Richard Rogers, founder of Rogers Stirk Harbour + Partners, is a pre-eminent architect of his generation, whose approach to buildings is infused with his enthusiasm for modernism, love of life and strong sense of social justice. From the Pompidou Centre in Paris to the Lloyds Building in the City of London, and from airports, to cancer care centres to low-cost homes, the buildings he and his partners have designed blend private use, public space and civic value. In part inspired by his 2013 Royal Academy exhibition, A place for all people is a mosaic of life, projects and ideas for a better society. Ranging backwards and forwards over a long and creative life, and integrating relationships, projects, stories, collaborations and polemics, with case studies, drawings and photographs A place for all people is a dazzling and inspiring book as original as its author.

Sir John Soane's Influence on Architecture from 1791: A Continuing Legacy is the first in-depth study of this eighteenth-century British architect's impact on the work of others, extending globally and still indeed the case over 200 years later. Author Oliver Bradbury presents a compelling argument that the influence of Soane (1753-1837) has persevered through the centuries, rather than waning around the time of his death. Through examinations of internationally-renowned architects from Benjamin Henry Latrobe to Philip Johnson, as well as a number of not so well known Soanean disciples, Bradbury posits that Soane is perhaps second only to Palladio in terms of the longevity of his influence on architecture through the course of more than two centuries, from the early 1790s to today, concluding with the recent return to pure revivalism. Previous investigations have been limited to focusing on Soane's late-Georgian and then post-modern influence; this is the first in-depth study of his impact over the course of two centuries. Through this survey, Bradbury demonstrates that Soane's influence has been truly international in the pre-modern era, reaching throughout the British Isles and beyond to North America and even colonial Australia. Through his inclusion of select, detailed case studies, Bradbury contends that Soane's is a continuing, not negated, legacy in architecture.

Villa le Lac, which was designated a World Heritage in 2016, was designed and built by Le Corbusier as Geneva lakeside home for his parents in 1925. Because of its spare arrangement of spaces, he referred to it as a "dwelling machine." Even today it remains the modern prototype of the "small house" that fulfills all of the functions of a residence with a minimum of floor area and seamless transitions between spaces. For the first time, this book is appearing in three separate language editions, following the original edition in which Le Corbusier documented the history of the building: with photographs, sketches and a poetic text. Access to the original photographs allowed the quality of the illustrations in this edition to be improved significantly.

Ken Yeang remains one of the world's foremost experts on sustainability and the modern skyscraper. Acknowledging that the skyscraper is possibly one of the most ecologically unfriendly of all building types, he states that until an economically viable alternative is identified, it is necessary to make them as humane and as sustainable as possible. Each project is presented together with data on its climatic location, the local vegetation, plot ratio, net and gross areas.

Anthony Poon's passion for music inspires a vibrant architecture that engages its users and the environment. Affordability and sustainability are hallmarks of Poon's designs, which fuse quality and innovation. His success explodes the myth that architect-designed houses are more expensive and challenging than generic solutions and raises the bar for developers and architects alike. This monograph explores three fields in which Poon Design have excelled: housing, schools, and restaurants. It explains how they enrich the experience of living, learning, and eating, and promote social interaction. Readers can track the creative process from concept sketch to model, plan to completion.

In 1927, while a student of architecture at the Moscow Vhutemas, Georgii Krutikov presented a vision for a flying city. More than just a flight of architectural fancy, Krutikov's flying city was a utopian dream, a plan to solve the seemingly intractable problems of overcrowding and resource depletion by moving humanity's living quarters to space. Inspired in equal parts by sci-fi dreams of space travel and the revolutionary idealism that still percolated in the Soviet Union at that time, Krutikov created an incredible amount of detailed information about his city: sketches, drawings, plans, and more. Krutikov's flying city has been cited as a major influence on Russian modernism for decades, yet little has been written about the design, its creator, or his subsequent architectural career. This beautifully illustrated book fills that gap, presenting a detailed study of Krutikov's scheme and its underlying ethos, then tracing Krutikov's later work as an architect. It will interest-and amaze-all fans of the avant-garde, architecture, and Russian history.

