Since 2009, the two Basel architects Fabio Felippi and Thomas Wyssen have completed several fine buildings and conversions. They are precise structures that have been developed with extreme care out of themes such as structural presentation, conscious tectonics, typological clarity and a meticulous materialization that alternates between coarse qualities and elaborate surface treatment. Text in English and German.

Dietrich | Untertrifaller are outstanding representatives of the second generation of the New Vorarlberg Building School. Their buildings are always sensitive and, at the same time, confidently developed from the respective context; they display a spatial refinement, are formally disciplined, and feature finely nuanced materials. With a longstanding international reputation, the practice undertakes a wide spectrum of projects from its branches in Bregenz, Vienna, St. Gallen and Paris. Some of their latest works include the Omicron campus in Klaus, the Concert and Congress Center in Strasburg, and the University of Fine Arts in Nancy. This monograph presents the most important works of recent years in detail and provides a complete overview of the entire oeuvre of the architects, who are known for their efficient use of resources.

Percy Leonard James was one of Victoria, British Columbia's pre-eminent architects through the early decades of the twentieth century. This well-researched biography, written by his daughter, chronicles James' personal and professional life from his early days in England to his becoming one of Victoria's most influential designers. As James' work is often overshadowed by his contemporary architects, Samuel Maclure and Francis Mawson Rattenbury, this book is long overdue and, in some instances, sets the record straight.

Since its inception, T.O.P. office has boosted architecture as an uncompromising social tool to persistently question the terrestrial scale and the delicate balance with mankind. Whichever way you turn it, Earth - the orb - is the undeniable alpha and omega for any future stance, action or intervention. An insight Luc Deleu & T.O.P. office have never failed to underscore - or challenge. Armed with an unsparing but humorous logic, a firm belief in the freedom of the individual, and a persistent commitment to ecology, T.O.P. office continues to hold up a mirror to society. Always unsolicited. Simply because they have to. For this publication, editors Peter Swinnen and Anne Judong were given unlimited access to the archives of T.O.P. office. The title is also the filter through which to examine the living archive. Which projects - whether conceived in the 1970s or 2000s - retain the intelligent promise of a future plan? And how can they enlighten designers, architects, urban planners, ecologists, cultural workers, administrations and policymakers of today and tomorrow? A future plan in itself.

This book presents a selection of projects from the first decade of the award-winning Chinese architectural firm Atelier Archmixing, founded in 2009 by ZHUANG Shen and REN Hao. It includes 24 designs, each with excellent photographs, drawings, and textual descriptions. Included here are two introductory essays: Several Factors that Define Our Work and Six Super Models, as well as a conversation between Archmixing's chief architect Zhuang Shen and Li Xinggang, Wang Fangji and Zhang Bin, and a review written by Li Xiangning. As one of China's pioneering independent architectural studios, Atelier Archmixing is known for its combination of design, research and theoretical reflection in the context of Chinese rapid urbanisation. Text in English and Chinese.

Felix Nussbaum (1904-44) was a German painter of Jewish descent, murdered in Auschwitz by the Nazis. After more than four decades in oblivion, his native city Osnabruck in northern Germany brought this distinguished artist to light again by opening a museum dedicated to his oeuvre, the Felix-Nussbaum-Haus. The artist's work, life, and fate resonates in this expressive structure that was designed by celebrated American architect Daniel Libeskind. German artist Brigitte Waldach, born 1966, has produced an impressive body work, mainly of large-format drawing and voluminous installations. Existenz (existence) she conceived especially for Felix-Nussbaum-Haus, where it has been on display since December 2018. It consists of three-dimensional drawings, excerpts from Nussbaum's letters, and a sound collage, involving the viewer in a dialogue with his paintings. This book documents the environment Waldach has created within Libeskind's architecture to reflect upon and experience Felix Nussbaum's art from our contemporary perspective. Text in English and German.

The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures which--in a reference to the idea of the cave--he describes as "primitive future." With this approach he creates forms that are committed to a playful interaction between user and space. Alongside private residences, such as the well-known N House, his library for Musashino Art University has achieved particular recognition. In addition he was represented at the 2010 Venice Biennale with a design for a house. In his personal sketchbook Sou Fujimoto offers insights into his design process. Through the sketches, drawings, and notes readers can trace how his complex concepts are made manifest and develop on paper.
SOU FUJIMOTO, born in Hokkaido, Japan, in 1971, established his architectural practice Sou Fujimoto Architects in 2000. In 2008, he was World Architecture Festival winner in the Private House category, and was awarded a RIBA International Fellowship in 2012. Recently he completed the new library and museum for the Musashino Art University in Tokyo.

The modern workplace has evolved from a dehumanized cubicle landscape to space designed for intelligent human life. While utility and amenity are vastly improved, wh at advances have been made in building truly creative communities that spark creativity, knowledge sharing and collaboration? Is the 21st century office performing at peak? Clive Wilkinson - The Theatre of Work proposes an intensified relationship between office users and the space they occupy. The new workspace should amplify and celebrate the activity of work and of human community, and in the process, becoming vital and compelling Theatre.

In defining this new landscape, the author examines global devel opments in workplace thinking, historical antecedents, the performance touch-points for the new office, and proposes seven humanistic principles that will inform a holistic design process that can bring this concept of Theatre to fruition. Each of these principles is demonstrated through case studies of the work of his renowned design studio, Clive Wilkinson Architects (CWA), with rich iconography, diagrammatic strategy and contextual ingenuity. The outcome of this process, with its multiple performative la yers, effectively promotes elevating a corporate brief of basic needs and goals to a profoundly human-centred presentation of ‘work as theatre’ .

