We wanted the house to lie amid the woods | Landscape, esthetics, and common sense are the three axes that direct the work of Argentine architect Luciano Kruk. This book illustrates in great detail one of his most representative works: his own summer house. And it is precisely because it tackles a self-imposed need that his deepest insights about architecture are condensed in this house. | L4 HOUSE is one of Kruk's most mature works, one in which he managed to stretch his esthetic and spatial search to the extreme. The author's philosophy and architectural values emerge through a thorough study of this house. "You learn watching", Luciano sometimes says. | In this project as in all of his other buildings, Kruk seeks to create essential spaces where the esthetic pleasures can be enjoyed. His structures aim to provide an harmonious integration with the landscape, since he cosiders houses to be shelters.

A 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewellery and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.

Fur diesen kurzweiligen Roman uber Architekten und Bauherren hat der Autor ein ungewoehnliches Setting gewahlt: Der Showmaster Buffalo Bill will nach dem Ende seiner erfolgreichen Wild-West-Show Supermarkte bauen. Der Indianer Sitting Bull ist sein Berater. Zusammen streifen sie durch das Feld des Showgeschafts, erkunden ihre eigenen Sehnsuchte und AEngste und die der zukunftigen Supermarktkunden. Der Indianer skizziert "unsichtbare Supermarkte" und stellt damit in spielerischer Form die Frage, wie wir unser alltagliches Lebensumfeld gestalten.

Wiel Arets: Autobiographical References opens up a unique and richly layered view of the architectural work and thinking of this internationally renowned Dutch architect. Underlying Arets' practice, research and teaching is his concept of "a wonderful world", an optimistic outlook on how the world will evolve in the next 75 years.In addition to portfolios of 60 exemplary projects and designs by his studio, this book presents 5 lectures, and 5 debates between Arets and other thinkers and practitioners, as well as an extensive series of 10 interviews with Arets. More than simply presenting his work alongside essays and project descriptions, Wiel Arets: Autobiographical References reveals the interaction between Arets' biography and his architectural thinking, teaching and design in the evolution of his distinguished career. As well as being a congenial interview partner, Robert McCarter, Professor of Architecture at Washington University (St. Louis), provides an insightful concluding essay on Arets' dialogical practice. The multi-layered content finds perfect form and expression in the exceptional book design and layout by Irma Boom Office.

Today one of Australia's leading architects, Angelo Candalepas's career lifted off in 1994, when, at the age of twenty-six, he gained wide recognition for his winning project in the international competition for housing in Sydney's Pyrmont neighbourhood. Over the course of twenty-five years, the designs of Sydney-based firm Candalepas Associates have won numerous awards and have been widely published internationally in magazines and journals. They show a development of architectural considerations drawing upon the heritage of past masters such as Louis I. Kahn, Carlo Scarpa, or Le Corbusier, and that of eminent Australian architects Glenn M. Murcutt, Richard Johnson and Colin Madigan. This has evolved into a body of work of a quality rarely found in Australia's contemporary architectural environment. This first full-scale monograph features a selection of on Angelo Candalepas's key designs through photographs, plans and elevations as well as his hand-drawings and sketches. Completed buildings feature alongside unrealised projects that mark milestones in the firm's development, and other not yet built ones, also offering an insight into the firm's future trajectory. Together with topical essays by Alberto Campo Baeza and Laura Harding as well as an insightful text by the architect it offers a comprehensive, lavishly illustrated survey of the outstanding achievements of Candalepas Associates to date.

Since its founding in 1989, the office of Gigon/Guyer architects has designed a truly impressive series of projects. Among the most important are museum, residential, and office buildings, as well as mixed-use constructions. The recently completed Prime Tower and its annex buildings on the Maag site in Zurich have been internationally acclaimed. The monograph offers keen insight into how Annette Gigon and Mike Guyer understand architecture. The diverse concepts and the varied applications of design, material, form, and color employed in their projects are presented in detailed documentation of their work that includes photography, plans, and short texts. Three essays and a discussion between Patrick Gmur, Martin Steinmann, and the architects offer in-depth reflection and contextualization.

