Text in English and German. As in 2001, during the 2002 Cologne International Furniture Fair three internationally known designers squeezed themselves into the town's best known building between buildings. There they presented their ideas on the subject of 'expanding the gap'. From Tokyo came the idea of expanding the exhibition space with an installation to make it snow. Designer Tokujin Yoshioka had 18 kilos of down whirled up by fans at the end of the room to create an everlasting blizzard, and the largest snowball of the year. -- In order to burst through the austere geometry of the exhibition building, projections from lava lamps from the London-based designer Ross Lovegrove covered the greater part of the interior. The coloured, gently moving bubbles created in these lamps by heat caused the sharp contours and hard black and white contrasts of the ceilings and walls to melt and flow. -- Greg Lynn from Los Angeles installed an over-dimensioned, organic sculpture on one of the side walls. It reached out well into the room, and so the visitors were obliged to squeeze past it and search on the other side for space.

Ten projects from a prairie architect whose designs are drawn from a search for harmony with the land, culture and institutions of the region. With essays, illustrated project index and bibliography.

This sociological analysis of Wright's architecture examines the interaction between people and the spaces they create. Satler shows how Wright explored a new architectural dimension, the space in which we live. Focusing on the Larkin Building (1904) and Unity Temple (1907), works that Wright considered important but that have received little attention, Satler delineates the social nature of space. She provides an analytic framework through which to understand Wright's buildings and his writings, revealing how the history of such works and cultural landscapes offer a basis for making social, political, and spatial choices about the future. Wright's specific architectural works provide a framework for constructing social histories of places and people because his designs represent a natural way to build and to live within a larger social landscape. This original study will appeal to sociologists, architects, urban and architectural historians, urban planners and anthropologists, and those interested in the work of Frank Lloyd Wright.

David Chipperfield's new building for the Kunsthaus Zurich now stands in all its splendour on Zurich's Heimplatz, opposite the old museum building of 1910 designed by Karl Moser. Its opening to the public in October 2021 will make the Kunsthaus Zurich Switzerland's largest art museum. Following the two previous volumes on Kunsthaus Zurich's architectural history and the design for turning it into an art museum for the twenty-first century, this book documents the genesis of David Chipperfield's extension from proposal through political debates about the entire project to completed structure. It features a foreword by David Chipperfield and an essay by Christoph Felger, executive architect for the project at David Chipperfield Architects Berlin, that discusses the design concept, the promise made with it, and its fulfilment. A conversation between Christoph Felger, the director of the City of Zurich's Building Surveyor's Office Wiebke Roesler, and Kunsthaus Zurich's director Christoph Becker, and architecture critic Sabine von Fischer, as well as numerous illustrations and plans sound out this new volume. Text in French.

Published by the TUNS Press, Faculty of Architecture, Technical University of Nova Scotia, Box 1000, Halifax, Nova Scotia, Canada B3J 2X4. Showcases the work of Patkau Architects of Vancouver, British Columbia, using photos, drawings, and text to document ten of Patkau's most significant projects. A

Frei Otto ist einer der innovativsten deutschen Architekten der zweiten HAlfte des 20.Jahrhunderts. Er lehrte am MIT in Cambridge, bevor er 1964 in Stuttgart das Institut fA1/4r leichte FlAchentragwerke grA1/4ndete, ein Forschungsinstitut mit Weltruf. Seine intensive BeschAftigung mit der Natur und das Studium der Naturformen haben ihn sinnvolle Strukturen entwickeln lassen, die sich a" erarbeitet in zahllosen Experimenten am Modell a" aus den Gegebenheiten bildeten und nie dem GebAude auferlegt wurden.

Zu seinen Hauptwerken gehAren der Deutsche Pavillon fA1/4r die Weltausstellung 1967 in Montreal; das MA1/4nchner Olympiadach (mit G.Behnisch), die A-kohAuser der IBA 1985 in Berlin, zahlreiche Zeltbauten fA1/4r Saudi-Arabien, temporAre Zelt- und Schirmkonstruktionen, z.B. fA1/4r die APink FloydA-Tournee 1977, Mitarbeit am japanischen Pavillon fA1/4r die EXPO 2000 in Hannover und am GroAprojekt Hauptbahnhof Stuttgart

In Einzelkapiteln werden die wichtigen Aspekte seines Schaffens von namhaften Autoren diskutiert, ferner beinhaltet das Buch ein ausfA1/4hrliches Werkverzeichnis der 200 Bauten und Projekte aus den Jahren 1951 bis 2004.

