Jean Prouve's Ferembal House was built in Nancy, France, in 1948, as the office for a can factory. Composed of five axial frames clad with wooden panels, set on a tall masonry base and occupying less than 600 square feet in a single raised story, this prefabricated structure was a classic example of Prouve's advocacy of mobile architecture. Thirty years later, however, the company went out of business and the factory was demolished. Fortunately a Nancy resident had the wherewithal to dismantle and preserve Prouve's innovative building, putting it into storage. In 1991, the well-known Parisian design gallerist Patrick Seguin traveled to Nancy to locate the Ferembal House. Seguin spent the next ten years raising the funds to renovate it, working in tandem with Prouve experts, and in 2007 invited his longstanding friend, the architect Jean Nouvel, to undertake a creative adaptation of the House. Drawing on contemporary technical resources, Nouvel brilliantly extended and systematized its fundamental modularity with stackable Ductal blocks and a floor of removable slabs. The results were exhibited in the Tuileries Gardens in Paris, in 2010. This comprehensive account of Prouve's posthumous collaboration with Nouvel recounts the tale of the Ferembal House with archival photographs and plans of the original structure and a detailed account of Nouvel's inspired interventions.

This fresh and vivid portrait of the postwar Paris art world, written by a member of Picasso's circle, sheds original new light on the greatest of modern artists and on the most important and least-known of his loves, the alluring and formidable photographer and painter Dora Maar.

Swan & Maclaren were the most prominent and prestigious architectural practice working in Singapore during the latter part of the British era, that is to say, from 1892, when the firm was founded, through to independence in 1965. As such, the history of Singapore architecture, during that period, is very much the history of Swan & Maclaren. Of course there were other important players, local Singaporeans as well as British, working in Singapore at this time, but there is no denying that Swan & Maclaren were the key players during this era, representing the architects of choice for those who could afford them - their list of clients during the period we are considering reads like a litany of the good and the great of Singapore. The output of the firm was extraordinary, too, ranging from corporate blockbusters like the Hongkong & Shanghai Bank and the Union Building of the 1920s, to factories, shophouses, department stores, hotels, schools and university buildings, railway stations, churches, mosques, a synagogue, bungalows, even the odd cattle shed! And not just in Singapore, but also in Peninsular Malaya (later Malaysia), Bangkok, Rangoon and the east Bornean state of Sarawak, once the fiefdom of the White Rajahs, later a Crown Colony. The names of partners and senior members of staff are also among the most famous in Singapore's architectural record: the eponymous Messrs Swan and Maclaren who founded the firm, Regent Alfred John Bidwell, one of the most talented architects of the British era, famous for having designed Raffles Hotel, the Victoria Memorial Hall and Theatre, the Chased-el Synagogue, the Teutonia Club (today's Goodwood Park Hotel), Stamford House and much else besides; Arts and Crafts maestro, Scotsman David McLeod Craik; the 1920s and thirties triumvirate of "starchitects", Frank Lundon, Denis Santry and Frank Brewer; Serbian Slobodan Petrovitch who designed the Tanjong Pagar Railways Station, and C. Y. Koh, author of everyone's favourite early Modernist masterpiece, the Water Boat House on Fullerton Road. Similarly in the postwar era, when we see the emergence of a new generation of local Singaporean architects who would lead the practice through to independence. The scope of the book covers the period from the mid-1880s, when the two eponymous founding partners, Archibald A. Swan and J. W. B. Maclaren first came to Singapore, and continues through to the end of the British era in 1965.

O'Gorman discusses the individual and collective achievement of the recognized trinity of American architecture: Henry Hobson Richardson (1838-86), Louis Sullivan (1856-1924), and Frank Lloyd Wright (1867-1959). He traces the evolution of forms created during these architects' careers, emphasizing the interrelationships among them and focusing on the designs and executed buildings that demonstrate those interrelationships. O'Gorman also shows how each envisioned the building types demanded by the growth of nineteenth-century cities and suburbs--the downtown skyscraper and the single-family home.
[A] brilliant analysis . . . a major contribution to our understanding of the beginnings of modern American architecture."--David Hamilton Eddy, "Times Higher Education Supplement,"

Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of British architect Cedric Price, aiming to present his munificence as thinker, philosopher and designer. A student at the AA in the 1950s, Price established his office in London in 1960 and went on to produce some of architecture's most intensely imaginative and experimental projects of the latter half of the 20th century. His work is central in defining architectural discourse around the emerging postwar themes of mobility and indeterminacy in design.