Since 1987, Eileen Joy Liebman and Fernando Villavecchia have produced a series of diverse projects from their studio in Barcelona, Spain, with an emphasis on residential architecture and the renovation of historic buildings in a range of rural and urban contexts. Over the years, they have gradually developed an oeuvre with a special "reserve" and with particular and measured attention to spatial expression. Projects include the careful restoration and adaptation of the 1958 Casa Coderch Mila in Cadaques (2017) and the Casa Sant Llorenc (2014) in the mountains of Lerida. Text in English and German.

The urban attentions of Pritzker Laureate Sverre Fehn (1924-2009) are extensive, but as yet virtually unexplored. This book examines ten select projects to illuminate Fehn's approach to the city, the embodiment of that thinking in his designs, and the broader lessons those efforts offer for better understanding the relationship between architecture and urban life, with unignorable implications for emergent urban architecture and its address of sociological and ecological crises. Wary of large-scale planning proposals or the erasure of existing urban patterns, Fehn offered an uncommon and profoundly vibrant approach to urbanism at the scale of the single architectural project. His writings, constructed buildings, competition entries, and lectures suggest opportunities for reinvigorating architecture's engagement with the city, and provoke a rethinking of concepts foundational to its theorization. What is the nature of urbanity? What is the relationship of urbanity to the natural world? What is the role of architecture in the provision and sustenance of urban life? While exploring this territory will expand our knowledge of an architect central to key developments of late modernism, the range of the book and the arguments developed therein delineate far broader aims: a fuller understanding of architecture's urban promise.

From a watch to a pavilion, from urban furniture to infrastructure, from landscape design to apartment buildings: since the founding of Atelier Bonnet in the year 2000, the work of Pierre and Mireille Bonnet, covering a wide range of themes and scales, is conceived in a spirit of interaction and complicity. In the face of such a diversity of works, the monograph concentrates on a series of exemplary residential buildings, which document the skillful handling of this fundamental building task. In their most recent works, the architects have also occupied themselves intensively with the use of exposed concrete and with questions of tectonics. The resulting sculptural design and the abstract language of these objects provide further examples of a highly sensitive architecture, with an undeniable artistic dimension.

For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people's lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences. Tanja Herdt's new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price's well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt's thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an "anti-architect".

Known for its soaring towers that mark the skylines of the world's great cities, Pelli Clarke Pelli Architects is also a leading designer of performing arts centres, including critically acclaimed venues for opera, dance, plays, and concerts. The firm's award-winning work in this highly demanding field is vast, with examples ranging from one of largest performing arts centres in the United States to intimate theatres on college campuses. Highlighting the firm's technically rigorous and aesthetically inspiring designs, Perform features a selection of concert halls and theatres, and cultural centres, including such prominent and distinctive works as the Overture Center for the Arts in Madison, Wisconsin, and the Adrienne Arsht Center in Miami. Designed with renowned acousticians and theatre planners, these performance halls are both architecturally exciting and technically advanced. This book explores the design of beautiful and uplifting spaces that allow the performing arts to shine while adding life to their surroundings. Selected Projects: - Hancher, University of Iowa - The George S. and Dolores Dore Eccles Theater - Wintrust Arena - Multi-purpose Auditorium, Hong Kong University - Science and Technology - The Theatre School, DePaul University - St. Katherine Drexel Chapel, Xavier University of Louisiana - BOK Center - Renee and Henry Segerstrom Concert Hall and Samueli Theater - The Adrienne Arsht Center for the Performing Arts of Miami-Dade County - Overture Center for the Arts - South Coast Repertory Theater - Schuster Performing Arts Center - Dewan Filharmonik at Petronas Towers - Aronoff Center for the Arts - North Carolina Blumenthal Performing Arts Center.

This beautifully produced book celebrates the work of Robert Adam, the great eighteenth-century architect who influenced generations by stamping his distinctive neoclassical aesthetic vision on the English country house interior. Lavish new photography provides a deeply visual exploration of Adam s most important surviving country houses, to which the author and photographer gained unparalleled access. Included are magnificent country houses such as Syon House and Harewood House styled and inspired by the ideal of the neoclassical as well as Adam s castle-style Mellerstain and town houses such as Home House all captured in splendid detail. Original Adam design drawings, from Sir John Soane s Museum, illustrate the boldness of planning, color, and creative interpretation of Adam s domestic interiors. A biographical and contextual account of Adam s life and work describes his unique design process, his patrons, and the legacy of his design achievement. This richly illustrated volume will appeal to designers and homeowners as well as traditional architecture enthusiasts, promising to become an important addition to any architecture and interior design library.

