In spite of its monumentality, the architecture of Legorreta + Legorreta is conceived for us to live in: it suits our needs, our appetites, and our emotions. Some of the best examples are seen in the vestibules of the Center of Visual Arts and of the Sheraton Hotel in Bilbao. Geometric pure and timeless forms instill rotundity and clarity into the complicated projects. Even in large complexes, like the Chiron Laboratories, or the Egade Graduate School, privacy and simplicity is preserved. The treatment of light also aids them in creating different spaces without any need of walls or separators. The application of color is a most important priority, especially in projects set in their native Mexico. There are tones that the architects use to dramatize spaces which intensify the personal experience of the people in the buildings. All of these ingredients integrate architecture, landscaping, and interior decoration into a single discipline that respects the place and the traditions.

This sociological analysis of Wright's architecture examines the interaction between people and the spaces they create. Satler shows how Wright explored a new architectural dimension, the space in which we live. Focusing on the Larkin Building (1904) and Unity Temple (1907), works that Wright considered important but that have received little attention, Satler delineates the social nature of space. She provides an analytic framework through which to understand Wright's buildings and his writings, revealing how the history of such works and cultural landscapes offer a basis for making social, political, and spatial choices about the future. Wright's specific architectural works provide a framework for constructing social histories of places and people because his designs represent a natural way to build and to live within a larger social landscape. This original study will appeal to sociologists, architects, urban and architectural historians, urban planners and anthropologists, and those interested in the work of Frank Lloyd Wright.

Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unite dhabitation built in Marseille in 194652. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most significant buildings there has ever been, but it also triggered a great deal of controversy. The story of the response to it has been recorded in order to investigate why this extremely ambitious project in particular should have caused such a conflict between intention and effect. The Unite dhabitation in Marseille is now very popular with the people who live in it as a building. Despite all the criticism, it obviously still offers functional advantages that make it easier for individuals and the community to live together. The enormous sculptural force and the characteristic interplay of light and colour shown in the photographs make the building into a "personality" that can be identified with. As well as this, the building also offers something special in terms of concrete spatial experience. In the age of a superficial 'adventure society' it claims the intensity of an everyday experience that is both casual and at the same time complex, embracing all the senses. This extends from the reception in the imposing foyer to the 'theatre' of figures on the roof terrace in the light of the landscape, from the inverted urban scenery of the promenade publique to twilight seclusion in the silent residential streets. And it includes the flats themselves, which open up expansively to draw in the sea and mountain mood. Le Corbusier used his architectural resources atmospherically and scenically to give the Unite dhabitation a succinct coherence that also forms the basis for individual lives within its rooms and spaces. Precise observation and description reveal the mechanisms of these effects. All three authors are qualified architects. Alban Janson is professor of the fundamentals of architecture at Karlsruhe University, Carsten Krohn lives and works as an author in Berlin, and Anja Grunwald teaches architectural photography at Karlsruhe University.

Das Handbuch der Stadtbaukunst vermittelt grundlegendes Wissen fur den stadtebaulichen Entwurf. Stadtraume, Hofraume, Platzraume und Strassenraume werden anhand von 150 Beispielen aus uber 70 deutschen Stadten massstablich dargestellt, analysiert und verglichen. Das vierbandige Werk dokumentiert eindrucksvoll die in der Leipzig-Charta beschriebenen Qualitaten der europaischen Stadt: Schoenheit und Dauerhaftigkeit, Nutzungsmischung, soziale Vielfalt, Dichte und die Trennung in oeffentliche und private Raume. Herausgeber Christoph Mackler knupft an die Lehrbucher von Cornelius Gurlitt, Raymond Unwin und Josef Stubben aus dem fruhen 20. Jahrhundert an und liefert eine fundierte Anleitung zum Bauwerk Stadt. Mit Beitragen von Vittorio Magnago Lampugnani, Christoph Mackler, Werner Oechslin, Alexander Pellnitz, Jan Pieper, Birgit Roth, Mirjam Schmidt, Wolfgang Sonne, Jurg Sulzer und Anne Pfeil sowie Thomas Will

Since a compilation of their work was published in the series Anthologie 2012 ISBN 9783037610565, Detlef Horisberger and Mario Wagen have achieved further competition successes and expanded their exciting oeuvre. The designs always critically and creatively engage with the building programme, the location and the legal construction regulations. Text in English and German.