Luke Him Sau/Lu Qianshou (1904 1991) is best known internationally and in China as the architect of the iconic Bank of China Headquarters in Shanghai. One of the first Chinese students to be trained at the Architectural Association in London in the late 1920s, Luke s long, prolific and highly successful career in China and Hong Kong offers unique insights into an extraordinary period of Chinese political turbulence that scuppered the professional prospects and historical recognition of so many of his colleagues. Global interest in China has risen exponentially in recent times, creating an appetite for the country s history and culture. This book satiates this by providing a highly engaging and visual account of China s 20th-century architecture through the lens of one of the country s most distinguished yet overlooked designers. It features over 250 new colour photographs by Edward Denison of Luke s buildings and original archive material. The book charts Luke s life and work, commencing with his childhood in colonial Hong Kong and his apprenticeship with a British architectural firm before focusing on his education at the Architectural Association (1927 30). In London, Luke was offered the post of Head of the Architecture Department at the newly established Bank of China, where IM Pei s father was a senior figure. Luke spent the next seven years in the inimitable city of Shanghai designing buildings all over China for the Bank before the Japanese invasion in 1937 forced him, and countless others, to flee to the proxy wartime capital of Chongqing. In 1945 he returned to Shanghai where he formed a partnership with four other Chinese graduates of UK universities; but civil war (between the Communists and Nationalists) once again caused him and others to uproot in 1949. Initially intent on fleeing with the Nationalists to Taiwan, Luke was almost convinced to stay in Communist China but decided finally to move to Hong Kong. There, for the third time in his life, he had to establish his career all over again. Despite many challenges, he eventually prospered, becoming a pioneer in the design of private residences, schools, hospitals, chapels and public housing.

Dayton Eugene Egger: The Paradox of Place in the Line of Sight, showcases the pedagogical sketches of Dayton Eugene Egger, the Patrick and Nancy Lathrop Professor Emeritus, Virginia Tech School of Architecture + Design. To Egger, architectural education is a vibrant vehicle for creating and disseminating knowledge across generations. It simultaneously concerns learning from the past and presents possible futures. Egger points to lessons learned from Josef Albers related to the 'criticality of seeing' and displaying information. For Egger, these discursive departure points engage both the place of potential discovery and the act of applying knowledge to a given situation and a given context. The book comprises three parts - Gene Egger's pedagogy as sparked by travels to Europe and North America and its direct impact on students as evidenced through drawing. Essay contributions by Kenneth Frampton, Dayton Eugene Egger, Steven + Cathi House, Mitzi Vernon, Paul Emmons, Mark Blizard, Michael OBrien, Gregory Luhan, and Frank Weiner bridge these three 'chapters' and provide critical insights or personal reflections.

From artworks and chairs to architecture, landscaping and interior design, Michael Boyd's devotion to the principles of modernism is comprehensive. An artist and musician, he acquired his expertise as a collector, surrounding himself with rare and beautiful finds. His immersion in the philosophy and creativity of the masters inspired him to restore a succession of classic modern houses, curate exhibitions, create a versatile range of furniture and rugs, and design sculptural gardens. Millennium Modern: Living in Design details his work across the first two decades of the new millennium and reflects his belief that the tenets of modernism - honesty and simplicity - developed more than a century ago, are equally relevant to our pluralistic age. In contrast to the pioneers who wanted to do away with the past, his creations are deeply rooted in the history of design. Essays by Boyd and architectural writer Michael Webb, along with comments from collaborators and critics, explore each facet of his residential design. This beautifully illustrated volume reveals Boyd's holistic design practice from his discovery of design classics in flea markets, to his own furniture designs, which feature in residential interiors, hotels and museums, through to his sensitive restoration of the houses by Paul Rudolph and Oscar Niemeyer, Richard Neutra and Craig Ellwood, and the sculptural landscapes he designed to enhance these residences, as well as masterpieces by John Lautner.

AHL is the most prominent, prestigious, and progressive architectural practice working in Hawaii. As such, the history of Modern Hawaiian architecture is very much the history of AHL. Over the past 75 years, no firm has built bigger, higher, or more frequently that AHL. This book tells their story and in so doing, tells the story of the making of a modern Hawaii. The output of the firm is extraordinary, ranging from numerous state and federal facilities like the Hawaii State Capitol building to the Prince Jonah Kuhio Kalaniana'ole Federal Building. The first high-rises in Hawaii belong to AHL along with some of most high-profile residential (Moana Pacific), hospitality (Aulani, A Disney Resort & Spa), healthcare and education (John A. Burns School of Medicine), and commercial complexes like the American Savings Bank and Pacific Guardian Center Towers, to numerous retail stores, schools and university buildings, churches, and extensive work with the military.