The Legacy of Albert Kahn salutes the achievements of one of America's most distinguished architects. Originally the catalog for a major retrospective exhibition at the Detroit Institute of Arts, this volume has become an invaluable handbook in tracing the creative genius of Albert Kahn. Known principally for his development of modern industrial architecture, Kahn also made significant contributions in the areas of commercial, civic, institutional, and domestic architecture. Dividing the early and late works, each chapter is a chronological presentation of designs within a given architectural category. Black-and-white photographs and illustrations abound. Eclectic and visionary, the man whose legacy included the General Motors and Fisher Buildings, the Rouge Plant, and a considerable number of buildings on the University of Michigan's Ann Arbor campus continues to be a source of inspiration for a new generation of architects.

The painter, designer, and architect Henry van de Velde (1863-1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde's designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century's most influential artists and an essential voice within the modern movement.

The iconic eighteenth-century architect Robert Adam was based in London for more than half of his life and made more designs for this one city than anywhere else in the world. This book reviews a wide variety of his designs for London, highlighting lesser-known buildings as well as familiar ones. Each of Adam's projects explored in this book is plotted on Horwood's map of London (1792-99), enabling the reader to recognise Adam's work as they move around the city, as well as to envisage London as if more of his ingenious designs had been executed or survived demolition.

Frank Lloyd Wright often expressed a passionate contempt for America's great cities, reserving a special wrath for New York. And yet, as Herbert Muschamp argues with verve and conviction in this book, Gotham played a vital part in shaping Wright's "second career" galvanizing the architect's energies after the scandal-ridden decades during which he built almost nothing.Man About Town describes Wright's Broadacre City proposals and includes photographs of his drawings for such major unbuilt New York projects as the Steel Cathedral for a Million People, the St. Mark's Apartment Towers, the Manhattan Sports Pavilion, and the Ellis Island "Key Project," in addition to previously unpublished photographs of "Taliesin the Third."Herbert Muschamp is currently working on a study of New York architecture by Philip Johnson.

In Shaping Place, founding principals Turan Duda, FAIA and Jeffrey Paine, FAIA, are joined by the firm's four studio leaders to discuss the evolution of their work and thematic underpinnings since publication of their previous volume, Individual to Collective, in 2013. This compilation of buildings spans diverse typologies to illustrate how the firm's ideas on public space, outdoor environments, evolving working and learning models, and contextual sensitivity are universal to creating meaningful architecture. With chapters focusing on design for wellness, academia, the workplace and urban development, the volume presents the realisation of the thematic roots discussed in Individual to Collective across a diverse range of scales, material qualities, structural systems and architectural palettes. Steve Dumez, FAIA, of Eskew Dumez Ripple, provides perspective on the firm's work within the larger lens of architectural practice.

A reflection on 20 years of Gumuchdjian Architects in practice

Sensing Place is a reflection on 20 years of Gumuchdjian Architects in practice. The principal architect, Philip Gumuchdjian sets out the thinking behind his projects with a view to re-stating the relevance of architecture in an increasingly virtual, image driven world. The book is thus a manual designed to guide the general public through the many concurrent and competing ideas that underpin a typical body of architectural work. These include the importance of keeping the culture of the past closely with us; the imperative of instilling buildings with the capacity to connect people to places; and how shared space is the real engine of community.

Gumuchdjian exposes the observations and emotional responses that fuel his design intuition and pairs this with a fundamental belief in the necessity to respect our shared human past. Like a writer or a painter he is seen to observe the world and brings those observations to bear on his projects. In asking what is the point of architecture? and airing the span of sensitivities, hopes and ambitions that form the foundation of his architectural projects, Gumuchdjian aims to reveal the little understood motivations behind every architect s work.

The book restates the fundamental potential of architecture to contribute to the betterment of the lives of people on this environmentally depleted, socially inequitable and commercially over-exploited planet. Divided into five chapters that describe his approach to landscape, heritage, the home, and the public realm, Sensing Place concludes by reinforcing the need for architects to continue their advocacy of visionary change.