Architecture shapes our lives to a greater extent than almost any other art form. This also applies to the buildings planned by the firm gmp * Architekten von Gerkan, Marg und Partner. With tremendous openness to building on any scale and typology under a wide variety of cultural as well as contextual conditions, the long-established firm has realized airports, soccer stadiums, and cultural buildings all over the world. Since its founding in 1965, the firm has undertaken more than 500 projects in twenty-three countries and has been honored with numerous awards for its buildings. Its extensive oeuvre is reflected in numerous publications, including this profusely illustrated 13th volume of the well-known series of monographs. The fifty buildings and projects from 2011 to 2015 discussed here range from the seat of the Vietnamese National Assembly to the Tianjin Cultural Center, Bund SOHO in Shanghai, Baku Crystal Hall, the stadiums built or converted for the 2014 World Cup in Brazil, the New Hans Sachs House in Gelsenkirchen, Germany, and Pier A-West at Frankfurt Airport.

In this planning guide, the renowned lighting designer Ulrike Brandi documents all her findings on the topics of lighting design, daylight, sustainability and healthy living spaces. It is a challenge to create holistic lighting design in times of advancing mechanization, but it is the right thing to do in terms of achieving sustainability in the use of light and energy. The renowned lighting designer Ulrike Brandi explains this attitude with the words, "It's better to make the most of natural light from the start, rather than compensating with artificial light afterwards". The guideline Light Nature Architecture proves how essential, but also simple, it is to integrate natural light into architectural planning and thus into the design of healthy and pleasant living and working environments. This richly illustrated handbook is structured based on natural light phenomena and combines Ulrike Brandi's wealth of experience, theoretical principles, and design methods to create a reference work and source of inspiration. Richly illustrated basic work for holistic lighting design Insight into the extensive practical experience of the renowned lighting designer Ulrike Brandi Source of inspiration for professional planners, architects and laypeople Available in German and English (Light Nature Architecture, ISBN 9783035624151)

Residential Quality and Urbanity: Baumgartner Houses in Basel Between 1926 and 1938, the construction development company Baumgartner & Hindermann built around 300 apartment buildings in Basel, grouped in five quarters that form a ring around the city center. They are still known in Basel today as the "Baumgartner Houses". People appreciate their natural urban integration and the high quality of living provided by their well proportioned, polyvalent rooms and solid building materials. This detailed documentation proves that en-trepreneurial motives and rationalization of the design and construction processes are not inimical to good architecture. This series of apartment blocks is still exemplary by today's standards; though it consciously pursued "mediocrity", it ultimately achieved an advanced expression of urbanity and quality. The only comprehensive monograph on the Baumgartner houses in Basel Now republished in its third edition: historical documentation of a series of successful apartment buildings Still setting standards today in terms of residential quality and urbanity

Josep Lluis Mateo is one of Spain's leading architects and one of Europe's most influential intellectuals. He runs a firm called mateoarquitectura in Barcelona, which has designed buildings in many countries such as Spain, Portugal, Germany, France, the Netherlands and Switzerland. Alongside his work as guest lecturer, Mateo was Professor of Design at the Federal Institute of Technology (ETH) Zurich from 2002 to 2014. Mateo's standing as a pacesetter in the international intellectual discourse about the future of architecture is closely tied to the journal Quaderns d'Arquitectura i Urbanisme, which has appeared in Catalan, Spanish and English since 1985 and of which he was editor-in-chief between 2002 and 2014. Under Matteo, it developed into the leading platform for discussions on architectural issues, urban design, and aesthetic concepts. Footprints: Writings 2005-2020 collects his most important texts from the last fifteen years - short and longer essays and vignettes, along with interviews touching on questions about the elements, environmental and urban contexts, as well as on Matteo's own designs. The texts are illustrated and arranged thematically, to allow the juxtaposition to inspire new connections. Text in Spanish.

