Richard Neutra (1892-1970) is considered one of the twentieth century's most influential architects. Born in Vienna, his career occurred at a critical moment in the history of the modern movement. His early inspiration was provided by pioneering architects such as Adolf Loos and Frank Lloyd Wright. His first major commission -- Lovell House -- built in Los Angeles in 1929, just six years after his arrival in the United States, is known as one of the landmarks of modern architecture.

He is recognized for his open and innovative designs, his extensive use of glass allowing indoor and outdoor spaces to flow freely together, and his application of industrial techniques to architecture. He made major contributions to urban planning, was the author of several books, including Survival through Design, and won over fifty awards for architectural designs.

Neutra established new aesthetic standards and there is currently a tremendous renewal of interest in his legacy. This concise overview of his achievements is the essential introduction to his work and philosophy.

UIRA is the architectural design for na orbital Olympic Villlage, the first of the world, created by the Brazilian architect Emanuel Dimas de Melo Pimenta. In 2011 Pimenta launched the architectural design of Kairos - for a building orbiting planet Earth, considered the first design of architecture for a building in outer space. Yet in 2011, Emanuel Pimenta created and directed the first course of space architecture in Brazil, and the second in the world, at the Faculty of Architecture and Urbanism of the University of Sao Paulo. In early 1980s, Emanuel Pimenta coined the concept of virtual architecture, and starting in 1980 he designed the first virtual planet of the world - Woiksed - anticipating Second Life in more than twenty years. The book UIRA contains the first studies of the project, about sixty illustrations and an introduction written by the architect Bruno Padovano, from the University of Sao Paulo.

Drawing from the unique design experience at Adrian Smith + Gordon Gill Architecture (AS+GG) as architects of the next world's tallest tower and several others under construction, Supertall | Megatall: How High Can We Go? highlights the design, sustainability, innovative technology, programming, and contextualism that defines supertall and megatall towers. The book is a mixture of under construction and design-only projects divided into several chapters that are organized according to their special characteristics: Innovative Systems, Harnessing Energies, Designing an Icon, Extending Ecologies, and Achieving Megatall. Each project, completed between 2007-2020 at AS+GG, is discovered through context, program, form, research and development, and performance, highlighting the stories, challenges, and lessons learned.

The story of Leeds and its architecture in the 120 years before the First World War was one of remarkable development: industrial growth on an heroic scale. As an adjunct to commercial, manufacturing and commercial change came a stunning array of new buildings, sufficiently grand to reflect the town's achievements as well as its aspirations. In this book a total of 36 architects who practised in Leeds are chronicled.

Charismatic architect Simon Duval's iconic designs brilliantly express the dreams of his clients and his peers. His successes bring international acclaim and publicity which place him in pole position, but an envious self-appointed rival, Catherine Quaid, casts a long shadow over his life and his professional career.

Kairos is the history of the first design of architecture - in its most elevated sense - for a space project. Between 2008 and 2011, the Brazilian architect and urban planner Emanuel Dimas de Melo Pimenta designed a building to be permanently in orbit of planet Earth. Beyond an architectural design it also is a reflection on the human condition, on the possibility of the end of wars, of the leap of Humanity to the Universe and on a civilizational metamorphosis. But it also is a technical and technological questioning, and an artwork. With additional texts by the architects Carlos Zibel and Bruno Padovano, of the astrophysicist Amancio Friaca, and a poem of the hypermedia artist Artur Matuck - all from USP University of Sao Paulo, Emanuel Pimenta's book also tells the history of the design of space stations, from the 19th century to now, in a fabulous trip with the reader.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Emanuel Dimas de Melo Pimenta started working on architecture and urban planning in the early 1980s. Then, he coined the concept of "virtual architecture" and launched Woiksed - the first virtual planet of the world, anticipating Second Life in about twenty years. From a floating island to a building created after mathematical principles -each one of his architectural designs is an exercise of discovery and invention. The book 30 Years of Architecture shows sixty of his works, created between 1980 and 2011.

