Since 1945, the globalization of education and the professionalization of architects and engineers, as well as the conceptualization and production of space, can be seen as a product of battles of legitimacy that were played out in the context of the Cold War and what came after. In this book James Steele provides an informative and compelling analysis of one of Egypt's foremost contemporary architects, Abdelhalim Ibrahim Abdelhalim, and his work during a period of Egypt's attempts at constructing an identity and cultural legitimacy within the post-Second World War world order. Born in 1941 in the small town of Sornaga just south of Cairo, Abdelhalim received his architectural training in Egypt and the United States, and is the designer of over one hundred cultural, institutional, and rehabilitation projects, including the Cultural Park for Children in Cairo, the American University in Cairo campus in New Cairo, the Egyptian Embassy in Amman, and the Uthman Ibn Affan Mosque in Qatar. The first comprehensive study of the work and career of Abdelhalim and his office, the Community Design Collaborative (CDC), which he established in Cairo in 1978, Abdelhalim Ibrahim Abdelhalim: An Architecture of Collective Memory is inspired by Abdelhalim's deep belief in the power of rituals as a guiding force behind various human behaviors and the spaces in which they are enacted and designed to play out. Each chapter is consequently dedicated to one of these rituals and the ways in which some of Abdelhalim's primary commissions have, at all levels of scale, revealed and expressed that ritual. In the sequence presented these are: the rituals of possession, reverence, order, the transmission of knowledge, procession, human institutions, geometry, light, the sense of place, materiality, and finally, the ritual of color.

Denise Scott Brown has shaped the course of contemporary architecture since the 1960s. She has chartered a rebellious course across three continents - from childhood in 1930s South Africa to education in 1950s England to teaching and practice in the United States. Scott Brown is both renowned and misunderstood for her designs and theories, many developed in collaboration with her companion in life and work, Robert Venturi. From her 1972 research studio on Las Vegas emerged the legendary book Learning from Las Vegas, whose visuals and social impact remain as important today as then. As a younger generation of architects and urban designers engages the complexity she defined, Scott Brown continues to raise her voice as a fierce critic of a modernism ignorant of context, history, and joint creativity. The time has come to rediscover her undogmatic formal language, careful urban interventions, and adventures in mannerism. This groundbreaking new book features previously unpublished material and offers an entirely fresh view of Scott Brown's achievements as a preeminent architectural designer, urbanist, theoretician, and teacher. A fantastic guide to her life and ideas, it also reveals her humanism, complexity, and wit.

Since its founding in 1989, the office of Gigon/Guyer architects has designed a truly impressive series of projects. Among the most important are museum, residential, and office buildings, as well as mixed-use constructions. The recently completed Prime Tower and its annex buildings on the Maag site in Zurich have been internationally acclaimed. The monograph offers keen insight into how Annette Gigon and Mike Guyer understand architecture. The diverse concepts and the varied applications of design, material, form, and color employed in their projects are presented in detailed documentation of their work that includes photography, plans, and short texts. Three essays and a discussion between Patrick Gmur, Martin Steinmann, and the architects offer in-depth reflection and contextualization.

Over nearly three decades, Paczowski & Fritsch Architects has established itself as an impressive studio that spectacularly fuses the complex mysteries of the art of building with technological rationality, contemporary culture, and the expressive requirements of the project's image. It has been consolidating its experience in the sectors of public buildings, service buildings, as well as collective and individual housing; it also specialises in logistics and transport, supermarkets, and high-end retail. The office has played an important role in carrying out important urban planning studies, and excels in the fields of sustainable development and BIM (Building Information Modeling). This beautifully presented book serves to highlight the incredible output of this world-leader in architecture and design. Internationally renowned architectural writer Philip Jodidio writes an insightful essay on the variety and intelligence that these architects bring to their work. Jodidio engages with the directorship directly, illuminating on their visionary practice, their unique ethos, and the plans for the future under the new generation at the helm. While remaining true to its original philosophy, the office has been successful in numerous competitions and has won significant prizes and international acclaim.

