The work of Kohn Pedersen Fox is international in scope, collaborative in design, and a product of individual voices focused on a single objective - making an architecture, of our time, which creates strong bonds with the the specific place it occupies. While William Pedersen founded the firm, with partners Gene Kohn and Shelley Fox, he never aspired to be a 'director of design.' They had the components with Gene's entrepreneurial drive, Shelley's management and Bill's design leadership - to be a large firm. 'Directing' the work of a large firm was not Bill's desire, instead he wanted to focus on a body of work which he could call his own. The example that work set would inspire others, and it did. Now there are several voices leading their design - all of them rose to their position within the office. The purpose of this book is to define the work of one of the voices - Bill Pedersen's. Pedersen has worked with many different designers, in close collaboration, throughout his career, though his work speaks with a singular voice. Here it is represented chronologically and concludes with the latest phase - furniture. Working from the largest scale to the smallest has always been a preoccupation of those who lead design in KPF. Many of Pedersen's architectural heroes designed chairs, and he strives to follow in their footsteps.

An Architect's Address Book is memoir in 18 chapters of the places Robert Lemon has lived, studied, and worked over the past six decades. Some are of places that he has visited many times and are important to his career. Studying architecture and conservation, Lemon has lived in Ottawa, Paris, London, Rome, and York. His work has involved projects in Vancouver, Los Angeles, Dorset, the High Arctic, and Xi'an. Other stories are about visiting the buildings of Andrea Palladio and Carlo Scarpa in the Veneto, Arne Jacobsen and Kay Fisker in Denmark, and five iconic 20th-century houses in France, in company of colleagues. Most of the chapters focus on someone influential to Lemon's career; and his vast interest in food is a thread through most stories.

Dust Free Friends is a series of designs for small pieces of domestic furniture, designed by London-based 6a architects, that can be made very simply at home, in restricted spaces, with a small number of tools and without specialist skills. The lightness and simplicity of the pieces is derived from a combination of observation of the way simple plywood constructions on a construction site are adapted to become stools, tables, steps, and stairs, changing quickly and without fuss as workers need them. The designs also re-examine the long tradition of self-build that has shared the journey through modernism with industry and craft. With the Dust Free Friends series, Tom Emerson and Stephanie Macdonald invite the reader make his or her own everyday furniture from dressed plywood. Beautifully produced and illustrated with some 90 easy-to-understand diagrams and images, Dust Free Friends is a comprehensive, precise, and entertaining, manual to furnishing a comfortable place entirely by its users.

A visual compendium revealing the philosophy and life of America's renowned architect The story of Louis H. Sullivan is considered one of the great American tragedies. While Sullivan reshaped architectural thought and practice and contributed significantly to the foundations of modern architecture, he suffered a sad and lonely death. Many have since missed his aim: that of bringing buildings to life. What mattered most to Sullivan were not the buildings but the philosophy behind their creation. Once, he unconcernedly stated that if he lived long enough, he would get to see all of his works destroyed. He added: "Only the idea is the important thing." In Louis Sullivan's Idea, Chicago architectural historian Tim Samuelson and artist/writer Chris Ware present Sullivan's commitment to his discipline of thought as the guiding force behind his work, and this collection of photographs, original documentation, and drawings all date from the period of Sullivan's life, 1856-1924, that many rarely or have never seen before. The book includes a full-size foldout facsimile reproduction of Louis Sullivan's last architectural commission and the only surviving working drawing done in his own hand.

In this low-priced special edition, the book brings together the work of the Los Angeles-based architectural practice Johnston Marklee since its foundation in 1998. The practice is known for its uniform conceptual approach to each project and is internationally recognized for its engagement with contemporary art practices while being deeply rooted in the history and practice of architecture. The book provides an insight into Johnston Marklee's design process and cooperation with experts from related fields. It draws its material from seven conversations and seven artists' interpretations of Johnston Marklee's buildings and projects. A comprehensive list of work illustrated with small photographs and diagrams concludes this monograph. .

The studio of an architect is perhaps the most singular project in one's oeuvre comple te. After their own house, it is the second most inward-looking space an architect designs. They are no longer just crafting ideas to meet the requirements proposed by others, but now face their own desires, both as architect and as client. What are the spatial qualities that one needs? How does the space conform to one's working method? How does the space best stimulate ideas and inspirations? Considering it is the place where those ideas and inspiration are born, how could it be shaped by and speak for them? With essays, projects, and interviews, Architects' Studios, the 2019 summer volume of Architecture China, offers a look into the studios of 14 outstanding Chinese architects: Atelier FCJZ, ZAO/standardarchitecture, MAD Architects, OPEN Architecture, Atelier Deshaus, Vector Architects, Neri&Hu Design and Research Office, AZL Architects, Archi-Union Architects, Atelier AZ+, People's Architecture Office, Atelier ArchMixing, Original Design Studio, and Naturalbuild. Additionally, Pritzker Prize winner Wang Shu reveals his desk in the cover imagery.

