Active in the first century BCE, Marcus Vitruvius Pollio wrote his influential architectural treatise in ten books. It remained the standard manual for architects into the medieval period. The topics which Vitruvius considered essential are diverse, including aspects of design as well as geometry and engineering. In the nineteenth century, the English architect and author Joseph Gwilt (1784 1863) won greater acclaim for the books he published than for the buildings he designed. His most celebrated achievement, The Encyclopaedia of Architecture (1842), is also reissued in this series. Gwilt's one-volume translation of Vitruvius's Latin text was first published in 1826. Supplanting previous versions, this work was long regarded as the standard edition in English. It contains a brief life of Vitruvius as well as an annotated list of previous editions since the fifteenth century. A number of detailed illustrative plates accompany the text."

A building by Frank Lloyd Wright (1867-1959) is at once unmistakably individual, and evocative of an entire era. Notable for their exceptional understanding of an organic environment, as well as for their use of steel and glass to revolutionize the interface of indoor and outdoor, Wright's designs helped announce the age of modernity, as much as they secured his own name in the annals of architectural genius. This meticulous compilation from TASCHEN's previous three-volume monograph assembles the most important works from Wright's extensive, paradigm-shifting oeuvre into one authoritative and accessibly priced overview of America's most famous architect. Based on unlimited access to the Frank Lloyd Wright Archives in Taliesin, Arizona, the collection spans the length and breadth of Wright's projects, both realized and unrealized, from his early Prairie Houses, through the Usonian concept home, epitomized by Fallingwater, the Tokyo years, his progressive "living architecture" buildings, right through to later schemes like the Guggenheim Museum, New York, and fantastic visions for a better tomorrow in the "living city." Author Bruce Brooks Pfeiffer, who served as Wright's apprentice during the 1950s, discusses recent research on Wright and gives his own insights on these game-changing buildings.

The first comprehensive tribute to Louis Kahn's and Moshe Safdie's structural engineer The Estonian-American civil engineer August Komendant (1906-1992) worked with numerous famous architects and engineers on several of the 20th century's most iconic buildings. Concrete was Komendant's passion through decades. He used his expertise in designing structures as different as the Kadriorg Stadium grandstand in Tallinn, Estonia (Elmar Lohk, 1938), the Habitat '67 experimental housing complex in Montreal, Canada (Moshe Safdie, 1967) and the Kimbell Art Museum in Fort Worth, Texas, USA (Louis I. Kahn, 1972). Komendant combined technical expertise with a keen sense of aesthetics: as an engineer, he valued the timeless and enduring qualities of architecture. He knew that miracles require more than spreadsheets and a budget - the creative impulse is essential. One of the most innovative civil engineers of the 20th century. Specialized in the use of reinforced concrete and various other concrete technologies Structural engineer to architects such as Louis I. Kahn, Moshe Safdie, and Eero Saarinen

For long, spatial design has been seen as an action that could be performed by people and for people only. And today, even though some of the most meaningful projects of our times seem to challenge this concept, qualitative researches still struggle to emerge. This is why this book collects, reconstructs, and discusses archetypal models of posthuman architecture, from the cabin of Henry David Thoreau to the Svalbard Global Seed Vault. To show how architectural, landscape, and industrial designers, be they professional practitioner or not, redefined their tools in order to meet the functional and symbolic needs of new and different kinds of subjects. All this in ten monographic architectural tales, thought to trace the evolution of an extended idea of coexistence between humans and other species and technologies.

