Dust Free Friends is a series of designs for small pieces of domestic furniture, designed by London-based 6a architects, that can be made very simply at home, in restricted spaces, with a small number of tools and without specialist skills. The lightness and simplicity of the pieces is derived from a combination of observation of the way simple plywood constructions on a construction site are adapted to become stools, tables, steps, and stairs, changing quickly and without fuss as workers need them. The designs also re-examine the long tradition of self-build that has shared the journey through modernism with industry and craft. With the Dust Free Friends series, Tom Emerson and Stephanie Macdonald invite the reader make his or her own everyday furniture from dressed plywood. Beautifully produced and illustrated with some 90 easy-to-understand diagrams and images, Dust Free Friends is a comprehensive, precise, and entertaining, manual to furnishing a comfortable place entirely by its users.

An Architect's Address Book is memoir in 18 chapters of the places Robert Lemon has lived, studied, and worked over the past six decades. Some are of places that he has visited many times and are important to his career. Studying architecture and conservation, Lemon has lived in Ottawa, Paris, London, Rome, and York. His work has involved projects in Vancouver, Los Angeles, Dorset, the High Arctic, and Xi'an. Other stories are about visiting the buildings of Andrea Palladio and Carlo Scarpa in the Veneto, Arne Jacobsen and Kay Fisker in Denmark, and five iconic 20th-century houses in France, in company of colleagues. Most of the chapters focus on someone influential to Lemon's career; and his vast interest in food is a thread through most stories.

In the book Al Wasl Plaza: Dubai Expo 2020 the architects, Adrian Smith + Gordon Gill Architecture highlight the inspiration and innovation of the design of Al Wasl Plaza. The book explores each aspect of the project including the garden, the trellis, three office buildings, and two hotel buildings, all of which serve to define the centre of Expo 2020. The book is essentially divided into three phases of design. The first phase focuses on the inspiration and conception of the project. Architectural studies, sketches, and models show the process that led to the final iconic form. The second phase introduces each of the parcels including the garden, trellis, offices, hotels, the Leadership Pavilion, and the Arrivals Plaza. Each chapter illustrates the design process, architectural details, and the development of the technical systems. The third and final phase summarises the construction process, sustainability achievements, and looks to the future to reveal the District 2020 legacy master plan concept by AS+GG.

ADAM Architecture has a worldwide reputation for traditional Western design. Although the practice is based in the UK, it has built award-winning projects of all types around the world, and is known for combining modern interpretations of the Classical tradition with the latest technology. Among its most admired work are its country houses, and 19 of these houses are the focus of this new book, written by architectural historian Jeremy Musson. Robert Adam co-founded the practice (as Winchester Design) in 1986, and has worked with technical director Paul Hanvey for more than 30 years (including at a previous incarnation of the practice). Adam now works with three other architect-directors - Nigel Anderson, Hugh Petter and George Saumarez Smith - to build country houses that are not period reproductions but creative interpretations of past traditions. Each director has his own architectural personality, together producing a body of work that uses historical precedents, including construction techniques, materials, layout and details, to give expression to thoroughly modern works. Their schemes address the modern-day realities of energy conservation, climate control, internet access, computer-managed systems and security - all prerequisites in contemporary house design. Unlike country houses of the past, today's houses must be functional without live-in staff. Kitchens are now the focus of much family life and entertaining, rather than spaces to be kept from sight. These and numerous other practical considerations receive meticulous attention in an ADAM Architecture country house. The book begins with two forewords, with Clive Aslet and Calder Loth offering their interpretations of the ideal country house from a British and an American perspective respectively. The introduction provides an overview of the rich and varied tradition of the English country house, from the medieval manor house to houses of the Elizabethan and Jacobean periods, and the Classically inspired designs of the seventeenth and eighteenth centuries through to the architecture of the Gothic Revival and then the Arts and Crafts Movement. Architects associated with the country house throughout the ages include, among others, John Vanburgh, William Chambers, Robert Adam, John Nash and Sir Edwin Lutyens. And now, today, ADAM Architecture is one of the leading practices designing and building new country houses.

