A beautifully illustrated single-project monograph on the innovative design process and creation of a flagship lakeside resort in central China, the Hilton Wuhan Optics Valley resort, this book showcases the chronological project phases, from the early-stage site preparations, design and engineering parameters, through to final construction and completion. The resort is a business and convention center, as well as a prime hub for political and business activities. There are dedicated spaces for meetings and receptions, a full suite of leisure facilities, such as a large spa area, an indoor heated swimming pool, an outdoor swimming pool, a gym, a cycling route, a lakeside basketball court, and a tennis court. The hotel component of the resort comprises luxury guest rooms and suites, all with private balconies overlooking a beautiful lake, a convention centre with a huge zero-pillar banquet hall, and an outdoor ceremonial lawn. Hilton Wuhan Optics Valley is featured by its innovative design. Tightly knit around the core site, the layout is characterised by a central symmetry and a clear separation of the external and the internal areas. The creative use of a cluster of courtyards interlacing each other characterises the hotel lobby. The functional areas are thus separated so that the guests can enjoy an experience of unique spaces typically offered only by small hotels. The design of the facade drew inspiration from Jing-chu culture clean lines, delicate details, traditional textures and natural materials and imparts a sense of understated luxury and otherworldly elegance, allowing the architecture of the hotel to perfectly blend into the natural environment around Yanxi Lake. This book is a unique reference and useful guide for architects, engineers and designers of resorts, or related typologies.

The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States marked major turning points in his evolving position as an architect. His commissioned project for the Massachusetts Institute of Technology's Baker House dormitory (completed 1949) features an undulating facade of red brick, a material that references the building's Boston surroundings. Aalto's fan-shaped plan for the Mount Angel Abbey Library (completed 1970) in St. Benedict, Oregon, his consummate exploration of the library type, capitalizes on the local terrain and the use of natural light.

Aalto's designs had a lasting impact on American modernism, but his experiences in America also profoundly influenced his own stylistic development. "Aalto and America" is a detailed survey of this beneficial relationship, with contributions by fifteen international experts who explore these key designs in relation to larger themes in international politics, architectural culture, housing research, and modern criticism and design.

One of Texas's most talented architects in the late nineteenth century, James Riely Gordon may have been the nation's most prolific designer of county courthouses. Though Gordon's Texas courthouses made his reputation, they represent only half of a career in which we see reflected many issues and events shaping American architecture. Most notable were the effort among architects to organize their craft as a profession, the controversial Office of the Supervising Architect of the United States Treasury, the 1893 World's Columbian Exposition, and the City Beautiful Movement. Situating Gordon's career, Meister focuses on the public architecture, the pursuit of which took Gordon from San Antonio to Dallas and on to Chicago and New York City as he secured commissions in nine states. Competition was fierce, and Gordon often had to defend his reputation against scandalous charges leveled by jealous architects and unscrupulous politicians. In his interdisciplinary approach, Meister examines political, cultural, and economic forces for their impact on the finished buildings as well as on Gordon's career and exposes the political and legal wrangling so often attendant to the construction of buildings that serve as the nexus for their communities.

Vincent van Gogh becomes only 37 years old. Only the last 10 years of his life he is engaged in painting. Restlessly and exhausting he travels through the Netherlands, Belgium, Great Britain and France. Together with his colleagues Cezanne, Toulouse-Lautrec and Gauguin he is regarded today as one of the most important artists of the expressionism movement. This comic guide, written and drawn by Willi Bloss, catches the main marks of the master's life and refers optically to the unerring style that van Gogh used for his sketches

How Gyorgy Kepes, the last disciple of Bauhaus modernism, became the single most significant artist within a network of scientific experts and elites. Gyorgy Kepes (1906-2001) was the last disciple of Bauhaus modernism, an acolyte of Laszlo Moholy-Nagy and a self-styled revolutionary artist. But by midcentury, transplanted to America, Kepes found he was trapped in the military-industrial-aesthetic complex. In this first book-length study of Kepes, John Blakinger argues that Kepes, by opening the research laboratory to the arts, established a new paradigm for creative practice: the artist as technocrat. First at Chicago's New Bauhaus and then for many years at MIT, Kepes pioneered interdisciplinary collaboration between the arts and sciences-what he termed "interthinking" and "interseeing." Kepes and his colleagues-ranging from metallurgists to mathematicians-became part of an important but little-explored constellation: the Cold War avant-garde. Blakinger traces Kepes's career in the United States through a series of episodes: Kepes's work with the military on camouflage techniques; his development of a visual design pedagogy, as seen in the exhibition The New Landscape and his book The New Landscape in Art and Science; his encyclopedic Vision + Value series; his unpublished magnum opus, the Light Book; the Center for Advanced Visual Studies (CAVS), an art-science research institute established by Kepes at MIT in 1967; and the Center's proposals for massive environmental installations that would animate the urban landscape. CAVS was entangled in the antiwar politics of the late 1960s, as many students and faculty protested MIT's partnerships with defense contractors-some of whom had ties to the Center. In attempting to "undream" the Bauhaus into existence in the postwar world, Kepes faced profound resistance. Generously illustrated, drawing on the vast archive of Kepes's papers at Stanford and MIT's CAVS Special Collection, this book supplies a missing chapter in our understanding of midcentury modern and Cold War visual culture.

