Architects who believe that designs should be based on past architecture.

Emanuel Dimas de Melo Pimenta started working on architecture and urban planning in the early 1980s. Then, he coined the concept of "virtual architecture" and launched Woiksed - the first virtual planet of the world, anticipating Second Life in about twenty years. From a floating island to a building created after mathematical principles -each one of his architectural designs is an exercise of discovery and invention. The book 30 Years of Architecture shows sixty of his works, created between 1980 and 2011.

Literary Nonfiction. Poetry History & Criticism. Revised and Expanded Second Edition. Here is the definitive biography of American poet and artist Kenneth Patchen. Kenneth Patchen (1911-1972) was a poet, novelist, artist, performer of poetry-jazz in the tradition of engaged writing which he helped forge in America. Producing a book a year during his writing life, his work and life stand as a huge exposed girder in the structure of American culture and art. His friendships with such writers as James Laughlin, Henry Miller, E. E. Cummings, Muriel Rukeyser, Amos Wilder, Dylan Thomas, Lewis Mumford, Kenneth Rexroth, David Dellinger, Jonathan Williams, and Lawrence Ferlinghetti place him at the center of dissident writing in America.Rising from his native grounds in working-class Ohio, he became a leading figure among the Leftist thinkers and artists of 1930s and 1940s Greenwich Village, then moved on to the West Coast where he created dynamic blends of poetry and art, poetry and jazz, poetry and theater. Finally crippled with back pain during the last decades of his life, he created the famed picture poems of his Wonder Period.For four decades on East and West Coasts, by the force of his will and native genius, Patchen molded life and art as one. With the loving support of wife Miriam, he endured the pain and travail of years of struggle to recast an art based on truth and striking beauty. The tale of Kenneth and Miriam Patchen has become one of the great lover stories of American literature. His is the story of the rebel artist in America."In my eyes Kenneth Patchen is now and will remain one of the outstanding figures in American letters. He represents all that a poet should represent, whether expressing himself in verse, in prose, in paint, or in action. By his example he has given courage, direction, and inspiration to more poets than anyone I know of on this continent Patchen stands out like a shining warrior, a herald of peace and truth, endowed with invincible heart and integrity. No one can read him without being affected--and influenced in his own life and work. It is not only the youth who are indebted to him but all of us, unto the last and most fanatically ardent defender of the Word."--Henry Miller

Toyo Ito: Generative order is based on the Kenneth Kassler endowed lecture delivered by Ito at Princeton University School of Architecture in the spring of 2009. The book is delivered primarily in Ito's voice, through the lecture transcript, which is the focus of the book, and through extended interviews, and a previously untranslated essay from 1980, all of which tie together his ideas of the interface of nature and society through the formal constructs of architecture. The publication is unique in bringing together unpublished visuals of built and un-built projects by Ito, as well as bringing together his theory spanning across his whole career, with commentary by respected scholars Stan Allen and Julian Worrall.

A "New York Times Book Review" Editors' Choice

Rosamond Bernier has known many (one is tempted to say all) of the greatest artists and composers of the twentieth century. In "Some of My Lives"," " she has made a kind of literary scrapbook from an extraordinary array of writings, ranging from scholarly articles for American publications to her many contributions to the art journal "L'OEIL"," " which she cofounded in 1955.

Through the stories of her encounters with Pablo Picasso, Henri Matisse, Leonard Bernstein, Max Ernst, Aaron Copland, Malcolm Lowry, and Karl Lagerfeld, we come to understand the sheer richness of Bernier's experiences and memories. Pithy, hilarious, and wise, "Some of My Lives" is a multifaceted self-portrait of a life informed and surrounded by the arts.