Of the around 20 biennials and triennials worldwide devoted to architecture, the Venice Architecture Biennale is the most prominent, considered as the world's leading biannual architecture festival. The participating architects selected every second year come from around the world to engage in the most important information exchange in the world of architecture. Aires Mateus Architects is the architectural practice operated by two brothers, Manuel and Francisco Aires Mateus. They have been invited five times to participate in Venice. This publication will introduce the five architectural installations they contributed to the biennales in the last decade. The publication consists of five individual parts, each of them a separate book, and held together by a French-fold-dustjacket. Each book is dedicated to one exhibition in Venice. The beautiful projects presented in this volume set an outstanding example of architectural installations reflecting space in a sensitive, poetic and mathematical way. Over the last three decades, Aires Mateus have gained international recognition for their contemporary reinterpretation of architectural traditions in Portugal. Their work is poetic in nature, and much of it is based on constant exploration and experimentation. Their abstract architectural installations are the artistic manifestation of this work. Every installation will be introduced with a short essay, especially written for this publication by philosophers, architects, and an art critic. With contributions by Francisco and Manuel Aires Mateus, Ricardo Carvalho, Nuno Crespo, Sofia Pinto Basto, Paulo Pires do Vale, and Delfim Sardo.

The Studio for Immediate Spaces (SIS) is a two-year MA programme at Amsterdam's renowned Sandberg Instituut. It aims to explore and shape spatial practices on the genesis and production of contemporary spatial configurations. Through extensive field investigations, SIS works as a laboratory, testing ideas relevant to how we live today and how we could live tomorrow. Rural flatlands, suburbia and gritty city settings; Mediterranean shorelines and Alpine mountainscapes; open-pit mines and industrial legacies; abandoned buildings and unfinished infrastructures; harbours, airports and refugee camps: Such places were the sites of SIS's research and production between 2016 and 2019. Directed by Swiss architect Leopold Banchini, it embraced a truly global approach that crossed, and deliberately ignored, borders. This book offers a glimpse into this unique journey around the world. Illustrated with some 790 colour and black-and-white photographs, it features work produced collectively by participants in simultaneous roles of geographer, researcher, architect, urban planner and designer. Brief texts on each project and essays by Leopold Banchini and other SIS faculty, studio participants as well as by curator and writer Lukas Feireiss round out this exceptional documentation of forward-thinking higher education in spatial design.

With his artistic works, the sculptor Winfried Baumann (* 1956) evokes questions of social responsibility and the perception of contemporary social forms. His subjects are highly topical both as regards content with respect to social and urban-planning visions, and also formally as they cross the borders between fine art and applied design. For over thirty years the sculptor Winfried Baumann has focused his attention in the ecological problems which are increasingly advancing to become a question of survival for civilised society. Refuse, slag from the burning of refuse, waste oil and other waste products from our consumer society are materials which he has been using since the mid-1980s for his three-dimensional works and large-scale installations. In his very extensive group of works "Cathedrals" Winfried Baumann examines, for example, waste-disposal plants for large urban spaces, with the protection and marking of nuclear contaminated sites, waste-disposal facilities for large urban spaces and intermediate urban spaces and with the subject of urban mining.

Frederick the Great as a gardener? That is something new. In fact, however, under Frederick's idiosyncratic guidance, the garden at Sanssouci became a mirror of his personal and political roles. Paths, plantings, architecture, and sculptures express his notions of death, happiness, and fame. Frederick used famous forms of mythological representation, as well as mysterious allegorical allusions and emblematic references. The "axis of knowledge" defined his Prussian Arcadia as the best of all possible worlds, where the "philosopher of Sanssouci" and his friends devoted themselves to the arts and sciences. The "axis of power," on the other hand, represents his fame and ambition as a European monarch who legitimized his rule not only via the Hohenzoller and Orange dynasties, but also through the tradition of the pharaohs, the Roman emperors, and Louis XIV, the Sun King.

