a building in outer space. Yet in 2011, Emanuel Pimenta created and directed the first course of space architecture in Brazil, and the second in the world, at the Faculty of Architecture and Urbanism of the University of Sao Paulo. In early 1980s, Emanuel Pimenta coined the concept of virtual architecture, and starting in 1980 he designed the first virtual planet of the world - Woiksed - anticipating Second Life in more than twenty years. The book UIRA contains the first studies of the project, about sixty illustrations and an introduction written by the architect Bruno Padovano, from the University of Sao Paulo.

This first ever queer history of St Ives weaves together biography with art and social history to shine new light on a pivotal era in the development of British modernism. At its centre is the sculptor John Milne (1931-1978), who arrived in the town in 1952 to work as an assistant to Barbara Hepworth. Hidden behind 20-foot-high granite walls, Milne's house, Trewyn, became a meeting point for queer figures from the arts as well as the scene of legendary parties. The large cast - both queer and otherwise - featured in Queer St Ives and Other Stories includes artists Francis Bacon, Alan Lowndes, Marlow Moss, Patrick Procktor, Mark Tobey, Keith Vaughan and Brian Wall; Whitechapel Art Gallery director Bryan Robertson; actors Keith Barron and Richard Wattis; potter Janet Leach; and writers Tony Warren and Richard Blake Brown. There is also the extraordinary Julian Nixon, a queer Everyman whose involvement in the group has been little explored until now. Based on original interviews and previously unpublished letters and diaries, Queer St Ives and Other Stories reveals a fascinating, previously undocumented history, adding vital new insights into the history of this fabled Cornish art colony. Publication supported by the Paul Mellon Centre.

Literary Nonfiction. Poetry History & Criticism. Revised and Expanded Second Edition. Here is the definitive biography of American poet and artist Kenneth Patchen. Kenneth Patchen (1911-1972) was a poet, novelist, artist, performer of poetry-jazz in the tradition of engaged writing which he helped forge in America. Producing a book a year during his writing life, his work and life stand as a huge exposed girder in the structure of American culture and art. His friendships with such writers as James Laughlin, Henry Miller, E. E. Cummings, Muriel Rukeyser, Amos Wilder, Dylan Thomas, Lewis Mumford, Kenneth Rexroth, David Dellinger, Jonathan Williams, and Lawrence Ferlinghetti place him at the center of dissident writing in America.Rising from his native grounds in working-class Ohio, he became a leading figure among the Leftist thinkers and artists of 1930s and 1940s Greenwich Village, then moved on to the West Coast where he created dynamic blends of poetry and art, poetry and jazz, poetry and theater. Finally crippled with back pain during the last decades of his life, he created the famed picture poems of his Wonder Period.For four decades on East and West Coasts, by the force of his will and native genius, Patchen molded life and art as one. With the loving support of wife Miriam, he endured the pain and travail of years of struggle to recast an art based on truth and striking beauty. The tale of Kenneth and Miriam Patchen has become one of the great lover stories of American literature. His is the story of the rebel artist in America."In my eyes Kenneth Patchen is now and will remain one of the outstanding figures in American letters. He represents all that a poet should represent, whether expressing himself in verse, in prose, in paint, or in action. By his example he has given courage, direction, and inspiration to more poets than anyone I know of on this continent Patchen stands out like a shining warrior, a herald of peace and truth, endowed with invincible heart and integrity. No one can read him without being affected--and influenced in his own life and work. It is not only the youth who are indebted to him but all of us, unto the last and most fanatically ardent defender of the Word."--Henry Miller

Vicky Tiel started as an "it" girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous. Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, "What's New, Pussycat?," her classic design inspired the red dress that transformed Julia Roberts in "Pretty Woman," and her creations are worn today by stars such as Halle Berry and Kim Kardashian. Tiel's own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best friend Mia Fonssagrives in Paris, from marrying MGM's top make-up man to becoming Elizabeth Taylor's dear friend and part of her longtime entourage. Tiel forged her own path, and picked up some distinctive and hard-earned lessons from the rich, famous and celebrated along the way.

