This book narrates the complete detailed history of the New Rome Convention centre in Rome and its construction through numerous and evocative images of the work site showing the complexity of the construction stages and the special techniques that were necessary. There are photos of the completed building, by internationally renowned photographers and an essay by Joseph Giovannini, and is completed with very rich iconographic material composed of technical drawings on various scales, and sketches by the Massimiliano Fuksas, author of the work together with Doriana Fuksas. The NUVOLA (NEW CONVENTION CENTRE) is a work of outstanding artistic merit, featuring innovative logistics solutions, and a choice of technically advanced materials. The structure rises in the historic EUR quarter and covers a surface of 55,000 square metres. The project concept can be defined in three images: the Theca, the Nuvola, and the Lama of the hotel structure. The Theca [display case] is the enclosing structure in steel and double glass facades that encases the Nuvola [cloud], the true core of the project, enclosed inside the Display Case box underlining the contrast between the organisation of free space without rules, and a geometrically defined form. The Nuvola contains an auditorium with seating for 1850, cafés and snack bars, and support services for the auditorium. This highly flexible complex is able to house congresses, exhibitions, and events with a seating capacity of almost 9,000 people. The book has been published on various types of paper and differently sized sheets which are inserted within the pages. Studio Fuksas, directed by Massimiliano and Doriana, is one of the most famous international architectural firms in the world. Over the past 40 years, the firm has developed an innovative approach through a surprising variety of projects all over the world and and has been awarded numerous international prizes.

Lewis Mumford and American Modernism examines the career and writings of America's leading critic of architecture. The author of numerous books on the history of architecture, Mumford focused on the roles that technology and urbanism have played in modern civilisation. One of the first to write appreciatively of the achievements of the Chicago school, he was also a fervent supporter of Frank Lloyd Wright, whose buildings embodied the organic, rather than technological, basis for modern architecture that Mumford strongly advocated. Indeed, his writings have proved to be prescient, forming the basis for architecture and urban planning at a time of transition and redefinition at the end of the twentieth century.

The first in-depth study of one of the seminal works of America's most renowned twentieth-century architect, first published in 1996, is now available in paperback. In this study, Joseph Siry examines the building in the light of Wright's earlier religious architecture, his methods of design, and his innovative construction techniques, particularly the use of reinforced concrete which was here exploited and expressively deployed for the first time. He also sets Unity Temple against the tradition of the liberal Unitarian and Universalist religious culture, the institutional history of the affluent Oak Park congregation that commissioned the building, as well as the social context in which structure was conceived and built. Throughout, Unity Temple is treated as a work of art that embodies both Wright's theory of architecture and his liberal religious ideals.

Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, facade, balcony, corridor, fireplace, stair, escalator, elevator: the book seeks to excavate the micro-narratives of building detail. The result is no single history, but rather the web of origins, contaminations, similarities, and differences in architectural evolution, including the influence of technological advances, climatic adaptation, political calculation, economic contexts, regulatory requirements, and new digital opportunities. It's a guide that is long overdue-in Koolhaas's own words, "Never was a book more relevant-at a moment where architecture as we know it is changing beyond recognition." Derived, updated, and expanded from Koolhaas's exhaustive and much-lauded exhibition at the 2014 Venice Architecture Biennale, this is an essential toolkit to understanding the fundamentals that comprise structure around the globe. Designed by Irma Boom and based on research from the Harvard Graduate School of Design, the 2,600-page monograph contains essays from Rem Koolhaas, Stephan Trueby, Manfredo di Robilant, and Jeffrey Inaba; interviews with Werner Sobek and Tony Fadell (of Nest); and an exclusive photo essay by Wolfgang Tillmans. In addition to comprehensively updated texts and new images, this edition is designed and produced to visually (and physically) embody the immense scope of its subject matter: Custom split-spine binding: our printer modified their industrial binding machine to allow for the flexible, eight-centimeter thick spine Contains a new introductory chapter with forewords, table of contents, and an index, located in the middle of the book (where it naturally opens due to its unique spine) Printed on 50g Opakal paper, allowing for the ideal level of opacity needed to realize Boom's palimpsest-like design Translucent overlays and personal annotations by Koolhaas and Boom are woven in each chapter to create an alternative, faster route through the book Printed at the originally intended 100% size for full readability

