The captivating tale of the plans and personalities behind one of New York City's most radical and recognizable buildings Considered the crowning achievement of Frank Lloyd Wright (1867-1959), the Solomon R. Guggenheim Museum in Manhattan is often called iconic. But it is in fact iconoclastic, standing in stark contrast to the surrounding metropolis and setting a new standard for the postwar art museum. Commissioned to design the building in 1943 by the museum's founding curator, Baroness Hilla von Rebay, Wright established residence in the Plaza Hotel in order to oversee the project. Over the next 17 years, Wright continuously clashed with his clients over the cost and the design, a conflict that extended to the city of New York and its cultural establishment. Against all odds, Wright held fast to his radical design concept of an inverted ziggurat and spiraling ramp, built with a continuous beam-a shape recalling the form of an hourglass. Construction was only completed in 1959, six months after Wright's death. The building's initial critical response ultimately gave way to near-universal admiration, as it came to be seen as an architectural masterpiece. This essential text, offering a behind-the-scenes story of the Guggenheim along with a careful reading of its architecture, is beautifully illustrated with more than 150 images, including plans, drawings, and rare photographs of the building under construction.

Boris Iofan (1891 - 1976) was considered Josef Stalin's 'court architect' due to his closeness to the dictator, whose design ideas he translated into reality. His name is associated with projects such as the House on the Embankment, the Soviet pavilion at the 1937 Paris World's Fair and the Palace of the Soviets, which was never realised. In the period from 1932 to 1947, he was one of the most important, if not the most important architect of the Soviet Union. This biography, a detailed study of Iofan's creative development, is based on previously unpublished documents. It also contains never-before-published visual material, including original drawings and sketches by the architect and his collaborators: most of this comes from Iofan's archive, which is now in the collection of the Museum fur Architekturzeichnung in Berlin.

Issue 14 of LA+ Journal brings you the results of the LA+ CREATURE international design ideas competition, which explored how we can use design to achieve a more symbiotic existence with other creatures. The competition brief asked entrants to choose a nonhuman client and design something - a place, a structure, a product, a process, a system - to improve its life and increase human-nonhuman empathy. As well as showcasing the award-winning designs and a comprehensive Salon des Refuses, LA+ CREATURE features an essay by Lori Gruen (author of Critical Terms for Animal Studies) and interviews with jurors Timothy Morton, Kate Orff, Jennifer Wolch, Andrew Grant, Chris Reed, and Farre Nixon.

The philosophy of CLB Architects, Inspired by Place, permeates all the firms design work, from public projects to bespoke homes. Their portfolio projects - timeless, thoughtful, distinct and beautiful - are examples of how to tread softly on the land in some of the world's most iconic landscapes. They introduce a new approach to form and materiality in a region where the design world is often limited by a nostalgic view of the past. Inspired By Place showcases ten homes by CLB Architects, many of which feature interiors by CLB's design team; these are always sophisticated yet comfortable and conceived as an extension of the architecture. From a streamlined modern masterpiece on the banks of the Snake River to architecture as connected barnlike structures to a private glass pavilion retreat perfectly oriented for wildlife viewing, CLB's work references local forms and vernaculars while speaking in a new architectural language for the Rocky Mountain West.

This 1728 folio of architect James Gibbs includes perspectives and blueprints for such commissions as London's St Martin's-in-the-Fields which is the standard for many churches that followed, the Senate House of the University of Cambridge plus fine drawings of marble cisterns, iron gates, funeral monuments and more.

Architecture and freehand drawing are inextricably linked. Even in the Gothic period, the principle applied: what you can't build, you at least draw. The same applies to the sketches of Wolf dPrix, co-founder and CEO of Coop Himmelb(l)au. Over the 53 years of their creation, Prix's sketches formed the first stage of every design - despite rapid developments in digital architecture. Whereas his freehand drawings were proxies for completed projects in the 1960s and 1970s, today they serve as strategic guides to the firm's complex buildings. From 2,800 archival drawings, 1,300 examples were selected for publication to represent developmental dynamics in an archive-like format. As invaluable documents of architectural history, they illustrate some 320 selected projects.