In IT'S ALL ABOUT THE DRESS, you'll get a glimpse of what it's like to be Hollywood royalty (think yachts, tiny dogs, giant pearls and peanut butter sandwiches washed down with Chateau Margaux), discover the seduction secrets of the greats (from Kim Novak to Goldie Hawn to Warren Beatty), take in a little husband-hunting advice, and even learn legendary model Dorian Leigh's recipe for "gigot d'agneau sept heures."

Vicky Tiel will teach you to dress like a sex symbol, cook like the owner of a French country inn, and seize what you want from the world like an American ingenue.

A "New York Times Book Review" Editors' Choice

Rosamond Bernier has known many (one is tempted to say all) of the greatest artists and composers of the twentieth century. In "Some of My Lives"," " she has made a kind of literary scrapbook from an extraordinary array of writings, ranging from scholarly articles for American publications to her many contributions to the art journal "L'OEIL"," " which she cofounded in 1955.

Through the stories of her encounters with Pablo Picasso, Henri Matisse, Leonard Bernstein, Max Ernst, Aaron Copland, Malcolm Lowry, and Karl Lagerfeld, we come to understand the sheer richness of Bernier's experiences and memories. Pithy, hilarious, and wise, "Some of My Lives" is a multifaceted self-portrait of a life informed and surrounded by the arts.

MOSHOOD ADEMOLA FAYEMIWO was a newspaper publisher/editor in Nigeria where he grew up but now lives in Chicago. An alumnus of University of Lagos, Nigeria, University of South Florida, and State University of New York, he is author of Who's Who of Africans in America and four published books. His next book is; Jonathan; The Squandering of Good Luck. MARGIE MARIE NEAL is former university professor, education consultant, and reading coach in Chicago. An alumna of State University of New York, Chicago State University, American College of Education, and University of Illinois at Urbana-Champaign. She is co-author, People Power in Africa: A Week That Changed Nigeria Forever," and author of; "The Roles of Professional Organizations in the Effective Teaching of Reading in Chicago Public School-CPS: The IRA and IRC as Case Studies," (forthcoming). Praise For ALIKO MOHAMMAD ADNGOTE THE BIOGRAPHY OF THE RICHEST BLACK PERSON IN THE WORLD "A highly recommended book to anyone who enjoys learning about how different people of all walks of life become rich and successful, and what it takes to get to the top"---Readers Favorite Book (Starred Review), USA. "A compelling book about a unique personality in Africa"---Goodreads, USA. "Flawlessly written, Dangote stands out as a hallmark of excellent artisanship and knowledgeable chronicling"--- Bookplex Review of Books, Mumbai, India. "Nigerian Aliko Dangote, the richest black person in the world, is a witness to the fact that success as a passionate entrepreneur is not limited by race, ethnicity or national origin"---Congressman Jesse L. Jackson, Jr.-(D - IL), 2nd Congressional District, U.S. House of Representatives, Washington, DC, USA. In a land lacking a culture of independent biography, this is a starting point, and Dangote is a promising introduction to the fascinating and still largely unmapped universe of one of the world's richest men."---The Huffington Post,, USA. "Dangote has trumped long held assumptions, cultural archetypes and stereotypes, to become known as a respected business man, power broker and philanthropist"---Hon Gloria Hyatt, Member of the British Empire (MBE), motivational speaker, education, coach and managing director, Teach Consultancy Limited, UK. "This is a timely book on Aliko Dangote and the positive changes that are taking place in Africa,"---Prof. Vijay Mahajan, The John Harbin Centennial Chair of Business, McCombs School of Business, University of Texas, Austin USA. Publisher's website: http://sbpra.com/MoshoodAdemolaFayemiwoandMargieMarieNeal

The painter, designer, and architect Henry van de Velde (1863-1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde's designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century's most influential artists and an essential voice within the modern movement.