This project is also the exploration of "another world", seemingly remote: the Pacific and the culture of ephemeral, the encounter with the great Kanak people and his history suspended between past and future. An adventure that ends with the discovery of an unsuspected affinity: "I'm more Kanak than you are", Renzo Piano will say. Just like the previous monographs, the presented material is unpublished, retrieved thanks to the research and classification in the archives of the Renzo Piano Foundation, and commentated with sketches, notes and memories of Renzo Piano. It becomes a sort of travel journal, intimate and powerful. The stories of Renzo Piano, Marie-Claude Tjibaou, Alban Bensa and Glenn Murcutt were recorded and faithfully transcribed, so that the reader can live the adventure of this project, accompanied by the voice of the protagonists.

This second monograph represents circumstances and projects which have occurred beyond the span of David Hansen's original monograph. Through sketches, diagrams, rendering, photographs and narratives, this book portrays the criteria and conceptual thinking that was primary in finding an inclusive architectural solution for a diverse selection of projects. Though, Hansen has always attempted to create a comprehensive matrix of interrelated design criteria on his client's vision, site, context, sustainability, climate, culture and tradition, some issues must be weighted above others. And sometimes, a story must be told that is inexorably tied to the essence of the land or building. These commentaries can even provide deeper meaning than the determinants of the building themselves.

Only few architecture firms in Europe have addressed the villa as a building type as consistently and with such formal rigor as Stuttgart-based Alexander Brenner Architects. The firm is widely known for designs characterised by plastic-geometric facades often resembling constructivist tableaux. What all of Alexander Brenner’s designs have in common is a truly holistic approach to the task. A house’s interior, kitchen, cupboards and other built-in furniture, is attended to with the same care for detail as its exterior. Corresponding gardens with curved sensual forms surround, and contrast, Brenner’s bright white cubic architectural sculptures. This new monograph follows-up on two successful previous volumes published in 2011 and 2015, and features five buildings realised between 2015 and 2021, including the architect’s own home in Stuttgart, the Brenner Research House. They are all documented in rich detail through striking photography, standardised plans and visualisations, as well as concise texts. An essay by Alexander Brenner rounds out this volume that serves again as a source of inspiration for anyone with an interest in residential architecture. Text in English and German.

Frederick Law Olmsted relocated from New York to the Boston area in the early 1880s. With the help of his stepson and partner, John Charles Olmsted, his professional office grew to become the first of its kind: a modern landscape architecture practice with park, subdivision, campus, residential, and other landscape design projects throughout the country. During the period covered in this volume, Olmsted and his partners, apprentices, and staff designed the exceptional park system of Boston and Brookline-including the Back Bay Fens, Franklin Park, and the Muddy River Improvement. Olmsted also designed parks for New York City, Rochester, Buffalo, and Detroit and created his most significant campus plans for Stanford University and the Lawrenceville School. The grounds of the U.S. Capitol were completed with the addition of the grand marble terraces that he designed as the transition to his surrounding landscape. Many of Olmsted's most important private commissions belong to these years. He began his work at Biltmore, the vast estate of George Washington Vanderbilt, and designed Rough Point at Newport, Rhode Island, and several other estates for members of the Vanderbilt family. Olmsted wrote more frequently on the subject of landscape design during these years than in any comparable period. He would never provide a definitive treatise or textbook on landscape architecture, but the articles presented in this volume contain some of his most mature and powerful statements on the practice of landscape architecture.

