A major voice in the architectural culture of the mid-century, Sibyl Moholy-Nagy was uniquely engaged with modernism and modernity. As one of the very few female architectural critics of the time, she was an early voice articulating doubts about the path modernist architecture was taking, demystifying the myths of the masters, Mies, Le Corbusier and Gropius, and questioning their heroic, masculinist approach. Yet her writings and work are understudied, and have largely vanished from the canon of scholarly references on modernism. This book analyzes the significance of the life and work of Moholy-Nagy and explores the paradoxical aspects of the relationship between modernism and feminism. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked figures in modernism, it is both an examination of her work and legacy, and also a study on the roles of gender and of the changing nature of modernism in its trajectory from Europe to America. Drawing on personal papers, diaries, letters and lecture notes, as well as personal interviews with relatives, colleagues and students, this study is a key resource for scholars who would like to include the contributions of women in to their discussions of architecture and modernism.

The Pritzker Prize is the most prestigious international prize for architecture. Architect includes all 42 recipients of the Pritzker Prize, and captures in pictures and their own words their awe-inspiring achievements. Organized in reverse chronological order by laureate each chapter features four to six of the architect's major works, including museums, libraries, hotels, places of worship, and more. The text, culled from notebooks, interviews, articles, and speeches illuminates the architects' influences and inspirations, personal philosophy, and aspirations for his own work and the future of architecture. The book includes More than 1000 stunning photographs, blueprints, sketches, and CAD drawings. Architect offers an unprecedented view into the minds of some of the most creative thinkers, dreamers, and builders of the last three decades and reveals that buildings are political, emotional, and spiritual.

For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people's lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences. Tanja Herdt's new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price's well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt's thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an "anti-architect".

Since he followed it all of his life, Richard Neutra (1892-1970) must have relished the maxim of the Greek philosopher Socrates: "The unexamined life is not worth living." In his books, articles, lectures, correspondence, and even casual conversations, Neutra constantly examined, not only his own life, but the lives of others - present and past - and the human and natural world they inhabited. Nowhere was this truer than in his autobiography "Life and Shape," first published in 1962, which now, after years of being out of print, has again happily come back to life.

As opposed to "Survival Through Design" (1954), his superb collection of densely philosophical essays, Neutra took a different tack in "Life and Shape," following a lighter and more deliberately relaxed approach. It was as if the usually serious and intense Neutra was giving himself permission to reveal his richly ironic sense of humor and to probe areas in his personal experience which he had not examined as closely before. These included hitherto unrecorded memories of his parents, siblings, and his childhood and education in imperial Vienna, his numbing experiences as an Austrian artillery officer in World War I, and the beginnings of his architectural consciousness in his response to the work of Otto Wagner, Adolf Loos, Erich Mendelsohn, Louis Sullivan, and Frank Lloyd Wright.

As in the autobiographies of Sullivan and Wright, "Life and Shape" concentrates on Neutra's earlier years, both in Europe and America. While he naturally recounts his memories of such well-known commissions as the Lovell Health House (1929), his own Van der Leeuv Research House (1933) and the von Sternberg House (1935), he also muses on such less famous buildings as the small, and now virtually forgotten, Mosk House (1933). "Life and Shape" also confirms Neutra's obsession with the passage of time and his firm resolution never to waste it.

Like Sullivan and Wright, Neutra eschewed writing a factual chronicle, and - at the age of 70 - composed instead a meditation on the aspects of his life and work that seemed, in retrospect, to be the most interesting and significant. He felt no need to try to "include everything" but rather to present an honest recounting of his memory of his life. In writing my own "Richard Neutra and the Search for Modern Architecture" Oxford University Press, 1982; Rizzoli Press, 2006], I relied on "Life and Shape" when I wanted an account of Neutra's experiences told in his own authentic voice. For future generations of architects, historian, and readers, it is good to have it back.