The Open Call in Flanders (the Dutch-speaking, northern part of Belgium) is more than just another architecture competition: any governmental agency or public institution can choose to work with an Open Call for any given construction project. Since its invention by the first Flemish Government Architect bOb Van Reeth in 2000, more than 700 assignments have been published in this procedure, resulting in almost 350 completed public architectural and infrastructural projects so far. This volume compiles 70 of these, from all over Flanders-from its west coast to the Dutch border in the east-to illustrate the astounding quality of these projects. They prove that public architecture can be daring, thought-provoking, cooperative, and well-done at the same time. The book takes an extensive look at how this procedure works, how it is received by architects, politicians, and clients-and ultimately, at the outstanding public architecture in Flanders as an example for other countries to study closely. Including buildings by 51N4E, Bovenbouw Architectuur, Compagnie O, Dierendonckblancke, KAAN, Ney & Partners, noAarchitecten, NU architectuuratelier, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter, Zaha Hadid, among others

The captivating tale of the plans and personalities behind one of New York City's most radical and recognizable buildings Considered the crowning achievement of Frank Lloyd Wright (1867-1959), the Solomon R. Guggenheim Museum in Manhattan is often called iconic. But it is in fact iconoclastic, standing in stark contrast to the surrounding metropolis and setting a new standard for the postwar art museum. Commissioned to design the building in 1943 by the museum's founding curator, Baroness Hilla von Rebay, Wright established residence in the Plaza Hotel in order to oversee the project. Over the next 17 years, Wright continuously clashed with his clients over the cost and the design, a conflict that extended to the city of New York and its cultural establishment. Against all odds, Wright held fast to his radical design concept of an inverted ziggurat and spiraling ramp, built with a continuous beam-a shape recalling the form of an hourglass. Construction was only completed in 1959, six months after Wright's death. The building's initial critical response ultimately gave way to near-universal admiration, as it came to be seen as an architectural masterpiece. This essential text, offering a behind-the-scenes story of the Guggenheim along with a careful reading of its architecture, is beautifully illustrated with more than 150 images, including plans, drawings, and rare photographs of the building under construction.

English expatriate Cecil Ross Pinsent was responsible for the design and construction of new villas and gardens such as the elegant rural estate La Foce, and the renovation of many historically sensitive ones, including Villa I Tatti, Villa Le Balze, and Villa Medici. Edith Wharton sought his advice; Vita Sackville-West and Harold Nicolson admired and were influenced by him. Geoffrey Scott, author of The Architecture of Humanism, dedicated the book to him; and Sir Geoffrey Jellicoe, England's premier landscape architect, regarded Pinsent as his "first maestro on the placing of buildings in the landscape." This first book dedicated to bringing to light Pinsent's contribution to garden design is generously illustrated with photographs from his previously unpublished albums and archive of architectural drawings and sketches, and his letters to family friends and clients.

The painter, designer, and architect Henry van de Velde (1863-1957) played a crucial role in expanding modernist aesthetics beyond Paris and beyond painting. Opposing growing nationalism around 1900, he sought to make painting the basis of an aesthetic that transcended boundaries between the arts and between nations through his work in Belgium, France, Germany, and the Netherlands. Van de Velde's designs for homes, museums, and theaters received international recognition. The artist, often associated with the Art Nouveau and Jugendstil, developed a style of abstraction that he taught in his School of Applied Arts in Weimar, the immediate precursor of and model for the Bauhaus. As a leading member of the German Werkbund, he helped shaped the fields of modern architecture and design. This long-awaited book, the first major work on van de Velde in English, firmly positions him as one of the twentieth century's most influential artists and an essential voice within the modern movement.

Denise Scott Brown has shaped the course of contemporary architecture since the 1960s. She has chartered a rebellious course across three continents - from childhood in 1930s South Africa to education in 1950s England to teaching and practice in the United States. Scott Brown is both renowned and misunderstood for her designs and theories, many developed in collaboration with her companion in life and work, Robert Venturi. From her 1972 research studio on Las Vegas emerged the legendary book Learning from Las Vegas, whose visuals and social impact remain as important today as then. As a younger generation of architects and urban designers engages the complexity she defined, Scott Brown continues to raise her voice as a fierce critic of a modernism ignorant of context, history, and joint creativity. The time has come to rediscover her undogmatic formal language, careful urban interventions, and adventures in mannerism. This groundbreaking new book features previously unpublished material and offers an entirely fresh view of Scott Brown's achievements as a preeminent architectural designer, urbanist, theoretician, and teacher. A fantastic guide to her life and ideas, it also reveals her humanism, complexity, and wit.