The Elbphilharmonie is Hamburg’s new landmark and is already an icon of contemporary architecture. In this book, Herzog & de Meuron document their project: extensive archive material, plans, and photographs are used to illustrate the process of the creation of this once-in-a-hundred-years building from the first sketch and the various design stages with their many challenges, through to completion of the finished building. The dialog between historical brick plinth and contemporary glass crystal, the combination of different functions, the development of the spectacular large concert hall, the design of a public plaza for the population are just some of the many aspects that contribute to the attractiveness of the building.

A major voice in the architectural culture of the mid-century, Sibyl Moholy-Nagy was uniquely engaged with modernism and modernity. As one of the very few female architectural critics of the time, she was an early voice articulating doubts about the path modernist architecture was taking, demystifying the myths of the masters, Mies, Le Corbusier and Gropius, and questioning their heroic, masculinist approach. Yet her writings and work are understudied, and have largely vanished from the canon of scholarly references on modernism. This book analyzes the significance of the life and work of Moholy-Nagy and explores the paradoxical aspects of the relationship between modernism and feminism. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked figures in modernism, it is both an examination of her work and legacy, and also a study on the roles of gender and of the changing nature of modernism in its trajectory from Europe to America. Drawing on personal papers, diaries, letters and lecture notes, as well as personal interviews with relatives, colleagues and students, this study is a key resource for scholars who would like to include the contributions of women in to their discussions of architecture and modernism.

The Power of Process explores Michael Pearson's fascinating career, from his work in British architecture in the 1960s and 70s through to his innovative projects of the 90s to the present. Michael Pearson is past President of the Architectural Association, London's prestigious architecture school. The Power of Process sets out the importance of Michael Pearson and his work, from his initial work within the family firm, his teaching and presidency of the Architectural Association, to small-scale artists' studios and large-scale hospital planning, to the first thorough appreciation of Burne House, his most important work.
The title The Power of Process, refers to Michael Pearson's abiding concern for 'process' in modern architecture -- that is, how the conception and making of architecture is driven by information systems, the inter-connectedness between a buildings use, how it is manufactured and, importantly how its use can adapt and change over time. As such, his interest in process puts him at the forefront of the British High-Tech architecture, more famously associated with Richard Rogers and Norman Foster.

The New Normal (2017-2019) was a post-graduate program and Speculative Urbanism think-tank within Moscow's renowned Strelka Institute of Media, Architecture, and Design. Directed by distinguished American social theorist Benjamin H. Bratton, the The New Normal conducted a collaborative research to investigate the impact of planetary-scale computation on the future of cities both in Russia and around the world. The New Normal book, edited by Benjamin H. Bratton, Nicolay Boyadjiev, and Nick Axel, features twenty-two interlinked projects that were part of the research. Published alongside are 17 lavishly illustrated contributions by international researchers and designers that outline the wider scope of The New Normal program's output, held together by concise thematic texts contributed by Benjamin H. Bratton. Contributors include many of the most influential contemporary designers, philosophers, architects, and artists, such as Yuk Hui, Liam Young, Anastassia Smirnova, Lydia Kallipoliti, Lev Manovich, Julieta Aranda, Trevor Paglen, Metahaven, Keller Easterling, Robert Gerard Pietrusko, Molly Wright Steenson, Ben Cerveny, Rival Strategy, Geoff Manaugh, Stephanie Sherman, and Patricia Reed. The fields of research include Speculative Megastructures, Human AI Interaction Design, Protocols and Programs, Synthetic Cinema, Alt-Geographies, Platform Econometrics, and Recursive Simulation. This highly topical volume, the only comprehensive survey of research and work produced by The New Normal program, will appeal to all readers interested in the future of cities and urban design.