Due to popular demand we are delighted to offer this new paperback edition of Eric Lyons and Span. Lavishly illustrated and deeply researched, this book celebrates the work of the architect Eric Lyons OBE (1912-1980), whose famous post-war housing - that today would be marketed as 'lifestyle housing' - is as well loved today as it was vibrantly successful when first constructed. Built almost entirely for Span Developments, its mission was to provide an affordable environment "that gave people a lift". Influenced by Walter Gropius, Lyons brought a commitment to high density housing and the idea of fostering community into his Span work without compromising his intuitive sensitivity for landscape. His success brought the practice an impressive array of awards and led to a term as President of the RIBA. The enduring success of his design philosophy can be traced forward to 2005, when Span received a special Housing Design Award given to schemes that meet the current Sustainable Communities Plan. Indeed, the concept of Span mirrors current best practice thinking in housing design and continues to offer a fresh, relevant challenge to volume housebuilders in Britain today. This book serves as a lively reminder of that fact. Written by distinguished historians, practitioners and Span enthusiasts, the book has been researched using the archive compiled by Ivor Cunningham, one of Lyons ex-partners while a detailed gazetteer contains scale plan drawings of many of Spans housing templates.

Donald Judd was one of the most important exponents of American Minimal Art. Among the lesser-known aspects of his work are the numerous built architectural projects in which he explores the relationship between architecture art, furniture, and landscape. One particular location was of great significance to Judd's architectural work: Fort D.R. Russell, a former US military base in the Chihuahuan desert on the southern edge of the pioneer town of Marfa, Texas. Judd acquired the fort and other structures in Marfa which he systematically converted into one of the largest ensemble collections of contemporary art in the world. This new edition updates and expands on the successful book of 2007. It presents two additional building complexes southwest of Marfa and includes a new epilogue by the author, which places Judd's built architectural work from its beginning at 101 Spring Street, Judd's studio and residence in New York, and the structures in Marfa in a contemporary context.

"I think bamboo is the right material for creating a new architectural language unique to Vietnam." Vo Trong Nghia. With the climate crisis raging and awareness of humanity's detrimental impact on the environment now patently apparent, the need for architects to come up with sustainable new solutions has never been more pressing. A key part of any green approach to architecture is the use of local natural materials with a low environmental impact. Bamboo, which has been widely used in Asian architecture for centuries as scaffolding and for bridges, pavilions, houses and other structures, is an ideal material in this context: lightweight, strong and readily available. In an effort to meet the challenges of the 21st century, VTN Architects has developed new ways of working with two species of bamboo in particular: the flexible "Tam Vong" (Thyrsostachys oliveri Gamble) and sturdier "Luong" (Dendrocalamus barbatus), creating a manufacturing workflow that allows for the production of standardized modules, a knitting technique that enables the material to span large distances and environmentally friendly traditional treatments such as mud-soaking and smoking. In Bamboo Architecture we see how these methods have been applied in award-winning, groundbreaking projects such as the Wind and Water Cafe, Diamond Island Community Center, and the majestic Vedana Restaurant, alongside an illuminating introduction by Masaaki Iwamoto and an interview with the studio principal Vo Trong Nghia who offers an inspiring vision for the future of natural, green architecture.