From a watch to a pavilion, from urban furniture to infrastructure, from landscape design to apartment buildings: since the founding of Atelier Bonnet in the year 2000, the work of Pierre and Mireille Bonnet, covering a wide range of themes and scales, is conceived in a spirit of interaction and complicity. In the face of such a diversity of works, the monograph concentrates on a series of exemplary residential buildings, which document the skillful handling of this fundamental building task. In their most recent works, the architects have also occupied themselves intensively with the use of exposed concrete and with questions of tectonics. The resulting sculptural design and the abstract language of these objects provide further examples of a highly sensitive architecture, with an undeniable artistic dimension.

A comprehensive look at the life and work of one of the 20th century's most influential architects Aldo van Eyck (1918-1999) was a Dutch architect, writer, and teacher who helped redefine Modern architecture in the second half of the 20th century. As an advocate for architecture's engagement with history, culture, climate, and the lived human experience of buildings and urban spaces, he created designs that privileged place and the daily rituals in the lives of its inhabitants over universal ideals. In this volume, enlivened by 300 illustrations from the Aldo van Eyck archive, Robert McCarter provides the first comprehensive study of van Eyck's 50-year career since his death, guiding readers through the architect's buildings and unrealized projects, with a focus on the interior spatial experience and on the design and construction processes. Highlighted projects include the Amsterdam Orphanage, the Roman Catholic Church in The Hague, and some of the hundreds of playgrounds he famously designed over the course of his career. McCarter also investigates how van Eyck's writings and lectures convey the importance of architecture in the everyday lives of people around the world and throughout history. By presenting his design work together with the principles on which it was founded, McCarter illuminates van Eyck's ethical interpretation of architecture's place in the world.

Vorwort Hans Schmidt wurde am 1 0. Dezember 1893 in Basel geboren und starb am 18. Juni 1972 wahrend einer Tagung des BSA in Soglio. Zum Anlass seines 1 00. Geburtstages im Jahre 1993 wird das Werk von Hans Schmidt von den verschiedensten Seiten her bearbeitet und gewurdigt. Dass sich die vorliegende Untersuchung auf die stadtebaulichen Theo rien von Hans Schmidt konzentriert, ist einmal aus meinem eigenen lehr gebiet des Stadtebaus erklarlich. Vor allem aber ist Hans Schmidt fur mich derjenige unter den Architekten der Moderne, der sich am konsequentesten mit den stadtebaulichen Theorien auseinandergesetzt undzeitseines Lebens mit einer unbeirrbaren Uberzeugung nach den wesentlichen Grundlagen des Stadtebaus geforscht hat. Fur ihn gab es keine Trennung zwischen sei ner politischen, philosophischen Auffassung und seiner Tatigkeit als Stadt planer, eines bedingte unmittelbar das andere. Mit Hans Schmidt verbinden mich mehrere personliche und fachliche Begebenheiten. Da er ein Freund meines Vaters Fritz Huber war, bin ich Hans Schmidt und seiner Familie schon als Kind ofters begegnet und seine Zeichnungen von Raubergeschichten schmuckten mein Kinderzimmer. Als Architekt unseres Vaterhauses in Riehen hat Hans Schmidt die Architektur und Raumerfahrungen meiner Kindheit massgebend gepragt. ln meiner Stu dienzeit wurde eine Renovation an unserem Hause notwendig; Hans Schmidt hat mich bei der Durchfuhrung dieser Arbeiten hilfreich beraten und dabei mit mir allgemeine Fragen der Architektur diskutiert."