What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and technologies, as well as in artistic styles and cultures. Guyer discusses philosophers and architects throughout history, including Alberti, Kant, Ruskin, Wright, and Loos, and surveys the ways in which their ideas are brought to life in buildings across the world. He also considers the works and words of contemporary architects including Annabelle Selldorf, Herzog and de Meuron, and Steven Holl, and shows that - despite changing times and fashions - good architecture continues to be something worth striving for. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.

Sanjay Patils tryst with architecture began in his early childhood as he soaked up the environs that surrounded him in his birthplace, Nashik. Moving on to formal education in architecture at the Sir JJ College of Architecture in Mumbai, Sanjay returned to his hometown in 1981 to immerse himself into a meaningful and sensitive architectural practice. Over the years, Sanjay Patil has received many honours from the industry and his projects have been widely published in architectural journals. His greatest reward however continues to be the appreciation and support of his numerous clients who have played a vital role in his approach to architecture. His Workspace 'Environ Planners' has also evolved into a centre for learning; inspiring, training and providing roots and wings to budding architects from various parts of the country. 'Knowledge sharing is integral to me and has always given me great pleasure and satisfaction. I have always made a conscious effort to share with others the little bit that I have learnt through my work, travel and other hobbies. This book is just an extension of this love for sharing; a humble effort to document some of my works across the last three decades and present it to a wider audience. It is an honest endeavour to make the reader a part of the design process and my passion for my work that is so much a part of my being.' The book is an attempt to chronicle the architects journey and delve deeper into his philosophy towards architecture and life, his love for nature and his commitment to architecture. Our journey thus encompasses influences from vernacular architecture, his leaning towards sustainable design, response to nature and his diverse use of courtyards in varying building typologies. It showcases 19 noteworthy projects, which include private residences, restoration projects, educational institutions, resorts and retreats, office spaces including his own workspace and farmhouse. It also includes essays by Christopher Benninger, Anand Mahindra (chairman and managing director, Mahindra Group) and Anu-rag Kashyap (principal, BNCA College of Architecture, Pune) providing valuable insights and perceptions about Sanjay Patils work.

'Patio, channel of sky/The patio is the window/Through which God watches souls/The patio is the slope/Down which the sky follows into the house/Serene' - Jorge Luis Borges Bedmar & Shi's Chancery Lane is the apotheosis of their ongoing interaction with a new language of tropical residential architecture. Evocative of the simple, open structures of time's past, yet possessed of a modernity of spirit perfectly in keeping with contemporary life. Set around an open courtyard space, with a series of demarcated private abodes, Chancery Lane perfectly embodies the tenets of personal privacy heightened and brought together through shared experience. Subtle and serene, this is a residence borne of a coalescence between the environmental, the aesthetic, and the spatial. A true gem.

Marco Bakker and Alexandre Blanc established their architectural firm, BABL Bakker & Blanc architectes associés, in Switzerland in 1992. At their offices in Lausanne and Zurich, they develop designs that are modest yet reflect the high demands of the built environment. Darwin's Theatre, BABL at Work documents more than twenty-five years of the firm's work and demonstrates their vision and approach through a selection of thirty-four built and unrealised designs. Inspired by Pieter Bruegel the Elder's famous painting of the Tower of Babel, the book is conceived as a chronological spiral stairway to heaven that represents the evolution of eternal questions concerning space and time. This innovative concept reflects BABL's continuous work on recurring questions and the realisation that each of their projects is an iteration of earlier ideas.

Showcases the bold, innovative, and colorful architectural designs of Alexander Girard. During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard's vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937-53)-encompassing interior and industrial design, exhibition curation, and residential architecture-has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard's exceptional architectural projects, specifi ally those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe. One exciting element of the book is the rediscovery of another Girard masterpiece - the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard's Detroit design work at midcentury. Stunning color photographs capture the unique design elements-including the boldly colored glazd brick walls of the atrium-reminiscent of Girard's role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book. Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

The name Lancelot 'Capability' Brown (1716-83) has become synonymous with the eighteenth-century English landscape garden. Ruthlessly efficient, he could stake out the 'capabilities' of a particular terrain within an hour on horseback. Rising to the position of Master Gardener to George III, his trademark features included bald lawns, clumped trees, lakes and enclosing belts of woodland on the estate's perimeter, setting a park formula that lasted well into the next century. Laura Mayer presents a concise and colourful introduction to Brown and other leading landscape gardeners of the eighteenth and early nineteenth centuries, such as William Kent, Richard Payne Knight and Humphry Repton. She explores how competing ideas in garden design were shaped both by changes in prevailing fashion and by the innovations of particular designers, and why Brown's designs are currently considered to be the epitome of landscape gardening in this period.