The architect and designer Augustus Welby Pugin (1812-52), whose early commissions included furniture for George IV at Windsor, assured his place in history through his work with Sir Charles Barry on the Palace of Westminster following the 1834 fire. A pivotal figure in Britain's Gothic Revival, he became a Roman Catholic in 1835, combining his religion with his devotion to the medieval in building projects such as Nottingham Cathedral, St George's Cathedral in Southwark, and Mount St Bernard Abbey in Leicestershire. Benjamin Ferrey (1810-80) studied architectural draughtsmanship under Augustus Charles Pugin (1762-1832). Boarding with the Pugins for seven years, he gained first-hand knowledge of father and son. This 1861 work is a lasting achievement in architectural biography. It includes a substantial appendix by Edmund Sheridan Purcell, a family friend whose own Catholicism equipped him to discuss the religious aspects of the younger Pugin's character and work.

Sigfried Giedion's small but vocal manifesto Befreites Wohnen (1929) is an early manifestation of modernist housing ideology and as such is key to the broader understanding of the ambitions of the International Congresses of Modern Architecture (CIAM) and the debate on the industrialization of construction processes and its impact on public housing at the beginning of the twentieth century. An important step in Giedion's rise as one of the foremost propagators of modern architecture, this manifesto is based on the argumentative power of visual comparisons, and is the only book the art historian both authored and designed. Along a facsimile edition in German, Giedion's Befreites Wohnen is presented here for the first time in English translation (by Reto Geiser and Rachel Julia Engler). It is completed with annotations and a scholarly essay that anchors the work in the context of its time and suggests the book's relevance for contemporary architectural discourse.

This book examines the social, political, and cultural factors that have and continue to influence the evolution of the urban waterfront as seen through production created from art and design practices. Reaching beyond the disciplines of architecture and urban design, Occupation:Boundary distills the dual roles art and culture have played in relation to the urban waterfront, as mediums that have recorded and instigated change at the threshold between the city and the sea. At the moment in time that demands innovative approaches to the transformation of urban waterfronts, and strategies to foster resilient boundaries, architect Cathy Simon recounts her career building at and around the water's edge and in service of the public realm. In so doing, the work of contemporary architects is presented, while the origins and principles of a guiding design philosophy are located in meditations on art and observations on coastal cities around the world. The port cities of New York and San Francisco emerge as case studies that structure the reflections and mediate a narrative that is at once a professional and personal memoir, richly illustrated with images and drawings. Comprising three parts, the first two corresponding parts of Occupation:Boundary draw connections between the past and present by tracing the rise and fall of urban, industrial ports and providing context-in the forms of textual and visual media-for their recent transformations. Such reinterpretations, achieved via design, often serve the public through environmentally conscious strategies realized through inventive approaches to cultural and recreational programs. The work of visual artists, both historical and contemporary, appears alongside architecture, poetry, and literary references that illustrate and draw connections between each of these sections. The third section features select architectural work by the author, framed by critic John King and the architect and urbanist Justine Shapiro-Kline. Introduced with a foreword by the prominent landscape architect Laurie Olin, Occupation:Boundary draws on artistic and cultural intuitions and the experience of an architect whose practice negotiates the boundary between urban contexts and the bodies of water that sustain them. Together, the instincts, reflections, and architectural production collected here evidence the role of art and design in the creation of an equitable and inviting public realm.

