The Unite in Marseille (1945-1952) was a pioneering achievement at a time when social housing in the post WWII years posed an immense problem. Freed from restrictive regulations for the first time Le Corbusier was able to put into practice his concept of modern social housing. A milestone of modern architecture and subject of controversial debate, the Unite in Marseille continues to attract numerous visitors and students of architecture. This volume is the latest addition to Birkhauser's series of guides to Le Corbusier's most acclaimed buildings, and includes an additional chapter on his Unites in Reze-les-Nantes, Briey en Foret, Firminy and Berlin. The author, a practising architect and well known le Corbusier specialist, lives in Marseille and teaches at the Ecole d'architecture de Marseille-Luminy.

Architecture is the most transformative of the arts. It surrounds us, envelops us, caresses us. Despite being located in Miami's lush urban oasis of Coconut Grove, Max Strang's iconic Rock House transports its occupants across oceans and realities, into a magically sublime alternative full of whispers of Bali and Sri Lanka, and echoes of the rich cultural legacy of India and Southeast Asia. Technically stunning, and formally exceptional, the houses interaction with its environment, open-plan, and use of local materials (in this case, Miami's local oolitic limestone), is emblematic of Strang's philosophy and architectural values of eco-friendly modernism. Winner of multiple awards, and feted in cinema and on television alike, the Rock House is one of modern residential architecture's treasures.

Of all of the Brazilian modernist Oscar Niemeyer's many built works, his Algerian projects are among the least well known. Beginning in 1968, Algeria's President Houari Boumediene commissioned Niemeyer to build two universities and an Olympic sports hall, as well as a series of large-scale, never-realized projects across Algeria, in an attempt to forge a modernist, independent nation. In 2013, Jason Oddy produced an in-depth photographic survey of these buildings as they exist in Algeria today. The Revolution Will Be Stopped Halfway collects those images alongside archival documents and Oddy's further research into Niemeyer's Algerian work in order to explore the revolutionary politics that inspired and formed these buildings.

Ever since the firm's establishment in 1989, Frankfurt-based Stefan Forster Architekten (SFA) had a special focus on housing. A starting point for this was the urgent necessity of refurbishment and modernisation of the vast housing developments constructed of prefabricated concrete slabs as part of the urban rebuilding programmes in the newly founded federal states of eastern Germany following the country's re-unification in 1990. From the initial 'Haus 07' in Leinefelde, Thuringia, SFA have moved on, creating a remarkable body of work in metropolitan housing. Their designs comprise large-scale public multi-unit blocs and single-family town houses on small plots, as well as the transformation of former office and public administration structures. This first monograph on SFA highlights how the firm has constantly worked on raising the standards in residential architecture, years before the current shortage of housing in urban areas has made such improvements so urgent. The book features 30 designs that exemplify SFA's approach and philosophy. Text in English and German.

The inter- and transdisciplinary research project Drei Zimmer, Kuche, Diele, Bad used a vacant home to formulate and consider questions about the future of housing. The residence, a listed building ensemble in Weimar dating from the 1920s, initially served as a work, discussion, and exhibition space for students of architecture and urbanism. A small number of significant interventions transformed it into a space that enabled not just alternative dwelling options, but also neighborhood-focused activities. The new residents were selected through a concept proposal process, and the researchers analyzed their usage of the dwelling over the course of two years. Lasting five years in total (2017-2021), the project began as a cooperation between the Bauhaus-Universitat Weimar, the Thuringer Aufbaubank funding and development agency, and the Weimarer Wohnstatte municipal housing company under the aegis of the Thuringian Ministry for Infrastructure and Agriculture.

This book illustrates the extensive design and construction work in Milan over the past 20 years by the notable Milanese architectural firm ARAssociati. This award-winning firm has been involved in a wide range of projects, including new construction in the residential, hospitality, office and retail sectors, as well as work on prestigious historic buildings. Projects in the historical heart of the city are counterbalanced by those in the new areas of Milan, which is undergoing a transformation to a multicentric metropolis. The result is an expertise based on a deeply rooted knowledge of the city and its history, sensitive to the context and stratification over time, allowing the firm to retrace and map out the large-scale transformations that have changed and are still changing the face of Milan. Text in English and Italian.