First published in 1982, German architect Oswald Mathias Ungers' "City Metaphors" juxtaposes more than 100 various city maps throughout history with images of flora and fauna and other images from science and nature. Ungers assigns each a title--a single descriptive word printed in both English and German. In Ungers' vision, the divisions of Venice are transformed into a handshake and the 1809 plan of St Gallen becomes a womb. Ungers writes in his foreword: "Without a comprehensive vision reality will appear as a mass of unrelated phenomenon and meaningless facts, in other words, totally chaotic. In such a world it would be like living in a vacuum; everything would be of equal importance; nothing could attract our attention; and there would be no possibility to utilize the mind." A classic of creative cartography and visual thinking, "City Metaphors" is also an experiment in conscious vision-building.

More than 400 years after his death, Andrea Palladio (1508-80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously unexplored works that put Palladio in a new social context and brings out unexpected stories about the impact of his legacy on functionality and style. It also questions how a style and an approach to architecture that Palladio intended to be democratic is now associated with wealth. Palladian Design: the Good, the Bad and the Unexpected provides classic catalogue entries which will expand on individual objects as well as bring new opinions and critical thinking to the subject matter through commissioned essays from a range of disciplines and perspectives. It combines the historical with the modern and contemporary, connecting the Palladio collection with contemporary practice and current research outside and within RIBA. It is thought-provoking and will stimulate debate amongst a specialist audience and capture the imagination of a non-specialist audience, providing them with new insight into Palladian design principle across time and place. The catalogue includes the following essays: * Palladio, Palladianism, Palladians by Guido Beltramini * Palladianism: A Project of Radical Discontinuity by Pier Vittorio Aureli * Cyma Recta: Palladianism and the Everyday by Daniel Maudlin The catalogue accompanies the exhibition on Palladian Design that is on display in the Architecture Gallery at RIBA (from 9 September 2015 to 9 January 2016).

Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, "What does it mean to be fulfilled?" This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture's unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljacki - Boston, MA; Ang Li - Boston, MA; Ashley Bigham - Columbus, OH; Cristina Goberna Pesudo - Madrid, Spain; Curtis Roth - Columbus, OH; Jesse LeCavalier - Toronto, Canada; John McMorrough - Ann Arbor, MI; Keith Krumwiede - San Francisco, CA; Laida Aguirre - Ann Arbor, MI; Leigha Dennis - New York, NY; Lluis Alexandre Casanovas Blanco - Barcelona, Spain; Michelle Chang - Boston, MA; Miles Gertler - Toronto, Canada; Mira Henry & Matthew Au (Current Interests) - Los Angeles, CA

The works by the architect and designer Federico Delrosso (1964) constantly reflect a passing of the torch between past and present that, far from being a nostalgic or derivative operation, makes everything topical. His career as a designer clearly reflects the teaching of modernists - especially Gio Ponti, Ernesto Nathan Rogers and Le Corbusier, who envisaged the figure of the architect as a designer of things ranging from "the spoon to the city", and who constantly stressed the idea of the exploration of space, later taken up by Richard Meier. This first monograph completes the cycle of architectural plans for private and commercial buildings, interior decor and design projects Delrosso has created over the past twenty years.

Though lacking any formal education in architecture, Jean Prouve (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouve was raised in an environment of artistic, socially motivated innovation: his father belonged to "l'Ecole de Nancy," a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouve to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouve to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Despite their advantages, though, few of these architectural triumphs were built, and even fewer survive. In order to preserve Prouve's architectural and engineering legacy, the Galerie Patrick Seguin has worked tirelessly to promote Prouve's "constructional philosophy," exhibiting his designs and showcasing his ecologically responsible methodologies. "Jean Prouve Maison Demontable 6x6 Demountable House," the first of nine monographs published by the Galerie Patrick Seguin on Prouve's housing modules, highlights the simplest of these modules. Introduced by Catherine Coley, renowned art and architectural historian, it contains Prouve's sketches, black-and-white photographs of the designer at work and detailed examples of the building process.

