The Pritzker laureate Renzo Piano is recognized worldwide as one of the most renowned architects of our time. Central elements of his aesthetics include the playful use of natural light, the transparency of his buildings and their fine detailing. This publication documents nine museum buildings by Renzo Piano Building Workshop.

Since 1945, the globalization of education and the professionalization of architects and engineers, as well as the conceptualization and production of space, can be seen as a product of battles of legitimacy that were played out in the context of the Cold War and what came after. In this book James Steele provides an informative and compelling analysis of one of Egypt's foremost contemporary architects, Abdelhalim Ibrahim Abdelhalim, and his work during a period of Egypt's attempts at constructing an identity and cultural legitimacy within the post-Second World War world order. Born in 1941 in the small town of Sornaga just south of Cairo, Abdelhalim received his architectural training in Egypt and the United States, and is the designer of over one hundred cultural, institutional, and rehabilitation projects, including the Cultural Park for Children in Cairo, the American University in Cairo campus in New Cairo, the Egyptian Embassy in Amman, and the Uthman Ibn Affan Mosque in Qatar. The first comprehensive study of the work and career of Abdelhalim and his office, the Community Design Collaborative (CDC), which he established in Cairo in 1978, Abdelhalim Ibrahim Abdelhalim: An Architecture of Collective Memory is inspired by Abdelhalim's deep belief in the power of rituals as a guiding force behind various human behaviors and the spaces in which they are enacted and designed to play out. Each chapter is consequently dedicated to one of these rituals and the ways in which some of Abdelhalim's primary commissions have, at all levels of scale, revealed and expressed that ritual. In the sequence presented these are: the rituals of possession, reverence, order, the transmission of knowledge, procession, human institutions, geometry, light, the sense of place, materiality, and finally, the ritual of color.

The Open Call in Flanders (the Dutch-speaking, northern part of Belgium) is more than just another architecture competition: any governmental agency or public institution can choose to work with an Open Call for any given construction project. Since its invention by the first Flemish Government Architect bOb Van Reeth in 2000, more than 700 assignments have been published in this procedure, resulting in almost 350 completed public architectural and infrastructural projects so far. This volume compiles 70 of these, from all over Flanders-from its west coast to the Dutch border in the east-to illustrate the astounding quality of these projects. They prove that public architecture can be daring, thought-provoking, cooperative, and well-done at the same time. The book takes an extensive look at how this procedure works, how it is received by architects, politicians, and clients-and ultimately, at the outstanding public architecture in Flanders as an example for other countries to study closely. Including buildings by 51N4E, Bovenbouw Architectuur, Compagnie O, Dierendonckblancke, KAAN, Ney & Partners, noAarchitecten, NU architectuuratelier, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter, Zaha Hadid, among others

5+1 (Paola Arboco, Pierluigi Feltri, Alfonso Femia, Gianluca Peluffo, Maurizio Vallino) is one of Italy's hottest young architectural studios. The 5+1 studio of associated architects was established in Genoa in 1995 by five graduates of the Faculty of Architecture at Genoa University where they worked on architectural design courses with Enrico D. Bona. After winning the first prize in a national competition regarding the signalling system at Campi industrial park in Genoa in 1996, since 1997 they have been part of the IFYA (International Forum of Young Architects), and in the same year they were commissioned by Spes spa to convert the former Bligny Barracks in Savona into a new university campus. In 1998 they were invited by the Italian Institute for Culture in Paris to expound on the creative process in an exhibition entitled 5+1 associati: progetti in gruppo. Fin qui tutto bene with a catalogue jointly published with Joshua. In 1999 they won a bid to design the new archaeological centre in Aquileia, which with the university campus in Savona is an important example of project based on existing sites. In the same year they took part in the Biennale dei Giovani Artisti dell'Europa e del Mediterraneo held in Rome (May-June) where they displayed their work in the exhibition Gerico and a portrait of the studio in 'grande et@gere'. They were invited to take part in the second phase of the international design competition for the expansion of the Palace of Justice (Law Courts) in Siena. In 2000 they were invited by INARCH to display their work at the Italian Institute of Culture in Prague and at the Venice Biennale, both of which were dedicated to young Italian architects. They won the competition to construct an office building at Vado Ligure and were invited to take part in the second phase of the international design competition for the new Congress Bridge in Rome.