James Stirling (1924-1992) is acclaimed as the most influential and controversial modern British architect. His partnership with James Gowan (b. 1923) between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence. Published for the Paul Mellon Centre for Studies in British Art

In his second book, Jürgen Geiselhart presents private residences in several newly constructed villas that are oriented stylistically toward extremely diverse models in the history of architecture and art. His individual architectures and interior architectures from the years 2017 to 2022 are based firstly on the wishes of the clients and search for a contemporary implementation with respect to the execution of details and materials on this basis. In a very personal conversation, Jürgen Geiselhart describes the creation history and design ideas of the private residences, which are presented over 280 pages of expressive digital photography. Text in English and German.

The ELEMENTAL studio, headed by artistic director Alejandro Aravena and based in the capital of Chile, Santiago, is untraditionally composed of people with a variety of skills and abilities. Their analytical approach to architecture and urban planning has led them towards original solutions to social challenges, such as the housing shortage in Santiago's economically disadvantaged neigh- bourhoods. Instead of designing cheap housing, ELEMENTAL builds "half houses" at the same cost and enables buyers to build the other halves themselves. The combination of good design and the engagement of the buyers creates more sustainable housing areas. In the series The Architect's Studio the Louisiana Museum of Modern Art presents an exhibition on the ELEMENTAL studio, curated by Mette Marie Kallehauge and Kjeld Kjeldsen. The richly illustrated publication will portray ELEMENTAL's working methods and work philosophy, as well as showing examples of their most important projects.

An all-inclusive panorama of the many achievements of Gustave Eiffel, one of the 19th century's most remarkable architectsGustave Eiffel was the man behind the landmark that became the symbol par excellence of Paris, and so the dominant image of France around the world. However, the work of Gustave Eiffel (1832-1923) is not limited to the tower that bears his name. From 1856, when he was commissioned to design a railway bridge in Bordeaux (his first large-scale metal construction), he imposed his style all around the world. The bridge across the Douro in Portugal, the Garabit viaduct, the church in Manila, the Manaus Municipal Market in Brazil, and even the framework of the Statue of Liberty are just some of his more than 300 masterpieces. Then, disaster struck in 1892, when a report directly linked him to the Panama scandal that had come to light three years before. This was the start of a nightmare that would ultimately turn out to be completely unjustified. Deeply wounded, Eiffel withdrew, cloaking himself in his pride. His eldest daughter stuck by him, not only offering support, but also building up a remarkable collection of memorabilia and documents, a precious legacy which she left to her nephew Philippe Couperie-Eiffel. For the first time, to mark the 90th anniversary of his famous ancestor's death, Couperie-Eiffel has updated this treasure trove and offers us the chance to get to know the great architect and family man through a wide range of previously unpublished archives. This year also marks the 100th anniversary of the opening of the Panama Canal, whose lock gates Eiffel designed and patented.

In the context of everyday urban existence, disembodiment is defined as the process by which we are robbed of a coherent experience of our own physicality in relation to its surroundings. The work of architect Jose Salinas, examined here, investigates the intimate connection between the body and built structures, deconstructing the energies that accumulate through the city's reconfiguration of ambient space.

Ludwig Mies van der Rohe (1886-1969) is undoubtedly one of the most significant and influential architects ever. To the present day, his designs and realised buildings, as well as his thinking and writings, continue to initiate many controversial debates on the achievements and failures of modern architecture. Yet not only architects and urban designers have been inspired or appalled by Mies. This new book demonstrates that his influence reaches far beyond the boundaries of professional architecture. Almost Nothing collects work by 100 painters, sculptors, photographers, film directors, designers, cartoonists, and architects who comment on the buildings, designs, and statements by, or images of, the legendary architect. The works also form a 100-fold re-interpretation of Mies van der Rohe's life and oeuvre. New York-based architect and writer Christian Bjone in his accompanying text provides rich background information on the individual artists and the depicted art works. The book's title refers to a statement by Mies himself on one of his celebrated masterpieces, Crown Hall on IIT campus in Chicago, which ingeniously combines simplicity with complexity.