We recognise Mario Botta's buildings for their strong presence. His architecture is not ephemeral. It shapes the mass firmly and precisely. It touches the ground with self-reliance. A building by Mario Botta is an autonomous object. It comprises an ordered world of its own make. It is standing in dialogue with the urban tissue, but it establishes its own order as if it aims at differentiation instead of integration. Architectural order represents the core of his personal idiom. It is a well structured, compositional order which organises everything into a whole, as an underlying thread that connects and brings together houses on the mountains to museums and churches, banks and commercial buildings to buildings on the ground and buildings underground, different buildings at different places in time. The themes that underlie Mario Botta's architecture are ties that connect and spines that support, common threads that bind one building to the next. His architecture is one of mass. It is then of no surprise that mass is the first thing to be defined and ordered, in his creative process. The volume of his buildings is mostly composed by one or more primary solids. Volume is thus an a-priori for Botta. It is conceived beforehand, the starting point to the adventure of architectural design. From the Introduction, Thoughts on architectural creativity By Dr. Irena Sakellaridou

Since 1970, based in an isolated building situated on the peninsula of Posillipo, Pica Ciamarra Associati (www.pcaint.eu) has acted as a laboratory of architectural and urban design which has gradually incorporated new members and new energies over the time: using a multidisciplinary approach, the roots of the architectural practice lie in the intensive theoretical and practical work begun in the early 1960s by Massimo Pica Ciamarra. Since then the practice has been marked by a continuous relationship with Le Carre Bleu Feuille internationale darchitecture and leading members of the cultural milieu of Team 10: this has led to constant attention to everything that lies beyond form, to the relation ship with contexts that also include non-spatial contexts, and to high levels of integration and dialectical discussion. According to Pica Ciamarra Associati, a design transcends the approaches of a single sector, providing simultaneous solutions to contradictory requirements, combining utopia and practicality. The poetics of the fragment: it mediates between architecture and the urban dimension; some designs also have the aim of becoming absorbed within a context as 'informed fragments'. This monograph is the result of an intensive period of work and consists of two interacting parts. It stems from research into the archive of the studio Pica Ciamarra and conversation with the members of the architectural practice. Organised diachronically, the book tells the long story, unfolding over a period of over fifty years of a team of Neapolitan architects and designers, who have maintained the lively spirit of the practice which is still geared towards the future. The textual and iconographic account tells a story and offers an interpretation that highlight the vibrant atmosphere of the studio, based on a consistency of thought and action, and fuelled by an interest in many different forms of knowledge. The contextualisation of the events related to the studio, as they unfolded over time, is wide-ranging, coherent and connotative. Antonietta Iolanda Lima, professor of history of architecture at the University of Palermo, has always tried, through theory, teaching and design, to disseminate the importance of history which can embracing innovation and tradition to an equal degree, forming a new architectural language. According to her view of architecture, history and design are closely connected, a 'single entity' as is reflected by her career. Since the 1980s, her academic work has gained increasing importance, a way of avoiding narrow sectoral approaches in the training of future architects, offering a holistic stance of the history of architecture and an architecture that contributes to shaping critical thought and a thriving cultural life.

The groundbreaking guide to modern leadership in architectural practice Leading Collaborative Architectural Practice is the leadership handbook for today's design and construction professionals. Endorsed by the American Institute of Architects, this book describes the collaborative approach to leadership that is becoming increasingly prevalent in modern practice; gone are the days of authoritative "star" architects today's practice is a brand, and requires the full input of every member of the team. This book builds off of a two-year AIA research project to provide a blueprint for effective leadership: the ability, awareness, and commitment to lead project teams who work together to accomplish the project's goals. Both group and individual hands-on exercises help facilitate implementation, and extensive case studies show how these techniques have helped real-world firms build exemplary success through collaborative teamwork and leadership. Highly illustrated and accessible, this approach is presented from the practicing architect's point of view but the universal principles and time-tested methods also provide clear guidance for owners, contractors, engineers, project managers, and students. * Build a culture of collaboration, commitment, and interpersonal awareness * Adopt effective leadership techniques at the team, project, or practice level * Handle conflict and resolve communication issues using tested approaches * Learn how real-world projects use effective leadership to drive success The last decade has seen a sea-change in architectural leadership. New practices no longer adopt the name and identity of a single person, but create their own identity that represents the collaborative work of the entire group. Shifts in technology and changing workplace norms have made top-down management structures irrelevant, so what does it now mean to lead? Forefront presents effective contemporary leadership in the architectural practice, and real-world guidance on everyday implementation.

