What "really constitutes an architectural atmosphere," Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor’s passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and "presence" of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.

A celebration of renowned sculptor and educator Kent Bloomer's work, examining the role of ornament in contemporary architecture and society Best known for New York's Central Park luminaires (1982), the ornamentation at Rice University's Baker Hall in Houston (1997), and his work on Yale University's Bass Library entrance pavilion and Sterling Memorial Library stairwell entrance (2007), the sculptor Kent Bloomer (b. 1935) has not only influenced the discussion around ornament in contemporary architectural practice, but has inspired developments in a range of disciplines that include history, music, art, philosophy, and biology. With a retrospective look at Bloomer's work as a point of departure, scholars from a variety of different fields explore his contributions to the history of ornament as both a social and an artistic phenomenon. Through the lens of Bloomer's groundbreaking oeuvre, this volume reorients the discourse of ornament from a contentious vestige of modernity toward its active relationship to architecture, landscape, urbanism, and a sense of place.

The Zurich architects Oliver Menzi and Philippe Burgler demonstrate their ability to balance function with their signature reserved style. They skilfully play these attributes off each other, creating attractive public buildings such as the school and sports hall in Matzendorf, and the parish hall in Wurenlos. Similarly, the recently completed new wing at the Felsberg school, Lucerne, is a small masterpiece that shows their mastery of interior space, exterior structure, and precision in detail. This small book showcases some of Menzi and Burgler's greatest accomplishments to date.

Paulo Providencia occupies a special place in contemporary Portuguese architecture. He is recognised by many as one of the best of the generation following Eduardo Souto de Moura. His work is concerned about interpretation of programmatic needs, relating architecture to specific cultural contexts. His buildings the vast majority of them located in Portugal are based on sound theoretical background, rooted in philosophical and anthropological research. This new book features seven of Providencia's realised structures in striking duotone photographs taken by the Portuguese photographer Alberto Placido. Each is documented as well with selected plans and key information. Five topical essays by Providencia round out the first monograph in English on this eminent architect and theoretician.

A documentation of the details and ornamentation used by John Gaw Meem in his architecture in the Southwest. Copiously illustrated with photographs, plans and diagrams.

Also available as Art Edition (No. 1-1,000) including an exclusive, square format reproduction of the Arlecchino coffee table and a set of four numbered ocean liner interior prints. To study Gio Ponti's prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti's rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy's mid-century Renaissance and the modernist values it sought to realize. This new book is the most comprehensive account of Ponti's work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life's work. Materializing Ponti's core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity.

The murals of the Saint Francis Auditorium of the Museum of Fine Arts, Santa Fe, New Mexico were dedicated in 1918 when the Museum of Fine Arts was the subject of great festivities held for the grand opening of the building, financed by private capital and State money. The murals themselves are in excellent condition and effectively grace the handsome auditorium. Their meaning is not obvious; in only three of them does Saint Francis appear. One inevitably wonders why the other subjects were selected; who made the decisions as to the subjects; who gave the commission and when; what artists did what for which pictures? What was the impact of the unexpected death of the principal artist before the murals were completed? These questions, but above all the meaning of the cycle of pictures, instigated the author's research and are responsible for clarifying Santa Fe's heritage of these extraordinary pictures.

Carl Sheppard taught at the University of Michigan, UCLA, and the University of Minnesota where he was also Chair of the Department. In New Mexico he concentrated on the period of the first two decades of the twentieth century. The University of New Mexico Press published his book "Creator of the Santa Fe Style: Isaac Hamilton Rapp, Architect." The volume won the Gaspar Perez de Villagra Award for an outstanding publication in 1988. Previously Dr. Sheppard published primarily in the early Medieval field as well as occasionally on subjects of modern art.

Few artists have ever been so beloved—or so controversial among art critics—as Andrew Wyeth. The groundbreaking book Artists of Wyeth Country presents an unauthorized and unbiased biographical portrait of Wyeth, based on interviews with family, friends, neighbors—even actress Eva Marie Saint.  Journalist W. Barksdale Maynard shines new light on the reclusive artist, emphasizing Wyeth’s artistic debt to Howard Pyle as well as his surprising interest in surrealism. The book is filled with brand-new information and fresh interpretations.   Artists of Wyeth Country also comprises the first-ever guidebook to the artistic world of Chadds Ford, Pennsylvania, center of the Brandywine Tradition begun by Howard Pyle. Six in-depth tours for walking or driving allow the reader to stand exactly where N. C. and Andrew Wyeth stood, as has never been fully possible before.   As Maynard explains, Andrew Wyeth’s artistic process was influenced by Henry David Thoreau’s nature-worship and by his habit of walking daily. Newly commissioned maps, rare aerial photographs, as well as glorious full-color images and artworks of the landscape (many never reproduced before) illustrate the text.   A fascinating exploration of the world of Andrew Wyeth, Artists of Wyeth Country is sure to become an essential new source for those who love American art as well as for admirers of the scenic landscapes of the Mid-Atlantic, of which the Brandywine Valley is an exceptional example. As a rare, unauthorized biography of Andrew Wyeth, it opens the door for an entirely new understanding of the American master.    