Published to accompany a landmark exhibition on view at the J. Paul Getty Museum from March 15 through June 18, 2008, California Video presents the first comprehensive survey of the history of video art in California. Since the late 1960s, California artists have been at the forefront of an international movement that has expanded video into the realm of fine art. Whether designing complex video installations, devising lush projections, experimenting with electronic psychedelia, creating conceptual and performance art, generating guerilla video, or producing works that promote feminism and other social issues, these artists have utilized video technology to express revolutionary ideas. This illustrated volume focuses on fifty-eight artists, from early video pioneers such as John Baldessari, Bruce Nauman, and William Wegman, to Martha Rosler, Diana Thater, Bill Viola, and other established and emerging talents. Thirty-five recent interviews shed new light on these artists--their influences, creative processes, and impact. Together with commissioned essays, rare reprints, and unpublished video transcripts, California Video chronicles a distinctly West Coast aesthetic located within the broader history of video art.

Kate Muller Chapman arrived in New Mexico at the time Santa Fe Style architecture was just developing. In the 1920s and 1930s Kate designed adobe houses, and directed local workmen during construction. Well versed in the tenets of the evolving Santa Fe Style, Kate also added her own distinctive touch to the projects. Kate Chapman skillfully directed rehabilitation projects preserving the essential historic character of nineteenth century adobes while updating and enlarging them. Two of her rehabilitations on Canyon Road are partially accessible to visitors: El Zaguan and the Borrego House. With graphic layout, linoleum cut illustrations by Stewart, and her own folksy humor, Kate combined a certain romantic spirit with recommendations that still apply to New Mexico adobe building. In 1930 Kate Chapman collaborated with her friend, artist Dorothy N. Stewart, to produce a small volume filled with practical tips about earthen architecture. First printed by Spud Johnson's Laughing Horse Press, "Adobe Notes or How to Keep the Water Out with Just Plain Mud" is reprinted and included in this book. Catherine Colby is a professional historic preservationist working in Santa Fe for over twenty years. She has a Bachelor's Degree in History and a Masters Degree in Architecture. During her career with the National Park Service Catherine researched and documented historic properties throughout the southwest. She runs a consulting business in Santa Fe, preparing National Register Nominations and reports on historic properties for their owners and for the Historic Santa Fe Foundation. She received a Heritage Preservation Award from the State of New Mexico for her role in the conservation of the Bishop Everett Jones property in Santa Fe.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Die vorliegende Arbeit ist aus meiner 1984 an der Universitat Harnburg einge reichten Magisterarbeit Le Corbusier: Poeme Electronique. Studien zum Philips Pavillon, Weltausstellung Brusse/1958 entstanden. Sie hatte nicht geschrieben werden konnen ohne einen vom Deutschen Akademischen Austauschdienst finanzierten Studienaufenthalt in Paris und ein zweijahriges Promotionsstipendium der Uni versitat Hamburg, dessen Gewahrung ich der Fursprache von Herrn Professor Martin Warnke verdanke. Er hat meine Arbeit mit Geduld und Umsicht betreut. Zu grossem Dank verpflichtet bin ich ebenfalls Herrn Dr. Fritz Jacobs, der mein Interesse fur Le Corbusier geweckt und mich bei der Klarung vieler Probleme stets hilfsbereit unterstutzt hat. Einblick in die Arbeitsorganisation im Atelier Le Corbusiers ermoglichten mir Auskunfte seiner fruheren Mitarbeiter, fur deren Gesprachsbereitschaft ich mich hier bedanke: der Sekretarin, J eannette Gabillard, sowie Roggio Andreini, Roger Aujame, Fernand Gardien, Guillermo Jullian de la Fuente, Robert Rebutato und Andre Wogenscky. Den Mitarbeitern der, Fondation Le Corbusier' in Paris, in erster Linie Evelyne Trehin und Martine Lasson, danke ich fur ihre Hilfsbereitschaft. Kritik und Hilfe erfuhr ich auch von Dagmar Nowitzki und Stefan Brenske. Einleitung "Das grosse Rom ist voll von Triumphbogen. Wer errichtete sie? . . ."