Amsterdam-based architects Ben van Berkel and Caroline Bos, principals of UNStudio, are stars of the international architecture scene. Culling from a pool of interdisciplinary experts, UNStudio seeks to make a significant contribution to the discipline of architecture, to continue to develop our qualities with respect to design, technology, knowledge and management and to be a specialist in public network projects. We see as mutually sustaining the environment, market demands and client wishes that enable our work, and we aim for results in which our goals and our client's goals overlap. The outcome of their self-defined goals are apparent in dynamic buildings like Five Franklin Place, a residential building completed in 2007 in New York's TriBeCa neighborhood, which expresses a nuanced conceptual and technical complexity and confidence while also providing a must-see architectural experience. This volume reveals UNStudio's process, in which a sense of place is seamlessly integrated with aesthetic and conceptual considerations.

The captivating tale of the plans and personalities behind one of New York City's most radical and recognizable buildings Considered the crowning achievement of Frank Lloyd Wright (1867-1959), the Solomon R. Guggenheim Museum in Manhattan is often called iconic. But it is in fact iconoclastic, standing in stark contrast to the surrounding metropolis and setting a new standard for the postwar art museum. Commissioned to design the building in 1943 by the museum's founding curator, Baroness Hilla von Rebay, Wright established residence in the Plaza Hotel in order to oversee the project. Over the next 17 years, Wright continuously clashed with his clients over the cost and the design, a conflict that extended to the city of New York and its cultural establishment. Against all odds, Wright held fast to his radical design concept of an inverted ziggurat and spiraling ramp, built with a continuous beam-a shape recalling the form of an hourglass. Construction was only completed in 1959, six months after Wright's death. The building's initial critical response ultimately gave way to near-universal admiration, as it came to be seen as an architectural masterpiece. This essential text, offering a behind-the-scenes story of the Guggenheim along with a careful reading of its architecture, is beautifully illustrated with more than 150 images, including plans, drawings, and rare photographs of the building under construction.

The Architectural League Prize for Young Architects + Designers is an annual competition, series of lectures, exhibition, and publication organised by the Architectural League of New York. For more than 30 years the League Prize has recognised outstanding and provocative work by up-and-coming North American architects and designers. The 2019 competition theme, 'Just', asked entrants to consider the just in how they approach the practice of architecture, whether through experimentation in research and design advocacy or by advancing speculative and applied techniques within the discipline.

Library as Stoa is a reflection on the building design and construction in essays and photographs of Snohetta's Charles Library at Temple University. The library demonstrates the role of public space and innovation in architecture. By using an Automated Storage and Retrieval System (ASRS) for the storage of Temple's entire collection which includes two million books on site, the Charles Library was designed to balance the amount of space for books vs. people, and significantly increase the social spaces to accommodate student and faculty research and collaboration. Using the models of library as studio and creative commons, it is a place for discovery, creation, preservation, and sharing of knowledge. The library includes university partners and important library functions in strategic locations for improved support services for the university community. University Special Collections, an important institutional asset for the university and the city of Philadelphia, is visible and accessible for visitors from the city community. Snohetta's design approach took into account the diversity of the university community, the site conditions and the university's aspirations. The design process included collaboration with the campus community to fully understand the social aspects and future needs of the university. Sited in a prime location on the university's campus, the library is an inspirational destination for the campus and city communities and serves as a change agent, reflective of the future direction of the university.

As one of the most famous German architectural practices, Stuttgart-based Lederer & Ragnarsdottir & Oei (LRO) has distinguished itself through dramatic, sweeping facades and unique forms that have had wide popular appeal but haven't always adhered to what is fashionable. Their statement is clear and iconoclastic: "Creating a locality is absolutely crucial to our projects. To do that, architecture does not have to be reinvented by force. Instead, we try to learn from the long tradition of building without falling into historicism." Of their numerous successful projects, the best known are Darmstadt's State Theatre, the EVS Central Administration in Stuttgart and the Salem International College in Uberlingen. This copiously illustrated volume, the second in the "Portfolio" series, introduces a cross-section of work with commentary by writer and architecture critic Falk Jaeger.

Until now, Emil Jauch (1911-1962) has been a little-known protagonist of Swiss post-war architecture. Shaped by the Scandinavian Modernity of the 1930s, his buildings are characterised by a remarkable sensitivity. This book demonstrates the Lucerne architect's empathetic design method by presenting his constructed school buildings. The publication describes the architect's life and work in three chapters, recognising his achievements in school building and classifying them within the European context of a humanising functionalism.