In this groundbreaking volume, conventional assumptions about one of England's greatest and most influential classical architects are turned on their head. Traditionally, Inigo Jones has been looked upon as an isolated, even old-fashioned, figure in European architecture, still espousing the Palladian ideals of the 16th century when European contemporaries were turning to the Baroque. Yet an investigation of contemporary European architecture and of Jones's buildings belies this impression, demonstrating that Jones must be viewed in the context of a European-wide, early-17th-century classicist movement. Giles Worsley examines the full range of Jones's architecture, from humble stable to royal palace. Worsley shows that key motifs that have been seen as proof of Jones's Palladian loyalties-particularly the Serliana, the portico, and the centrally planned villa-have a much older and deeper meaning as symbols of sovereignty. The book transforms our understanding not only of Inigo Jones but also of the architecture of his time. Published for the Paul Mellon Centre for Studies in British Art. Published for the Paul Mellon Centre for Studies in British Art

Today, R. M. Schindler's Kings Road House is celebrated as an icon of early modern architecture, but this wasn't the case when it was finished in 1922. Though Schindler and his wife Pauline recognized its genius early on, its radical appearance was - and remains - incomprehensible to many. Lavishly illustrated with forty-five new photographs, this book is an incisive examination of the house, placing it in the context of the architect's career and clarifying its influence on modern architecture and its practitioners. Little-known aspects of Schindler's life, his relationship with his mentors, and the development of his unique theories about space enrich the narrative. Robert Sweeney focuses on the construction of the house and the people who lived, worked, and performed there, demonstrating the building's significance in the social history of Southern California. He includes new research on Schindler's educational and personal background in Vienna and a discussion of the critical influence of Pauline Schindler in formulating the social underpinnings of the house. Judith Sheine's essay places the house in the context of Schindler's career, in which it established the basis of the spatial development of his work. She also examines the influence of the house on the work of numerous architects from Frank Lloyd Wright to Frank Gehry.

David Adjaye, the son of a Tanzanian diplomat, spent his childhood moving between international cities before settling in London, where he was educated. Fresh out of the Royal Academy of Art, his early commissions reflected an influential generation of artists at the turn of the millennium with whom he shared a range of sensibilities. His artistic sensitivity, deft use of space and inexpensive, unexpected materials resulted in a number of iconic projects. With the hindsight of almost twenty years of practice and a raft of high-profile projects around the world - perhaps best symbolized by his National Museum of African American History and Culture in Washington, D.C. - the significance of Adjaye's earlier projects is clear. Never shying away from a challenge, Adjaye used his first projects as testbeds for what would become his unique, acclaimed and highly sought after brand of 'critical regionalism'. This monograph presents the first projects of Adjaye's corpus, many little documented. From London's West End to Brooklyn, clever urban interventions and pavilions to private houses for artists and public buildings for the many. These early projects, brought together and presented with new analyses and recently uncovered archival material, testify to the originality of an architect at the height of his talents who is changing the face of our built world.

Text in English and German. The extensive built work of the 1925 born Reinhard Gieselmann, focussing on housing and church architecture, is characterised by powerfully three-dimensional buildings, dramatic spatial effects, sophisticated handling of light and explicit material effects.

The terms 'analogue architecture' and 'oldnew architecture' are key aspects of the teaching of Miroslav Sik at the ETH Zurich. During his first period there (1983-1991), Sik worked as Senior Assistant at the Chair of Fabio Reinhart and was in effect the spokesman of an architectural movement that became renowned far beyond the borders of Switzerland and is still influential today. In 1986/1991, the compact movement presented itself to the public with a touring exhibition and an accompanying large-scale 'Swiss Box', including chalk perspective drawings of its projects. Miroslav Sik worked as a Full Professor at the ETH Zurich between 1999 and 2018 during his second period there. Since the 1990s, Sik's theory and teaching have formed an important pillar of Swiss and international architectural history. This extensive volume contains the best 90/120 works respectively by students from both periods of Miroslav Sik's teaching, including plans, project descriptions and perspective diagrams. Some of the presented students went on to become renowned contemporary Swiss architects. This volume also includes the most important manifesto-like texts by Miroslav Sik and enlightening essays on the movement of analogue and oldnew architecture.