Karl Schwanzer was on fire for architecture. He reformed Austrian architecture after 1945 and, in the post-war period, significantly shaped the image of a new, free Austria at home and abroad. As an importer and exporter of ideas, he worked on over 600 projects and designs over 28 years of his career. This book is an illustrated chronology of his oeuvre, bringing to life developments and modulations. At the same time, it is also an architectural and contemporary history as well as a homage to architectural photography; Schwanzer only worked with excellent photographers such as Lucca Chmel, Barbara Pflaum, Franz Hubmann, Sigrid Neubert, and with Maria Woelfl, who has yet to be discovered. The photographs of temporary buildings that are no longer in existence are particularly valuable.

Pressing Matters is an exciting design and research compilation from PennDesign's Department of Architecture, featuring recent student work, news, important symposia and lectures. Society faces many challenges: global warming and environmental change, pollution and waste, transition to new energy and resource economies, the redistribution and reorganisation of political and economic power worldwide; globalisation of the construction and development industries, population growth, shrinkage and migration; urban intensification and attrition; privatisation of public sector activities; and the transformation of cultural identities and social institutions. We seek to bring the expansion of expertise and creativity in architecture to bear on these challenges with a goal to be at the forefront of advanced research and design by creating an advanced research institute that focuses on new design methodologies and future manufacturing through the interlinked intelligence of digital design, scripting and robotics. Printed on recycled paper with non-toxic inks, Pressing Matters focuses on social awareness and responsibility, and endeavours to be a think-tank for critical exchange and advanced debate within and across disciplinary boundaries. We are a connective device linking invited experts for ongoing lectures and publications to a growing international audience and an increasing network of experts. Approximately 310 graduate students, the Graduate Architecture Department is comprised of design studios, exhibition spaces, classrooms, and offices, a facility that includes state-of-the-art laboratories for computing and fabrication and two advanced research labs: the Digital Design Research Lab and the Building Simulation Group. PennDesign has also introduced 3-D printers in the newly renovated studio spaces and a brand new Robotic lab.

Text in English & German. This book is a synopsis, a summary of the books also published by Edition Axel Menges about the Prussian architects Karl Friedrich Schinkel (1781-1841), Ludwig Persius (1803-1845) and Friedrich August Stuler (1800-1865), but it covers only the works of these architects in Berlin and Potsdam. The three books mentioned above are subtitled 'The architectural work today'; in other words, they are exclusively about buildings that still exist. This is also true of the present selection. The question whether this selection and limitation to Berlin and Potsdam is representative of the work of the three architects can clearly be answered in the affirmative. For Persius this question does not even arise, because during his short life he worked almost exclusively in Potsdam and its immediate vicinity -- he was the 'King's architect'. Stuler's work is found in a region extending from Cologne on the Rhine to Masuria, with some important buildings in Stockholm and Budapest as well. About a quarter of his works can be found in Potsdam and Berlin, where Stuler, too, was the 'King's architect'. The truly gigantic lifework of Schinkel extends from Aachen to St Petersburg. Berlin and Potsdam have about a third of his works. It can be confidently said, however, that those who know the works of Schinkel, Persius and Stuler in Berlin and Potsdam also know the architect's work as a whole in each case. Since the pictures assembled here were taken between 1998 and 2005, they themselves have already become somewhat historical.

Laurent Lin, Alain Robbe and Rolf Seiler are the protagonists of the Geneva office founded in 1999. Since then, a dozen competition successes have resulted in several residential developments, a school building, an old people's home, commercial and administrative buildings, and individual homes. The designs are always pointedly critical and creative engagements with the building programme, the location and building regulations. Text in German and French.

On the occasion of the 40th anniversary of the worldwide leading architectural practice Herzog & de Meuron, we are publishing the second volume of the Complete Works as an accessible paperback edition. The reprint, in original format, comprehensively present all buildings and designs from 1989 up to the year 1991. The development of the practice over the first years can be tracked in fascinating documents of the time.