An engaging, playfully designed survey of the small- and large-scale projects that define WORKac as one of the most progressive and optimistic architecture firms in practice today. This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We'll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm's career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice. WORKac has achieved international acclaim, winning design competitions in Russia, Gabon, and China, and in 2015 the practice was named the 2015 AIANY State Firm of the Year. Showcasing projects for MoMA PS1, Edible Schoolyards NYC, Anthropologie, Diane von Furstenberg, Creative Time, and many more, the book is a tasting menu of everything the practice embraces: never assuming what architecture "is" but always imagining together what it can become. From residential interiors to futuristic masterplans of ecological cities, WORKac samples the wide spectrum of their critical, witty, and dialogued work.

FGP Atelier is a global practice led by Mexican architect Francisco Gonzalez Pulido whose mission is to contribute to social and economic advancement through the alignment of the core principles of Design, Science and Technology. The work of The Atelier is guided by Transparency, Openness and Freedom. These values are reflected in the approach to process and collaborations, as well as in the buildings and spaces that result. Logic, Intuition, Multidisciplinary Collaboration, Scientific Research and Work Experience drive the design of Spaces that are Active as well as Infrastructure and Urban Networks that respond to Atmosphere, Ecology, Comfort, Economy, Culture and the Technological Context. In working towards the dissolution of archetypical interventions, the Experience of these spaces and buildings is valued over Typology in order to ground the ultimate value in human existence. Progression presents a series of projects and related essays that illustrate the principles that guide the work of FGP Atelier. Through examining these principles, the themes, ideas, and goals that are common to the projects emerge and provide a means of understanding how a diverse set of buildings relate as well as what might come next. The book is divided into three sections: Values, Network, and Ambition. "Values" is comprised of three chapters that discuss sustainability, the practice, and ethics. "Network" is comprised of four chapters that discuss how technical design is influenced by context, the alternative futures that planning can offer, the role that infrastructure plays in creating equitable cities, and challenges facing housing in the future. The final section, "Ambition" suggests ways that the discipline of architecture can evolve. Ultimately, the goal of this book is to be provocative on multiple levels. It should inspire the reader through the completed buildings executed in often challenging conditions. At the same time, it should be a catalyst for discourse and debate regarding what should be built and how a philosophy guides a practice, the design of future buildings, and the conservation of existing buildings.

This book presents a curated selection of Balkrishna Doshi's exceptional writings since the 1950s, with some published here for the first time. The collection of 15 lectures, articles and essays is richly illustrated with more than 50 of Doshi's personal hand-drawn sketches.

Greg Penoyre and Sunand Prasad (recently elected President of the RIBA) have been in practice together for 18 years. In that time, they have garnered an eclectic portfolio of buildings that are both visually striking and practical, and for a variety of uses, including education, healthcare, housing and culture. "Transformations: The Architecture of Penoyre & Prasad" consists of eight essays written by Prasad: 'The Anchor of Function'; 'Architecture, Art and Culture'; 'Plan Section and Elevation'; 'Who Designs?'; 'From DIY to PFI'; 'Environments for Healing'; 'Environments for Learning'; and 'Working with Existing Buildings'. These texts discuss Penoyre and Prasad's engagement with their clients and examines its relationship to both architectural history and the contemporary situations and purposes for which the practice works. "Transformations" provides a unique and personal insight into Penoyre and Prasad's major projects, including Moorfields Eye Hospital, the Rich Mix Centre, Wolverhampton Civic Halls, Woodacre Farm Learning Difficulties Unit and the University of Portsmouth Frewen Library.

In the spring of 1970, artist Ralph Steadman went to America in search of work and found more than he bargained for when he met Hunter S. Thompson at the Kentucky Derby. Their remarkable collaboration resulted in the now-legendary Gonzo Journalism, which would document the civil rights movement, the Nixon administration, Watergate, and the many bizarre and great events that shaped the second half of the twentieth century. When Thompson committed suicide in 2005, it was the end of a unique friendship filled with both betrayal and understanding. A rollicking, no-holds-barred memoir, The Joke's Over is the definitive inside story of the Gonzo years.

