Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The ICC Berlin is a Gesamtkunstwerk, a giant time capsule that has been waiting for a new usage concept for almost a decade. Planned in the 1960s and opened in 1979, the exhibition building-designed by Ursulina Schuler-Witte and Ralf Schuler, and encompassing Frank Oehring's incomparable wayfinding system-remains an attentiongrabbing structure. While the building's brutalist exterior overwhelms the viewer, its interior conveys an air of calm, offering a view of the suddenly quieted traffic through its panoramic windows. This volume of photographs by Zara Pfeifer is dedicated to documenting the interior of the building. Taking an unsentimental approach, Pfeifer records the largely unchanged inner appearance of the building that has been variously dubbed the Giant of Witzleben, the Battleship Charlottenburg, or the Hall of Megalomania. Her images develop a sense for the building's noteworthy elements and capture the liminal condition in which it has been suspended for years.

Providing a new insight into twentieth-century architecture, this is the first book in English on the work of French architect Fernand Pouillon (1912-1986). It includes Jacques Lucan's analysis of his post-war urbanism and its critique of mainstream modernism, a description of material construction by Adam Caruso, and Pouillon himself inspired by Aix-en-Provence and reflecting on the contemporary architect's position in a cultural continuum. At the book's heart lie survey drawings and photographs of Pouillon's key Parisian housing projects. This book is first in a series on 'The Limits of Modernism - a Forgotten Generation of European Architects'.

In its considered response to the globalisation of culture, HCMA has consistently achieved an architecture that is expressive of time and place, and uniquely interprets Canadian values of openness and inclusivity. The firm's concentration on civic buildings denotes a deeply-rooted concern for community, and recognition that in contemporary pluralistic society's schools, libraries and community centres are both symbolically and literally, the meeting places for all sectors of our communities regardless of demography, faith or ethnicity. What distinguishes HCMA's design approach is its conceptual shift from the traditional departure points of form or function, to a more organic and humanist approach by which inhabitation of the building and its surroundings mediate the interface between these two opposing forces. While function implies an empirical definition of purpose, and form a pre-occupation with sculptural abstraction, inhabitation connotes an understanding that buildings should embrace the richness and diversity with which our lives unfold. Places: Public Architecture explores a selection of key projects by HCMA which offer insight into the firm's specific approach to community building through public architecture. Featured projects many of which have been challenged by contemporary advancements in technology, include schools, libraries, fire halls, childcare centres, and more. Through the practice of architecture HCMA asks what is the future of the library, of education, and of public space in an increasingly online age? The book features critical text by accomplished writer Jim Taggart, professional photography, lucid architectural drawings, and details, as well as a look at the firm's design process of iterative modelling/diagramming and research on contemporary topics.

Seven years after his first book, Bart Lens and his team LensDGAss show how the direction they have chosen can lead to fascinating projects. The formulation of a clear and precise concept forms the basis of every single design. A concious choice of materials and elaborated detailing bring forth creations that express tranquility and serenity. The clear line-work emphasises the pure emotions that originate in the union of design and light. The great care that goes into the elaboration of the interior in all its facets is a constant preoccupation for LesDGAss. The book presents a wide variety of projects: new constructions, remodelling assignments, interior designs, even objects such as furniture and lamps. The introduction of a basic idea, a theme, forms the foundation of every project, no matter what its scale might be. This same visions is also the starting point for the recent large-scale architectural projects.

The farmhouse gained a contemporary freshness while respecting existing elements and using only a few external measures. Inside, a surprisingly multifaceted world has been created that impresses with its high-quality finishing, humour and consistency. The conversion thrives on surprising moments: the tension created by differently proportioned rooms, the varied interior furbishing and the direct nature of specific solutions that pick up on original uses. Text in English and German.

This book shapes a thick network of experiences and crossed interests opened throughout last twenty-five years in the office NO.MAD and its founder Eduardo Arroyo. In its pages there are mixed reflections, anecdotes and creations that shape an exciting cocktail between living, thinking and creating. In some time of our physiological life something inside each one gets lost and the mind fills with doubts. In spite of the inertia of the long crossed distance, to stop and to look behind with exploratory smell can help us to enter with courage in the unknown days. This book shapes a thick network of crossed interests opened throughout last twenty-five years of the office NO.MAD and its founder Eduardo Arroyo. Topics like the origin and the memory, the soul and the precision, the random and the instability, the empathy, the instants and the choice, the hybridization and the blurry systems, the cloning, the invisible orders and the essential complexity or the combination of matter and energy turn out to be here interlaced. They shape a kaleidoscopic optics that though has guided always by an invincible illusion has never been exempt from the risk of diving in the unknown thing. The trip across these invisible paths demonstrates a critical vision of the world and the voluntary obligation to try to transform it from the creative independence, the determination and the valor that they are the transparent message of this book.