This is the first-ever monograph on Verona-born architect Armando Ronca (1901-70), a significant protagonist of Italy's post-war Modernism. Following his studies in engineering in Genoa, Torino, and Padova he started working as an architect in Trento before he established his own studio in Bolzano in 1935. Ronca soon became a leading proponent of Modernism in architecture in Northern Italy. In 1944, he opened a second studio in Milano, where the 1948 expansion of the San Siro football stadium in collaboration with the structural engineer Feruccio Calzolari was the largest single project of his entire career. This new book documents Ronca's life and work, featuring in detail some forty of his designs mainly in the Trentino-Alto Adige and Lombardy regions, richly illustrated with original plans and drawings by Ronca and period photographs. Newly commissioned images by Austrian architecture photographer Werner Feiersinger present all of Ronca's preserved buildings in their current state. Essays by Andreas Kofler, Massimo Martignoni, Giorgio Mezzalira, Magdalene Schmidt, Luigi Scolari, and Jorg Stabenow, and a complete catalogue of Ronca's built and unrealised projects and interior designs round out the book. Text in Italian and German.

Born to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognised as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Perfectly complementing Nathaniel Kahn's award-winning documentary, My Architect, Wendy Lesser's You Say to Brick is a major exploration of the architect's life and work. Kahn, perhaps more than any other twentieth-century American architect, was a "public" architect. Eschewing the usual corporate skyscrapers, hotels, and condominiums, he focused on medical and educational research facilities, government centers, museums, libraries, parks, religious buildings, and other structures that would serve the public good. Yet this warm, captivating person, beloved by students and admired by colleagues, was also a secretive and mysterious character hiding behind a series of masks. Drawing on extensive original research; lengthy interviews with his children, his colleagues, and his students; and travel to the far-flung sites of his career-defining buildings, Lesser has written a landmark biography of this elusive man, which reveals the mind behind some of the twentieth century's most celebrated architecture.

Text in English and Italian. Ivano Gianola is one of the most important exponents of the so-called Ticino School. This developed in the early 1970s as a loose association of architects who thought in related ways. At the time, their ambition was to set radical alternatives of a powerfully symbolic nature against the increasing destruction of the environment by new building in Ticino. What made Gianola's buildings different from others of the Ticino School from the outset was the subtle way they were bound into their context, and their precise craftsmanship. The latter meant that building after building, especially in terms of interior finish and the coherence of all the details, became real total works of art. So it is hardly surprising that Gianola created the most beautiful living spaces in Ticino, in the best Artsand-Crafts tradition. This craft precision, combined with high formal and aesthetic values, was probably also crucial to the fact that in the 1990s Gianola was commissioned to design a series of public and private buildings abroad. Thus his conversions and new buildings for the Bayerische Vereinsbank in Schafflerhof in Munich made a major contribution to the new concept for the well-known Funf Hoefe site. But Gianola's greatest success so far was winning an international competition for redesigning the extensive site around the ruins of the former 'Palace' luxury hotel in Lugano. Here a theatre seating over 1 200 people, a modern art museum, housing and offices, a municipal park and a new section of the lakeside promenade will be created over the next five years. This is the biggest project that the Canton of Ticino has ever awarded, and it will have found an appropriate architect. This first publication of the complete works of Gianola gives the latest of the leading protagonists of the Ticino School a monograph of his own.

