Basel-born architect Max Alioth (1930-2010) was a prominent figure on the Swiss architecture and culture scene. Alioth was a co-founder of Basels' Architecture Museum in 1984, which in 2006 became the Swiss Architecture Museum (S AM). Together with his wife Susanna Biedermann, he founded the Ecole Superieure des Arts Visuels (ESAV) in Marrakech, Morocco, for which he also designed the main campus building. This first monograph on Max Alioth illuminates his achievements from various perspectives. Selected architectural designs from 1961-2007 are featured in detail through photographs, plans, and texts. These include single-family homes, a retirement home, multi-unit housing, Basel's Museum of Antiquities, as well as the ESAV building in Marrakech. Moreover, the book introduces Alioth also as a visual artist through reproductions of sketches, drawings, and watercolours. Essays by architect Roger Diener, the S AM's director Andreas Ruby, the director of ESAV Vincent Melilli, and art historian and publicist Ulrike Jehle-Schulte Strathaus round out this volume. Text in English and German.

Since the 1980s, Vitra has enlisted some of the world's leading architects to design buildings for its campus, including Zaha Hadid, Frank Gehry, Tadao Ando, SANAA, Alvaro Siza, Nicholas Grimshaw and Herzog & de Meuron. This has resulted in a unique architectural ensemble that attracts 350,000 visitors each year, about which Philip Johnson wrote: "Since the Weissenhofsiedlung in Stuttgart in 1927, there has not been a gathering in a single place of a group of buildings designed by the most distinguished architects in the Western world." While the renowned Vitra Design Museum presents alternating exhibitions, the Schaudepot gives visitors an insight into parts of the museum's extensive collection. In addition, during their time on the Campus, visitors can take part in a guided tour of the architecture or a workshop, enjoy the view from the Vitra Slide Tower and afterwards slide down the 37-meter-long slide, experience furniture classics and new products from the Vitra Home Collection in the VitraHaus as well as savour the offers of the shops and cafes. Originally published in 2014, this revised flexibound edition of The Vitra Campus offers an overview of Vitra architecture, its daily use, the development of the Campus and biographies of the contributing architects. An ideal souvenir and campus guide, The Vitra Campus is also a fascinating read about some of the most significant architects and buildings of our time.

This book presents over 40 finished works by Chinese architects, produced between 2003 and 2008. A compelling selection representing a new generation of architects in a country whose building rhythm over the last decade has been unstoppable, as China's architects are making their mark within the backdrop of an avalanche of world class architecture stars. Featuring works by China Architecture Design & Research Group, Jiakun Architects, Atelier Deshaus, Mada s.p.a.m, MAD, TM Studio, Urbanus, Studio Pei-Zhu, Amateur Architecture Studio, Atelier Feichang Jianzhu, Atelier Z+, Standardarchitecture and Architectural Design & Research Institute Nanjing University.

It is by no coincidence that another collaborative project is spear-headed by K2LD. Following the success of the Lien Villa Collective at Holland Park, Singapore in 2009, Ko Shiou Hee was asked to look at a similar concept for the Dalvey Estate property and to select and lead a group of architects in the making of a unique architecture expression and yet functional outcome, suitable for contemporary living and fit for rental. It was learning from Game Theory that Ko Shiou Hee succeeded in persuading his clients to adopt this sharing strategy both in the Lien Collective and the Dalvey 7 group. The selected architects must all adhere to the rules of the game and work on the same fees and briefs. All have to consider each other's placements and planning to maximise the benefit for all parties as a whole and eventually benefit the client. As architects, each firm, and their practicing architects, has been educated to work with social, economic, and environmental sensitivity. The world that architects operate in is driven by developers and stakeholders who maximise their gain through development strategies, but leave little chance to be true to the architectural profession. It is perhaps even more pressing for architects to address this issue of true collaborative spirit in this increasingly distortive egocentric world. Through this Dalvey 7 project, there is hope in the idea outlined in Game Theory to perpetuate and flourish in this profession to encourage sharing and collaboration. Perhaps more form of joint venture in various scales like big firm-small firm, local firm-foreign firm, developer-architect venture, design-built etc, will begin to surface.

This book is Michele Saee's life's work. A collection of projects, built, unbuilt, conceptual, and experimental which expands over more than three decades. There are over 50 projects in different cities and countries, with different programs, scales or sizes all over the world. This book is about an architect's journey of discoveries; a fluid emotional exercise in life, love, work, and architecture, providing a tool for growth. The book is designed by the creative Chinese designer Xingyu Wei (Weestar) and his team in Beijing. There are hand and computer sketches, drawings, and model studies of different stages of their development-from the conception of the projects in their early stages through the process of their creation. The introduction is by the iconic French architect Claude Parent. In addition, there are two essays written by American architect Eric Owen Moss, responsible for some of the most iconic LA architecture, and by architect Nick Gillock, theoretical writer and co-founder of lookinglass studio.