Steven Naifeh and Gregory White Smith, who galvanized readers with their Pulitzer Prize-winning biography of Jackson Pollock, have written another tour de force--an exquisitely detailed, compellingly readable portrait of Vincent van Gogh. Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials to bring a crucial understanding to the larger-than-life mythology of this great artist: his early struggles to find his place in the world; his intense relationship with his brother Theo; and his move to Provence, where he painted some of the best-loved works in Western art. The authors also shed new light on many unexplored aspects of Van Gogh's inner world: his erratic and tumultuous romantic life; his bouts of depression and mental illness; and the cloudy circumstances surrounding his death at the age of thirty-seven.
Though countless books have been written about Van Gogh, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh's life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius.
"NEW YORK TIMES "BESTSELLER
Praise for "Van Gogh: The Life"
"Magisterial."--Michiko Kakutani, The New York Times
"This generation's definitive portrait of the great Dutch post-Impressionist."--"Time"
" "
"A tour de force . . . an enormous achievement . . . Reading his life story is like riding an endless roller coaster of delusional highs and lows. . . . A] sweepingly authoritative, astonishingly textured book."--"Los Angeles Times"
"Marvelous . . . "Van Gogh"] reads like a novel, full of suspense and intimate detail. . . . In beautiful prose, Naifeh and Smith argue convincingly for a subtler, more realistic evaluation of Van Gogh, and we all win."--"The Washington Post"
"Brilliant . . . At once a model of scholarship and an emotive, pacy chunk of hagiography."--"The Daily Telegraph "(London)
A "NEW YORK TIMES" NOTABLE BOOK
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "THE WASHINGTON POST - THE WALL STREET JOURNAL - SAN FRANCISCO CHRONICLE" - NPR - "THE ECONOMIST - NEWSDAY" - BOOKREPORTER

To reach the old cemetery in the small city of San Vito d'Altivole, which houses the tomb of the Brion family, one can take the road between Riese and Asolo, crossing a motionless landscape of cultivated farmland, on a plain lined with canals. The experience that we live through Scarpa's architecture is the crossing of a beyond, still earthly, through the garden of death (the small existing cemetery), which leads to the garden of life, to a beyond, which is already here. In this work by the venetian architect, architecture thus becomes an art form which helps us to overcome the absence of life by expanding the horizon of our minds and hearts, freeing us from our bodies, giving dignity to the void left by the loss of living presences and emotional ties. The garden of Onorina and Giuseppe Brion is open to all, as a gift. A gift that asks for nothing in return, and which offers a new world to all.

In 2006, Anne Marie Wagner and Cedric Bachelard, with their Francophone and Western Swiss roots, founded their office in Basel. Since then, they have produced extremely high-quality buildings and residential developments. The new Mattenhof housing estate in Zurich-Schwamendingen is a particularly impressive example, its basic form consisting of an enormous meandering progression that creates elongated inner courtyards. Text in English, French and German.

Since 1945, the globalization of education and the professionalization of architects and engineers, as well as the conceptualization and production of space, can be seen as a product of battles of legitimacy that were played out in the context of the Cold War and what came after. In this book James Steele provides an informative and compelling analysis of one of Egypt's foremost contemporary architects, Abdelhalim Ibrahim Abdelhalim, and his work during a period of Egypt's attempts at constructing an identity and cultural legitimacy within the post-Second World War world order. Born in 1941 in the small town of Sornaga just south of Cairo, Abdelhalim received his architectural training in Egypt and the United States, and is the designer of over one hundred cultural, institutional, and rehabilitation projects, including the Cultural Park for Children in Cairo, the American University in Cairo campus in New Cairo, the Egyptian Embassy in Amman, and the Uthman Ibn Affan Mosque in Qatar. The first comprehensive study of the work and career of Abdelhalim and his office, the Community Design Collaborative (CDC), which he established in Cairo in 1978, Abdelhalim Ibrahim Abdelhalim: An Architecture of Collective Memory is inspired by Abdelhalim's deep belief in the power of rituals as a guiding force behind various human behaviors and the spaces in which they are enacted and designed to play out. Each chapter is consequently dedicated to one of these rituals and the ways in which some of Abdelhalim's primary commissions have, at all levels of scale, revealed and expressed that ritual. In the sequence presented these are: the rituals of possession, reverence, order, the transmission of knowledge, procession, human institutions, geometry, light, the sense of place, materiality, and finally, the ritual of color.