Text in English and Spanish. In 2000 the Autostadt, a show park for the Volkswagen group and its subsidiaries from Seat via Audi to Bentley and Lamborghini, opened in Wolfsburg. Alfredo Arribas designed the Seat Pavilion, and has brought off the brilliant trick of making an essentially reticent building into the focal point of the Autostadt. The structure is like a snail shell, forbidding and closed with the exception of a band of windows that seems to rise directly out of the surface of the lake on the Autostadt site. The irregular curve of the ground plan is reminiscent of a leaf or other forms borrowed from nature. Access is via two elegant ramps floating over the water and the site and thrusting straight into the centre of the pavilion: a homage to the old master, Le Corbusier. And then inside we are confronted with a surprise-packed exhibition landscape: a dazzling synthesis of acoustic and visual impressions that cast their spell over visitors as they walk round. Alfredo Arribas was a provocative newcomer on the architectural scene in Barcelona in the late eighties and is now an international success. He was probably predestined for this job like no other architect. He showed a highly personal flair for presenting spaces and goods from the outset, attracting early attention with his designs for discotheques and bars like the enormous Louie Vega (1988) discotheque, or the Torres de Avila (1990). The expressive tower for the Marugame Hirai Museum (1993) is also part of this creative phase, where forms did not necessarily have to be justified by functional logic. But Arribas' architecture changed into its business suit for the very next commissions. For example, even bankers in their pin-stripe suits feel perfectly at home in the cafeteria he designed for Norman Foster's Commerzbank headquarters in Frankfurt. Arribas is working on two large projects at present: a family entertainment centre in Bari and the Cite des Musiques Vivantes in Montlucon.

Familienfotoalben sind eine grossartige Weise, Erinnerungen mit anderen zu teilen. Einer der grossten Vorteile bei der Verwendung von Fotoalben ist, dass sie zur Nutzung keine Batterien oder Strom notig haben. Fotoalben konnen leicht transportiert werden, damit andere Menschen sie ansehen konnen. Sie sind nicht mehr so beliebt wie sie in der Vergangenheit waren, aber Familienfotoalben bringen einen bestimmten geschichtlichen Anreiz und Charakter in die Umgebung, in der sie sich befinden."

Dedicated entirely to the legendary Casa de Retiro Espiritual, this book accompanies the MoMA exhibition of Ambasz's award-winning project. Considered a minimalist idea for some and a deconstructionist fable for others, Emilio Ambasz's Casa de Retiro Espiritual in Spain is instead an unclassifiable statement about architectural essentials. Situated close to Seville, this vacation home reinterprets in a non-vernacular manner the prototype of the Andalusian house, with a central patio which all the rooms look out on, where the earth is also used as an insulation system against the heat of the sun. Seen from afar, the house disappears like an optical mirage, leaving a view on the horizon of only the two empty backdrops arranged at right angles resembling an open book. Designed in 1975, the house has won innumerable architectural awards including the Progressive Architecture First Award and an AIA award. It foretold of Ambasz's pioneering work seeking to reconcile architecture with nature. Faithful to his conviction that "a building should return to the community in the form of garden, accessible to the community, all the land the building has covered," Ambasz's "green buildings," integrating garden and building into one inseparable entity, have been the precursors of a whole movement towards an energy efficient architecture. The fully illustrated volume includes an essay by Peter Buchanan, over 60 stunning full-color photographs of the house and an interactive CD Rom including aerial views, exterior and interior shots taken in daylight and at night.

Herzog & de Meuron gehoren zu den international bedeutendsten Architekten unserer Zeit. Der jungste Auftrag fur die neue Tate Gallery in London hat das einem breiteren Publikum ebenso signalisiert wie groe Ausstellungen in Tokio, New York und Paris. Die Gesamtausgabe im Birkhauser-Verlag fur Architektur tragt diesem herausragenden Stellenwert Rechnung und stellt das Werk in seinem. Band 2 umfat die Jahre 1989-91. Unter den 32 Entwurfen sind so bekannte Bauten wie das kupferummantelte Stellwerk und das Lokomotivdepot in Basel, das Museum fur die Kunstsammlung Goetz in Munchen, die Studentenwohnheime auf dem Universitatscampus in Dijon und die Sportanlage Pfaffenholz in St. Louis. Die gro angelegte Studie 'Basel, eine Stadt im Werden', aber auch die Masterplane fur den Universitatscampus in Dijon oder den neuen Ortsteil Sils Cuncas im Oberengadin gehoren zu den stadtebaulichen Analysen, die einen Schwerpunkt des Bandes ausmachen.