The KingsHaven Design team is skilled at transforming timeworn interiors and exteriors into breathtaking spaces for inspired living by sharing with their clients the spectacular work of artisans and artworks from around the world, and by developing strong fair-trade relationships with artists that benefit them, their families, and their communities. Be it working with a stonemason to salvage the granite facade of a historic estate, collaborating with blacksmiths on a lighting fixture or custom piece of furniture, meeting with artisans who create gorgeous handcrafted baskets in the designs of their tribal ancestors, or searching hidden markets in Europe and South America for art pottery, antique mirrors, prints, and textiles, Lauren Wylonis and the studio's objective is to reclaim, restore, and revitalise their client's residential interiors and exteriors. In many senses of clever design, they create spaces that reflect a sharp and sophisticated twenty-first-century aesthetic for today's energetic lifestyles, yet never lose sight of the past. Rejuvenation of character, charm and architectural significance combined with the creation of cutting-edge luxury and style are the hallmarks of the design studio's ethos, which also can be seen in the handcrafted light fixtures, furnishings, and accessories found at Wylonis's irresistible retail showroom in Paoli, PA, just outside Philadelphia. The pages of this book are resplendent with luscious photography and insightful texts that together showcase Wylonis's unique practice and meticulous attention to detail in designing lighting, furniture, and home decor that takes each space to a higher level in art, architecture, beauty, and function. The useful tips for use in a new home or renovation are diverse and range from mindful design to achieving authenticity in an older home renovation. A must-have book for a connoisseur of interiors and design, or anyone looking to build or renovate a home or space.

The first major study of one of the most important architects of the postwar era Equally admired and maligned for his remarkable Brutalist buildings, Paul Rudolph (1918-1997) shaped both late modernist architecture and a generation of architects while chairing Yale's department of architecture from 1958 to 1965. Based on extensive archival research and unpublished materials, The ArchitectureofPaul Rudolph is the first in-depth study of the architect, neglected since his postwar zenith. Author Timothy M. Rohan unearths the ideas that informed Rudolph's architecture, from his Florida beach houses of the 1940s to his concrete buildings of the 1960s to his lesser-known East Asian skyscrapers of the 1990s. Situating Rudolph within the architectural discourse of his day, Rohan shows how Rudolph countered the perceived monotony of mid-century modernism with a dramatically expressive architecture for postwar America, exemplified by his Yale Art and Architecture Building of 1963, famously clad in corrugated concrete. The fascinating story of Rudolph's spectacular rise and fall considerably deepens longstanding conceptions about postwar architecture: Rudolph emerges as a pivotal figure who anticipated new directions for architecture, ranging from postmodernism to sustainability.

Lively, snapshot-like vignettes form an intimate, literary portrait of the infamously eccentric and influential modern architect Adolf Loos. Written by Loos’ third wife, the photographer Claire Beck (1904–1942), these often humorous, short episodes reveal Loos’ temperament and philosophy during the last years of his life (1928–1933). His irreverent personality and attitudes about post-Imperial Viennese society, the role of the craftsman, and the organic beauty of raw materials are brought to light. Included in The Private Adolf Loos are Claire's photographs of Loos, collected in museums, as well as informal snapshots of the two of them showing the whimsy and theatricality of this relationship between two artistic personalities—one as infamous as he was well-regarded, and one, a youthful accomplice and budding photographer who would also become Loos' intermediary, secretary and proxy. With this bricolage of short tales and its dark conclusion at the brink of death’s door, Claire shows herself to be one of Loos’ great champions and memorialists, despite his shortcoming and debilitations. This is not a book just about architecture, but rather a love story about the Modern revolution that provides a woman’s insight into one of its most radical personalities, set amid the fascinating cultural backdrop of 1920s and 1930s interwar Europe.

For around two decades, the architectural duo of Niklaus Graber & Christoph Steiger from Lucerne have been continuously working on the design and construction of high quality buildings that can without doubt be regarded as an enrichment to Swiss building culture. Although the architects attempt to make their works generally understandable and give them a timeless legibility, when designing them they take the risk of fundamentally questioning the relevant task. That often leads to surprising interpretations and tailored solutions that reveal the specific characteristics of each project. By now, their work includes private family homes and apartment buildings, as well as a considerable number of public buildings for educational, cultural, industrial and tourist purposes, which have attracted a great deal of attention on the specialist scene both in Switzerland and abroad. For instance the extension to a window factory in Hagendorn, the therapy centre for the Heilpadagogische Zentrum Uri and the panorama gallery on the peak of Mt. Pilatus have been awarded national and international architecture prizes. Text in German, with English translation booklet enclosed.

Modern skyscrapers are often inseparably associated with images of the cities that host them: the Eiffel Tower in Paris, the Gherkin in London, the Empire State Building in New York, and so on. And while skyscrapers emerge in large numbers, only the most beautiful of them become symbols of the city that hosts them. This book presents Vasily Klyukin's projects: towers and residential buildings that have not found their home yet, but some of them will be built in the future and become architectural symbols of our age.