Anthony Poon's passion for music inspires a vibrant architecture that engages its users and the environment. Affordability and sustainability are hallmarks of Poon's designs, which fuse quality and innovation. His success explodes the myth that architect-designed houses are more expensive and challenging than generic solutions and raises the bar for developers and architects alike. This monograph explores three fields in which Poon Design have excelled: housing, schools, and restaurants. It explains how they enrich the experience of living, learning, and eating, and promote social interaction. Readers can track the creative process from concept sketch to model, plan to completion.

What should our buildings look like? Or is their usability more important than their appearance? Paul Guyer argues that the fundamental goals of architecture first identified by the Roman architect Marcus Pollio Vitruvius - good construction, functionality, and aesthetic appeal - have remained valid despite constant changes in human activities, building materials and technologies, as well as in artistic styles and cultures. Guyer discusses philosophers and architects throughout history, including Alberti, Kant, Ruskin, Wright, and Loos, and surveys the ways in which their ideas are brought to life in buildings across the world. He also considers the works and words of contemporary architects including Annabelle Selldorf, Herzog and de Meuron, and Steven Holl, and shows that - despite changing times and fashions - good architecture continues to be something worth striving for. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives.

A major voice in the architectural culture of the mid-century, Sibyl Moholy-Nagy was uniquely engaged with modernism and modernity. As one of the very few female architectural critics of the time, she was an early voice articulating doubts about the path modernist architecture was taking, demystifying the myths of the masters, Mies, Le Corbusier and Gropius, and questioning their heroic, masculinist approach. Yet her writings and work are understudied, and have largely vanished from the canon of scholarly references on modernism. This book analyzes the significance of the life and work of Moholy-Nagy and explores the paradoxical aspects of the relationship between modernism and feminism. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked figures in modernism, it is both an examination of her work and legacy, and also a study on the roles of gender and of the changing nature of modernism in its trajectory from Europe to America. Drawing on personal papers, diaries, letters and lecture notes, as well as personal interviews with relatives, colleagues and students, this study is a key resource for scholars who would like to include the contributions of women in to their discussions of architecture and modernism.

The studio of an architect is perhaps the most singular project in one's oeuvre comple te. After their own house, it is the second most inward-looking space an architect designs. They are no longer just crafting ideas to meet the requirements proposed by others, but now face their own desires, both as architect and as client. What are the spatial qualities that one needs? How does the space conform to one's working method? How does the space best stimulate ideas and inspirations? Considering it is the place where those ideas and inspiration are born, how could it be shaped by and speak for them? With essays, projects, and interviews, Architects' Studios, the 2019 summer volume of Architecture China, offers a look into the studios of 14 outstanding Chinese architects: Atelier FCJZ, ZAO/standardarchitecture, MAD Architects, OPEN Architecture, Atelier Deshaus, Vector Architects, Neri&Hu Design and Research Office, AZL Architects, Archi-Union Architects, Atelier AZ+, People's Architecture Office, Atelier ArchMixing, Original Design Studio, and Naturalbuild. Additionally, Pritzker Prize winner Wang Shu reveals his desk in the cover imagery.

Dietrich | Untertrifaller are outstanding representatives of the second generation of the New Vorarlberg Building School. Their buildings are always sensitive and, at the same time, confidently developed from the respective context; they display a spatial refinement, are formally disciplined, and feature finely nuanced materials. With a longstanding international reputation, the practice undertakes a wide spectrum of projects from its branches in Bregenz, Vienna, St. Gallen and Paris. Some of their latest works include the Omicron campus in Klaus, the Concert and Congress Center in Strasburg, and the University of Fine Arts in Nancy. This monograph presents the most important works of recent years in detail and provides a complete overview of the entire oeuvre of the architects, who are known for their efficient use of resources.