Key Modern Architects provides an accessible and thought-provoking introduction to the work of the most significant architects of the modern era. Fifty short chapters introduce fifty key architects, from Le Corbusier to Aldo Van Eyck to Zaha Hadid, exploring their most influential buildings and developing a critique of each architect's work within a broader cultural and historical context. The selection represents the most influential architects working from 1890 to the present, those most likely to be taught on survey courses in modern architectural history, along with some lesser-known names with an equal claim to influence. Emphasis is placed on a critical and interpretative approach, allowing the student to position each architect in a cultural and intellectual context quickly and easily. Artistic, technical, social, and intellectual developments are brought to the fore - built and unbuilt projects, writings and influences. This approach brings to light the ideology behind architectural work, offering insights into each architect's working practice. - Helps students to develop a critical approach to understanding modern architectural history. - One chapter per architect - meaning chapters may be read individually as a concise resource for the study of an architect, or together as a coherent book-length history of the whole period of modern architecture. - Chapters are supported by boxed lists of each architect's most significant projects, along with suggestions for further reading as a springboard to further study and research. Combining the clarity and accessibility of a textbook with in-depth reading and a critical approach, Key Modern Architects provides an invaluable resource for both the classroom and for independent study in architectural and art history.

Villa Vuoto, located in the north hills of Pittsburgh, is home to Matthew Schlueb and his architectural studio, dedicated to the design of private residences. His belief that a home is the most intimate of all space is the foundation for his practice, which he defends in this autobiographical collection of writings. Originally intended to provide insight into the factors that shaped his own family's house, this book ended up a search for the essence of a home, an exploration of his own creative process, and ultimately locating the source of creativity itself ...hidden in the imagination of a child.

This richly illustrated monograph delves into the innovative output of one of the world's most prolific international design and architecture practitioners, Tokyo-based Shigeru Ban. Canvassing an enormous compilation of works, this title is a significant contribution to IMAGES' stable of works showcasing renowned architects from around the globe. This book features an array of innovative projects, from commercial and residential innovation strategies to humanitarian works, such as emergency shelters made from paper and modular shelters for earthquake victims. Shigeru Ban's visionary residential design philosophies encompass timber hybrid structures, including a building constructed from cardboard tubes; the tallest hybrid timber structure in the world for a residential tower in Vancouver; as well as the new home designed for the Aspen Art Museum, which features woven wooden cladding. His innovation extends to the industrial design of an architect's scale pen used for drawing. This book also helps to relay Shigeru Ban's contemporary discourse on architectural culture, and how it is moving in new directions. This title is a must-have for any serious aficionado of modern architecture, innovative thinking, and design.

What does it mean to build a house? How can it change a life? What happens if the builder is a woman, a teacher and a writer, a woman unaccustomed to tools? How does such a woman come to build at all? What happens, then, if that first house, whose every nail is known, is sold? How does one leave such a house, leave and go on to build another? This is a building story, but more it is a story of a woman builder and those without whom she could not have built. It is about how building changed not only that woman but also her sense of what a house is, how she came to know that building houses of wood builds the house of the spirit.

A pulse-pounding real-life chase for an ancient masterpiece of immeasurable value . . .

Sotheby's. New York City. June 19, 1990.

Nothing of its kind had been sold to the public in more than a century. On a warm June evening on Manhattan's Upper East Side, with the auction-house showroom crammed with the wealthy, the curious, and the press, history was made when an anonymous man in a green golf sweater paid an unprecedented three quarters of a million dollars to win the twenty-five-hundred-year-old chalice. After that night, this historical artifact disappeared, its whereabouts a mystery. "Until now."

It is among the most prized of antiquities: the Greek artist Euphronios's wine cup depicting the death of Zeus's son Sarpedon at Troy. Lost for more than two millennia, the chalice--one of only six of its kind found intact--mysteriously surfaced in the collection of a Hollywood producer, who then sold it to a Texas billionaire. Coveted by obsessed private collectors, dealers, and museum curators, it was also of intense interest to the Italian police, who believed it belonged to their country, where it had first been dug up earlier in the twentieth century.

In this breathtaking tale of history, adventure, and intrigue, archaeologist and journalist Vernon Silver pieces together the extraordinary tale of the lost cup and offers a portrait of the modern antiquities trade: a world of tomb raiders, smugglers, wealthy collectors, ambitious archaeol-ogists, rapacious dealers, corrupt curators, and international law enforcement. Spanning twenty-five hundred years, "The Lost Chalice" moves from the mythic battlefield of the Trojan War to the countryside of twentieth-century Tuscany, the dusty libraries of Oxford University to the exhibition halls of New York's Metropolitan Museum of Art, the cramped law-enforcement offices of the Carabinieri to the tony rooms of New York's auction houses to solve the mystery of the world's rarest masterpiece.

As Silver learns, the discovery of the chalice exposes another riddle--and an even greater missing treasure. Epic and thrilling, "The Lost Chalice" is a driving true-life detective story that illuminates a big-money, high-stakes, double-dealing world, which is as fascinating as it is unforgettable. Silver's thrilling tale opens a window onto Italian history, culture, and life rarely seen.