Ken Yeang remains one of the world's foremost experts on sustainability and the modern skyscraper. Acknowledging that the skyscraper is possibly one of the most ecologically unfriendly of all building types, he states that until an economically viable alternative is identified, it is necessary to make them as humane and as sustainable as possible. Each project is presented together with data on its climatic location, the local vegetation, plot ratio, net and gross areas.

Since the firm's founding twenty-five years ago, AKT II have forged an international practice that unifies the cultures and disciplines of architecture and structural engineering. This book is an engine for critical reflection on the scope, potential, and limits of what they have come to define as design engineering. Structured into five discursive domains-scale, variability, attitude, reverse engineering, and the craftsmanship of engineering-the book presents a robust selection of the firm's endeavours, which together demonstrate a vast range of encounters and processes in design. Common among them is a desire to understand and reshape the boundaries of the discipline of structural engineering, along with its links to fields such as philosophy, computer science, and geography. Interlaced with the projects, texts by contributors from varying fields engage the theoretical discussions and social conditions that bind contemporary practice. Matters of Engineering Design: AKT II balances structural concerns that require an equilibrium of internal and external forces, a clear understanding of boundary conditions, and knowledge of the properties of material with the overarching challenges that society faces today, including advances in technology, changing economic orders, and ecological responsibility. With contributions by William Baker, David Basulto, Hanif Kara, Jayne Kelley, Priya Khanchandani, Adrian Lahoud, Lesley Lokko, Ibrahim Mahama, Stephen Parnell, Vicky Richardson, and Ellis Woodman.

A stunning celebration of the architect's residential masterpieces Louis Kahn (1901-1974), one of the most important architects of the postwar period, is widely admired for his great monumental works, including the Kimbell Art Museum, the Salk Institute, and the National Assembly Complex in Bangladesh. However, the importance of his houses has been largely overlooked. This beautiful book is the first to look at Kahn's nine major private houses. Beginning with his earliest encounters with Modernism in the late 1920s and continuing through his iconic work of the 1960s and 1970s, the authors trace the evolution of the architect's thinking, which began and matured through his design of houses and their interiors, a process inspired by his interactions with clients and his admiration for vernacular building traditions. Richly illustrated with new and period photographs and original drawings, as well as previously unpublished materials from personal interviews, archives, and Kahn's own writings, The Houses of Louis Kahn shows how his ideas about domestic spaces challenged conventions, much like his major public commissions, and were developed into one of the most remarkable expressions of the American house.

Featuring international hotel and restaurant design at its best, created for brands such as Designhotels, 25 Hours, Superbude, Neni-Restaurants by this award-winning German design firm. A beautifully photographed compendium of inventive and inspiring work created over the last 15 years by the award-winning German interior design firm Dreimeta. This book explores their unique approach to every project, and takes a look behind the scenes at their pursuit of adventurous ideas - the soul and the driver of creativity. Pictures, sketches and collages with side notes on hotel, restaurant and bar design projects illuminate the creative process, supplemented with anecdotes and memories from many of those involved - including "greats" from the hotel industry like Claus Sendlinger (Design Hotels), Kai Hollmann, Christoph Hoffmann (25Hours) and Remo Masala (Thomas Cook).

For long, spatial design has been seen as an action that could be performed by people and for people only. And today, even though some of the most meaningful projects of our times seem to challenge this concept, qualitative researches still struggle to emerge. This is why this book collects, reconstructs, and discusses archetypal models of posthuman architecture, from the cabin of Henry David Thoreau to the Svalbard Global Seed Vault. To show how architectural, landscape, and industrial designers, be they professional practitioner or not, redefined their tools in order to meet the functional and symbolic needs of new and different kinds of subjects. All this in ten monographic architectural tales, thought to trace the evolution of an extended idea of coexistence between humans and other species and technologies.