5+1 (Paola Arboco, Pierluigi Feltri, Alfonso Femia, Gianluca Peluffo, Maurizio Vallino) is one of Italy's hottest young architectural studios. The 5+1 studio of associated architects was established in Genoa in 1995 by five graduates of the Faculty of Architecture at Genoa University where they worked on architectural design courses with Enrico D. Bona. After winning the first prize in a national competition regarding the signalling system at Campi industrial park in Genoa in 1996, since 1997 they have been part of the IFYA (International Forum of Young Architects), and in the same year they were commissioned by Spes spa to convert the former Bligny Barracks in Savona into a new university campus. In 1998 they were invited by the Italian Institute for Culture in Paris to expound on the creative process in an exhibition entitled 5+1 associati: progetti in gruppo. Fin qui tutto bene with a catalogue jointly published with Joshua. In 1999 they won a bid to design the new archaeological centre in Aquileia, which with the university campus in Savona is an important example of project based on existing sites. In the same year they took part in the Biennale dei Giovani Artisti dell'Europa e del Mediterraneo held in Rome (May-June) where they displayed their work in the exhibition Gerico and a portrait of the studio in 'grande et@gere'. They were invited to take part in the second phase of the international design competition for the expansion of the Palace of Justice (Law Courts) in Siena. In 2000 they were invited by INARCH to display their work at the Italian Institute of Culture in Prague and at the Venice Biennale, both of which were dedicated to young Italian architects. They won the competition to construct an office building at Vado Ligure and were invited to take part in the second phase of the international design competition for the new Congress Bridge in Rome.

Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others.

Featuring international hotel and restaurant design at its best, created for brands such as Designhotels, 25 Hours, Superbude, Neni-Restaurants by this award-winning German design firm. A beautifully photographed compendium of inventive and inspiring work created over the last 15 years by the award-winning German interior design firm Dreimeta. This book explores their unique approach to every project, and takes a look behind the scenes at their pursuit of adventurous ideas - the soul and the driver of creativity. Pictures, sketches and collages with side notes on hotel, restaurant and bar design projects illuminate the creative process, supplemented with anecdotes and memories from many of those involved - including "greats" from the hotel industry like Claus Sendlinger (Design Hotels), Kai Hollmann, Christoph Hoffmann (25Hours) and Remo Masala (Thomas Cook).

This new monograph celebrates the creative accomplishments of one of the world's most influential architects, the late Cesar Pelli. The book surveys this extraordinary body of work in terms of the AIA's Gold Medalist's design, architecture, and planning, tracing Pelli's motivation as a leading designer and teacher, and the evolution of his work over the span of half a century. More than 50 projects from around the globe - museums, theaters, offices, laboratories, airports, cultural centers, civic works, master plans - are presented in rich full colour with insights from Pelli that delve into the design and construction of these landmarks from a practice that has thrived for nearly 40 years.

Since the firm's founding twenty-five years ago, AKT II have forged an international practice that unifies the cultures and disciplines of architecture and structural engineering. This book is an engine for critical reflection on the scope, potential, and limits of what they have come to define as design engineering. Structured into five discursive domains-scale, variability, attitude, reverse engineering, and the craftsmanship of engineering-the book presents a robust selection of the firm's endeavours, which together demonstrate a vast range of encounters and processes in design. Common among them is a desire to understand and reshape the boundaries of the discipline of structural engineering, along with its links to fields such as philosophy, computer science, and geography. Interlaced with the projects, texts by contributors from varying fields engage the theoretical discussions and social conditions that bind contemporary practice. Matters of Engineering Design: AKT II balances structural concerns that require an equilibrium of internal and external forces, a clear understanding of boundary conditions, and knowledge of the properties of material with the overarching challenges that society faces today, including advances in technology, changing economic orders, and ecological responsibility. With contributions by William Baker, David Basulto, Hanif Kara, Jayne Kelley, Priya Khanchandani, Adrian Lahoud, Lesley Lokko, Ibrahim Mahama, Stephen Parnell, Vicky Richardson, and Ellis Woodman.

The Melnikov House, a building designed by the architect Konstantin Melnikov in Moscow for his family (1927 - 1929), is an icon of the architectural avant-garde. The house was originally built as an experimental cylindrical house to test out Konstantin Melnikov's very own concept of mass construction of residential estate. The original layout, elegant spatial arrangement, and smart engineering techniques made this masterpiece world famous. According to the words of Melnikov, the essence of the house lies in its "even distribution of weight, light, air, and heat". Being of a unique architectural form, it still looks modern while retaining the authentic memorial atmosphere of the twentieth century, thus reflecting the tragic life of this maverick architect. This book covers the house in its current condition - during its transformation from a family home to the State Melnikovs Museum, awaiting an in-depth survey by specialists and conservation works. The book contains rich archival materials as well as recent photographs. It describes the challenges and choices that need to be made during the process of museumification. Many of the memorial objects from the house linked to the professional life of the architect will be published for the first time.