- Thomas S. Hines, UCLA Professor Emeritus of History and Architecture

The groundbreaking guide to modern leadership in architectural practice Leading Collaborative Architectural Practice is the leadership handbook for today's design and construction professionals. Endorsed by the American Institute of Architects, this book describes the collaborative approach to leadership that is becoming increasingly prevalent in modern practice; gone are the days of authoritative "star" architects today's practice is a brand, and requires the full input of every member of the team. This book builds off of a two-year AIA research project to provide a blueprint for effective leadership: the ability, awareness, and commitment to lead project teams who work together to accomplish the project's goals. Both group and individual hands-on exercises help facilitate implementation, and extensive case studies show how these techniques have helped real-world firms build exemplary success through collaborative teamwork and leadership. Highly illustrated and accessible, this approach is presented from the practicing architect's point of view but the universal principles and time-tested methods also provide clear guidance for owners, contractors, engineers, project managers, and students. * Build a culture of collaboration, commitment, and interpersonal awareness * Adopt effective leadership techniques at the team, project, or practice level * Handle conflict and resolve communication issues using tested approaches * Learn how real-world projects use effective leadership to drive success The last decade has seen a sea-change in architectural leadership. New practices no longer adopt the name and identity of a single person, but create their own identity that represents the collaborative work of the entire group. Shifts in technology and changing workplace norms have made top-down management structures irrelevant, so what does it now mean to lead? Forefront presents effective contemporary leadership in the architectural practice, and real-world guidance on everyday implementation.

For their tenth anniversary, the design studio Roman and Williams Buildings and Interiors presents projects that blend the spirit of our collective history with a modernist edge. Roman and Williams’s style honors craftsmanship, the use of natural materials, and the overlooked in unexpected ways. Their understated, glamorous sensibility is imparted in Manhattan’s Ace Hotel interiors and restaurant The Breslin, The Standard Hotel, with its iconic Boom Boom Room, and the Royalton lobby. For such popular restaurants as The Dutch, the duo created environments with textured backdrops that reference a rich past with a contemporary sensibility. Their innovative work has captured the attention of firms such as Facebook—they recently completed its campus food hall—and their residences for celebrities such as Ben Stiller and Gwyneth Paltrow are equally imaginative. This book surveys the firm’s prestige projects, presented with Alesch’s architectural hand drawings and sketches and detailed views. Also included is their loft and Montauk home, which serve as design laboratories, and a collection of furnishings and fixtures.

In the spring of 1970, artist Ralph Steadman went to America in search of work and found more than he bargained for when he met Hunter S. Thompson at the Kentucky Derby. Their remarkable collaboration resulted in the now-legendary Gonzo Journalism, which would document the civil rights movement, the Nixon administration, Watergate, and the many bizarre and great events that shaped the second half of the twentieth century. When Thompson committed suicide in 2005, it was the end of a unique friendship filled with both betrayal and understanding. A rollicking, no-holds-barred memoir, The Joke's Over is the definitive inside story of the Gonzo years.

Greg Penoyre and Sunand Prasad (recently elected President of the RIBA) have been in practice together for 18 years. In that time, they have garnered an eclectic portfolio of buildings that are both visually striking and practical, and for a variety of uses, including education, healthcare, housing and culture. "Transformations: The Architecture of Penoyre & Prasad" consists of eight essays written by Prasad: 'The Anchor of Function'; 'Architecture, Art and Culture'; 'Plan Section and Elevation'; 'Who Designs?'; 'From DIY to PFI'; 'Environments for Healing'; 'Environments for Learning'; and 'Working with Existing Buildings'. These texts discuss Penoyre and Prasad's engagement with their clients and examines its relationship to both architectural history and the contemporary situations and purposes for which the practice works. "Transformations" provides a unique and personal insight into Penoyre and Prasad's major projects, including Moorfields Eye Hospital, the Rich Mix Centre, Wolverhampton Civic Halls, Woodacre Farm Learning Difficulties Unit and the University of Portsmouth Frewen Library.

