In his second book, Jürgen Geiselhart presents private residences in several newly constructed villas that are oriented stylistically toward extremely diverse models in the history of architecture and art. His individual architectures and interior architectures from the years 2017 to 2022 are based firstly on the wishes of the clients and search for a contemporary implementation with respect to the execution of details and materials on this basis. In a very personal conversation, Jürgen Geiselhart describes the creation history and design ideas of the private residences, which are presented over 280 pages of expressive digital photography. Text in English and German.

In this groundbreaking volume, conventional assumptions about one of England's greatest and most influential classical architects are turned on their head. Traditionally, Inigo Jones has been looked upon as an isolated, even old-fashioned, figure in European architecture, still espousing the Palladian ideals of the 16th century when European contemporaries were turning to the Baroque. Yet an investigation of contemporary European architecture and of Jones's buildings belies this impression, demonstrating that Jones must be viewed in the context of a European-wide, early-17th-century classicist movement. Giles Worsley examines the full range of Jones's architecture, from humble stable to royal palace. Worsley shows that key motifs that have been seen as proof of Jones's Palladian loyalties-particularly the Serliana, the portico, and the centrally planned villa-have a much older and deeper meaning as symbols of sovereignty. The book transforms our understanding not only of Inigo Jones but also of the architecture of his time. Published for the Paul Mellon Centre for Studies in British Art. Published for the Paul Mellon Centre for Studies in British Art

Collaborating with leading architects like Zaha Hadid, Foreign Office Architects, Norman Foster, and Will Alsop, Adams Kara Taylor have become the engineers of choice for projects that redefine the conventional boundaries between structural engineering and architecture. Their holistic approach expands structural thinking to include technical solutions, aesthetics, and advanced research to adapt both diverse architectures and design methodologies. Organized into a series of synthetic themes - complexity, trans-scalarity, modelling, process - this book presents a cross-section of diverse projects and methods as a manual for new relations between radical engineering and design. Contributors include Alejandro Zaera-Polo, Simon Allford, Patrik Schumacher, Tim Anstey, Mohsen Mostafavi, and Michael Speaks.

A former U.N. worker and prominent architect clearly explains every aspect of taking a greener approach to housing in impoverished tropical climates--including design, materials, and implementation. Hundreds of explanatory drawings by van Lengen allow even novice builders to get started.

Book & CD. Husain Lehri, the director of Super Book House, approached Yashwant Pitkar, teaching at the Sir J J College of Architecture in Mumbai, to bring out a book on a contemporary Indian architect whose approach is different from the run of the mill. Pitkar had no hesitation in choosing Shirish Beri who in a career spanning almost forty years has built works ranging from private residences to educational complexes and large public projects across India. As it turned out, this book is the result of an extensive collaboration between Lehri, Piktar and Beri -- Pitkar describes the process of making the book as one of slow and deep unfolding. What is most interesting about this book is its structure. Interspersed with the projects are Beri's written and sketched expressions. Each set of two projects is bookended by his illustrated essays and poetry. The essays are more like collections of rambling thoughts, posers and anecdotes -- seeking connections between nature, art, architecture, and life. There is a seamless rhythm set up in the book that constantly keeps the reader acquainted with the architect's outer manifestations in form of his buildings and his inner thought processes, integral to that creation. The opening essay, "Working with Wature ... Towards Sustainability" sets a tone towards not just architecture but life in general. Beri asks whether man's relationship with nature could become a universal archetype for a sustainable future. He advocates an approach towards architecture that grows out from the place and its spirit rather than imposed technocratic solutions. The book features about a dozen projects in greater detail, well illustrated with clear drawings, evocative sketches and excellent photographs accompanied by the architect's own analysis of the design process and governing concerns in each project. The opening section of the book contains a note by B V Doshi and a foreword by Christopher Charles Benninger who was Beri's mentor when he was a student at the CEPT in Ahmedabad. The Hirwai Farmhouse in Nathawade for himself, one of his earliest projects, is perhaps the best example of his avowed philosophy: spaces inspired by nature. The Sanjeevan Primary School and the Laboratory for the Conservation of Endangered Species at Hyderabad display Beri's playful and unconventional approach towards space organisation which is at once in harmony with the site's topography and natural features. Projects such as the Dharwad Engineering College or the Computational Mathematics Laboratory in Pune display a nuanced sense of structure, construction and meticulousness towards detail. In the closing section of the book there is an exhaustive list of projects with thumbnails giving a good idea of the full range of the architect's work. Accompanying the book is a CD titled "The Unfolding White: Shirish Beri's search for wholeness.