The first major study of one of the most important architects of the postwar era Equally admired and maligned for his remarkable Brutalist buildings, Paul Rudolph (1918-1997) shaped both late modernist architecture and a generation of architects while chairing Yale's department of architecture from 1958 to 1965. Based on extensive archival research and unpublished materials, The ArchitectureofPaul Rudolph is the first in-depth study of the architect, neglected since his postwar zenith. Author Timothy M. Rohan unearths the ideas that informed Rudolph's architecture, from his Florida beach houses of the 1940s to his concrete buildings of the 1960s to his lesser-known East Asian skyscrapers of the 1990s. Situating Rudolph within the architectural discourse of his day, Rohan shows how Rudolph countered the perceived monotony of mid-century modernism with a dramatically expressive architecture for postwar America, exemplified by his Yale Art and Architecture Building of 1963, famously clad in corrugated concrete. The fascinating story of Rudolph's spectacular rise and fall considerably deepens longstanding conceptions about postwar architecture: Rudolph emerges as a pivotal figure who anticipated new directions for architecture, ranging from postmodernism to sustainability.

Egyptian Places: An Illustrated Travelogue, presents an architect's account of visits to 12 of Ancient Egypt's most spectacular sites, a journey that transports the reader from the urban metropolis of Cairo and the Great Pyramid of Giza to the remote desert setting of the rock-cut temple at Abu Simbel; with visits to other monumental temples and towering pyramids which line the Nile River. The book recreates that journey, describing important architectural features of these sacred monuments, their mystic foundations, and religious significance. Over 200 colour hand drawings and graphic studies capture and interpret the character of each site from the architect's unique perspective.

With his residential buildings, office blocks, schools and factories, Boris Velikovsky (1878-1937) made a definitive contribution to Russian avant-garde architecture. His early constructions, such as Gribov House in Moscow, are still very much bound to Russian Neoclassicism, yet since the Revolution of 1917, he increasingly designed Constructivist architecture. One example is his Gostorg Management Building, distinguished by glass facades, the functional division of space and use of state-of-the-art materials. Furthermore in the garden city of Druzhba for instance, Velikovsky intensively engaged with new ideas in town planning. With mostly hitherto unpublished technical plans as well as numerous historical and new colour photographs of his most famous projects, Boris Velikowsky's contribution to Russian avant-garde architecture is appreciated for the first time in book form.

Monograph.it is a unique contemporary magazine that combines monography and review. Each volume follows an original structure, although all devote several pages to the study of architecture. Accompanying these case studies are galleries flush with places, buildings, and landscapes; when combined with detailed studies focussing on cities in evolution, Monograph.it encourages its readers to conceive of urbanisation and landscape as mutually complementary. The aim of this is to provide a comprehensive overview that acknowledges differing development speeds of architectural productions, across a variety of scales. An ongoing project, this survey will be summarised in 'Researches' (a chapter to be published in the next issue). This will stress the importance of encouraging innovation in students of architecture. Monograph.it acts as a platform for theoretical debate, conducting interviews and hosting essays from big-name figures in the architecture world for example, the firm featured in this issue: Corvino and Multari. A remarkable pair of architects, Corvino and Multari have been shortlisted for a number of international awards, and won the 2006 Italian Architecture Award for their restoration of the Pirelli Skyscraper. Their projects have been exhibited worldwide, and works-in-progress range from music halls, to shopping centres, to the post-earthquake repair of residential property. A versatile team with a seemingly infinite repertoire, Corvino and Multari have a reputation for problem-solving: their creations are as daring as they are functional, and never fail to impress.

Over nearly six decades of practice, Robert Royston (1918-2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on more than two thousand projects as diverse as school grounds, new towns, transit corridors, and housing tracts. As an apprentice of Thomas Church, Royston gained experience with residential gardens that influenced his early designs for public parks. At a time when neighborhood parks were typically limited to playing fields and stock playground equipment, Royston created imaginative facilities for the American family, offering activities for people of all ages. Royston, Hanamoto & Mayes, founded in 1958, grew to become one of the nation's most influential corporate firms. With his collaborative approach, Royston designed landscapes that set a high standard of inclusivity and environmental awareness. In addition to the many beloved places he created, his perceptive humanism, which passed down to his students, is Royston's enduring legacy.