The pioneering British modernist architect Richard Seifert was one of the most successful and influential architects of his generation. During the 1960s and '70s he changed the face and fabric of London with a powerful series of highly visible and uncompromising brutalist buildings, including - most famously - Centre Point, the Nat West Tower and King's Reach Tower. Seifert is often described as a modernist version of Christopher Wren in terms of his impact upon the capital, building hundreds of towers, office buildings and hotels in London but also working in other parts of the UK and internationally. An enigmatic and determined figure, Seifert achieved much in his lifetime yet has remained a controversial and divisive figure due to his unwavering commitment to modernism. Both Seifert and his buildings have been attacked, with his work described as 'notorious' for its brutalist aesthetic and an arguable lack of contextuality. Yet in recent years there has been a noticeable upsurge of interest in brutalist architecture in general along with the beginnings of a re-evaluation of Seifert's extraordinary contribution to mid-century architecture and design: a number of buildings by Seifert and his associates have been listed in recognition of their architectural importance. Beautifully illustrated, this book records, analyses and celebrates a considered selection of Seifert's buildings, including Centre Point, the Nat West and King's Reach Towers, Space House, the Euston Station Buildings, the Park Lane Tower Hotel, Drapers Gardens, the International Press Centre, all in London, Wembley Conference Centre and Sussex Heights in Brighton, within the most extensive survey of his work to date.

The European Nomadic Biennial Manifesta takes place every two years in a different European city. The biennial rethinks the relations between culture and society, investigating and catalyzing positive social change in Europe through contemporary culture in a continuous dialogue with its host city. Manifesta's founding director, Hedwig Fijen invited the architectural bureau MVRDV led by Winy Maas to develop an urban research of the city of Marseille. This new methodology, is a manner to decipher the complex settings of the cities that invite the biennial. In the study, multilayered structures of religion, ethnicity, geography, culture and politics are explored. Breaking away from its particular focus on art and culture, Manifesta has become an interdisciplinary and participatory program that aims to embrace holistic approaches that are uniting political, cultural and ecological questions within the host city.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfangen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen fur die historische wie auch die disziplingeschichtliche Forschung zur Verfugung, die jeweils im historischen Kontext betrachtet werden mussen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

2019 Independent Publishers Book Awards (IPPY) Bronze Medal Award winner! 2018 Robert & Judi Newman Award for Literature & Journalism! For centuries, men and women have sought to express beauty in architecture and art. But, it is only recently that neuroscience has helped determine how and why beauty plays such an important role in our lives. Founded on a series of lectures architect Donald H. Ruggles has given over the past ten years, Beauty, Neuroscience and Architecture: Timeless Patterns and Their Impact on Our Well-Being postulates that beauty can and does make a vital difference in our lives, including improving many aspects of our health. In this volume, Ruggles suggests that a new, urgent effort is needed to refocus the direction of architecture and art to include the quality of beauty as a fundamental, overarching theme in two of humanity's most important fields of endeavor - the built and artistic environments. ""Since the beginning of time,"" Ruggles notes, people have ""looked for certain patterns and a balance of space. . . . There is a deep-seated need for beauty and when that need is filled, a sense of safety and comfort is created."" In Beauty, Neuroscience and Architecture Ruggles draws on more than fifty years of architectural experience to delve into the forces behind the transformative emotion of beauty. Focusing on new discoveries in the science of the mind and neuroscience, as well as recent developments in fractal geometry theory, microbiology, and psychology, Ruggles leads the reader on a journey through architectural and art history to discover the importance of patterns in our perception of beauty - and its emotional content.

The first monograph of the California firm whose regional sensibility and early attention to sustainable design anticipated the prevalent trends in residential architecture today. A generous look at the San Francisco Bay Area architects' pioneering approach to sustainable houses, ranging from the vineyard regions of California to Telluride, Colorado; the rugged ranch lands of Montana and the picturesque hamlets of the Hudson Valley and Martha's Vineyard. Since its formation in 1981, Fernau + Hartman has become renowned for its imaginative expansion of the possibilities of site- and region-specific architecture. Leaders in these concepts, as well as in sustainable design long before its currency today, Fernau + Hartman's houses maximize the connection between the natural and built environments, intensify the experience of place, and invite an open, playful, and inventive approach to life. A Newport Beach weekend house has flexible sleeping quarters and almost everything else (spaces for cooking, eating, showering, and bathing) is outdoors; a house made of alternating indoor and outdoor rooms climbs up a Sonoma County hillside; and an island house inspired by the fishing village of Menemsha is composed as three independent gabled "sheds" docked at a central screened porch featuring a fireplace and dining table. With essays by Beth Dunlop, Laura Hartman, Thomas Fisher, and Daniel P. Gregory, Improvisations on the Land creates a multifaceted portrait of the firm's history, philosophy, and practice - revealing as much about their process as the finished houses themselves. Models, axonometric drawings, floor and site plans, elevations, and photographs of vernacular structures - from a collapsed barn in Montana, to Colorado mining compounds and a louvered colonnade in the Sacramento River Delta - contribute to a full appreciation of Fernau + Hartman's work, how its sense of spontaneity and joy provides the antidote to so much of the self-conscious architecture that surrounds us, and results in houses that push the possibilities of residential design today.