ABS Bouwteam is a high-end contractor of exclusive residential projects: villas, country houses and mansions in timeless and contemporary style. This first monograph highlights the most important projects by the company, with an overview of 30 years of exceptional architecture and interior design.

Showcases the bold, innovative, and colorful architectural designs of Alexander Girard. During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard's vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937-53)-encompassing interior and industrial design, exhibition curation, and residential architecture-has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard's exceptional architectural projects, specifi ally those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe. One exciting element of the book is the rediscovery of another Girard masterpiece - the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard's Detroit design work at midcentury. Stunning color photographs capture the unique design elements-including the boldly colored glazd brick walls of the atrium-reminiscent of Girard's role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book. Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

'A charming account of a daughter, a house and a fastidious dad' Sunday Times Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid. With colourful glass panels set against a forest of trees, it was like living in a work of art. Her father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision - or his distinctive way of looking at the world. Told with great tenderness and humour, this is Shelley's account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death. 'A sad, funny, utterly fascinating book about families, home and how to say goodbye' Mark Haddon 'Original, moving and bracingly honest... often hilarious' Blake Morrison, Guardian 'It is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight' Telegraph

Werner Sobek is one of the leading engineers and structural designers of our time. His works have been awarded numerous distinctions and enjoy the highest reputation worldwide. They all excel through their high level of sophistication and innovation, both with regard to materials and structural systems, thus demonstrating impressively Werner Sobek's biggest asset: the capacity to design filigree, nearly dematerialised structures with perfect details, structures that are in true harmony with their form and function. This book presents a sample of the most important projects in the fields of design, materials, skins and structures.

Sir Robert Lorimer, who practised in Edinburgh between 1893 and 1929 was an architect whose deep response to Scotland's landscape and its crafts is expressed as vividly by his letters as by his buildings. This is the study of Lorimer, one of Scotland's foremost 20th-century architects.

Kip was born 'Walton Danforth Stowell' from Massachusetts. He lived a long life as an artist, architect, and politician; settling in Harpers Ferry, WV. This biography spans 73 years of Kip's life, from 1936-2009; and is a summary of people, places, and art related to him. As an architect he worked for the National Park Service, but also maintained private practice. Kip loved entertaining people, and was loved for his enthusiasm for design. Among his most famous designs are the Charles Town War Memorial, Turf Race Track Hotel, Bolivar Community Center, and Harpers Ferry Town Hall. His greatest contributions to Historic Preservation may have been to protect the Town of Harpers Ferry and the Peter Burr House for all time and for all people.

Digital Fabrications is a collection of essays and half-true stories about design software and hardware. Written from the perspective of architectural design, each piece expands on emerging trends, devices, foibles, and phenomena engendered by an increased reliance on interactions with interfaces in the discipline. The essays ask: how do we characterise our post-digital design labour? What are the politics of design software? How is architecture adapting to a world largely dependent on platforms and scripts? What are the spatial mechanisms of the internet and VR? Using storytelling techniques, this book accepts that software is everywhere, and narrows in on a few ways it has taken command of our cultural products. From the perspective of architectural design, a field traditionally associated with sketching and its own myths of creativity, computers are an essential workplace tool. Projects rely on a wide assortment of software packages and standalone applications, but rarely do architects reflect on the structure of those programs or how they have infiltrated our disciplinary conventions. PDFs and JPGs are as much a part of our vocabulary as plans, sections, and elevations. A drawing today might refer to a rendering, a CAD document, a proprietary BIM file, or anything that describes a project visually. While one way of examining this disciplinary shift might be to re-imagine what digital drawing can be, this collection of essays puts forth another way: to look at the behaviours, phenomena, collective trends, and oddities emerging as a result of global software proliferation. In other words, this book accepts that software is everywhere, and narrows in on a few ways it has taken command of our cultural products.