"Bertie's story is a testament to the 3 T's--tenacity, talent, and triumph. She just kept on fighting and we are all the better for it.--Willa Sorensen, retired principal and school board member.

Thinking About Remodeling? Whether it's big or small, a room addition, a new kitchen, an in-law suite, a new facade, a porch, whole house makeover - or whatever - this unique book will help you arrive at the correct design solution for your specifi c home. Written and illustrated by a licensed architect, nationally recognized for his expertise in the fi eld, this book is specifi cally written to help steer you clear of the many pitfalls encountered in remodeling. Whether you're a do-it-yourselfer, or you intend to engage professional contractors, this is a step by step guide organized to help you make the correct design choices for your home. With over 1000 illustrations and 300 different plans there is likely a plan, or many different plans, that should satisfy your budget as well as your needs.

Text in German & English. The architect is at all times also an artist. How otherwise would he be able to tame the three-dimensionality of space and subdue the urges of physics and structural mechanics with the creations of his fantasy? This creativity is however mostly restricted purely to its own field. In this respect, Rob Krier, born in 1938 in Grevenmacher, Luxembourg, is indeed the proverbial exception that proves the rule. Besides his actual profession, which demands his daily attention, Krier has for years also made a vocation of his love of art, one which he nurtures parallel to his work. Fine art could stand in dialogue with architecture and it is Krier's ambition to have iconographic themes brought into the latter, so that they might speak equally to both the occupants of a building and to bystanders and move them to thoughtful reflection. In the works of Mies van der Rohe it is not rare that one finds naturalistic figures from, for example, Aristide Maillol or Wilhelm Lehmbruck -- as an anthropomorphic contrast to the strict geometry of the architecture, notes Rob Krier in the comments on his journal. If one is already aware of the realisation of his masterful architectural accomplishments through projects such as Potsdam-Kirchsteigfeld (1991 to 1997), De Resident in The Hague (1993-2001), Noorderhof in Amsterdam (1994-99), Veste Brandevoort near Helmond (since 1995), Citadel Broekpolder near Beverwijk (2000-04), or the Cite Judiciaire in Luxembourg (1992-2008) -- be assured, Krier's artistic skills are in no way inferior to his architectural work. Quite the contrary: as a sculptor and illustrator, too, Rob Krier brings together extraordinarily musical qualities and incorporates them into his work: his bronze The Jumper was erected in Montpellier in 2004, the Cowering Woman ten years earlier on Berlin's Friedrichstrasse, the four metre-high duo Bosch i Alsina and Papasseit on Moll de la Fusta in Barcelona in 1992.

American Brad Washburn's impact on his proteges and imitators was as profound as that of any other adventurer in the twentieth century. Unquestionably regarded as the greatest mountaineer in Alaskan history and as one of the finest mountain photographers of all time, Washburn transformed American attitudes toward wilderness and revolutionized the art of mountaineering and exploration in the great ranges. In The Last of His Kind, National Geographic Adventure contributing editor David Roberts goes beyond conventional biography to reveal the essence of this man through the prism of his extraordinary exploits from New England to Chamonix, and from the Himalayas to the Yukon. An exciting narrative of mountain climbing in the twentieth century, The Last of His Kind brings into focus Washburn's deeds in the context of the history of mountaineering, and provides a fascinating look at an amazing culture and the influential icon who shaped it.

NOW A MAJOR MOTION PICTURE, THE LAST VERMEER, STARRING GUY PEARCE: A revelatory biography of the world's most famous forger--a talented Mr. Ripley armed with a paintbrush--and a deliciously detailed story of deceit in the art world. It's a story that made Dutch painter Han van Meegeren famous worldwide when it broke at the end of World War II: A lifetime of disappointment drove him to forge Vermeers, one of which he sold to Hermann Goering in mockery of the Nazis. And it's a story that's been believed ever since. Too bad it isn't true. Jonathan Lopez has drawn on never-before-seen documents from dozens of archives for this long-overdue unvarnishing of Van Meegeren's legend. Neither unappreciated artist nor antifascist hero, Van Meegeren emerges as an ingenious, dyed-in-the-wool crook. Lopez explores a network of illicit commerce that operated across Europe: Not only was Van Meegeren a key player in that high-stakes game in the 1920s and '30s, landing fakes with famous collectors such as Andrew Mellon, but he and his associates later cashed in on the Nazi occupation.