Le Corbusier (1887-1965) is one the most influential architects of the 20th century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914-1973). Their collaboration on Le Corbusier's pavilion for the 1937 Paris World Exhibition sparked Jorn's lifelong fascination with the great architect and with architecture more broadly as an inherently public form of art. At the same time, Le Corbusier began revealing his work in visual art and started to move from a rational, technological approach to architecture, towards a more poetic, materialist one. Published in collaboration with the Museum Jorn, Silkeborg, What Moves Us? focuses specifically on the reception of Le Corbusier in Scandinavia, with the relationship between Jorn and Le Corbusier as a thematic thread. The book first highlights the architect's change of direction and subsequently takes readers through his influence on the young artist. The book's distinguished contributors explore the relationships that emerged among their artistic theories and practices, including Jorn's later critique of Le Corbusier.Essays also explore the wider influence of Le Corbusier on Scandinavian architecture and urbanisation and consider Le Corbusier alongside the Danish architect Jorn Oberg Utzon and the Aarhus Brutalism movement.

Here is the account, in storybook form with illustrations by the author, of two artists and how they settled in northern New Mexico to try their skill at designing and building adobe houses.

Als ein globales Phanomen des 19. Jahrhunderts belegt das Maurische Revival die Faszination westlicher Architekten fur das islamische Erbe von al-Andalus. Dieses spielte eine zentrale Rolle im Werk Carl von Diebitschs (1819-1869), der als einer der ersten deutschen Architekten die nasridischen Bauten Granadas, die spektakularen Palaste der Alhambra, den Alcazar von Sevilla und die Moschee-Kathedrale von Cordoba in den Jahren 1846-1847 vor Ort studierte und ihren ornamentalen Reichtum in zahlreichen Bleistiftskizzen und Aquarellen festhielt. Vom 27. Oktober 2017 bis zum 10. Januar 2018 werden Carl von Diebitschs Architekturstudien und Bauentwurfe im Rahmen der im Architekturmuseum der Technischen Universitat Berlin stattfindenden Ausstellung "A Fashionable Style. Carl von Diebitsch und das Maurische Revival" erstmals in Deutschland gezeigt. Die vorliegende Publikation wurde begleitend zur Ausstellung konzipiert und bietet einen vertiefenden Blick auf die gezeigten Exponate und thematischen Schwerpunkte. Der Fokus liegt dabei auf Carl von Diebitschs Jahren an der Berliner Bauakademie, seinen Studien zur islamischen Architektur von al-Andalus und seinen neo-maurischen Bauten und Interieurs in Deutschland und Kairo. Weitere Aspekte sind der Loewenhof als Nukleus des Alhambra-Stils und seine Transformation im 19. Jahrhundert, Owen Jones' international gefeierter Alhambra Court von 1854, die serielle Reproduktion nasridischer Architektur und Ornamentik in Form von Gipsabgussen, Architekturmodellen und Moebelstucken oder die Bedeutung von Stuck und Eisen im Werk des preussischen Architekten. Als innovativer Erneuerer gelang Carl von Diebitsch die Revitalisierung der nasridischen Baukunst und ihrer Herstellungsverfahren, die er von Berlin aus in die Welt trug.

Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities' livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. And she has founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA's projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself. Different chapters in the book are describing various ways of approaching the task of observation. Seven chapters are divided into specific projects and provide a look at the hidden thought processes that can take place behind the ideas, solutions, and physical manifestations or architecture. Presented projects include the Portable Concert Hall, called Paracoustica, which is an ongoing nonprofit work to come up with an affordable and sharable concert hall among many constituents in remote and underserved community; the Novartis Institutes for BioMedical Research focusing on socialization among scientists as a new model of work that promotes further discovery and teamwork. And i.e. the research on the role of libraries in the future using the example of the Brooklyn Public Library Central Branch. Another chapter is dedicated to the vernacular typology development in Senegal with the Albers Foundation, and the research on social spaces for collaborative educational environments.