Florian Nagler's work is a veritable "recherche patiente", as his buildings have an experimental character. For instance the "research buildings" in Bad Aibling are exercises on what building with wood, plastered brick and concrete can each mean. The Wohnen am Dantebad housing development reinterprets the traditional pergola. Text in English and German.

Based in Buenos Aires and New York, Estudio Ramos has developed a distinctive style that relies on a well defined vision of modernism. Through 35 years of experience the firm has developed its work with a deep respect for architectures principles. Their goal is to encourage reflection through a simple, pure and honest architectural language. Through 35 years of experience the firm has developed it's work with a deep respect for architecture's principles. In their long trajectory of residential and commercial building they seek to understand and interpret each project's context, pursuing its ideal scale and sustainability. In their long trajectory of residential and commercial building they seek to understand and interpret each project's context pursuing its ideal scale and sustainability. The particular nature of Estudio Ramos work's is strongly conferred from the use of the exposed concrete. It evokes stone, which emphasizes its qualities of durability and hardness while being crafted in an artistic manner.

This volume coins the term "Team 10 East" as a conceptual tool to discuss the work of Team 10 members and fellow travelers from state-socialist countries--such as Oskar Hansen of Poland, Charles Polonyi of Hungary, and Radovan Niksic of Yugoslavia. This new term allows the book's contributors to approach these individuals from a comparative perspective on socialist modernism in Central and Eastern Europe and to discuss the relationship between modernism and modernization across the Iron Curtain. In so doing, "Team 10 East" addresses "revisionism" in state-socialist architecture and politics as well as shows how Team 10 East architects appropriated, critiqued, and developed postwar modernist architecture and functionalist urbanism both from within and beyond the confines of a Europe split by the Cold War.

The international and multidisciplinary practice GRAFT conceives of itself as a label for architecture, urban design, product design, and music. GRAFT calls itself a "hybrid office" and produces dynamic architectural designs for standard commissions; however, the architects also initiate their own projects and system solutions for tasks with a social, ecological, or esthetic emphasis. The book presents buildings by GRAFT in the fields of culture, offices, brand architecture, retail, and mobility. It contains about forty generously illustrated projects that document a wide range of work in which the respective corporate culture is incorporated in GRAFT's sophisticated architectural language. Dialectic essays focus on the practice's key themes, such as the debate on urban identity or mobility transition.

Josep Lluis Mateo is one of Spain's leading architects and one of Europe's most influential intellectuals. He runs a firm called mateoarquitectura in Barcelona, which has designed buildings in many countries such as Spain, Portugal, Germany, France, the Netherlands and Switzerland. Alongside his work as guest lecturer, Mateo was Professor of Design at the Federal Institute of Technology (ETH) Zurich from 2002 to 2014. Mateo's standing as a pacesetter in the international intellectual discourse about the future of architecture is closely tied to the journal Quaderns d'Arquitectura i Urbanisme, which has appeared in Catalan, Spanish and English since 1985 and of which he was editor-in-chief between 2002 and 2014. Under Matteo, it developed into the leading platform for discussions on architectural issues, urban design, and aesthetic concepts. Footprints: Writings 2005-2020 collects his most important texts from the last fifteen years - short and longer essays and vignettes, along with interviews touching on questions about the elements, environmental and urban contexts, as well as on Matteo's own designs. The texts are illustrated and arranged thematically, to allow the juxtaposition to inspire new connections. Text in Spanish.

Die Architektur des Halberstadter Doms, seine Ausstattung und ikonographischen Zeugnisse bilden ein nahezu einzigartiges Ensemble, das Geschichte und Glauben vergangener Tage lebendig werden lasst. Der Domschatz ist die die groesste Sammlung mittelalterlicher Kunst, die so in Deutschland erhalten geblieben ist.