Who knew years ago in Moscow that Nadia Russ would have such dynamic and adventurous life journey, often on the edge, and would end up writing this nonfiction book... An artist-inventor and a former freelance correspondent for two national publications in Moscow during Russian Perestroika, since 2000 she lives in the U.S.. A book "DECA-DaNCE: & How Swindlers, Coxcombs, & Sexists Failed America and How to Break Through & Be Happy" is a tell-all, autobiographical book. Through the prism of relationships with people, often with humour, she explores the variety of issues and subjects such as communism and capitalism in the U.S. and Russia, crime and corruption, sexism and love, elections and governments, more. As a solution to problems she offers the NeoPopRealism philosophy for happier life that she created in 2004. It is illustrated with photographs and photocopies.

Emanuel Dimas de Melo Pimenta started working on architecture and urban planning in the early 1980s. Then, he coined the concept of "virtual architecture" and launched Woiksed - the first virtual planet of the world, anticipating Second Life in about twenty years. From a floating island to a building created after mathematical principles -each one of his architectural designs is an exercise of discovery and invention. The book 30 Years of Architecture shows sixty of his works, created between 1980 and 2011.

Kairos is the history of the first design of architecture - in its most elevated sense - for a space project. Between 2008 and 2011, the Brazilian architect and urban planner Emanuel Dimas de Melo Pimenta designed a building to be permanently in orbit of planet Earth. Beyond an architectural design it also is a reflection on the human condition, on the possibility of the end of wars, of the leap of Humanity to the Universe and on a civilizational metamorphosis. But it also is a technical and technological questioning, and an artwork. With additional texts by the architects Carlos Zibel and Bruno Padovano, of the astrophysicist Amancio Friaca, and a poem of the hypermedia artist Artur Matuck - all from USP University of Sao Paulo, Emanuel Pimenta's book also tells the history of the design of space stations, from the 19th century to now, in a fabulous trip with the reader.

Kate Muller Chapman arrived in New Mexico at the time Santa Fe Style architecture was just developing. In the 1920s and 1930s Kate designed adobe houses, and directed local workmen during construction. Well versed in the tenets of the evolving Santa Fe Style, Kate also added her own distinctive touch to the projects. Kate Chapman skillfully directed rehabilitation projects preserving the essential historic character of nineteenth century adobes while updating and enlarging them. Two of her rehabilitations on Canyon Road are partially accessible to visitors: El Zaguan and the Borrego House. With graphic layout, linoleum cut illustrations by Stewart, and her own folksy humor, Kate combined a certain romantic spirit with recommendations that still apply to New Mexico adobe building. In 1930 Kate Chapman collaborated with her friend, artist Dorothy N. Stewart, to produce a small volume filled with practical tips about earthen architecture. First printed by Spud Johnson's Laughing Horse Press, "Adobe Notes or How to Keep the Water Out with Just Plain Mud" is reprinted and included in this book. Catherine Colby is a professional historic preservationist working in Santa Fe for over twenty years. She has a Bachelor's Degree in History and a Masters Degree in Architecture. During her career with the National Park Service Catherine researched and documented historic properties throughout the southwest. She runs a consulting business in Santa Fe, preparing National Register Nominations and reports on historic properties for their owners and for the Historic Santa Fe Foundation. She received a Heritage Preservation Award from the State of New Mexico for her role in the conservation of the Bishop Everett Jones property in Santa Fe.

Richard Neutra (1892-1970) is considered one of the twentieth century's most influential architects. Born in Vienna, his career occurred at a critical moment in the history of the modern movement. His early inspiration was provided by pioneering architects such as Adolf Loos and Frank Lloyd Wright. His first major commission -- Lovell House -- built in Los Angeles in 1929, just six years after his arrival in the United States, is known as one of the landmarks of modern architecture.

He is recognized for his open and innovative designs, his extensive use of glass allowing indoor and outdoor spaces to flow freely together, and his application of industrial techniques to architecture. He made major contributions to urban planning, was the author of several books, including Survival through Design, and won over fifty awards for architectural designs.

Neutra established new aesthetic standards and there is currently a tremendous renewal of interest in his legacy. This concise overview of his achievements is the essential introduction to his work and philosophy.