After eight years, the new volume on the complete works of Herzog & de Meuron is published covering the years 2005 to 2007. The book presents 60 projects, which show the architects at the height of their powers. Their designs encompass the full range of architectural devices and respond to contemporary developments with a wide range of solutions - the designs refine the interaction with the respective site, with projects ranging from a small private conversion project to a studio ensemble, through to residential towers and urban design projects. For their designs, Herzog & de Meuron again develop new processes and create references to classic modernism just as to their own oeuvre. Architecture becomes a means of providing physical presence and stability in an increasingly virtual world.

"...bombings, German sappers, restorers and rebuilders have totally wiped my modern works. Only the buildings which represent the bureaucratic side of my job as public officer forced to obey, have survived." (from a letter to B.Zevi 9/1974). The Heating plant of the railway station of Florence is a piece of a jigsaw puzzle which miraculously survived to restorers and rebuilders who could have erased any trace of it. This survived fragment, tells either the story of architecture between monumentalism, rationalism and futurism or the complex personality of its architect.

At the end of the 1970 years Keith Haring decorates the walls of the subway tunnels in New York with simple, two-dimensional characters. His tag is "The Radiant Child." In contrast to the graffiti scene, which consists of little more than repetitions of such tags, Keith develops a diverse language of symbols. They seem to be mystic messages. In 1990 Haring dies, aged 31, from AIDS.

Vincent van Gogh becomes only 37 years old. Only the last 10 years of his life he is engaged in painting. Restlessly and exhausting he travels through the Netherlands, Belgium, Great Britain and France. Together with his colleagues Cezanne, Toulouse-Lautrec and Gauguin he is regarded today as one of the most important artists of the expressionism movement. This comic guide, written and drawn by Willi Bloss, catches the main marks of the master's life and refers optically to the unerring style that van Gogh used for his sketches

This comprehensive volume documents Meier s work since 2011, featuring thirty residential, commercial, and civic projects in a variety of locales, including Manhattan, Beverly Hills, the Hamptons, Las Vegas, Hawaii, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among others. Extensively illustrated and was designed by the late renowned graphic designer Massimo Vignelli, it vividly conveys the purity and power of Meier s unique and celebrated vision. The development and significance of Meier s work is discussed in an authoritative introduction by the architectural historian Kenneth Frampton. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

Today, R. M. Schindler's Kings Road House is celebrated as an icon of early modern architecture, but this wasn't the case when it was finished in 1922. Though Schindler and his wife Pauline recognized its genius early on, its radical appearance was - and remains - incomprehensible to many. Lavishly illustrated with forty-five new photographs, this book is an incisive examination of the house, placing it in the context of the architect's career and clarifying its influence on modern architecture and its practitioners. Little-known aspects of Schindler's life, his relationship with his mentors, and the development of his unique theories about space enrich the narrative. Robert Sweeney focuses on the construction of the house and the people who lived, worked, and performed there, demonstrating the building's significance in the social history of Southern California. He includes new research on Schindler's educational and personal background in Vienna and a discussion of the critical influence of Pauline Schindler in formulating the social underpinnings of the house. Judith Sheine's essay places the house in the context of Schindler's career, in which it established the basis of the spatial development of his work. She also examines the influence of the house on the work of numerous architects from Frank Lloyd Wright to Frank Gehry.

City Works 6 is the sixth in a series of books which document the exciting work of students from The City College of New York Bernard and Anne Spitzer School of Architecture. The City College of New York has a long and important tradition of producing internationally recognized scholarship and research while maintaining its promise of an accessible public education for the city of New York. Through an emphasis on hand craft and digital fabrication, interdisciplinary research, and ecologically and culturally sustainable practices, SSA encourages a responsible engagement with the discipline of architecture, while cultivating rigorous exploration of new theories, materials and technologies. With three unique programs including Architecture, Urban Design and Landscape Architecture, the student work represented here reflects some of the most progressive ideas about how we inhabit both the natural and the built environment.

A documentation of the details and ornamentation used by John Gaw Meem in his architecture in the Southwest. Copiously illustrated with photographs, plans and diagrams.

Focusing on six recent projects, including House 2B, that recently won the prestigious Aga Khan Award for Architecture, this publication presents the architecture of renowned Turkish architect Han Tumertekin to the English-speaking world. The book examines in detail his ability to engage in some of the more difficult issues confronting architects throughout the world today, such as suburban tract development, landscape and environment, and the challenges of practicing in different countries throughout the world.