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868-1928) was one of the earliest pioneers of modern architecture and design. While he did not receive much recognition in his hometown of Glasgow during his lifetime, his bold new blend of simplicity and poetic detail inspired modernists across Europe. Mackintosh's avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining an adventurous dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as "The Four"; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair. On the continent, the "Glasgow Style" was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear yet lyrical forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe. Featured projects include his complete scheme for the Willow Tea Rooms and the Mackintosh Building at the Glasgow School of Art, widely considered Mackintosh's masterwork.

Designed in 2018 by Nina Edwards Anker, acclaimed architect and interior designer and founder of nea studio, the Cocoon House is a feat of sustainable design. Located in Long Island, New York, the completely unique, LEED-certified home, gets its name from the curved walls which form its cocoon-like shape. The building, which is half exposed and half opaque, also boosts beautiful skylights inspired by Goethe's colour theory, which provide sunlight-hued illuminations throughout. Cocoon House, a book that records every step of this ambitious project with stunning photography and insightful text, will appeal to a wide range of readers: those interested in sustainable design or the progression of solar technology in building, as well as those who are simply drawn to nature inspired statement houses, crafted with the utmost ingenuity. The carefully considered theories that served as inspiration to the house are discussed in depth, making Cocoon House a crucial reference book to anyone studying sustainable architecture as a whole.

The political climate of our time is being shaped by a dwindling ability to engage in public dialogue, putting democratic practices under increasing pressure. In order to counter the trend towards retreating into the realm of self-affirmation, we need new spaces in which public debate is not only tolerated but stimulated. With this in mind, students at RheinMain University of Applied Sciences designed centrally located salons in Berlin and Frankfurt/Main that could inspire interest in democratic engagement. In summer 2021, the German Architecture Museum will exhibit these designs. This book complements the exhibit with five essays by well-known authors, as well as a comic strip depicting a day in the life of the Salons of the Republic.

We live on the ground and with the ground. It feeds us and it cools the earth's atmosphere. We need it for housing, we use it for leisure and for work: without free access to land our economic model would not work. But this has changed significantly since the global financial market crisis. Since conservative investments lost their economical appeal, our land has become an international asset in high demand. Rising rents are one of the main symptoms. But essentially, this affects far more: Our social market economy, our community, and a successful approach to climate change are at stake. The main part of the book is a manual covering 36 different aspects of the land issue, featuring clear graphics and categorized into the three sub-areas of climate, economy, and the common good. Five essays and one interview by well-known authors provide references and possible solutions for one of the most pressing questions of our time.

This is a book about contemporary Swedish landscape architecture, reflected through the work of the country's leading landscape designer Thorbjorn Andersson. Three essays by international writers open the book, elaborating on the concepts of Nature, Site, and Restraint. The essays are followed by the project section, including photographs, drawings, and descriptions. The projects are in the public realm; mainly squares and parks in Sweden. Swedish landscape architecture stands firm in the world, directed towards social use and careful design. Sweden has developed a tradition built on human values, selective design, and an urge to work in a resourceful way. The book covers a selection of recent projects by Thorbjoern Andersson, who is one main interpreter of contemporary Swedish landscape design. Essays are by Annemarie Lund of Denmark, critic, editor and author, Marc Treib, professor emeritus of UC Berkeley and prolific author, and Udo Weilacher, chair of Landscape department at TU Munich and author.

The first monograph of renowned architect and interior designer Thomas Griem, featuring projects in London (5 projects), Hong Kong (2), Paris, Mallorca (3) and Ibiza. Thomas opened TG Studio in 2011 and this new book is a testament to the success of the studio's creativity and approach to architecture and interior design. Thomas Griem trained in London at the University of Westminster and at the Architectural Association. He has also made furniture and lights, and has always been fascinated by the making, designing and creating of not only buildings or interior spaces, but products. His work as an architect has been diverse, however he found that his passion lay in designing timeless beautiful homes. It has always been exceptionally important for Thomas to genuinely respond to the particular requirements of the client, the site and significantly the budget.