Since its establishment in 1996, Vienna-based firm driendl*architects have pursued their search for prototype solutions in furniture and building design, infrastructure, and urban planning. The notion that we are constantly situated in a built environment, or in any case influencing it in some way or another, is guiding all their projects and is reflected in this new book. Ritual / Original reviews driendl*architects' work in a striking literary-visual manner, analysing in theory and exemplified by selected designs the circumstances of their approach: How environment and users affect buildings, cities, infrastructures, and systems; the effect of the inevitable discrepancy between vision and reality; and architects' capacity to observe and react to social structures and phenomena.

Byoung Cho aims to make each of his buildings `so it looks like it's not designed at all, it's just there'. Influenced by Korea's rich aesthetic tradition, Cho utilizes understated forms to create serene buildings that yield powerful and subtle experiences for their inhabitants. His work focuses on seemingly simple structures and has a strong regard for nature and sustainability. He has created many iconic buildings, art and cultural centres, schools, health facilities and residences throughout Korea, Japan and the United States. This book features over 25 of Cho's most highly acclaimed projects, including Twin Trees (2010), his instantly iconic towers located adjacent to the 14th-century royal Gyeongbok Palace in Seoul. The projects are accompanied throughout by sketches and plans, providing a comprehensive insight into the making of these buildings. Byoung Cho offers an engaging and indepth overview of one of the most creative and deeply thoughtful designers working today. It will inspire architects, architectural students and anyone interested in sustainability and the built environment.

For their tenth anniversary, the design studio Roman and Williams Buildings and Interiors presents projects that blend the spirit of our collective history with a modernist edge. Roman and Williams’s style honors craftsmanship, the use of natural materials, and the overlooked in unexpected ways. Their understated, glamorous sensibility is imparted in Manhattan’s Ace Hotel interiors and restaurant The Breslin, The Standard Hotel, with its iconic Boom Boom Room, and the Royalton lobby. For such popular restaurants as The Dutch, the duo created environments with textured backdrops that reference a rich past with a contemporary sensibility. Their innovative work has captured the attention of firms such as Facebook—they recently completed its campus food hall—and their residences for celebrities such as Ben Stiller and Gwyneth Paltrow are equally imaginative. This book surveys the firm’s prestige projects, presented with Alesch’s architectural hand drawings and sketches and detailed views. Also included is their loft and Montauk home, which serve as design laboratories, and a collection of furnishings and fixtures.

"Vietnamese cities have lost their tropical beauty. They have turned into concrete jungles just like Bangkok or Jakarta." Vo Trong Nghia In a context of rapid urbanization and environmental crisis, Vietnam, like many other countries across the world, requires innovative new architectural solutions to improve the lives of its urban residents. Green Architecture showcases the multi-faceted responses to these challenges conceived by the award winning studio VTN Architects, led by Vo Trong Nghia, in which the emphasis is placed on bringing greenery back to cities in a holistic and sustainable manner. Through detailed illustrated breakdowns of a series of building projects such as The Babylon Hotel, House for Trees and Nanoco Headquarters, as well as several schools, educational institutions and apartment buildings, and enlightening texts including an interview with the architect, this book explores how Vo Trong Nghia and his team draw on their experience and philosophy to help restore the connection between architecture and nature. "Green architecture means being friendly with the environment, not just planting trees," Nghia says, and in these pages we see those sentiments reflected in the flow and design of his buildings, which transcend functionality to foster a sense of community in a way that is drawing admiration and setting an example across Southeast Asia and much further afield.