"Welcome to the world of ultra-glamorous architecture as featured in new coffee table book Archiphantasy (The Images Publishing Group), penned by prolific architect Alexander Wong. The weighty, lavish tome showcases more than 30 cinemas, private homes, shops and hotels that have been designed by his visionary Hong-Kong-based firm Alexander Wong Architects." - Daily Mail In this highly-anticipated monograph, Alexander Wong presents a selection of incisive essays on contemporary architecture and design concepts, along with a wide range of magnificently photographed works, including dynamic retail spaces, glamorous and unique residential interiors, futuristic cinema design, office spaces of the future, and so much more. Each project highlights how Wong combines the best of what Asia-Pacific has to offer in superior design with an abstract aesthetic, yet high attention to detail.

Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the "Modern Project." The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.

Interloop-Architecture is a Houston-based design office founded in 2001 by principals Dawn Finley and Mark Wamble, who both also teach at Rice University's School of Architecture. The firm's focus is on innovative building technologies, inventive forms, and precise material finishes. Their project types range from the design of custom furniture and fixtures to private residences, research complexes, and cultural institutions. System of Novelties is the first book on Interloop-Architecture's work to date, tracking the firm's formation and trajectory. It operates between a monograph and a field guide, presenting novel works of architectural design within a broader context of influence, procedures, and techniques that are threaded from project to project over a period of two decades. It features a diverse collection of built and speculative designs that are framed through three research topics: Information - Shape, Procedure - Assembly, and Material - Pattern. All this is supplemented with graphic notes that synthetically connect the unique and recurring systems engaged in this innovative architectural practice. System of Novelties offers unique insights on innovative forms of contemporary practice in architecture and demonstrates the firm's technical expertise with material, manufacturing, and delivery processes.

Living Buildings celebrates the 50th Anniversary of Donald Insall Associates, the Practice founded by distinguished British architect Donald Insall, a leading exponent in the field of Architectural Conservation. Probably best known for the restoration of Windsor Castle after a devastating fire in 1992, the team's dedicated work has ensured the longevity of many of Britain's national treasures. This book presents a detailed examination of a painstaking approach to architectural conservation, comprehensively illustrated by case-studies, drawings, plans and in-depth descriptions. It is designed for a wide readership among all those who love and care for old buildings and appreciate good new design in sensitive areas.

This book examines the social, political, and cultural factors that have and continue to influence the evolution of the urban waterfront as seen through production created from art and design practices. Reaching beyond the disciplines of architecture and urban design, Occupation:Boundary distills the dual roles art and culture have played in relation to the urban waterfront, as mediums that have recorded and instigated change at the threshold between the city and the sea. At the moment in time that demands innovative approaches to the transformation of urban waterfronts, and strategies to foster resilient boundaries, architect Cathy Simon recounts her career building at and around the water's edge and in service of the public realm. In so doing, the work of contemporary architects is presented, while the origins and principles of a guiding design philosophy are located in meditations on art and observations on coastal cities around the world. The port cities of New York and San Francisco emerge as case studies that structure the reflections and mediate a narrative that is at once a professional and personal memoir, richly illustrated with images and drawings. Comprising three parts, the first two corresponding parts of Occupation:Boundary draw connections between the past and present by tracing the rise and fall of urban, industrial ports and providing context-in the forms of textual and visual media-for their recent transformations. Such reinterpretations, achieved via design, often serve the public through environmentally conscious strategies realized through inventive approaches to cultural and recreational programs. The work of visual artists, both historical and contemporary, appears alongside architecture, poetry, and literary references that illustrate and draw connections between each of these sections. The third section features select architectural work by the author, framed by critic John King and the architect and urbanist Justine Shapiro-Kline. Introduced with a foreword by the prominent landscape architect Laurie Olin, Occupation:Boundary draws on artistic and cultural intuitions and the experience of an architect whose practice negotiates the boundary between urban contexts and the bodies of water that sustain them. Together, the instincts, reflections, and architectural production collected here evidence the role of art and design in the creation of an equitable and inviting public realm.