Meeting children as equals is not only a question of pedagogical attitude. Designing Spaces for Children shows how architecture and interior design can promote childhood development. Based on historical and current concepts of progressive education, the book sketches design principles for building daycare centers and schools that can also be transferred to other spaces, such as pediatric clinics. Rooms can invite discovery; they can promote communication and social interaction, strengthen self-confidence, and be places of retreat or landscapes for play. For years, the Berlin architectural firm baukind has been creatively balancing the strict legal requirements and architectural possibilities of architecture suitable for children-always with a view to children's needs. The book presents realized projects, such as the Kita Weltenbummler in Berlin, and aims to foster the equal involvement of children in the design of our environment.

Recipient of 2019 John Brinckerhoff Jackson Book Prize, Foundation for Landscape Studies 2021 On the Brinck Book Award Winner "Burle Marx created a new and modern grammar for international landscape design." -Lauro Cavalcanti, quoted in the New York Times "The real creator of the modern garden." -American Institute of Architects Presenting the first English translation of Burle Marx's "depositions," this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country's military dictatorship. Roberto Burle Marx (1909-1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx's career-the years in which he served as a member of the Federal Cultural Council created by the military dictatorship in the mid-1960s. Despite the inherent conflict and risk in working with the military regime, Burle Marx boldly used his position to advocate for the protection of the unique Brazilian landscape, becoming a prophetic voice of caution against the regime's policies of rapid development and resource exploitation. Depositions presents the first English translation of eighteen environmental position pieces that Burle Marx wrote for the journal Cultura , a publication of the Brazilian Ministry of Education and Culture, from 1967 through 1973. Catherine Seavitt Nordenson introduces and contextualizes the depositions by analyzing their historical and political contexts, as well as by presenting pertinent examples of Burle Marx's earlier public projects, which enables a comprehensive reading of the texts. Addressing deforestation, the establishment of national parks, the place of commemorative sculpture, and the unique history of the Brazilian cultural landscape, Depositions offers new insight into Burle Marx's outstanding landscape oeuvre and elucidates his transition from prolific designer to prescient counselor.

5+1 (Paola Arboco, Pierluigi Feltri, Alfonso Femia, Gianluca Peluffo, Maurizio Vallino) is one of Italy's hottest young architectural studios. The 5+1 studio of associated architects was established in Genoa in 1995 by five graduates of the Faculty of Architecture at Genoa University where they worked on architectural design courses with Enrico D. Bona. After winning the first prize in a national competition regarding the signalling system at Campi industrial park in Genoa in 1996, since 1997 they have been part of the IFYA (International Forum of Young Architects), and in the same year they were commissioned by Spes spa to convert the former Bligny Barracks in Savona into a new university campus. In 1998 they were invited by the Italian Institute for Culture in Paris to expound on the creative process in an exhibition entitled 5+1 associati: progetti in gruppo. Fin qui tutto bene with a catalogue jointly published with Joshua. In 1999 they won a bid to design the new archaeological centre in Aquileia, which with the university campus in Savona is an important example of project based on existing sites. In the same year they took part in the Biennale dei Giovani Artisti dell'Europa e del Mediterraneo held in Rome (May-June) where they displayed their work in the exhibition Gerico and a portrait of the studio in 'grande et@gere'. They were invited to take part in the second phase of the international design competition for the expansion of the Palace of Justice (Law Courts) in Siena. In 2000 they were invited by INARCH to display their work at the Italian Institute of Culture in Prague and at the Venice Biennale, both of which were dedicated to young Italian architects. They won the competition to construct an office building at Vado Ligure and were invited to take part in the second phase of the international design competition for the new Congress Bridge in Rome.