Since the 1980s, Vitra has enlisted some of the world's leading architects to design buildings for its campus, including Zaha Hadid, Frank Gehry, Tadao Ando, SANAA, Alvaro Siza, Nicholas Grimshaw and Herzog & de Meuron. This has resulted in a unique architectural ensemble that attracts 350,000 visitors each year, about which Philip Johnson wrote: "Since the Weissenhofsiedlung in Stuttgart in 1927, there has not been a gathering in a single place of a group of buildings designed by the most distinguished architects in the Western world." While the renowned Vitra Design Museum presents alternating exhibitions, the Schaudepot gives visitors an insight into parts of the museum's extensive collection. In addition, during their time on the Campus, visitors can take part in a guided tour of the architecture or a workshop, enjoy the view from the Vitra Slide Tower and afterwards slide down the 37-meter-long slide, experience furniture classics and new products from the Vitra Home Collection in the VitraHaus as well as savour the offers of the shops and cafes. Originally published in 2014, this revised flexibound edition of The Vitra Campus offers an overview of Vitra architecture, its daily use, the development of the Campus and biographies of the contributing architects. An ideal souvenir and campus guide, The Vitra Campus is also a fascinating read about some of the most significant architects and buildings of our time.

This book, conceived as a road trip, leads through the fascinating architectural heritage from the time of the tourism boom and of the Cold War in Croatia. Along the Adriatic high way, the picturesque coastal road from the 1960s, impressive hotel complexes and secret military posts emerged at the same time, which today share a similar fate: as ruins with a sea view. The authors from the research department of housing and design of TU Vienna outline routes to these hidden architectures, describe their development, their role in the non-aligned state of Yugoslavia, their decline, and their transformation. Eight removable folding maps examine special phenomena of the coastal area and make the book a practical guide on the journey to the hidden gems of the Croatian Adriatic coast.

Recipient of 2019 John Brinckerhoff Jackson Book Prize, Foundation for Landscape Studies 2021 On the Brinck Book Award Winner "Burle Marx created a new and modern grammar for international landscape design." -Lauro Cavalcanti, quoted in the New York Times "The real creator of the modern garden." -American Institute of Architects Presenting the first English translation of Burle Marx's "depositions," this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country's military dictatorship. Roberto Burle Marx (1909-1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx's career-the years in which he served as a member of the Federal Cultural Council created by the military dictatorship in the mid-1960s. Despite the inherent conflict and risk in working with the military regime, Burle Marx boldly used his position to advocate for the protection of the unique Brazilian landscape, becoming a prophetic voice of caution against the regime's policies of rapid development and resource exploitation. Depositions presents the first English translation of eighteen environmental position pieces that Burle Marx wrote for the journal Cultura , a publication of the Brazilian Ministry of Education and Culture, from 1967 through 1973. Catherine Seavitt Nordenson introduces and contextualizes the depositions by analyzing their historical and political contexts, as well as by presenting pertinent examples of Burle Marx's earlier public projects, which enables a comprehensive reading of the texts. Addressing deforestation, the establishment of national parks, the place of commemorative sculpture, and the unique history of the Brazilian cultural landscape, Depositions offers new insight into Burle Marx's outstanding landscape oeuvre and elucidates his transition from prolific designer to prescient counselor.

This title focuses on a key architect in Florida's first building boom. Marion Manley (1893-1984) was Maimi's first female architect and successfully maintained an independent architectural practice in south Florida over much of the twentieth century. In this first comprehensive, illustrated work on Manley, Catherine Lynn and Carie Penabad explore the relationship of Manley's work to her life and to the broader historical moment of which she was a part, including the overall development of the city of Miami. The book catalogs all of Manley's known work, includes images and plans where available, and provides detailed examinations of what the authors consider to be her best, most emblematic work in each phase of her long career. Best known as one of the designers of the innovative University of Miami campus built just after the Second World War, Manley worked on other public buildings that are less well known, including an addition to the John Ringling Museum in Sarasota. Her residential work is interesting as well: modest and rational, with careful consideration of regional characteristics and construction appropriate to the south Florida landscape. As noted architect Elizabeth Plater-Zyberk remarks in her foreword, 'Understanding the reduced circumstances of the provenance of these buildings and their low-technology characteristics, such as rooms with cross ventilation, large areas of shaded glass, and the almost tactile relationship to the adjacent landscape, we must admire the legacy of Marion Manley'.