Vast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being 'inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life 'on the outside'. Interior Urbanism explores the roots of this contemporary tension between inside and outside, identifying and analysing the concept of interior urbanism and tracing its history back to the works of John Portman and Associates in 1960s and 70s America. Portman - increasingly recognised as an influential yet understudied figure - was responsible for projects such as Peachtree Center in Atlanta and the Los Angeles Bonaventure Hotel, developments that employed vast internal atriums to define a world of possibilities not just for hotels and commercial spaces, but for the future of the American downtown amid the upheavals of the 1960s and 70s. The book analyses Portman's architecture in order to reconsider major contexts of debate in architecture and urbanism in this period, including the massive expansion of a commercial imperative in architecture, shifts in the governance and development of cities amid social and economic instability, the rise of postmodernism and critical urban studies, and the defence of the street and public space amid the continual upheavals of urban development. In this way the book reconsiders the American city at a crucial time in its development, identifying lessons for how we consider the forces at work, and the spaces produced, in cities in the present.

The Brazilian architect Oscar Niemeyer (1907-2012) is a twentieth century classic. He became world renowned for planning and buildingBrasilia, which was declared a World Heritage Site in 1987. In 1988 he was awarded the Pritzker Prize. His buildings are deeply respectful of the site and are characterized by an unmistakable, almost Baroque design impulse. This second and revised edition of "Oscar Niemeyer: A Legend of Modernity" has a new preface and an updated biography and list of works. It contains essays that analyze the important and current aspects of Niemeyer's work, as well as texts by Niemeyer himself. Topics include the place of Niemeyer's work in modern Brazilian architecture, his work as urban planner, the aspect of landscape in his practice, and his influence on architecture in Germany. Niemeyer, who was highly prolific up until his death, is one of the most productive architects in history with over 600 buildings to his name. He was considered the "last giant of modern architecture." (Suddeutsche Zeitung)

This is the long-awaited overview of the recent works of architect Stephane Beel. As productive and versatile an architect as Stephane Beel is, architectural criticism and reception of his work are never far behind - new works are followed almost immediately by new words. This combination of work and word has made Stephane Beel into one of the most successful Belgian architects of the late twentieth and early twenty-first centuries. From his oeuvre, eighteen projects have been selected that have never before been elucidated in detail in a book. Each is described and commented on by one of the contributing authors. The book begins with an extensive introductory interview with the architect himself, in which - in eight thematic sections - the basic features of Beel's approach are discussed. The interview is entitled 'An Intense Order', which at once reflects the structure and the concept of this book: without putting forward a single, all-embracing interpretative system, it systematically endeavours to offer a variety of opportunities for capturing the spark that invariably lights up the work of Stephane Beel.

An in-depth exploration of the design process and teaching methods of the remarkable British architect as revealed by the archives of the Canadian Centre for Architecture, Montreal The British architect James Frazer Stirling (1924-1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. He earned international renown through such innovative-and frequently controversial-projects as the Leicester University Engineering Building (1959-63); the History Faculty building at Cambridge University (1964-67); the Neue Staatsgalerie, Stuttgart (1977-84); the Clore Gallery at Tate Britain (1984); and the Arthur M. Sackler Museum at Harvard University (1979-84). Stirling was also a visiting professor at the Yale School of Architecture, where he trained and influenced many of the current leaders in the field. Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows for a close examination of design drawings, photographs, and models spanning Stirling's entire career. These materials deepen our understanding of the influences, early formation, approach, and process of an architect whose work resists labeling. Filled with in-depth analytical and critical presentations of exemplary projects and their reception, the volume reveals Stirling to be a remarkably informed and consistent thinker and writer on architecture. Published in association with the Yale Center for British Art and the Canadian Centre for Architecture Exhibition Schedule: Yale Center for British Art 10/14/2010 - 01/02/2011 Canadian Centre for Architecture, Montreal Spring 2012

Text in English and German. The distinguished architect and Pritzker laureate Richard Meier has attracted public attention mainly with his museum and cultural buildings including the Atheneum in New Harmony, Indiana, the Museum fur Angewandte Kunst in Frankfurt, the High Museum of Art in Atlanta, the Getty Center in Los Angeles, the Stadthaus in Ulm and the Museu d'Art Contemporani de Barcelona. The book accompanies the exhibition of the same name at the Museum for Applied Arts in Frankfurt, which has recently been relaunched with differently conceived museum facilities and new service areas; these are addressed in detail in an appendix to the book.