The Pritzker Prize is the most prestigious international prize for architecture. Architect includes all 42 recipients of the Pritzker Prize, and captures in pictures and their own words their awe-inspiring achievements. Organized in reverse chronological order by laureate each chapter features four to six of the architect's major works, including museums, libraries, hotels, places of worship, and more. The text, culled from notebooks, interviews, articles, and speeches illuminates the architects' influences and inspirations, personal philosophy, and aspirations for his own work and the future of architecture. The book includes More than 1000 stunning photographs, blueprints, sketches, and CAD drawings. Architect offers an unprecedented view into the minds of some of the most creative thinkers, dreamers, and builders of the last three decades and reveals that buildings are political, emotional, and spiritual.

In 2016, Dario Franchini and Diego Calderon founded two offices, one in Lugano and one in London. Since then, they have completed a number of small conversions and buildings with an experimental character. For the Palazzo del Cinema in Locarno, they carried out a relatively large conversion project including heightening measures. Their interventions are both precise and clinical. Text in English and German.

One of the main concerns of Brussels-based architecture firm A.2R.C is the continuing urbanisation of the city of Brussels. Critical of attempts over the years to 'modernise' Brussels, A.2R.C's aim is to pursue the reintegration of the city by offering full architectural services for the transformation, restoration and readaptation of notable buildings. A.2R.C's expertise extends to new construction, particularly large-scale, mixed-use urban ensembles, and it also has a reputation as one of Europe's most experienced firms in newly built and renovated theatre buildings. This book explores the work of a firm dedicated to the future of one of Europe's most historic and beautiful cities.

By retracing Frank Lloyd Wright's footsteps on journeys he made beyond his homeland of the USA, this book explores his global ambitions and his lasting legacy and offers an original and contemporary view of Wright and his architecture. While Lloyd Wright is perceived as the quintessential American architect, in fact he was well-travelled, and these six journeys were to develop and promote his globalising 'organic' philosophy. The author takes off first to Japan and Germany to explore the way Wright's visits to these countries informed and framed his 'Prairie House' period. He then travels to Russia and the UK, where Wright presented his global 'Usonian' manifesto. The final two chapters pursue Wright to Italy and the Middle East as part of his 'Legacy' period. The book is beautifully illustrated with Wright's own sketches and photographs, as well as some historical photographs of Wright's original journeys and works. The author meets people who are living and coping with Wright's 'organic' architecture today and asks them whether their homes are still true to Wright's intent or whether there is something else that made their home particular.By considering Wright beyond America, his architecture is critiqued against different cultural settings so that it can be evaluated as emerging from a new globalised era of architectural production. The author reflects on Frank Lloyd Wright as an early promoter of globalisation - in fact, as the first 'global architect'.

A documentation of the details and ornamentation used by John Gaw Meem in his architecture in the Southwest. Copiously illustrated with photographs, plans and diagrams.

The murals of the Saint Francis Auditorium of the Museum of Fine Arts, Santa Fe, New Mexico were dedicated in 1918 when the Museum of Fine Arts was the subject of great festivities held for the grand opening of the building, financed by private capital and State money. The murals themselves are in excellent condition and effectively grace the handsome auditorium. Their meaning is not obvious; in only three of them does Saint Francis appear. One inevitably wonders why the other subjects were selected; who made the decisions as to the subjects; who gave the commission and when; what artists did what for which pictures? What was the impact of the unexpected death of the principal artist before the murals were completed? These questions, but above all the meaning of the cycle of pictures, instigated the author's research and are responsible for clarifying Santa Fe's heritage of these extraordinary pictures.

Carl Sheppard taught at the University of Michigan, UCLA, and the University of Minnesota where he was also Chair of the Department. In New Mexico he concentrated on the period of the first two decades of the twentieth century. The University of New Mexico Press published his book "Creator of the Santa Fe Style: Isaac Hamilton Rapp, Architect." The volume won the Gaspar Perez de Villagra Award for an outstanding publication in 1988. Previously Dr. Sheppard published primarily in the early Medieval field as well as occasionally on subjects of modern art.