Lara Schrijver examines the work of Oswald Mathias Ungers and Rem Koolhaas as intellectual legacy of the 1970s for architecture today. Particularly in the United States, this period focused on the autonomy of architecture as a correction to the social orientation of the 1960s. Yet, these two architects pioneered a more situated autonomy, initiating an intellectual discourse on architecture that was inherently design-based. Their work provides room for interpreting social conditions and disciplinary formal developments, thus constructing a `plausible' relationship between the two that allows the life within to flourish and adapt. In doing so, they provide a foundation for recalibrating architecture today.

Inigo Jones worked as hard on the creation of his architectural persona as he did on the design of the buildings for the early Stuart court. Through his study of continental architectural and art theory, humanist education, and courtly behavior, Jones redefined the intellectual status of architecture in England and forged a new role for the architect in public life. Since his death, he has been variously described as the first educated architect, the first classicist, the first Renaissance architect in Britain, and the savior of British building from the long winter of the Elizabethan style. This reputation has overlooked the many ways that Jones drew on English customs in order to shape classical architecture for a domestic audience. This 2006 book explores the creation of Jones as professional architect and the development of classical architecture in England through a study of his reading, writing, and architectural practice.

FGP Atelier is a global practice led by Mexican architect Francisco Gonzalez Pulido whose mission is to contribute to social and economic advancement through the alignment of the core principles of Design, Science and Technology. The work of The Atelier is guided by Transparency, Openness and Freedom. These values are reflected in the approach to process and collaborations, as well as in the buildings and spaces that result. Logic, Intuition, Multidisciplinary Collaboration, Scientific Research and Work Experience drive the design of Spaces that are Active as well as Infrastructure and Urban Networks that respond to Atmosphere, Ecology, Comfort, Economy, Culture and the Technological Context. In working towards the dissolution of archetypical interventions, the Experience of these spaces and buildings is valued over Typology in order to ground the ultimate value in human existence. Progression presents a series of projects and related essays that illustrate the principles that guide the work of FGP Atelier. Through examining these principles, the themes, ideas, and goals that are common to the projects emerge and provide a means of understanding how a diverse set of buildings relate as well as what might come next. The book is divided into three sections: Values, Network, and Ambition. "Values" is comprised of three chapters that discuss sustainability, the practice, and ethics. "Network" is comprised of four chapters that discuss how technical design is influenced by context, the alternative futures that planning can offer, the role that infrastructure plays in creating equitable cities, and challenges facing housing in the future. The final section, "Ambition" suggests ways that the discipline of architecture can evolve. Ultimately, the goal of this book is to be provocative on multiple levels. It should inspire the reader through the completed buildings executed in often challenging conditions. At the same time, it should be a catalyst for discourse and debate regarding what should be built and how a philosophy guides a practice, the design of future buildings, and the conservation of existing buildings.

A classic of utopian literature, more urgent than ever: Buckminster Fuller's provocative blueprint for the future Composed of lectures given by Buckminster Fuller throughout the world in the 1960s, Utopia or Oblivion presents the thesis that humanity, for the first time in its history, has the opportunity to create a world where the needs of 100% of humanity are met. Fuller's grandson, in the introduction, refers to this selection as "hardcore Bucky," as these essays display Fuller's investigations into mathematics, geometry and how they intersect with the arts, music and world peace. In Fuller's words, "This is what man tends to call utopia. It's a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe--the alternative of which is oblivion. First published in 1969 and then reprinted by Lars Muller in 2008, Utopia or Oblivion also includes one of the earliest published discussions of Fuller's World Game, a revolutionary "game" that set as the goal for players, that the world "works" for 100% of humanity to nobody's disadvantage. It challenged players to overlook traditional world units such as nations, states and other political and economic divisions.