A former U.N. worker and prominent architect clearly explains every aspect of taking a greener approach to housing in impoverished tropical climates--including design, materials, and implementation. Hundreds of explanatory drawings by van Lengen allow even novice builders to get started.

Ever since the firm's establishment in 1989, Frankfurt-based Stefan Forster Architekten (SFA) had a special focus on housing. A starting point for this was the urgent necessity of refurbishment and modernisation of the vast housing developments constructed of prefabricated concrete slabs as part of the urban rebuilding programmes in the newly founded federal states of eastern Germany following the country's re-unification in 1990. From the initial 'Haus 07' in Leinefelde, Thuringia, SFA have moved on, creating a remarkable body of work in metropolitan housing. Their designs comprise large-scale public multi-unit blocs and single-family town houses on small plots, as well as the transformation of former office and public administration structures. This first monograph on SFA highlights how the firm has constantly worked on raising the standards in residential architecture, years before the current shortage of housing in urban areas has made such improvements so urgent. The book features 30 designs that exemplify SFA's approach and philosophy. Text in English and German.

Issue 14 of LA+ Journal brings you the results of the LA+ CREATURE international design ideas competition, which explored how we can use design to achieve a more symbiotic existence with other creatures. The competition brief asked entrants to choose a nonhuman client and design something - a place, a structure, a product, a process, a system - to improve its life and increase human-nonhuman empathy. As well as showcasing the award-winning designs and a comprehensive Salon des Refuses, LA+ CREATURE features an essay by Lori Gruen (author of Critical Terms for Animal Studies) and interviews with jurors Timothy Morton, Kate Orff, Jennifer Wolch, Andrew Grant, Chris Reed, and Farre Nixon.

Facades: Beauty. Utility. Performance illustrates the depth and breadth of the many innovative exterior wall facades that were designed from 2007-2020 at Adrian Smith + Gordon Gill Architecture (AS+GG). The featured projects, both built and unbuilt, are explored through photographs, renderings, model images, detail drawings, narratives, and illustrations. Each project addresses a series of environmental concerns, offering site-specific, performative solutions and innovative techniques that harvest resources and maximise efficiencies.

The complete and detailed story of the recovery and transformation of the 19th century home of the former wine warehouse on the seaside boulevard of Trieste, with numerous engaging work site images that reveal the complexity of the building phases, the specificity of the work processes that were necessary and the shots of the results upon completion. The design does not modify the original volume but invades it by excavating the space for another completely independent, ethereal and translucent building inside it, sized to reflect the rhythm of the masonry wall of the original facade. The physical gap between the new 'product' and the historical screen has become a fascinating locus between internal and external. The glass that seals the internal shell reflects the outlines of the warehouse walls and their openings, allowing for visibility of the activities that are being conducted inside. The monograph is introduced by critical and descriptive essays and accompanied by a wealth of iconographic material including technical drawings at various scales.

In these rapidly changing times, we are increasingly embracing change and innovation; we deviate, modify, shift and pivot to challenge long-accepted norms. Transformation is everywhere, at all times. Transformation is also the central topic in the architectural profession and the built environment. It can be evidenced in concepts and ideas, in awareness, appearance, form, character, nature or culture. This year, the Zumtobel Group commissioned the international architecture practice UNStudio to create their annual report for 2021/2022, adding to the Austrian lighting company's unique oeuvre of yearly published art books. As a collaboration with graphic design duo Bloemendaal & Dekkers, this year's publication presents a design reflection on the theme of transformation. Using illustrations drawn from the work of UNStudio over the past thirty years, the book presents a visual investigation into the creative process, and demonstrates how ideas and concepts are developed by the practice into physical form. Through a similar thought process, the book itself is designed to undergo its own metamorphosis.

The studio of an architect is perhaps the most singular project in one's oeuvre comple te. After their own house, it is the second most inward-looking space an architect designs. They are no longer just crafting ideas to meet the requirements proposed by others, but now face their own desires, both as architect and as client. What are the spatial qualities that one needs? How does the space conform to one's working method? How does the space best stimulate ideas and inspirations? Considering it is the place where those ideas and inspiration are born, how could it be shaped by and speak for them? With essays, projects, and interviews, Architects' Studios, the 2019 summer volume of Architecture China, offers a look into the studios of 14 outstanding Chinese architects: Atelier FCJZ, ZAO/standardarchitecture, MAD Architects, OPEN Architecture, Atelier Deshaus, Vector Architects, Neri&Hu Design and Research Office, AZL Architects, Archi-Union Architects, Atelier AZ+, People's Architecture Office, Atelier ArchMixing, Original Design Studio, and Naturalbuild. Additionally, Pritzker Prize winner Wang Shu reveals his desk in the cover imagery.