Published in association with the Architecture Foundation, NEW ARCHITECTS 3 showcases the wealth of emerging architectural talent in the UK. It provides a unique guide to over 85 of the most innovative and talented young architectural practices, many of which are destined to become the leading practices tomorrow. With this publication, the third in a groundbreaking series that began in 1998, the Architecture Foundation continues its tradition of championing new generations of architects and helping the development of many young practices. The first edition of NEW ARCHITECTS was cited by architects and clients alike as the one key reference source for the commissioning of public and private projects, offering a critical outlook on the buoyant UK architectural scene. The Observer newspaper said of NEW ARCHITECTS 2, published in 2001 by Merrell, 'In terms of providing an insight into future trends in architecture, it is hard to beat.' Today the UK scene remains lively and diverse with London marked out as arguably the pre-eminent international city for ambitious and innovative design. Yet it is still difficult for young practices to gain commissions. This brand new book, featuring practices selected by a jury of architectural professionals, represents the next generation of talent, and will be invaluable for all those interested in the best new additions to our built environment.The book arranges the featured practices in alphabetical order, and provides a comprehensive, independent expert assessment of each practice, along with contact details and a total of 450 colour illustrations of recent projects. Offering both practical information on how to get the most out of the client/architect relationship and an overview of the architecture scene in the UK, this book will not only serve as a reference for clients, advisers and urban planners, but also as resource to inspire readers and celebrate the value of high-quality contemporary architecture.

Edward Schroder Prior designed the cathedral of the Arts and Crafts Movement (St Andrew's Church, Roker), perfected the popular butterfly plan in his houses, and published what is still the seminal work on medieval gothic art in England in 1900. Highly regarded by critics such as Ian Nairn, Prior is sometimes considered to have narrowly missed out on a place in the architectural pantheon of his age, alongside contemporaries such as Charles Voysey and William Lethaby. The result of extensive archival and field research, Edward Prior - Arts and Crafts Architect sheds new light on Prior's architecture, life and scholarship. Extensively illustrated, it showcases Prior's work in colour, including many of his architectural drawings and photographs of most of his extant buildings. Prior is the missing link of the Arts and Crafts Movement, in both a theoretical and a practical sense, as he was possibly the only practitioner who genuinely translated the artistic theories of Ruskin and Morris into architectural reality. He went on to found the School of Architecture at the University of Cambridge in 1912.

Lyrical meditations on life, work and hopes for the future from the beloved architect and polymath Buckminster Fuller First published in 1976, issued in a new edition in 2008, and now back in print, And It Came to Pass--Not to Stay brings together a selection of Buckminster Fuller's (1895-1983) lyrical and philosophical best, including seven "essays" that address global crises and his predictions for the future--"to make the world work for 100% of humanity in the shortest possible time through spontaneous cooperation without ecological offence or the disadvantage of anyone." These essays, comprising "How Little I Know," "Complexion 1976," "What I Am Trying to Do," "A Definition of Evolution," "'And It Came to Pass' (Not to Stay)," "Soft Revolution" and "Ethics," pursue the task of ushering in a new era for humanity by "always starting with the universe." Each of the texts is written in Fuller's "ventilated prose," an essayistic poem form that breaks up his thinking into lines and stanzas.Though best known as a designer and design theorist, Fuller investigated and challenged assumptions about structure, function, materials, technology, aesthetics, services, distribution, mobility, communication, collaboration, information, recycling, politics, property and social norms. These essays present the great range and depth of Fuller's thought while elegantly weaving the personal, the playful, the simple and the profound.

In its considered response to the globalisation of culture, HCMA has consistently achieved an architecture that is expressive of time and place, and uniquely interprets Canadian values of openness and inclusivity. The firm's concentration on civic buildings denotes a deeply-rooted concern for community, and recognition that in contemporary pluralistic society's schools, libraries and community centres are both symbolically and literally, the meeting places for all sectors of our communities regardless of demography, faith or ethnicity. What distinguishes HCMA's design approach is its conceptual shift from the traditional departure points of form or function, to a more organic and humanist approach by which inhabitation of the building and its surroundings mediate the interface between these two opposing forces. While function implies an empirical definition of purpose, and form a pre-occupation with sculptural abstraction, inhabitation connotes an understanding that buildings should embrace the richness and diversity with which our lives unfold. Places: Public Architecture explores a selection of key projects by HCMA which offer insight into the firm's specific approach to community building through public architecture. Featured projects many of which have been challenged by contemporary advancements in technology, include schools, libraries, fire halls, childcare centres, and more. Through the practice of architecture HCMA asks what is the future of the library, of education, and of public space in an increasingly online age? The book features critical text by accomplished writer Jim Taggart, professional photography, lucid architectural drawings, and details, as well as a look at the firm's design process of iterative modelling/diagramming and research on contemporary topics.