Herzog & de Meuron gehoeren zu den international bedeutendsten Architekten unserer Zeit. Der jungste Auftrag fur die neue Tate Gallery in London hat das einem breiteren Publikum ebenso signalisiert wie grosse Ausstellungen in Tokio, New York und Paris. Die Gesamtausgabe im Birkhauser Verlag fur Architekturtragt diesem herausragenden Stellenwert Rechnung und stellt das Werk in seinem Zusammenhang vor. Nach Band 2 im letzten Jahr werden in Band 1 nun die ersten elf Jahre von Herzog & de Meuron dokumentiert. ln diesem Zeitraum von 1978-88 wurde eine methodologische Basis erarbeitet, auf der die Grossprojekte der darauffolgenden Jahre aufbauen konnten. Waren Bauten wie das "blaue Haus" bei Basel durch eine naturbezogene Bildhaftigkeit gepragt, so traten Herzog & de Meuron fast gleichzeitig mit Entwurfen hervor, die so verdichtet waren, dass Erscheinungsweise, Funktion und Struktur zusammenfielen. Das Lagerhaus fur die Firma Ricola in Laufen ist mit seiner Hulle aus geschichteten Eternitplatten hierfur exemplarisch. Ein weiteres zentrales Thema der ersten Werkdekade ist denn auch die grundsatzliche Neubewertung von Materialien. Ein Haus in einem Garten bei Basel wurde innen und aussen ganz aus verschiedenen Sperrhoelzern gefugt, die Aussenwande eines Wohnhauses im ligurischen Tavole sind aus Bruchsteinen geschichtet. Fur ein Laborgebaude in Basel war eine Glashulle vorgesehen, die sich teilweise vom Baukoerper abloest; ein Wohnhaus mit Galerieraum lebt aus der vielfaltigen Verwendung von Beton. Bereits bei den Fruhwerken ist also ein ausgesprochenes Interesse an der Gestaltung der Fassade erkennbar. Die Auseinandersetzung mit ubergreifenden stadtplanerischen Aspekten manifestierte sich erstmals deutlich in der Siedlung Pilotengasse am Stadtrand von Wien, die Herzog & de Meuron zusammen mit Adolf Krischanitz und Otto Steidle 1987-92 entwarfen und realisierten. Das pragmatische Denken fur einen spezifischen Ort und Zweck in der sich rasch wandelnden Gegenwart, das den architektonischen Diskurs von Herzog & de Meuron in besonderer Weise auszeichnet, wird im Buch durch verschiedene theoretische Beitrage abgestutzt. Wie im bereits erschienenen Band 2 werden auch im Band 1 die zentralen Projekte ausfuhrlich vorgestellt. Im Anhang befindet sich eine Chronologie aller 47 Werknummern von 1978-1988 mit prazisen technischen und bibliografischen Angaben.

This comprehensive monograph presents the flagship projects--both completed and in progress--designed by the innovative architects Jakob + MacFarlane.

International architectural firm Jakob + MacFarlane-- an experimental laboratory focused on environmental transition and digital culture--accords particular attention to programmatic and urban social innovations.

The agency seeks links between the technicality and materiality of each project to anchor it in its temporal relationship and site. Signature works include the restaurant Georges at the Centre Pompidou (2000) and the Docks--City of Fashion and Design (2008), both in Paris, and Cardinal's Cube Orange headquarters (2010) and Euronews world headquarters (2014), both in Lyon. In addition to six ongoing projects in France and Belgium, the agency was awarded projects in Saint-Denis Pleyel and Reykjavik as part of the international "C40-Reinventing Cities" competition. The agency's work has been featured in museums such as the Victoria & Albert, San Francisco MoMA, Museum of Architecture in Moscow, Artist Space in New York, the Mori Art Museum in Tokyo, and the Bartlett School Gallery in London.

This bilingual English and French monograph, published to coincide with the Venice Biennale in May 2020, highlights the architects' insight on their profession, achievements, and perspectives. Text by respected critic Philip Jodidio is accompanied by more than 350 sketches, drawings, plans, sections, and photographs.