The UNESCO headquarters in Paris. The Pirelli skyscraper in Milan. The Palazzetto dello Sport in Rome. The "soaring beauty" of Pier Luigi Nervi's visionary designs and buildings changed cityscapes in the twentieth century. His uncanny ingenuity with reinforced concrete, combined with a gift for practical problem solving, revolutionized the use of open internal space in structures like arenas and concert halls. Aesthetics and Technology in Building: The Twenty-First-Century Edition introduces Nervi's ideas about architecture and engineering to a new generation of students and admirers. More than 200 photographs, details, drawings, and plans show how Nervi put his ideas into practice. Expanding on the seminal 1961 Norton Lectures at Harvard, Nervi analyzes various functional and construction problems. He also explains how precast and cast-in-place concrete can answer demands for economy, technical and functional soundness, and aesthetic perfection. Throughout, he uses his major projects to show how these now-iconic buildings emerged from structural truths and far-sighted construction processes. This new edition features dozens of added images, a new introduction, and essays by Joseph Abram, Roberto Einaudi, Alberto Bologna, Gabriele Neri, and Hans-Christian Schink on Nervi's life, work, and legacy.

Richard Haag is best known for his rehabilitation of Gas Works Park in Seattle and for a series of remarkable gardens at the Bloedel Reserve on Bainbridge Island. He reshaped the field of landscape architecture as a designer, teacher, and activist. In 1964, Haag founded the landscape architecture department at the University of Washington, and his innovative work contributed to the increasingly significant design approach known as urban ecological design, which encourages thinking beyond the boundaries of gardens and parks to consider the broader roles that landscapes play within urban ecosystems, such as storm water drainage and wildlife habitat. Gas Works Park is studied in every survey of twentieth-century landscape architecture as a modern work that challenged the tenets of modernism by engaging a toxic site and celebrating an industrial past. Haag’s work with ecologists and soil scientists in his landscape remediation and reclamation projects opened new areas of inquiry into the adaptive reuse of post-industrial sites. Thaïsa Way places Haag’s work within the context of changes in the practice of landscape architecture over the past five decades in the Pacific Northwest and nationally. The book should be of interest to specialists as well as to readers who are interested in the changes in urban landscapes inspired by Haag’s work. Watch the book trailer: https://www.youtube.com/watch?v=fUBeOCA8-kQ

An all-inclusive panorama of the many achievements of Gustave Eiffel, one of the 19th century's most remarkable architectsGustave Eiffel was the man behind the landmark that became the symbol par excellence of Paris, and so the dominant image of France around the world. However, the work of Gustave Eiffel (1832-1923) is not limited to the tower that bears his name. From 1856, when he was commissioned to design a railway bridge in Bordeaux (his first large-scale metal construction), he imposed his style all around the world. The bridge across the Douro in Portugal, the Garabit viaduct, the church in Manila, the Manaus Municipal Market in Brazil, and even the framework of the Statue of Liberty are just some of his more than 300 masterpieces. Then, disaster struck in 1892, when a report directly linked him to the Panama scandal that had come to light three years before. This was the start of a nightmare that would ultimately turn out to be completely unjustified. Deeply wounded, Eiffel withdrew, cloaking himself in his pride. His eldest daughter stuck by him, not only offering support, but also building up a remarkable collection of memorabilia and documents, a precious legacy which she left to her nephew Philippe Couperie-Eiffel. For the first time, to mark the 90th anniversary of his famous ancestor's death, Couperie-Eiffel has updated this treasure trove and offers us the chance to get to know the great architect and family man through a wide range of previously unpublished archives. This year also marks the 100th anniversary of the opening of the Panama Canal, whose lock gates Eiffel designed and patented.

What "really constitutes an architectural atmosphere," Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor’s passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and "presence" of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.

Marco Bakker and Alexandre Blanc established their architectural firm, BABL Bakker & Blanc architectes associés, in Switzerland in 1992. At their offices in Lausanne and Zurich, they develop designs that are modest yet reflect the high demands of the built environment. Darwin's Theatre, BABL at Work documents more than twenty-five years of the firm's work and demonstrates their vision and approach through a selection of thirty-four built and unrealised designs. Inspired by Pieter Bruegel the Elder's famous painting of the Tower of Babel, the book is conceived as a chronological spiral stairway to heaven that represents the evolution of eternal questions concerning space and time. This innovative concept reflects BABL's continuous work on recurring questions and the realisation that each of their projects is an iteration of earlier ideas.