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Vicky Tiel started as an "it" girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous. Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, "What's New, Pussycat?," her classic design inspired the red dress that transformed Julia Roberts in "Pretty Woman," and her creations are worn today by stars such as Halle Berry and Kim Kardashian. Tiel's own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best friend Mia Fonssagrives in Paris, from marrying MGM's top make-up man to becoming Elizabeth Taylor's dear friend and part of her longtime entourage. Tiel forged her own path, and picked up some distinctive and hard-earned lessons from the rich, famous and celebrated along the way.

In IT'S ALL ABOUT THE DRESS, you'll get a glimpse of what it's like to be Hollywood royalty (think yachts, tiny dogs, giant pearls and peanut butter sandwiches washed down with Chateau Margaux), discover the seduction secrets of the greats (from Kim Novak to Goldie Hawn to Warren Beatty), take in a little husband-hunting advice, and even learn legendary model Dorian Leigh's recipe for "gigot d'agneau sept heures."

Vicky Tiel will teach you to dress like a sex symbol, cook like the owner of a French country inn, and seize what you want from the world like an American ingenue.

Richard Neutra (1892-1970) is considered one of the twentieth century's most influential architects. Born in Vienna, his career occurred at a critical moment in the history of the modern movement. His early inspiration was provided by pioneering architects such as Adolf Loos and Frank Lloyd Wright. His first major commission -- Lovell House -- built in Los Angeles in 1929, just six years after his arrival in the United States, is known as one of the landmarks of modern architecture.

He is recognized for his open and innovative designs, his extensive use of glass allowing indoor and outdoor spaces to flow freely together, and his application of industrial techniques to architecture. He made major contributions to urban planning, was the author of several books, including Survival through Design, and won over fifty awards for architectural designs.

Neutra established new aesthetic standards and there is currently a tremendous renewal of interest in his legacy. This concise overview of his achievements is the essential introduction to his work and philosophy.

UIRA is the architectural design for na orbital Olympic Villlage, the first of the world, created by the Brazilian architect Emanuel Dimas de Melo Pimenta. In 2011 Pimenta launched the architectural design of Kairos - for a building orbiting planet Earth, considered the first design of architecture for a building in outer space. Yet in 2011, Emanuel Pimenta created and directed the first course of space architecture in Brazil, and the second in the world, at the Faculty of Architecture and Urbanism of the University of Sao Paulo. In early 1980s, Emanuel Pimenta coined the concept of virtual architecture, and starting in 1980 he designed the first virtual planet of the world - Woiksed - anticipating Second Life in more than twenty years. The book UIRA contains the first studies of the project, about sixty illustrations and an introduction written by the architect Bruno Padovano, from the University of Sao Paulo.

Who knew years ago in Moscow that Nadia Russ would have such dynamic and adventurous life journey, often on the edge, and would end up writing this nonfiction book... An artist-inventor and a former freelance correspondent for two national publications in Moscow during Russian Perestroika, since 2000 she lives in the U.S.. A book "DECA-DaNCE: & How Swindlers, Coxcombs, & Sexists Failed America and How to Break Through & Be Happy" is a tell-all, autobiographical book. Through the prism of relationships with people, often with humour, she explores the variety of issues and subjects such as communism and capitalism in the U.S. and Russia, crime and corruption, sexism and love, elections and governments, more. As a solution to problems she offers the NeoPopRealism philosophy for happier life that she created in 2004. It is illustrated with photographs and photocopies.