Sanjay Patils tryst with architecture began in his early childhood as he soaked up the environs that surrounded him in his birthplace, Nashik. Moving on to formal education in architecture at the Sir JJ College of Architecture in Mumbai, Sanjay returned to his hometown in 1981 to immerse himself into a meaningful and sensitive architectural practice. Over the years, Sanjay Patil has received many honours from the industry and his projects have been widely published in architectural journals. His greatest reward however continues to be the appreciation and support of his numerous clients who have played a vital role in his approach to architecture. His Workspace 'Environ Planners' has also evolved into a centre for learning; inspiring, training and providing roots and wings to budding architects from various parts of the country. 'Knowledge sharing is integral to me and has always given me great pleasure and satisfaction. I have always made a conscious effort to share with others the little bit that I have learnt through my work, travel and other hobbies. This book is just an extension of this love for sharing; a humble effort to document some of my works across the last three decades and present it to a wider audience. It is an honest endeavour to make the reader a part of the design process and my passion for my work that is so much a part of my being.' The book is an attempt to chronicle the architects journey and delve deeper into his philosophy towards architecture and life, his love for nature and his commitment to architecture. Our journey thus encompasses influences from vernacular architecture, his leaning towards sustainable design, response to nature and his diverse use of courtyards in varying building typologies. It showcases 19 noteworthy projects, which include private residences, restoration projects, educational institutions, resorts and retreats, office spaces including his own workspace and farmhouse. It also includes essays by Christopher Benninger, Anand Mahindra (chairman and managing director, Mahindra Group) and Anu-rag Kashyap (principal, BNCA College of Architecture, Pune) providing valuable insights and perceptions about Sanjay Patils work.

Sean Godsell, an award-winning pioneer of 'Australian bush minimalism', has established himself as an influence on the global architecture scene. This survey of his residential architecture features twelve houses and dwellings across Australia, each illustrated with full-colour photography and the architect's hand-drawn plans and exploratory sketches, which illuminate how each house connects to its surrounding landscape. Featuring an essay by Godsell about the influences of Australia's particular landscapes and culture, this survey also includes an introduction by leading critic and commentator Philip Goad about the achievements of Godsell's career, and the global importance of his visionary designs. With a complete illustrated chronology.

Drawing from the unique design experience at Adrian Smith + Gordon Gill Architecture (AS+GG) as architects of the next world's tallest tower and several others under construction, Supertall | Megatall: How High Can We Go? highlights the design, sustainability, innovative technology, programming, and contextualism that defines supertall and megatall towers. The book is a mixture of under construction and design-only projects divided into several chapters that are organized according to their special characteristics: Innovative Systems, Harnessing Energies, Designing an Icon, Extending Ecologies, and Achieving Megatall. Each project, completed between 2007-2020 at AS+GG, is discovered through context, program, form, research and development, and performance, highlighting the stories, challenges, and lessons learned.

It is by no coincidence that another collaborative project is spear-headed by K2LD. Following the success of the Lien Villa Collective at Holland Park, Singapore in 2009, Ko Shiou Hee was asked to look at a similar concept for the Dalvey Estate property and to select and lead a group of architects in the making of a unique architecture expression and yet functional outcome, suitable for contemporary living and fit for rental. It was learning from Game Theory that Ko Shiou Hee succeeded in persuading his clients to adopt this sharing strategy both in the Lien Collective and the Dalvey 7 group. The selected architects must all adhere to the rules of the game and work on the same fees and briefs. All have to consider each other's placements and planning to maximise the benefit for all parties as a whole and eventually benefit the client. As architects, each firm, and their practicing architects, has been educated to work with social, economic, and environmental sensitivity. The world that architects operate in is driven by developers and stakeholders who maximise their gain through development strategies, but leave little chance to be true to the architectural profession. It is perhaps even more pressing for architects to address this issue of true collaborative spirit in this increasingly distortive egocentric world. Through this Dalvey 7 project, there is hope in the idea outlined in Game Theory to perpetuate and flourish in this profession to encourage sharing and collaboration. Perhaps more form of joint venture in various scales like big firm-small firm, local firm-foreign firm, developer-architect venture, design-built etc, will begin to surface.

Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the "Modern Project." The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.

Though lacking any formal education in architecture, Jean Prouve (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouve was raised in an environment of artistic, socially motivated innovation: his father belonged to "l'Ecole de Nancy," a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouve to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouve to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Despite their advantages, though, few of these architectural triumphs were built, and even fewer survive. In order to preserve Prouve's architectural and engineering legacy, the Galerie Patrick Seguin has worked tirelessly to promote Prouve's "constructional philosophy," exhibiting his designs and showcasing his ecologically responsible methodologies. "Jean Prouve Maison Demontable 6x6 Demountable House," the first of nine monographs published by the Galerie Patrick Seguin on Prouve's housing modules, highlights the simplest of these modules. Introduced by Catherine Coley, renowned art and architectural historian, it contains Prouve's sketches, black-and-white photographs of the designer at work and detailed examples of the building process.