Each book begins with this statement: This is one in a series of books, each of which tells the story of a single building. It is our hope that as these books accumulate alongside our body of work, they, in their aggregate, will form a profile of our design intentions. Acting as a 'profile' of a building as well as contributing to the 'profile' of Ennead Architects, each book employs initial program studies, schematic sketches, early two- and three-dimensional study models, construction shots, final photography and a personal statement by the designer to present an intimate, insider's view of the creative process. A supplementary piece written by a critic, historian or client or a 'found' text that relates to the designer's aspirations or building's program, site, function is typically included. The photographic narrative combines the precision and technical virtuosity of classic architectural photography with more lyrical and personal interpretations of the building, its context and the people who use it.

ADAM Architecture has a worldwide reputation for traditional Western design. Although the practice is based in the UK, it has built award-winning projects of all types around the world, and is known for combining modern interpretations of the Classical tradition with the latest technology. Among its most admired work are its country houses, and 19 of these houses are the focus of this new book, written by architectural historian Jeremy Musson. Robert Adam co-founded the practice (as Winchester Design) in 1986, and has worked with technical director Paul Hanvey for more than 30 years (including at a previous incarnation of the practice). Adam now works with three other architect-directors - Nigel Anderson, Hugh Petter and George Saumarez Smith - to build country houses that are not period reproductions but creative interpretations of past traditions. Each director has his own architectural personality, together producing a body of work that uses historical precedents, including construction techniques, materials, layout and details, to give expression to thoroughly modern works. Their schemes address the modern-day realities of energy conservation, climate control, internet access, computer-managed systems and security - all prerequisites in contemporary house design. Unlike country houses of the past, today's houses must be functional without live-in staff. Kitchens are now the focus of much family life and entertaining, rather than spaces to be kept from sight. These and numerous other practical considerations receive meticulous attention in an ADAM Architecture country house. The book begins with two forewords, with Clive Aslet and Calder Loth offering their interpretations of the ideal country house from a British and an American perspective respectively. The introduction provides an overview of the rich and varied tradition of the English country house, from the medieval manor house to houses of the Elizabethan and Jacobean periods, and the Classically inspired designs of the seventeenth and eighteenth centuries through to the architecture of the Gothic Revival and then the Arts and Crafts Movement. Architects associated with the country house throughout the ages include, among others, John Vanburgh, William Chambers, Robert Adam, John Nash and Sir Edwin Lutyens. And now, today, ADAM Architecture is one of the leading practices designing and building new country houses.

The Masters of Concrete Shells Concrete shell construction started to become popular in the mid-20th century. Technically advanced designs with conspicuous expressiveness began to appear all over the world. With three typical protagonists - Felix Candela (1910-1997), Heinz Isler (1926-2009), and Ulrich Muther (1934-2007) - the book examines this construction method. Their work - primarily in Mexico, Switzerland, and the former GDR - was carried out under very different political, economic, social, and cultural conditions. The authors analyze the buildings and projects against the background of developments in architecture and engineering at that time. The focus is on mutual influence, shared aspects and differences in the design processes, the structural design, and the execution. In addition, the book examines how the work was received and today's application of the building method. Learning from Felix Candela, Heinz Isler, and Ulrich Muther and their historic shell construction buildings Unknown material from the drawing archives In English with summaries in German and Spanish

Craig Ellwood, the Cary Grant of architecture, was one of the most visible faces of California mid-century modernism. He was known as much for his exquisitely designed, minimalist structures as he was for his exuberant lifestyle. This book celebrates and explores the glamour of Ellwood s work, life, myth, and career. Through photographs, primarily of the iconic houses he designed in Southern California during the 1950s and 60s, we see a life of refined decadence, expressed through gorgeous architecture, fast cars, beautiful women, Hollywood style, palm trees, swimming pools, and minimalist design all in the context of the Southern California postwar building boom. This volume will appeal to design junkies, architecture buffs, students of modernism, and anyone interested in problem-solving and elegant solutions.

This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect's work and offers new and important perspectives on the history of modernism. Neil Levine places Wright's projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century. Levine overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright's larger, more varied, interesting, and complex urbanism, demonstrated across the span of his lengthy career. Beginning with Wright's plans from the late 1890s through the early 1910s for reforming residential urban neighborhoods, mainly in Chicago, and continuing through projects from the 1920s through the 1950s for commercial, mixed-use, civic, and cultural centers for Chicago, Madison, Washington, Pittsburgh, and Baghdad, Levine demonstrates Wright's place among the leading contributors to the creation of the modern city. Wright's often spectacular designs are shown to be those of an innovative precursor and creative participant in the world of ideas that shaped the modern metropolis. Lavishly illustrated with drawings, plans, maps, and photographs, this book features the first extensive new photography of materials from the Frank Lloyd Wright Foundation Archives. The Urbanism of Frank Lloyd Wright will serve as one of the most important books on the architect for years to come.