A deluxe sleeved set that includes a facsimile republication of a classic work on Louis Kahn and an accompanying volume of new writings by colleagues, architects, and the Kahn family The Notebooks and Drawings of Louis I. Kahn, originally published in 1962 and long out of print, was the first book on the architect to feature Kahn's own images and words-and it was Kahn's favorite book on his work. It includes his early sketches, reproduced at full size, from his European travels in the 1950s as well as renderings of the designs for several of his notable buildings, along with unpublished speeches and excerpts from lectures, radio broadcasts, and other sources. In this magnificent sleeve-encased two-book set, a facsimile of the original publication is accompanied by an illustrated Reader's Guide that features essays and commentary by writers such as scholar William Whitaker and Pulitzer Prize-winning critic Paul Goldberger, family members, and fellow architects such as Frank Gehry, Tadao Ando, and Denise Scott Brown that contextualize the enormous impact and continuing legacy of one of the twentieth century's most influential architects. Distributed for the Yale Center for British Art and Designers & Books

Effie Gray, a beautiful and intelligent young socialite, rattled the foundations of England's Victorian age. Married at nineteen to John Ruskin, the leading art critic of the time, she found herself trapped in a loveless, unconsummated union after Ruskin rejected her on their wedding night. On a trip to Scotland she met John Everett Millais, Ruskin's protege, and fell passionately in love with him. In a daring act, Effie left Ruskin, had their marriage annulled and entered into a long, happy marriage with Millais. Suzanne Fagence Cooper has gained exclusive access to Effie's previously unseen letters and diaries to tell the complete story of this scandalous love triangle. In Cooper's hands, this passionate love story also becomes an important new look at the work of both Ruskin and Millais with Effie emerging as a key figure in their artistic development. "Effie "is a heartbreakingly beautiful book about three lives passionately entwined with some of the greatest paintings of the pre-Raphaelite period.

He was a brawny, blue-eyed, Irish-American religious convert who became a holy warrior in the name of Islam -- until the holy war began to change.
Aukai Collins grew up hard: abandoned, surviving in the streets and running with thugs. While serving time, he converted to Islam, and went to fight with the Muslims who were targeted for genocide in Chechnya and Bosnia. This led him to Usama bin Laden's training camps in Afghanistan. As terrorist attacks on civilians around the world intensified, Aukai was asked to lead a mission that included hostage taking and the killing of civilians -- something he would not do.
Disillusioned by those who used Islam for their own ends or to attack innocents, Aukai offered his services to the FBI and CIA as a counter-terrorist operative, even getting close to one of the leaders of the September 11 attacks. Yet his greatest strength -- providing insight into the problems surrounding the U.S. government's fight against something it doesn't understand -- was ignored by inept members of the American intelligence community.
"My Jihad" is an insider's story about the greatest threat to world peace and stability in modern times, told by an unforgettable true-life warrior who has walked the walk, fought the fights, and lived to tell about it.

To his critics, he was the cynical magus of a movement that debasedhigh art and reduced it to a commodity. To his admirers, he was the mostimportant artist since Picasso. As the quintessential Pop artist, Andy Warhol razed the barrier between high and low culture.

Pop disentangles the myths of Warhol from the man he truly was, offering a vivid, entertaining, and provocative look at the legendary artist's personal and artistic evolution during his most productive and innovative years. It is a dynamic, groundbreaking portrait of the man who changed the way we see the world.

This is a veritable archive of Bohol's contribution to Philippine architecture, a testament to Boholano creativity, resourcefulness, and skill.

The story of Leeds and its architecture in the 120 years before the First World War was one of remarkable development: industrial growth on an heroic scale. As an adjunct to commercial, manufacturing and commercial change came a stunning array of new buildings, sufficiently grand to reflect the town's achievements as well as its aspirations. In this book a total of 36 architects who practised in Leeds are chronicled.

What does it mean to build a house? How can it change a life? What happens if the builder is a woman, a teacher and a writer, a woman unaccustomed to tools? How does such a woman come to build at all? What happens, then, if that first house, whose every nail is known, is sold? How does one leave such a house, leave and go on to build another? This is a building story, but more it is a story of a woman builder and those without whom she could not have built. It is about how building changed not only that woman but also her sense of what a house is, how she came to know that building houses of wood builds the house of the spirit.