Manual for Urban Design Urban design is based on planning and design principles that need to meet functional demands on the one hand, but on the other hand bring the design elements together into a distinctive whole. The basic compositional principles are, for the most part, timeless. Designing Cities examines the most important design and presentation principles of urban design, using historical examples and contemporary international competition entries designed by practices including Foster + Partners, KCAP Architects & Planners, MVRDV, and OMA. At the core of the publication is the question of how the projects were designed and what methods and tools were available to the designer: such as parametric design, in which variable parameters automatically influence the design and provide a range of possible solutions. Tools for urban design Current projects and award-winning competition entries by renowned international practices A textbook for students and a practical design aid for practicing architects and planners

From 1940 to 1970, mid-Michigan had an extensive and varied legacy of modernist architecture. While this book explores buildings by renowned architects such as Frank Lloyd Wright, Alden B. Dow, and the Keck brothers, the text-based on archival research and oral histories-focuses more heavily on regional architects whose work was strongly influenced by international modern styles. The reader will see a picture emerge in the portrayal of buildings of various typologies, from residences to sacred spaces. The automobile industry, state government, and Michigan State University served as the economic drivers when the mid-Michigan area expanded enormously in the growing optimism and increasing economic prosperity after World War II. Government, professional associations, and private industry sought an architectural style that spoke to forward-looking, progressive ideals. Smaller businesses picked a Prairie style that made people feel comfortable. Modernist houses reflected the increasingly informal American lifestyle rooted in the automobile culture. This expanded paperback edition adds over twenty architect-designed residences along the various rivers and creeks that traverse the area as well as on man-made lakes, and introduces several popular architectural designers not previously discussed. The epilogue briefly considers disappearing modernist inventions and buildings. With a detailed narrative discussing more than 150 buildings and enriched by 186 illustrations, this text is a vibrant start at reclaiming the history of mid-Michigan modernist architecture.

Part manifesto and part monograph, Radical Practice reflects the ethos and endeavors of Marlon Blackwell, a charismatic architect in the prime of his career, producing extraordinary architecture for everyday places from his studio in the Ozarks of Arkansas. Celebrating thirty years of practice in 2022, Marlon Blackwell is among the most admired architects in the country. But he isn't known for sky-high towers or houses for the one-percent crowd. Blackwell prioritizes the common good of shared spaces over the private luxuries of domestic design. Be it a pediatric clinic in Arkansas, a school in Texas, a model house in post-Katrina Mississippi, or a public park in Tennessee, his architecture is characterized by bold forms that both echo and elevate the local context-often through an economy of means. Each of the fourteen buildings profiled in this book is paired with an unvarnished photographic journey through roadside influences and an essay by a leading designer, planner, or artist. These pairings capture the radically conventional principles and practices, the time-honored methods and materials, that Blackwell mines to create works that are far from commonplace.

Here, Jacob Brillhart excavates the "visual thinking" of the twentieth century's pioneer architect, reproducing a selection of 175 drawings from the early sketchbooks of Charles-Edouard Jeanneret, whom we now know as Le Corbusier. Between 1907 and 1911, Jeanneret studied in Switzerland and travelled through Europe and the East, filling sketchbooks with exquisitely detailed drawings. Brillhart provides a physical and intellectual map for students, travellers and lovers of art and architecture. The first book to provide a succinct collection of Jeanneret's drawings, some of which are previously unpublished, Voyage Le Corbusier encourages a new generation to learn to see.

Over the past years, Dhaka-based architect Kashef Chowdhury has become renowned for a body of work that responds with great sensitivity to places, local circumstances, and the demands of a building's users. At the 2016 International Architecture Exhibition of the Venice Biennale, Chowdhury presented four recent projects his firm URBANA has realised in Bangladesh in a fascinating exhibition which he has designed with equal sensitivity and care. The labyrinth is an age-old space of intrigue, discovery and accident, which has fascinated architects throughout history. For his installation in Venice, Chowdhury challenged spatial perceptions by a simple turn: the labyrinth - which hides and blocks - is suddenly made transparent. Notwithstanding the obvious reference to Venetian glass, the labyrinth retains, or even accentuates, a sense of spatial disorientation. The installation was conceived not merely as a hyper-maze but rather as an expression of the anxiety that the artist experiences in his work due to a myriad of uncertainties. From design to construction, funding to maintenance, the part of the world where URBANA chiefly works presents itself with challenges at every turn, and it is in this milieu that an architect must operate with firm resolve. Chowdhury's Glass Labyrinth in Venice seems to explicate the notion that, although an architect has a clear vision of what he wants to do, the path to achieving that in the environment in which he operates, is laden with perplexing barriers. This new book explores and documents Kashef Chowdhury's intriguing installation in Venice with beautiful photographs by Eric Chenal and an illuminating text by Robert McCarter.