"This gorgeous doorstop of a book ... Seductive and serious - for the most discerning coffee tables." - Edwin Heathcote, Financial Times. Sigurd Lewerentz (1885-1975) is one of the most highly revered - and also one of the most heavily mythologised - protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential to other architects internationally today than he has been during his lifetime. Countless architecture lovers from around the world visit his still existent buildings. Stockholm's woodland cemetery Skogskyrkogarden, his most significant contribution to landscape design, is a UNESCO World Heritage site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national centre for architecture and design, where his archive and personal library are being kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs etc. from his estate, most of which published here for the first time, as well as with newly taken photographs of his realised buildings. Essays by leading experts explore Lewerentz's life and work, his legacy and lasting significance from today's perspective. This vast, beautifully designed book offers the most comprehensive survey to date of Lewerentz's entire achievements in all fields of his manifold work.

Sanjay Patils tryst with architecture began in his early childhood as he soaked up the environs that surrounded him in his birthplace, Nashik. Moving on to formal education in architecture at the Sir JJ College of Architecture in Mumbai, Sanjay returned to his hometown in 1981 to immerse himself into a meaningful and sensitive architectural practice. Over the years, Sanjay Patil has received many honours from the industry and his projects have been widely published in architectural journals. His greatest reward however continues to be the appreciation and support of his numerous clients who have played a vital role in his approach to architecture. His Workspace 'Environ Planners' has also evolved into a centre for learning; inspiring, training and providing roots and wings to budding architects from various parts of the country. 'Knowledge sharing is integral to me and has always given me great pleasure and satisfaction. I have always made a conscious effort to share with others the little bit that I have learnt through my work, travel and other hobbies. This book is just an extension of this love for sharing; a humble effort to document some of my works across the last three decades and present it to a wider audience. It is an honest endeavour to make the reader a part of the design process and my passion for my work that is so much a part of my being.' The book is an attempt to chronicle the architects journey and delve deeper into his philosophy towards architecture and life, his love for nature and his commitment to architecture. Our journey thus encompasses influences from vernacular architecture, his leaning towards sustainable design, response to nature and his diverse use of courtyards in varying building typologies. It showcases 19 noteworthy projects, which include private residences, restoration projects, educational institutions, resorts and retreats, office spaces including his own workspace and farmhouse. It also includes essays by Christopher Benninger, Anand Mahindra (chairman and managing director, Mahindra Group) and Anu-rag Kashyap (principal, BNCA College of Architecture, Pune) providing valuable insights and perceptions about Sanjay Patils work.

Architecture and freehand drawing are inextricably linked. Even in the Gothic period, the principle applied: what you can't build, you at least draw. The same applies to the sketches of Wolf dPrix, co-founder and CEO of Coop Himmelb(l)au. Over the 53 years of their creation, Prix's sketches formed the first stage of every design - despite rapid developments in digital architecture. Whereas his freehand drawings were proxies for completed projects in the 1960s and 1970s, today they serve as strategic guides to the firm's complex buildings. From 2,800 archival drawings, 1,300 examples were selected for publication to represent developmental dynamics in an archive-like format. As invaluable documents of architectural history, they illustrate some 320 selected projects.

Historically, women architects were disappointingly absent in the news and at awards ceremonies, but now they are spearheading some of the most exciting and important projects in every corner of the globe. These profiles of fifty female architects bring to light some of those projects and highlight pioneering women architects. Each architect is introduced in double-page spreads that include a brief biography, an overview of her philosophy and vision, and stunning photographs of her most significant works. Interviews with several of the architects provide a global perspective on how women are changing the face of the world-including feminist icon, philanthropist, and Nigerian "starchitect" Olajumoke Adenowo; Tatiana Bilbao, who is leading the way in sustainable Mexican architecture; Rossana Hu, who is fighting to preserve Chinese village culture in her rapidly urbanizing country; and Elizabeth Diller, who created the High Line, one of New York City's most beloved public spaces, and helped redesign the city's Museum of Modern Art. This volume offers indisputable and inspiring evidence that the architectural profession is no longer just a man's game.