Die Bundesregierung hat mit der Verordnung uber die Honorare fur Leistungen der Architekten und Ingenieure vom 17. September 1976, kurz Honorar- ordnung fur Architekten und Ingenieure (HOAI), im Vertragsrecht und auf dem Gebiet des Honorarwesens fur Architekten und Ingenieure eine voellig neue Lage geschaffen. Der Leitgedanke bei der Abfassung der Verordnung war, die Leistungen der Architekten und Ingenieure als Teile einer umfassenden Bauleistung in Leistungsbildern so darzustellen, dass eine Ausweitung des Einflusses auf eine wirtschaftliche Planung und Bauausfuhrung ermoeglicht wird, und deren Honorie- rung so auszulegen, dass Leistungen mit kostensenkender Tendenz oder gar kostensparendem Erfolg nicht mehr zum Nachtei I der Architekten oder Ingenieure ausschlagen koennen. Mit der Verordnung wurde zugleich der Versuch unternommen, Architekten und Ingenieure vertragsrechtlich und honorarmassig auf die gleiche gemein- same Linie zu fuhren, auf der sich beide Berufsgruppen von ihren Tatigkeits- bereichen her ohnehin schon immer bewegen. Da die Erarbeitung der HOAI unter Zeitdruck erfolgte, wurden aus dem umfangreichen Arbeitsbereich der Ingenieure lediglich die speziellen Leistungen bei der Tragwerksplanung in die Verordnung aufgenommen. Sie stehen allerdings, mit Ausnahme der Ingenieur- leistungen fur Betriebstechnik, enger als die ubrigen Ingenieurleistungen in Ver- bindung mit den Architektenleistungen bei Gebauden, Freianlagen und Innen- raumen und zu den Zusatzlichen Leistungen des Teils 111, die den Kern der HOAI ausmachen.

Jo Berben, Ingrid Mees and Luc Vanmuyssen are the founders of the Belgian architectural team a2o, with offices in Brussels and Hasselt. Their buildings are powerfully and inventively integrated into the mostly urban environment. Their forms and details are reduced, creating a meditative atmosphere. De aedibus international is a series on contemporary, highly qualified European architects and architecture; an archive of carefully selected buildings and projects. Text in English and German.

Quirino De Giorgio (1907-1997) is among the few Italian architects whose careers represents the entirety of the twentieth century: from futurism through fascism to the experimentations linked to the invention of reinforced concrete. Too often remembered exclusively for his early futurist and fascist works, De Giorgio is an architect whose production continued, until his last years, to develop in the experimental and dynamic way which had characterised its beginnings. Quirino De Giorgio: An Architect's Legacy, the first English-language book dedicated to the Italian architect, is a constellation of his surviving buildings shown through the eyes of photographer Enrico Rizzato. In Rizzato's pictures, each one of the ninety surviving works will showcase the universality of De Giorgio's projects and the transformations that time has stamped on his creations, taking the reader on a voyage across the different facets of Italian architecture. Accompanying site plans, floorplans and sections provide deeper insight into De Giorgio's spatial, structural, urban, and landscaping inventions. An opening essay will introduce the reader to the still relatively unknown method and life of this highly original yet still too little known architect. The book also includes a full list of De Giorgio's works that has been reconstructed here for the first time through extensive archival work.

Thirty-six architects from Europe and the USA present their very latest projects for luxury villas - from a villa in the city to a lakeside location and those on the coast or in the mountains. The book features over 100 unique and stunning houses.

Sir John Soane (1753-1837) has come to be regarded as one of the great architects of late 18th and early 19th century Europe, and contemporary architects and designers are becoming increasingly influenced by the subtleties of the unique 'Soane style'. Dorothy Stroud's classic book, which is appearing in paperback for the first time, in an updated second edition, is the culmination of a lifetime's research. It brings together all the threads in her previous writings on Soane, combining a concise biography of the architect with a comprehensive and fully illustrated survey of his works. After studying in Italy, Soane built up a considerable private practice and a reputation that secured his appointment in 1788 as architect to the Bank of England, where over a period of forty-five years he designed a vast complex of courts and offices. With his appointment to the Office of Works in 1815, he became responsible for public buildings in Whitehall and Westminster, which entailed the designing of a Royal entrance and gallery in the House of Lords, new Law Courts, Privy Council Offices and a State Paper Office. As professor of architecture at the Royal Academy from 1806, he was to play a leading role in the improvement of architectural education in Britain; and he was active in the founding of what is now the Royal Institute of British Architects. Although much of his work was thoughtlessly destroyed towards the end of the 19th century, a substantial number of buildings and parts of buildings survive, especially outside London, as a testimony to his genius