The book includes an introductory essay by Hashim Sarkis, an article by Tumertekin on his design approach, and written and graphic explanations of Tumertekin's projects. It is the first of a new series of occasional monographs on contemporary designers in the Middle East and Muslim world.

The murals of the Saint Francis Auditorium of the Museum of Fine Arts, Santa Fe, New Mexico were dedicated in 1918 when the Museum of Fine Arts was the subject of great festivities held for the grand opening of the building, financed by private capital and State money. The murals themselves are in excellent condition and effectively grace the handsome auditorium. Their meaning is not obvious; in only three of them does Saint Francis appear. One inevitably wonders why the other subjects were selected; who made the decisions as to the subjects; who gave the commission and when; what artists did what for which pictures? What was the impact of the unexpected death of the principal artist before the murals were completed? These questions, but above all the meaning of the cycle of pictures, instigated the author's research and are responsible for clarifying Santa Fe's heritage of these extraordinary pictures.

Carl Sheppard taught at the University of Michigan, UCLA, and the University of Minnesota where he was also Chair of the Department. In New Mexico he concentrated on the period of the first two decades of the twentieth century. The University of New Mexico Press published his book "Creator of the Santa Fe Style: Isaac Hamilton Rapp, Architect." The volume won the Gaspar Perez de Villagra Award for an outstanding publication in 1988. Previously Dr. Sheppard published primarily in the early Medieval field as well as occasionally on subjects of modern art.

Dietmar Goldammer zeigt wie sich Architektur- und Ingenieurburos auf veranderte Arbeitswelten, soziale Verantwortung und Nachhaltigkeit als neue Herausforderungen einstellen mussen. Der Autor beschreibt Fruhwarnsysteme, Zertifizierungen und neue Organisationsformen, die dabei helfen. Er thematisiert auch, wie die Regelung der Nachfolge des Unternehmers ausgestaltet werden kann. So zeigt sich: Der gesellschaftliche Wandel ist auch in den Planungsburos angekommen. Es ware ein Leichtsinn zu glauben, dass dort alles so weiter geht wie bisher. Das Essential hilft kurz und pragnant, die richtigen Schritte anzustossen.

Yona Friedman is recognised as one of the most eminent proponents of 1960s avant-garde urbanism. His best-known work is the concept for a Spatial City ("La Ville Spatiale", 1956), in which he aimed to provide maximum flexibility through "megastructures" over existing cities and other locations. Inhabitants were meant to design their dwellings within these structures. Friedman sought to provide people in every part of the world with the knowledge and fundamental structures to determine their own environment for living and to enhance their independence and self-reliance. This new book offers a unique collection of brief texts and annotations as well as an abundance of images, sketches, drawings, watercolours etc. by Friedman himself. It also features a vast range of documents related to his work. In part II, Manuel Orazi gives an analysis of Friedman's oeuvre, based on extensive research. He follows the architect's progress through disciplinary and geographic areas apparently remote from one another, in which Friedman has been moving erratically and incessantly. Orazi also expands on historical, social and political contexts.A documentation of Friedman's intellectual relationships and other resources, an interview with Swiss architect Bernard Tschumi about Friedman, and a comprehensive bibliography round out the book.

Here is the account, in storybook form with illustrations by the author, of two artists and how they settled in northern New Mexico to try their skill at designing and building adobe houses.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The ICC Berlin is a Gesamtkunstwerk, a giant time capsule that has been waiting for a new usage concept for almost a decade. Planned in the 1960s and opened in 1979, the exhibition building-designed by Ursulina Schuler-Witte and Ralf Schuler, and encompassing Frank Oehring's incomparable wayfinding system-remains an attentiongrabbing structure. While the building's brutalist exterior overwhelms the viewer, its interior conveys an air of calm, offering a view of the suddenly quieted traffic through its panoramic windows. This volume of photographs by Zara Pfeifer is dedicated to documenting the interior of the building. Taking an unsentimental approach, Pfeifer records the largely unchanged inner appearance of the building that has been variously dubbed the Giant of Witzleben, the Battleship Charlottenburg, or the Hall of Megalomania. Her images develop a sense for the building's noteworthy elements and capture the liminal condition in which it has been suspended for years.