The Werkgruppe Graz designed the terraced housing estate in Graz-St. Peter in 1965, during a period of societal upheaval. The complex was eventually built between 1972 and 1978. The planning group—members of the avant-garde artists’ association Forum Stadtpark—took a stand against the established system of residential construction, which was characterized by monotone design and the urban sprawl of single-family homes. Instead, they championed the utopian approach of involving residents in the planning process, which was reflected in the development’s basic structuralist framework with adaptable living units. Comprised of four terraced housing blocks in exposed concrete at the edge of Graz, the estate’s sculptural, brutalist appearance received international acclaim. Gelebte Utopie is the first book to provide a collection of texts of architectural commentary and context on the settlement. It additionally offers insights into the inhabitants’ living spaces and is enriched with artistic projects.

Until now, Emil Jauch (1911-1962) has been a little-known protagonist of Swiss post-war architecture. Shaped by the Scandinavian Modernity of the 1930s, his buildings are characterised by a remarkable sensitivity. This book demonstrates the Lucerne architect's empathetic design method by presenting his constructed school buildings. The publication describes the architect's life and work in three chapters, recognising his achievements in school building and classifying them within the European context of a humanising functionalism. Text in German.

Das Handbuch der Stadtbaukunst vermittelt grundlegendes Wissen fur den stadtebaulichen Entwurf. Stadtraume, Hofraume, Platzraume und Strassenraume werden anhand von 150 Beispielen aus uber 70 deutschen Stadten massstablich dargestellt, analysiert und verglichen. Das vierbandige Werk dokumentiert eindrucksvoll die in der Leipzig-Charta beschriebenen Qualitaten der europaischen Stadt: Schoenheit und Dauerhaftigkeit, Nutzungsmischung, soziale Vielfalt, Dichte und die Trennung in oeffentliche und private Raume. Herausgeber Christoph Mackler knupft an die Lehrbucher von Cornelius Gurlitt, Raymond Unwin und Josef Stubben aus dem fruhen 20. Jahrhundert an und liefert eine fundierte Anleitung zum Bauwerk Stadt. Mit Beitragen von Vittorio Magnago Lampugnani, Christoph Mackler, Werner Oechslin, Alexander Pellnitz, Jan Pieper, Birgit Roth, Mirjam Schmidt, Wolfgang Sonne, Jurg Sulzer und Anne Pfeil sowie Thomas Will

Ton Matton - Stadtplaner, Indie-Urbanist, bekennender Fan des performativen Urbanimus, Zweifelnder, Briefeschreiber. Zu Beginn seiner Karriere als Stadtplaner schrieb Matton Briefe, in denen er sich mit nachhaltiger Stadtplanung befasste (damals fur Stadtplaner*innen ein noch ganz neues Arbeitsfeld): an einen Minister, um ihm klarzumachen, dass eine Siedlung nur ein Kompromiss ist und kein Ersatz fur ein Leben in der Stadt oder auf dem Land. An eine Bundeskanzlerin, um sie daran zu erinnern, dass man aus Wind- und Sonnenenergie gewonnenen Strom in elektrischen Zahnbursten und Handyakkus speichern sollte. Seitdem sind viele weitere Briefe entstanden - an Politiker*innen, Projektentwickler*innen und andere mehr oder weniger prominente Personen. Was in ihnen zum Ausdruck kommt, ist Mattons leidenschaftlicher Spass am Zweifeln. Mit viel Humor und gewohnt provokativ fordert er seine Adressat*innen zum Umdenken auf und ladt damit wieder einmal auch die Leser*innen dazu ein, Eigeninitiative zu ergreifen.

Since the mid-1990s, when China allowed its architects to practice independently from government-run design institutes, a new kind of architecture, distinguished by unique regional characteristics, has emerged. China Dialogues is a rigorously selected collection of insightful interviews that the book's author Vladimir Belogolovsky has conducted with 21 leading Chinese architects during his extensive travels in China. At the time when so many buildings that are being built around the world are no longer rooted in their place and culture, the leading Chinese architects succeeded collectively in producing unique architectural body of work that could not be confused with any other regional school. The interviews are accompanied by over 120 photographs and drawings of beautifully executed projects built throughout China since early 2000s. China Dialogues opens up the thinking process of the country's top architects, as they share their ideas, insights, intentions, and visions in unusually revealing and candid ways.