David Chipperfield's new building for the Kunsthaus Zurich now stands in all its splendour on Zurich's Heimplatz, opposite the old museum building of 1910 designed by Karl Moser. Its opening to the public in October 2021 will make the Kunsthaus Zurich Switzerland's largest art museum. Following the two previous volumes on Kunsthaus Zurich's architectural history and the design for turning it into an art museum for the twenty-first century, this book documents the genesis of David Chipperfield's extension from proposal through political debates about the entire project to completed structure. It features a foreword by David Chipperfield and an essay by Christoph Felger, executive architect for the project at David Chipperfield Architects Berlin, that discusses the design concept, the promise made with it, and its fulfilment. A conversation between Christoph Felger, the director of the City of Zurich's Building Surveyor's Office Wiebke Roesler, and Kunsthaus Zurich's director Christoph Becker, and architecture critic Sabine von Fischer, as well as numerous illustrations and plans sound out this new volume. Text in French.

Augustus Welby Northmore Pugin (1812-1852) was one of Britain's greatest architects, and his short career one of the most dramatic in architectural history. Born in 1812, the son of a French draftsman, at 15 Pugin was working for King George IV at Windsor Castle. By the time he was 21 he had been shipwrecked, bankrupted, and widowed. Nineteen years later he died, insane and disillusioned, having changed the face and the mind of British architecture in works as revered as the House of Lords and the clock tower at Westminster, known as Big Ben. "God's Architect" is the first modern biography of this extraordinary figure. Rosemary Hill draws upon thousands of unpublished letters and drawings to re-create Pugin's life and work as architect, propagandist, and Gothic designer, as well as the turbulent story of his three marriages, the bitterness of his last years, and his sudden death at 40. It is the work of an exceptional historian and biographer.

Focusing on six recent projects, including House 2B, that recently won the prestigious Aga Khan Award for Architecture, this publication presents the architecture of renowned Turkish architect Han Tumertekin to the English-speaking world. The book examines in detail his ability to engage in some of the more difficult issues confronting architects throughout the world today, such as suburban tract development, landscape and environment, and the challenges of practicing in different countries throughout the world.

The book includes an introductory essay by Hashim Sarkis, an article by Tumertekin on his design approach, and written and graphic explanations of Tumertekin's projects. It is the first of a new series of occasional monographs on contemporary designers in the Middle East and Muslim world.

A collection of writings showcasing Stanley Tigerman's indispensable contributions to architectural thought and culture Chicago architect and iconoclast Stanley Tigerman has been called a "design maven who can spit venom like a snake." Though he is at times sharply critical, his ability to cut to the core of architectural discourse has opened this insular world to a broader audience. His words and theories are appealing for their candor and are backed by his long-standing architectural practice. Since 1964 Tigerman has made an indelible mark on his hometown and on cities across the globe, with projects ranging from the Five Polytechnic Institutes in Bangladesh to the Holocaust Memorial Foundation Museum in Skokie, Illinois. This collection of essays, most previously unpublished, spans the course of Tigerman's career. Included are writings on the history of Chicago architecture, architectural theory, and commentary on contemporaries. Tigerman's engaging words, at times humorous and humble, at times biting and cantankerous, will captivate students and scholars as well as the general reader. Published in association with the Yale School of Architecture

In his second book, Jürgen Geiselhart presents private residences in several newly constructed villas that are oriented stylistically toward extremely diverse models in the history of architecture and art. His individual architectures and interior architectures from the years 2017 to 2022 are based firstly on the wishes of the clients and search for a contemporary implementation with respect to the execution of details and materials on this basis. In a very personal conversation, Jürgen Geiselhart describes the creation history and design ideas of the private residences, which are presented over 280 pages of expressive digital photography. Text in English and German.