Since 1970, based in an isolated building situated on the peninsula of Posillipo, Pica Ciamarra Associati (www.pcaint.eu) has acted as a laboratory of architectural and urban design which has gradually incorporated new members and new energies over the time: using a multidisciplinary approach, the roots of the architectural practice lie in the intensive theoretical and practical work begun in the early 1960s by Massimo Pica Ciamarra. Since then the practice has been marked by a continuous relationship with Le Carre Bleu Feuille internationale darchitecture and leading members of the cultural milieu of Team 10: this has led to constant attention to everything that lies beyond form, to the relation ship with contexts that also include non-spatial contexts, and to high levels of integration and dialectical discussion. According to Pica Ciamarra Associati, a design transcends the approaches of a single sector, providing simultaneous solutions to contradictory requirements, combining utopia and practicality. The poetics of the fragment: it mediates between architecture and the urban dimension; some designs also have the aim of becoming absorbed within a context as 'informed fragments'. This monograph is the result of an intensive period of work and consists of two interacting parts. It stems from research into the archive of the studio Pica Ciamarra and conversation with the members of the architectural practice. Organised diachronically, the book tells the long story, unfolding over a period of over fifty years of a team of Neapolitan architects and designers, who have maintained the lively spirit of the practice which is still geared towards the future. The textual and iconographic account tells a story and offers an interpretation that highlight the vibrant atmosphere of the studio, based on a consistency of thought and action, and fuelled by an interest in many different forms of knowledge. The contextualisation of the events related to the studio, as they unfolded over time, is wide-ranging, coherent and connotative. Antonietta Iolanda Lima, professor of history of architecture at the University of Palermo, has always tried, through theory, teaching and design, to disseminate the importance of history which can embracing innovation and tradition to an equal degree, forming a new architectural language. According to her view of architecture, history and design are closely connected, a 'single entity' as is reflected by her career. Since the 1980s, her academic work has gained increasing importance, a way of avoiding narrow sectoral approaches in the training of future architects, offering a holistic stance of the history of architecture and an architecture that contributes to shaping critical thought and a thriving cultural life.

If you've ever wondered how leading architectural firms successfully embed energy modelling into their practices, this book is for you. Featuring expert contributions from leading architects and practices, this book illustrates architects' approaches to learning, sharing and integrating energy modelling across a range of design projects, in both small and large firms in the UK and internationally. Discussing the practical and business implications of embedding energy modelling in practice, this practical guide is an essential manual for the energy-literate architect. Includes case study examples from award-winning architecture firms of how to implement energy modelling in different organizational structures Shows innovative ways of organising and managing design projects to achieve an integrated outcome Presents a first-of-its-kind approach to discussing energy modelling from an organizational rather than a technical perspective Features insights from a range of practice sizes, including AHMM, Architype, bere:architects, Feilden Clegg Bradley, Henning Larsen, HOK, Kieran Timberlake, Prewett Bizley and Tonkin Liu

Rick Mather Architects (RMA) have been working in London since the early 70s. Best known for their award winning museum extensions, such as the Dulwich Picture Gallery and the National Maritime Museum, RMA's portfolio spans a broad spectrum of projects, including residential and student housing, master plans and urban design for both renovations and new buildings. They are world renowned for their intuitive sense of place and context, as well as their pioneering technologies in structural glass and sustainable design. The book establishes Rick Mather's unique approach to resolving complex design issues on both a large scale and in the fine details; the work of the practice is described in accessible terms through the texts and through a wealth of visual material, including photography and drawings supplied by the practice. Alongside this documentation, the visual aspect is supplemented by reproduced paintings, maps and drawings from a diverse range of sources, which have inspired and informed the work. Over the past 33 years, the practice has undertaken 500 projects. These include the Virginia Museum of Fine Art; the student halls of residence in Norfolk; the Ashmolean Museum extension, Oxford; the masterplanning of London's South Bank Centre; as well as Mather's iconic housing of the 1980s and 90s. This book will cover the full range of the projects, exploring Mather's response to the technical and social requirements of the briefs, and the way that a US born architect has re-imagined Britain's culture and made it his own.

Known for its soaring towers that mark the skylines of the world's great cities, Pelli Clarke Pelli Architects is also a leading designer of performing arts centres, including critically acclaimed venues for opera, dance, plays, and concerts. The firm's award-winning work in this highly demanding field is vast, with examples ranging from one of largest performing arts centres in the United States to intimate theatres on college campuses. Highlighting the firm's technically rigorous and aesthetically inspiring designs, Perform features a selection of concert halls and theatres, and cultural centres, including such prominent and distinctive works as the Overture Center for the Arts in Madison, Wisconsin, and the Adrienne Arsht Center in Miami. Designed with renowned acousticians and theatre planners, these performance halls are both architecturally exciting and technically advanced. This book explores the design of beautiful and uplifting spaces that allow the performing arts to shine while adding life to their surroundings. Selected Projects: - Hancher, University of Iowa - The George S. and Dolores Dore Eccles Theater - Wintrust Arena - Multi-purpose Auditorium, Hong Kong University - Science and Technology - The Theatre School, DePaul University - St. Katherine Drexel Chapel, Xavier University of Louisiana - BOK Center - Renee and Henry Segerstrom Concert Hall and Samueli Theater - The Adrienne Arsht Center for the Performing Arts of Miami-Dade County - Overture Center for the Arts - South Coast Repertory Theater - Schuster Performing Arts Center - Dewan Filharmonik at Petronas Towers - Aronoff Center for the Arts - North Carolina Blumenthal Performing Arts Center.