The first major retrospective of the Brazilian modernist architect's life and work One of the most important architects of the twentieth century, Lina Bo Bardi (1914-1992) was remarkably prolific and intriguingly idiosyncratic. A participant in the efforts to reshape Italian culture in her youth, Bo Bardi immigrated to Brazil in 1946, where her practice evolved within the social and cultural realities of her adopted country. While she continued to work with industrial materials, she added simple building techniques and naturalistic forms to her designs, striving to create large, multiuse spaces that promoted public life. Lina Bo Bardi is the first comprehensive study of the architect's life and work. Author Zeuler Lima, the leading authority on Bo Bardi, presents her activities on two continents, examining how ethical and social considerations influenced her intellectual engagement with modern architecture and providing an indispensable guide to her writings and her experimental, iconic designs.

ADAM Architecture has a worldwide reputation for traditional Western design. Although the practice is based in the UK, it has built award-winning projects of all types around the world, and is known for combining modern interpretations of the Classical tradition with the latest technology. Among its most admired work are its country houses, and 19 of these houses are the focus of this new book, written by architectural historian Jeremy Musson. Robert Adam co-founded the practice (as Winchester Design) in 1986, and has worked with technical director Paul Hanvey for more than 30 years (including at a previous incarnation of the practice). Adam now works with three other architect-directors - Nigel Anderson, Hugh Petter and George Saumarez Smith - to build country houses that are not period reproductions but creative interpretations of past traditions. Each director has his own architectural personality, together producing a body of work that uses historical precedents, including construction techniques, materials, layout and details, to give expression to thoroughly modern works. Their schemes address the modern-day realities of energy conservation, climate control, internet access, computer-managed systems and security - all prerequisites in contemporary house design. Unlike country houses of the past, today's houses must be functional without live-in staff. Kitchens are now the focus of much family life and entertaining, rather than spaces to be kept from sight. These and numerous other practical considerations receive meticulous attention in an ADAM Architecture country house. The book begins with two forewords, with Clive Aslet and Calder Loth offering their interpretations of the ideal country house from a British and an American perspective respectively. The introduction provides an overview of the rich and varied tradition of the English country house, from the medieval manor house to houses of the Elizabethan and Jacobean periods, and the Classically inspired designs of the seventeenth and eighteenth centuries through to the architecture of the Gothic Revival and then the Arts and Crafts Movement. Architects associated with the country house throughout the ages include, among others, John Vanburgh, William Chambers, Robert Adam, John Nash and Sir Edwin Lutyens. And now, today, ADAM Architecture is one of the leading practices designing and building new country houses.

Rick Mather Architects (RMA) have been working in London since the early 70s. Best known for their award winning museum extensions, such as the Dulwich Picture Gallery and the National Maritime Museum, RMA's portfolio spans a broad spectrum of projects, including residential and student housing, master plans and urban design for both renovations and new buildings. They are world renowned for their intuitive sense of place and context, as well as their pioneering technologies in structural glass and sustainable design. The book establishes Rick Mather's unique approach to resolving complex design issues on both a large scale and in the fine details; the work of the practice is described in accessible terms through the texts and through a wealth of visual material, including photography and drawings supplied by the practice. Alongside this documentation, the visual aspect is supplemented by reproduced paintings, maps and drawings from a diverse range of sources, which have inspired and informed the work. Over the past 33 years, the practice has undertaken 500 projects. These include the Virginia Museum of Fine Art; the student halls of residence in Norfolk; the Ashmolean Museum extension, Oxford; the masterplanning of London's South Bank Centre; as well as Mather's iconic housing of the 1980s and 90s. This book will cover the full range of the projects, exploring Mather's response to the technical and social requirements of the briefs, and the way that a US born architect has re-imagined Britain's culture and made it his own.