Interloop-Architecture is a Houston-based design office founded in 2001 by principals Dawn Finley and Mark Wamble, who both also teach at Rice University's School of Architecture. The firm's focus is on innovative building technologies, inventive forms, and precise material finishes. Their project types range from the design of custom furniture and fixtures to private residences, research complexes, and cultural institutions. System of Novelties is the first book on Interloop-Architecture's work to date, tracking the firm's formation and trajectory. It operates between a monograph and a field guide, presenting novel works of architectural design within a broader context of influence, procedures, and techniques that are threaded from project to project over a period of two decades. It features a diverse collection of built and speculative designs that are framed through three research topics: Information - Shape, Procedure - Assembly, and Material - Pattern. All this is supplemented with graphic notes that synthetically connect the unique and recurring systems engaged in this innovative architectural practice. System of Novelties offers unique insights on innovative forms of contemporary practice in architecture and demonstrates the firm's technical expertise with material, manufacturing, and delivery processes.

Frank Lloyd Wright presents a stunning overview of the work of this towering American genius, encompassing the entirety of Wright's long and extraordinarily prolific career. From his earliest work, such as the Home and Studio in Oak Park, IL, of 1889, to the wonderfully evocative textile block houses of Los Angeles of the mid-1920s, to such seminal masterpieces as Fallingwater, of 1935, in the Pennsylvania wilderness, and the Solomon R. Guggenheim Museum, of 1956, in New York, the book offers an extraordinarily abundant trove of architectural riches. Featuring more than a hundred discrete works, from the well known to the obscure, expertly discussed in the text of highly respected Wright scholar Kathryn Smith, Frank Lloyd Wright weaves a gorgeous tapestry that will engage the mind and delight the eye.

For long, spatial design has been seen as an action that could be performed by people and for people only. And today, even though some of the most meaningful projects of our times seem to challenge this concept, qualitative researches still struggle to emerge. This is why this book collects, reconstructs, and discusses archetypal models of posthuman architecture, from the cabin of Henry David Thoreau to the Svalbard Global Seed Vault. To show how architectural, landscape, and industrial designers, be they professional practitioner or not, redefined their tools in order to meet the functional and symbolic needs of new and different kinds of subjects. All this in ten monographic architectural tales, thought to trace the evolution of an extended idea of coexistence between humans and other species and technologies.

In the 1920s, the urban theory of Ludwig Hilberseimer (1885-1967) redefined architecture's relationship to the city. His proposal for a high-rise city, where leisure, labor and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer's "Groszstadt-architektur" ("Metropolisarchitecture") is presented here for the first time in English translation. Two additional essays frame this international cross-section of metropolitan architecture: "Der Wille zur Architektur" (The Will to Architecture) and "Vorschlag zur City-Bebauung" (Proposal for City-Building). The propositions assembled here encourage us to reconsider mobility, concentration and the scale of architectural intervention in our own era of urban expansion. This is the second title in the "GSAPP Sourcebooks" series, devoted to recovering and translating overlooked texts on architecture and the city.

Michele De Lucchi and AMDL Circle Connettome details the connections activated in the design work of Michele De Lucchi's studio, named AMDL CIRCLE since 2019. Through a suggestive photographic sequence, the book traces the most significant creations of the studio, combined in order to make visible what the designer calls the "synapses of architecture", meaning the associations of emotions, memories and thoughts that stimulate new creativity. Covering over 20 years of activity, the images reveal a way of thinking about architecture and design in the light of a multidisciplinary, visionary, future-oriented - in a word, humanistic - approach. At the end of the book, which includes a text by De Lucchi, is a chronologically arranged selection of projects carried out in the new millennium, in the fields of architecture, interiors, installations, product design, graphics and research. Text in English and Italian.