A house is a representation of the idea of the world, of life, of existence. For the Cologne architect Oswald Mathias Ungers (19262007), owner of a famous collection of books on architecture, who also repeatedly addressed the theoretical aspects of building, the construction of his own house, in 1958/59, was more than a private adventure. For him it meant a chance to gain spatial experience and explore what was possible. It was a laboratory, a little universe, a piece of world. In the course of his life, Ungers built himself and his family no less than three houses, two in the Cologne suburb of Mungersdorf, one in the Eifel highlands. Even the first house, to which this richly illustrated volume is dedicated, caused an international sensation; it was considered to be an important example of so-called Brutalism. It showed "everything I knew how to do at the time", Ungers wrote regarding the building. He wanted a house that enveloped and sheltered, he wanted metamorphosis and transformation; architecture that was autonomous but at the same time respected the genius loci. At the time, architects preferred to build their private homes as freestanding bungalows in the countryside. Ungers, on the other hand, settled in a place where there were traces of the Roman past and purchased a plot of land adjacent to an already existing row of terraced houses. Three decades later, Ungers expanded the cataract of forms of his first home by adding a geometrically strict cube, intended to house his library. The shock aesthetics of the early work had evolved into the rigorous abstractness of his late work. This building too one of a kind, and in interplay with its predecessor became a manifesto. It corresponded to the idea of a house as a small town and the town as a large house, an idea that has run through European architectural history since Alberti. In spite of all their differences, the two contrasting formats make common cause. They show a world full of contradictions, illusions and realities that reflects the entire spectrum of the image of architecture, from the fiction to the reality of the function. Today the house and the library are the seat of the UAA, the Ungers Archiv fur Architekturwissenschaft, and open to the public. The architectural historian Wolfgang Pehnt often visited Ungers. The author of an authoritative book about the architecture of Expressionism, he profited by Ungers' collection of material back in the years when Ungers was still interested in Expressionism. Thus he is familiar with the house in its details and has witnessed its modifications. As portrayed by him, the history of the origins of the house gives access to the impressive uvre of a great German architect.

Marc Held entered history in 1965 with his famous Culbuto armchair, followed in 1966 by his furniture manufactured by Prisunic. Over a period of fifty years, he created some 150 furniture pieces, notably participating in 1983 in the interior design of the apartments in the Elysee Palace. Beginning in the 1970s, he also designed singular works of architecture, for individuals and for corporate clients such as IBM. At the end of the 1980s he chose to focus entirely on this passion of his when he settled on the Greek island of Skopelos. Interested in vernacular architecture, he dedicated a widely acknowledged book on Greece, Maisons de Skopelos, precis d'architecture vernaculaire published by Editions Skopelos.net, in 1994, to it. It was also on Skopelos where over a period of thirty years he built eight exceptional villas: Lemonia, Maistros, Nina, Loukas, The Temple, Mourtia, Myrto and Kapsari. Each house is an architectural manifesto in its own right. These eight villas, in spectacular sites beside the sea, built with local materials and in accordance with the construction techniques of the island - all the artisans were from there - with the magical landscapes in which they are integrated, are eight lessons on the notion of genius loci, which so inspired Marc Held's architecture. Photographed by Deidi von Schaewen - with spectacular shots taken via drone-mounted cameras - his eight beautiful villas are also presented with his drawings and plans developed during their conception phases. Text in English and French.

"Monograph.it" is at the same time monography and review, it follows an original criterium of pictures' itinerary. In fact "monograph.it" devotes to architecture's study of several pages with complete contents. Moreover there will be a gallery of pictures of places, buildings, landscapes together with a monographic section for one or more cities in evolution; therefore conceiving present urban places and landscapes as necessary and permanent elements of the project. The choice of such contents is aimed at surveying the different developments of the project production in the range of the different scales. The genovese architetcure office 5+1AA is the protagonist of the first issue of the "monograph.it" with the exhaustive atlas of drawings and architectural stills, and furthermore the European 16 creative city', and finally the photo gallery dedicated to the stills of the Nunzio Battaglia italian photographer.

At the beginning of the economic crisis in 2007, housing became a central commodity in the short-circuit system of mortgages granted to private individuals and businesses. In the aftermath of the crisis, and in the wake of the COVID-19 Pandemic, housing-as a right, in its most radical form-re-emerged due to local housing, migration, and health emergencies. In light of an eclipse of a general discourse on housing, a new secular and international ethics arose, both foreign and superior to nation states. This book returns to a broader notion of housing: using metaphors of sanitary and salvific reinstatement, it retrieves case studies from the 1950s for re-conceptualizing the housing question in contemporary architecture and visual arts.

This comprehensively illustrated book records and assembles material on over 150 buildings by Karl Schinkel, Germany's most important 19th century architect.