This beautifully produced book celebrates the work of Robert Adam, the great eighteenth-century architect who influenced generations by stamping his distinctive neoclassical aesthetic vision on the English country house interior. Lavish new photography provides a deeply visual exploration of Adam s most important surviving country houses, to which the author and photographer gained unparalleled access. Included are magnificent country houses such as Syon House and Harewood House styled and inspired by the ideal of the neoclassical as well as Adam s castle-style Mellerstain and town houses such as Home House all captured in splendid detail. Original Adam design drawings, from Sir John Soane s Museum, illustrate the boldness of planning, color, and creative interpretation of Adam s domestic interiors. A biographical and contextual account of Adam s life and work describes his unique design process, his patrons, and the legacy of his design achievement. This richly illustrated volume will appeal to designers and homeowners as well as traditional architecture enthusiasts, promising to become an important addition to any architecture and interior design library.

Only few architecture firms in Europe have addressed the villa as a building type as consistently and with such formal rigor as Stuttgart-based Alexander Brenner Architects. The firm is widely known for designs characterised by plastic-geometric facades often resembling constructivist tableaux. What all of Alexander Brenner’s designs have in common is a truly holistic approach to the task. A house’s interior, kitchen, cupboards and other built-in furniture, is attended to with the same care for detail as its exterior. Corresponding gardens with curved sensual forms surround, and contrast, Brenner’s bright white cubic architectural sculptures. This new monograph follows-up on two successful previous volumes published in 2011 and 2015, and features five buildings realised between 2015 and 2021, including the architect’s own home in Stuttgart, the Brenner Research House. They are all documented in rich detail through striking photography, standardised plans and visualisations, as well as concise texts. An essay by Alexander Brenner rounds out this volume that serves again as a source of inspiration for anyone with an interest in residential architecture. Text in English and German.

Ned Lutyens was England's most prolific architect since Sir Christopher Wren, and his work still enhances our lives, from the fountains of Trafalgar Square and the Cenotaph in Whitehall, to the last 'castle' built in Britain and numerous country houses among his 600 commissions. His collaboration with the garden designer Gertrude Jekyll at places such as Hestercombe in Somerset and Lindisfarne Castle can still be enjoyed by vistiors and the memorials he designed to commemorate the dead of the First World War impress all who tour the battlefields of northern France. Of these, Thiepval Memorial to the Missing is the most awesome.

Richard Haag is best known for his rehabilitation of Gas Works Park in Seattle and for a series of remarkable gardens at the Bloedel Reserve on Bainbridge Island. He reshaped the field of landscape architecture as a designer, teacher, and activist. In 1964, Haag founded the landscape architecture department at the University of Washington, and his innovative work contributed to the increasingly significant design approach known as urban ecological design, which encourages thinking beyond the boundaries of gardens and parks to consider the broader roles that landscapes play within urban ecosystems, such as storm water drainage and wildlife habitat. Gas Works Park is studied in every survey of twentieth-century landscape architecture as a modern work that challenged the tenets of modernism by engaging a toxic site and celebrating an industrial past. Haag's work with ecologists and soil scientists in his landscape remediation and reclamation projects opened new areas of inquiry into the adaptive reuse of post-industrial sites. Thaisa Way places Haag's work within the context of changes in the practice of landscape architecture over the past five decades in the Pacific Northwest and nationally. The book should be of interest to specialists as well as to readers who are interested in the changes in urban landscapes inspired by Haag's work. Watch the book trailer: https://www.youtube.com/watch?v=fUBeOCA8-kQ

It was not by chance that Louis Kahn's move into his profession's spotlight coincided with the crisis of modern architecture: representing, as his work increasingly did, those aspects of space which modernism had so ambitiously removed from its program. Kahn's rethinking of modern architecture's paradigm of space belongs to his most important contributions to the metier. In tracing the genesis of the unbuilt project for the Dominican Motherhouse (1965-69), we are given a close-up view of Kahn at work on a few fundamental questions of architectural space: seeking the sources of its meaning in its social, morphological, landscape and contextual dimensions. This rich and multivalent project opens the way to a second section, which sheds new light on several of major works in a timely reappraisal of Kahn's work. The result of extensive research, illustrated with unpublished archival material and new analytic drawings, this affordable volume is an indispensible companion to 'Louis Kahn: Drawing to Find Out.'