Designed and built by Leo Salvotti, this small holiday building by the lake - renamed 'Casa Galina' by the local inhabitants for its zoomorphic shape - is the best-known building in Calceranica al Lago and represents a unique architectural experiment in Italy. Through pictures from the 1960s, drafts, and 3D reconstructions, alongside the photographic work of Luca Chiste, this book aims to enhance this building's history. Essays written by experts who insert Casa Galina into the local and Italian architectural history complement the book.

Marco Bakker and Alexandre Blanc established their architectural firm, BABL Bakker & Blanc architectes associés, in Switzerland in 1992. At their offices in Lausanne and Zurich, they develop designs that are modest yet reflect the high demands of the built environment. Darwin's Theatre, BABL at Work documents more than twenty-five years of the firm's work and demonstrates their vision and approach through a selection of thirty-four built and unrealised designs. Inspired by Pieter Bruegel the Elder's famous painting of the Tower of Babel, the book is conceived as a chronological spiral stairway to heaven that represents the evolution of eternal questions concerning space and time. This innovative concept reflects BABL's continuous work on recurring questions and the realisation that each of their projects is an iteration of earlier ideas.

'Patio, channel of sky/The patio is the window/Through which God watches souls/The patio is the slope/Down which the sky follows into the house/Serene' - Jorge Luis Borges Bedmar & Shi's Chancery Lane is the apotheosis of their ongoing interaction with a new language of tropical residential architecture. Evocative of the simple, open structures of time's past, yet possessed of a modernity of spirit perfectly in keeping with contemporary life. Set around an open courtyard space, with a series of demarcated private abodes, Chancery Lane perfectly embodies the tenets of personal privacy heightened and brought together through shared experience. Subtle and serene, this is a residence borne of a coalescence between the environmental, the aesthetic, and the spatial. A true gem.

Konstantin Melnikov (18901974) is unquestionably one of the outstanding architects of the 20th century in spite of the fact that he fell silent early, leaving behind only limited work that was insufficiently publicized, and restricted almost exclusively to Moscow, the city of his birth in which he spent nearly his entire life and which did not appreciate him. He was raised in humble circumstances, but enjoyed an excellent education. Beginning in the mid-1920s, after the turmoil that followed the war, revolution and civil war, his career soared at almost meteoric speed as he took the lead in the young Soviet architecture movement with completely autonomous, highly artistic buildings that were free from dogmatism of any kind. Even more rapid than his rise to fame was his downfall: Treated with general hostility, he was unable to defend himself against the accusation of formalism when Stalin put an end to architectural ventures and experiments around the mid-1930s. He was expelled from the architects' association and was banned from practicing as an architect for the remaining four decades of his life. In the late 1920s, at the peak of his career, he had the opportunity to build a house for himself and his family in Moscow, in which he was then able to live until the end of his life. This house, a memorable symbiosis of almost peasant-like simplicity and extreme radicalness, is one of the most impressive, surprising and probably most enigmatic works produced by 20th-century architecture. Its simplicity is only outward; in reality this is a highly complex work which links together the elements of architecture explicitly and inextricably, which takes a clear and completely autonomous stand and which, in a way that little else has done, raises the question as to the nature of genuinely architectonic thinking. In essayistic form the book attempts to follow the paths laid out in the architect's work from the perspective of an architect.

As synthetic materials, mutant and hybrid concoctions attain prominence in our daily lives - in our handheld devices, cooking utensils, vehicles, even things as simple as our shopping bags - the design and construction industries have instead reembraced the familiar, the conventional - wood, which has regained prominence through innovations in engineering and construction methodologies. Technology is now commonly used and often (though not always) affordably used - to cut, perforate, assemble, erect, and even fabricate materials in a manner not previously possible. Wood is one such material, and Timber in the City documents both the imaginings of those in the nascence of their education and practice and the executed work of design professionals at the leading edge of architecture. These designers, regardless of the duration of their immersion in the field, have imaginatively rethought the means by which we build and the methods by which we define space merely through differing deployments of a familiar building material.

In 2010, photographer Cemal Emden set out to document every building designed by the master architect Le Corbusier. Traveling through three continents, Emden photographed all the 52 buildings that remain standing. Each of these buildings is featured in the book and captured from multiple angles, with images revealing their exterior and interior details. Interspersed throughout the book are texts by leading architects and scholars, whose commentaries are as fascinating and varied as the buildings themselves. The book closes with an illustrated, annotated index. From the early Villa Vallet, built in Switzerland in 1905, to his groundbreaking Unite d'Habitation in Marseille, completed in 1947, this ambitious project presents the entirety and diversity of Le Corbusier's architectural output. Visually arresting and endlessly engaging, it will appeal to the architect's many fans, as well as anyone interested in the foundation of modern architecture.

Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the "Modern Project." The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.