The works by the architect and designer Federico Delrosso (1964) constantly reflect a passing of the torch between past and present that, far from being a nostalgic or derivative operation, makes everything topical. His career as a designer clearly reflects the teaching of modernists - especially Gio Ponti, Ernesto Nathan Rogers and Le Corbusier, who envisaged the figure of the architect as a designer of things ranging from "the spoon to the city", and who constantly stressed the idea of the exploration of space, later taken up by Richard Meier. This first monograph completes the cycle of architectural plans for private and commercial buildings, interior decor and design projects Delrosso has created over the past twenty years.

The Masters of Concrete Shells Concrete shell construction started to become popular in the mid-20th century. Technically advanced designs with conspicuous expressiveness began to appear all over the world. With three typical protagonists - Felix Candela (1910-1997), Heinz Isler (1926-2009), and Ulrich Muther (1934-2007) - the book examines this construction method. Their work - primarily in Mexico, Switzerland, and the former GDR - was carried out under very different political, economic, social, and cultural conditions. The authors analyze the buildings and projects against the background of developments in architecture and engineering at that time. The focus is on mutual influence, shared aspects and differences in the design processes, the structural design, and the execution. In addition, the book examines how the work was received and today's application of the building method. Learning from Felix Candela, Heinz Isler, and Ulrich Muther and their historic shell construction buildings Unknown material from the drawing archives In English with summaries in German and Spanish

Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, "What does it mean to be fulfilled?" This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture's unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljacki - Boston, MA; Ang Li - Boston, MA; Ashley Bigham - Columbus, OH; Cristina Goberna Pesudo - Madrid, Spain; Curtis Roth - Columbus, OH; Jesse LeCavalier - Toronto, Canada; John McMorrough - Ann Arbor, MI; Keith Krumwiede - San Francisco, CA; Laida Aguirre - Ann Arbor, MI; Leigha Dennis - New York, NY; Lluis Alexandre Casanovas Blanco - Barcelona, Spain; Michelle Chang - Boston, MA; Miles Gertler - Toronto, Canada; Mira Henry & Matthew Au (Current Interests) - Los Angeles, CA

From the award-winning author of Wrestling with Moses comes a fascinating, accessible biography of the most important architect of the twentieth century. Modern Man is a riveting biography of Le Corbusier-a man who invented new ways of building and thinking. Modern Man is a penetrating psychological portrait of a true genius and constant self-inventor, as well as a sweeping tale filled with exotic locales, sex and celebrity (he was a lover of Josephine Baker), and high-stakes projects. In Flint's telling, Corbusier isn't just the grandfather of modern architecture but a man who sought to remake the world according to his vision, dispelling the Victorian style and replacing it with something never seen before. His legacy remains controversial today, as the world grapples with how to house its skyrocketing urban population and the cult of the "starchitect" continues to grow. Modern Man is for readers fascinated by the complex personal lives and outsized visions of both groundbreaking artists and dazzling, charismatic innovators like Steve Jobs.

This beautifully produced book celebrates the work of Robert Adam, the great eighteenth-century architect who influenced generations by stamping his distinctive neoclassical aesthetic vision on the English country house interior. Lavish new photography provides a deeply visual exploration of Adam s most important surviving country houses, to which the author and photographer gained unparalleled access. Included are magnificent country houses such as Syon House and Harewood House styled and inspired by the ideal of the neoclassical as well as Adam s castle-style Mellerstain and town houses such as Home House all captured in splendid detail. Original Adam design drawings, from Sir John Soane s Museum, illustrate the boldness of planning, color, and creative interpretation of Adam s domestic interiors. A biographical and contextual account of Adam s life and work describes his unique design process, his patrons, and the legacy of his design achievement. This richly illustrated volume will appeal to designers and homeowners as well as traditional architecture enthusiasts, promising to become an important addition to any architecture and interior design library.

Living Buildings celebrates the 50th Anniversary of Donald Insall Associates, the Practice founded by distinguished British architect Donald Insall, a leading exponent in the field of Architectural Conservation. Probably best known for the restoration of Windsor Castle after a devastating fire in 1992, the team's dedicated work has ensured the longevity of many of Britain's national treasures. This book presents a detailed examination of a painstaking approach to architectural conservation, comprehensively illustrated by case-studies, drawings, plans and in-depth descriptions. It is designed for a wide readership among all those who love and care for old buildings and appreciate good new design in sensitive areas.