Whether in town or country, James Gorst's buildings are defined by a combination of modern thinking and an ingrained respect for craftsmanship and bespoke detailing, with equal weight given to architectural form and engaging, vibrant interiors, full of texture and life. This is the first monograph on his work. In many respects, the timeless character of Gorst's work is rooted in the architect's own journey. Starting out as a neo-classicist, Gorst ultimately became frustrated by the restrictions and historicism of the classical approach and reinvented himself as a dedicated modernist, yet continued to place particular emphasis on a love of proportion, scale, symmetry and detailing. Ranging from rural projects which reflect the vernacular traditions of the surrounding countryside, including large contemporary country houses like RIBA award-winning Ironstone House, to others which creatively reinvent and add to period properties, along with new and innovative urban homes, all are defined by a particular ambition to be innovative, fresh and one of a kind. Each of Gorst's houses represents a particular journey, informed by the client and their needs, the context of the site and a response to landscape and setting, which is often reflected in his choice of natural textures and materials.

This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect's work and offers new and important perspectives on the history of modernism. Neil Levine places Wright's projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century. Levine overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright's larger, more varied, interesting, and complex urbanism, demonstrated across the span of his lengthy career. Beginning with Wright's plans from the late 1890s through the early 1910s for reforming residential urban neighborhoods, mainly in Chicago, and continuing through projects from the 1920s through the 1950s for commercial, mixed-use, civic, and cultural centers for Chicago, Madison, Washington, Pittsburgh, and Baghdad, Levine demonstrates Wright's place among the leading contributors to the creation of the modern city. Wright's often spectacular designs are shown to be those of an innovative precursor and creative participant in the world of ideas that shaped the modern metropolis. Lavishly illustrated with drawings, plans, maps, and photographs, this book features the first extensive new photography of materials from the Frank Lloyd Wright Foundation Archives. The Urbanism of Frank Lloyd Wright will serve as one of the most important books on the architect for years to come.

Meeting children as equals is not only a question of pedagogical attitude. Designing Spaces for Children shows how architecture and interior design can promote childhood development. Based on historical and current concepts of progressive education, the book sketches design principles for building daycare centers and schools that can also be transferred to other spaces, such as pediatric clinics. Rooms can invite discovery; they can promote communication and social interaction, strengthen self-confidence, and be places of retreat or landscapes for play. For years, the Berlin architectural firm baukind has been creatively balancing the strict legal requirements and architectural possibilities of architecture suitable for children-always with a view to children's needs. The book presents realized projects, such as the Kita Weltenbummler in Berlin, and aims to foster the equal involvement of children in the design of our environment.

This two volume slipcased monograph presents a comprehensive portrait of the works of Singaporean firm Bedmar & Shi. Established in 1986, Bedmar & Shi is known today as one of the most successful high end residential architecture firms in the South East Asia / Pacific region. Volume One - 'Thirty Years' - thoroughly compiles the work done by the firm across a variety of programmes and scales, including shops & restaurants, houses & complexes, and shophouses & conversions. Beautifully illustrated with stunning photographs, sketches, working drawings, and perspectives of more than 150 extraordinary works, the book also features an in-depth discussion with founder Ernesto Bedmar, and an introductory essay by the design critic Byron Hawes. Volume Two - 'Singapore' - introduces ten of the most recent houses completed by the firm in this invigorated country, offering a unique understanding of the tenets of tropical residential architecture through Bedmar & Shi's cultural and aesthetic interpretation of the vast socio-cultural melting pot that is that the majestic Garden City.Collectively, these two volumes provide a cohesive look at the wide-ranging output of one of Southeast Asia's most prolific, and highly respected, architecture and design firms.

From 1951 to 1969, John Brinckerhoff (J. B.) Jackson founded, edited, and published Landscape, a magazine that changed the way scholars, writers, teachers, designers, planners, and artists came to understand the everyday places that surround us and influence us in fundamental ways. Then, as a lecturer at Harvard University and the University of California, Berkeley, Jackson further pioneered ""landscape studies,"" a field through which he continues to inspire those who study and interpret landscapes, whether urban, rural, suburban, social, or wild. Drawn to Landscape is the first book to present fully the many aspects of Jackson's career. Including original essays by those who not only knew him best but who have carried his torch to new heights in their own respective work, the book sheds valuable light on Jackson's life and oeuvre, from the time of his childhood to his death in 1996, as well as on his many legacies that remain today. Also included, some pieces reproduced for the first time, is a wide-ranging display of Jackson's original drawings, watercolors, and teaching slides. J. B. Jackson taught us to pay attention to the often overlooked but defining features of our landscapes, such as the road and commercial strip, the garage and backyard, and flea markets and borderlands, as well as changing recreational uses of the land, the necessity for ruins and the inherent artificiality of historic preservation, and the importance of the clock--as opposed to the geographical and spiritual grounding of indigenous cultures--in defining our communities, societies, and economies. The book will be a welcome addition to anyone seeking, as Jackson urged, to ""read the landscape"" in order to understand our everyday world in new and enlightened ways.