"The oldest things are the newest"-this paradoxical idea is present throughout the oeuvre of contemporary Japanese artist and photographer Hiroshi Sugimoto. In 2008, Sugimoto and the architect Tomoyuki Sakakida founded the New Material Research Laboratory, an architectural firm that researches and develops "new materials" from known materials and techniques by applying a different approach and interpretation. The Laboratory's aim is to rethink the use of old materials passed on to us from ancient times, the Middle Ages and the modern period. It advocates for a reconnection of the present with a bygone era, and to extend that connection to the future through architecture. Old Is New delves into the art and architecture, as well as the archaeological philosophy and contemporary practice of the New Material Research Laboratory. Richly illustrated, the book shows the choice of materials for each project. The photographs in itself are compositions, presenting scenes that show a balance of the present and past. Sugimoto and Sakakida, discussing their practice and approach, wrote the principal texts of this volume. Additional text contributions delve into the origin of the laboratory's design ethos rooted in Japanese tradition and aesthetics and their historical context. The book also includes an annotated index of materials and classic Japanese techniques with information drawn from the laboratory's research.

The first major retrospective of the Brazilian modernist architect's life and work One of the most important architects of the twentieth century, Lina Bo Bardi (1914-1992) was remarkably prolific and intriguingly idiosyncratic. A participant in the efforts to reshape Italian culture in her youth, Bo Bardi immigrated to Brazil in 1946, where her practice evolved within the social and cultural realities of her adopted country. While she continued to work with industrial materials, she added simple building techniques and naturalistic forms to her designs, striving to create large, multiuse spaces that promoted public life. Lina Bo Bardi is the first comprehensive study of the architect's life and work. Author Zeuler Lima, the leading authority on Bo Bardi, presents her activities on two continents, examining how ethical and social considerations influenced her intellectual engagement with modern architecture and providing an indispensable guide to her writings and her experimental, iconic designs.

The Unite in Marseille (1945-1952) was a pioneering achievement at a time when social housing in the post WWII years posed an immense problem. Freed from restrictive regulations for the first time Le Corbusier was able to put into practice his concept of modern social housing. A milestone of modern architecture and subject of controversial debate, the Unite in Marseille continues to attract numerous visitors and students of architecture. This volume is the latest addition to Birkhauser's series of guides to Le Corbusier's most acclaimed buildings, and includes an additional chapter on his Unites in Reze-les-Nantes, Briey en Foret, Firminy and Berlin. The author, a practising architect and well known le Corbusier specialist, lives in Marseille and teaches at the Ecole d'architecture de Marseille-Luminy.

Valode & Pistre seem atypical in the world of contemporary architecture. Their bright, cheerful offices on the Rue du Bac in the heart of Paris reflect this nature. It seems quite natural that artists who work with light such as Yann Kersale and the late Francois Morellet have been pleased to create installations specifically for these offices because, from their first iconic completed work, the renovation of the CAPC Bordeaux Contemporary Art Museum, the pair have been actively interested in the connections between art and architecture. Denis Valode says, "We are convinced that the role of the architect is to do more with less and not the contrary. The economy of means-the correct choice of means-is essential. Our goal is to create the best possible result with a certain frugality of means." Once again, this interest in obtaining the maximum result with a minimum of means leads the architects to note that their approach is particularly well suited to current ecological concerns. Denis Valode and Jean Pistre's sense of efficiency has proven to be far more durable and better adapted to the demands of contemporary architecture than the many flamboyant styles that have come and gone since they started working together. Their words are in perfect harmony with their ideas-they avoid excessive rhetoric but when they talk about buildings they do so with passion and with clear ideas and methods, often involving their aesthetic sense developed through the world of art. Denis Valode and Jean Pistre oversee one of the most successful architectural offices in France, working on prestigious towers, hospitals, and research facilities, but also on shopping centers and sports venues. Nor are their projects limited to France-they have worked in China, Russia, and numerous other countries. The pair first worked together in 1978 and created Valode & Pistre in 1980. Today the office employs 200 people and provides interior, architectural, and urban design as well as engineering services. These projects highlight the success of the office in breaking through the barriers that usually separate architects who work on privately funded projects and public ones in France.