The ensemble with its prominent twin towers that Egon Eiermann (1904-1970) built in Frankfurt am Main for the Italian office machinery company Olivetti, was the Karlsruhe architect's last major project. His priorities lay in the slender form, derived from the task, the construction and the material to create a characteristic silhouette. Adriano Olivetti, the son of the company's founder, valued not only the firm's products, which became cult objects of Italianita in the field of design and which established the 'Stile Olivetti'. He also made the same demands regarding quality in architecture. The grandson, Roberto Olivetti, commissioned Eiermann, a famous representative of German postwar Modernism, to design the German branch offices. For the architect the project formed the culmination of his career, while for the Karlsruhe student Klaus Kinold it marked the beginning of a career as a photo g-rapher of architecture. He maintained that he had learned more for his future profession from his teacher Egon Eiermann than from anyone else.

A 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewellery and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.

Martin and Sven Froehlich have passionately pursued the permanence and longevity of forms, images and narratives in architecture since 2000. The result is surprising, strong and memorable architecture that often appears close to conceptual and minimal art. De aedibus international is a series on contemporary, highly qualified European architects and architecture. An archive of carefully selected buildings and projects. Text in English and German.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialisation and integration into the Alpine context. Text in English and German.

In 1969 and 1970, Louis I. Kahn (1901-1974)-one of America's greatest 20th-century architects-participated in a series of interviews with a young German architectural historian, Heinrich Klotz, then a visiting professor at Yale University, and John W. Cook, who was teaching architecture at the Yale Divinity School. Louis I. Kahn in Conversation provides the first full edited transcript of these candid, illuminating interviews, which provide remarkable insights into Kahn's philosophy of architecture. The conversations touch on many of his iconic works, including the unbuilt City Tower Project for Philadelphia, the Yale University Art Gallery, the First Unitarian Church in Rochester, and major international projects then under construction, as well as the Yale Center for British Art, Kahn's final building, on which he was beginning work at the time. Illustrated with dozens of plans, drawings, and photographs, the book also features an introduction by Jules David Prown, the first director of the Yale Center for British Art, who recommended Kahn as its architect. Distributed for the Yale Center for British Art, in association with Manuscripts and Archives, Sterling Memorial Library, Yale University and the Architectural Archives of the University of Pennsylvania

Like Charles Rennie Mackintosh John Cairney began his career at the age of 15 at the Glasgow School of Art. He tells of the working life of Charles Rennie Mackintosh as well as the beautiful love story which tragically ended with Mackintosh's sudden death at the age of 60. His wife and co-artist, Margaret Macdonald died three years later.

Between 2008 and 2014, ETH Studio Basel, under the guidance of Roger Diener and Marcel Meili, has been investigating theprocess of urbanisation taking place outside cities. Territory - in the context of this investigation denotes both: the surroundings that a city subsumes into its own structure and the core city itself, which is the centre of this process of urbanisation, or "confiscation". Investigated were six regions on six continents: The Nile Valley with the dense corset of natural landscape surrounding a linear city; Rome-Adria, where territorial cells have formed within the territory, spawning an urban type of tremendous dynamism; Florida, presenting highly complex patterns of territorial organisation; Vietnam's Red River Delta, where recent reform exposed traditional settlement and cultivation of the delta to freer forces; Oman, where urbanisation of a territory essentially means reclaiming the desert with the immediate necessity to develop a system for water distribution; and Belo Horizonte, where natural conditions likewise play a major role in organising the territory as surface mining entails huge transformations of the natural terrain.The new book features two introductory essays on ETH Studio Basel's research approach and on terminology, concise illustrated reports on the six regions, and four concluding topical essays.