Architecture shapes our lives to a greater extent than almost any other art form. This also applies to the buildings planned by the firm gmp * Architekten von Gerkan, Marg und Partner. With tremendous openness to building on any scale and typology under a wide variety of cultural as well as contextual conditions, the long-established firm has realized airports, soccer stadiums, and cultural buildings all over the world. Since its founding in 1965, the firm has undertaken more than 500 projects in twenty-three countries and has been honored with numerous awards for its buildings. Its extensive oeuvre is reflected in numerous publications, including this profusely illustrated 13th volume of the well-known series of monographs. The fifty buildings and projects from 2011 to 2015 discussed here range from the seat of the Vietnamese National Assembly to the Tianjin Cultural Center, Bund SOHO in Shanghai, Baku Crystal Hall, the stadiums built or converted for the 2014 World Cup in Brazil, the New Hans Sachs House in Gelsenkirchen, Germany, and Pier A-West at Frankfurt Airport.

This eighth volume of Imagine Math is different from all the previous ones. The reason is very clear: in the last two years, the world changed, and we still do not know what the world of tomorrow will look like. Difficult to make predictions. This volume has a subtitle Dreaming Venice. Venice, the dream city of dreams, that miraculous image of a city on water that resisted for hundreds of years, has become in the last two years truly unreachable. Many things tie this book to the previous ones. Once again, this volume also starts like Imagine Math 7, with a homage to the Italian artist Mimmo Paladino who created exclusively for the Imagine Math 8 volume a new series of ten original and unique works of art dedicated to Piero della Francesca. Many artists, art historians, designers and musicians are involved in the new book, including Linda D. Henderson and Marco Pierini, Claudio Ambrosini and Davide Amodio. Space also for comics and mathematics in a Disney key. Many applications, from Origami to mathematical models for world hunger. Particular attention to classical and modern architecture, with Tullia Iori. As usual, the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture.

In 2010, photographer Cemal Emden set out to document every building designed by the master architect Le Corbusier. Traveling through three continents, Emden photographed all the 52 buildings that remain standing. Each of these buildings is featured in the book and captured from multiple angles, with images revealing their exterior and interior details. Interspersed throughout the book are texts by leading architects and scholars, whose commentaries are as fascinating and varied as the buildings themselves. The book closes with an illustrated, annotated index. From the early Villa Vallet, built in Switzerland in 1905, to his groundbreaking Unite d'Habitation in Marseille, completed in 1947, this ambitious project presents the entirety and diversity of Le Corbusier's architectural output. Visually arresting and endlessly engaging, it will appeal to the architect's many fans, as well as anyone interested in the foundation of modern architecture.

This is a richly illustrated monograph revealing William T. Baker's masterful detailing and superior craftsmanship of magnificent family residences. Showcasing 14 classically inspired homes of grace and beauty, each property reflects an astute comprehension of life as it is lived in the 21st century, with deliberate nods to historical aesthetics that coexist harmoniously with the architectural language of natural light, passive design themes, voluminous space, and fabulous comfort. Inspired by the bounty of classical architecture found in the grand homes of the southern United States, particularly the state of Georgia, the hallmarks of William T. Baker's architecture are extraordinary attention to details of craftsmanship and construction, and a keen eye for scale and proportion. His work clearly reflects the aspirations of the American Dream. This beautifully photographed monograph of William T. Baker's work is the third volume in IMAGES' successful Classicist series, and showcases the exquisitely designed homes of the modern family, who entrusted Baker with their dreams and visions, and whose trust has been rewarded with classically inspired homes of grace and beauty. His work contributes greatly to some of the most aesthetically pleasing residences being built in the United States today.

Generational dialogues between 40 world-renowned creatives exploring how the creative legacy of previous generations is being reinterpreted over time. What is this phenomenon we call 'legacy'? This intangible inheritance that we eventually leave for our posterity? Is it the creative and intellectual heritage that one generation passes on to the next? Conceived by Lukas Feireiss, the book at hand tries to probe this open question by engaging in critical dialogue different generations of creatives, connectors and thinkers alike. In some cases, between inherent legacy of parent and child, in many cases between mentor and students, or simply between friends. The more than 40 illustrious contributors to this dialogue derive from an array of fields of knowledge and experience. Their stories often provide very personal insights into their work and life. They also reveal a broader perspective on the overall realms of art, design, architecture, music, literature, photography and curation in the 20th and 21st century. With contributions by Olafur Eliasson and Einar Thorsteinn, Lukas Feireiss and Ai Weiwei, Charlie and Rem Koolhaas, Francesca Gavin and Kerry James Marshall, Sophie Lovell and Dieter Rams, Hans-Ulrich Obrist and Yona Friedman, Shumon Basar and Ken Adam, Carson Chan and Phyllis Lambert, Rachel and Daniel Libeskind, Andres Ramirez and Denise Scott Brown, Aric Chen and Arata Isozaki, Ahmir Questlove Thompson and George Clinton and many more.