Spanish visionary Santiago Calatrava is renowned around the world as an architect, structural engineer, sculptor, and artist. Famed for bridges as much as buildings, he has made his name with neofuturistic structures that combine deft engineering solutions with dramatic visual impact. From the Athens 2004 Olympic sports complex and the Museum of Tomorrow to the Peace Bridge in Calgary, Alamillo Bridge in Seville, and the Mujer Bridge in Buenos Aires, Calatrava's creations show particular interest in the meeting point of movement and balance. With influences ranging from NASA space design to da Vinci's nature studies, the structures dazzle with a sense of lightness, agility, and aerodynamism, but always with a graceful poise amid their particular surroundings. This compact introduction explores Calatrava's unique aesthetic with key projects from his career, from early breakthroughs to his most recent work. Through buildings of culture, science, faith, and across his many famous bridges, we explore his integration of organic forms and human movements, and a uniquely fluid futurism, soaring towards tomorrow. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Text in German & English. Schinkel's Look towards India discusses a subject to which little attention has been paid to date: Schinkel's interest in Indian architecture and culture. This interest was first aroused by the English traveller to India William Hodges, who proposed the thesis that Greek and Indian architecture were of equal value. Later, the English landscape painters Thomas and William Daniell were to become even more important for Schinkel. Oriental Scenery, the book that described their travels, left its mark on Europe's image of India for decades and inspired longing for that country, which was considered almost magical. The cultural elite of Prussia were also caught up in this fascination. At the royal court of Prussia, Lalla Rookh, based on Thomas Moore's romance, was celebrated in 1821 as an oriental festival. In 1822 the Indian-themed pageant Nurmahalwas performed at the opera. For both productions Schinkel created enchantingly beautiful stage sets. His interest in exotic architecture was lifelong. The sketches he based on the work of the Daniells were preliminary studies for a huge round panorama that was to show the buildings of various periods and nations in their particular setting. His unrealised project for the summer palace Orianda on the Crimea, at the geographical interface of eastern and western culture, was Schinkel's convincing and timeless memorial to his dream of the unity of world cultures. The style of the exterior is classical, while that of the interior is Indian and Islamic. The work is character-ized by the hall of caryatids that lies in front of the building, with a view of the Black Sea, and the museum of Caucasian antiquities, its counterpart in the interior of the palace. Schinkel found the idea for the museum in Oriental Scenery, in the drawings of the legendary 1000-Pillar Hall in Madurai, in southern India, which the Daniells had toured full of admiration and included in their book.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The concept of landscape-ness is gaining increasing importance in architecture not least due to the rising threat of climate change. Based on international examples, Margitta Buchert analyzes the potential of architecture for dealing with contemporary challenges, including socio-cultural transformations and questions of lifeworld orientations within the tensions of global networking and local exposure—between natural space and urban space. Which architectural understandings and characteristics flow into architecture and urban projects by introducing the concept of landscape-ness? Which spatial articulating qualities are emphasized? And what sensibilities and capacities are enriched? Dimensions of landscape as nature—however, shaped and reshaped by humans—are in focus, as well as the connection between aesthetics, architecture, ecology, and the city.

Material Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper's classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style. This book demonstrates how Semper's theories crystallised among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper's evolution: archaeology and antiquarianism, the domestic interior, print media, collections, and the embodied relationship between the designer and their work. For the first time, this book examines the construction of a design theory not only as an intellectual endeavour but also as a process of confrontation with material things. It employs recent approaches to material culture, in particular Thing Theory, in order to show that Semper's artefact references constituted his ideas, rather than simply giving impetus to them. It will be an important investigation for academics and researchers interested in interior design history, as well as scholars of material culture and history of design theory.

Cullinan Studio is a highly distinctive architectural practice and a force for good. This book places the work of Cullinan Studio in the context of the early 21st century. Being a progressive co-operative practice that continues to innovate, Cullinan Studio has a considerable catalogue of buildings and places achieved since the Millennium, including cultural centres, industrial, academic and research buildings, housing and regeneration, health and well-being buildings. In a world where there is constant pressure to specialise, how do they manage it - and how will they continue to do so? The author has worked with the practice directors and practice members, visiting the key buildings and places with them and discussing them in detail to build up a picture of how this idealistic and inventive practice negotiates the architectural challenges of today, finding new ways to serve society and maintain and strongly ethical focus while continuing to be commercially effective.