This book examines the social, political, and cultural factors that have and continue to influence the evolution of the urban waterfront as seen through production created from art and design practices. Reaching beyond the disciplines of architecture and urban design, Occupation:Boundary distills the dual roles art and culture have played in relation to the urban waterfront, as mediums that have recorded and instigated change at the threshold between the city and the sea. At the moment in time that demands innovative approaches to the transformation of urban waterfronts, and strategies to foster resilient boundaries, architect Cathy Simon recounts her career building at and around the water's edge and in service of the public realm. In so doing, the work of contemporary architects is presented, while the origins and principles of a guiding design philosophy are located in meditations on art and observations on coastal cities around the world. The port cities of New York and San Francisco emerge as case studies that structure the reflections and mediate a narrative that is at once a professional and personal memoir, richly illustrated with images and drawings. Comprising three parts, the first two corresponding parts of Occupation:Boundary draw connections between the past and present by tracing the rise and fall of urban, industrial ports and providing context-in the forms of textual and visual media-for their recent transformations. Such reinterpretations, achieved via design, often serve the public through environmentally conscious strategies realized through inventive approaches to cultural and recreational programs. The work of visual artists, both historical and contemporary, appears alongside architecture, poetry, and literary references that illustrate and draw connections between each of these sections. The third section features select architectural work by the author, framed by critic John King and the architect and urbanist Justine Shapiro-Kline. Introduced with a foreword by the prominent landscape architect Laurie Olin, Occupation:Boundary draws on artistic and cultural intuitions and the experience of an architect whose practice negotiates the boundary between urban contexts and the bodies of water that sustain them. Together, the instincts, reflections, and architectural production collected here evidence the role of art and design in the creation of an equitable and inviting public realm.

Published in association with the Architecture Foundation, NEW ARCHITECTS 3 showcases the wealth of emerging architectural talent in the UK. It provides a unique guide to over 85 of the most innovative and talented young architectural practices, many of which are destined to become the leading practices tomorrow. With this publication, the third in a groundbreaking series that began in 1998, the Architecture Foundation continues its tradition of championing new generations of architects and helping the development of many young practices. The first edition of NEW ARCHITECTS was cited by architects and clients alike as the one key reference source for the commissioning of public and private projects, offering a critical outlook on the buoyant UK architectural scene. The Observer newspaper said of NEW ARCHITECTS 2, published in 2001 by Merrell, 'In terms of providing an insight into future trends in architecture, it is hard to beat.' Today the UK scene remains lively and diverse with London marked out as arguably the pre-eminent international city for ambitious and innovative design. Yet it is still difficult for young practices to gain commissions. This brand new book, featuring practices selected by a jury of architectural professionals, represents the next generation of talent, and will be invaluable for all those interested in the best new additions to our built environment.The book arranges the featured practices in alphabetical order, and provides a comprehensive, independent expert assessment of each practice, along with contact details and a total of 450 colour illustrations of recent projects. Offering both practical information on how to get the most out of the client/architect relationship and an overview of the architecture scene in the UK, this book will not only serve as a reference for clients, advisers and urban planners, but also as resource to inspire readers and celebrate the value of high-quality contemporary architecture.

Edward Schroder Prior designed the cathedral of the Arts and Crafts Movement (St Andrew's Church, Roker), perfected the popular butterfly plan in his houses, and published what is still the seminal work on medieval gothic art in England in 1900. Highly regarded by critics such as Ian Nairn, Prior is sometimes considered to have narrowly missed out on a place in the architectural pantheon of his age, alongside contemporaries such as Charles Voysey and William Lethaby. The result of extensive archival and field research, Edward Prior - Arts and Crafts Architect sheds new light on Prior's architecture, life and scholarship. Extensively illustrated, it showcases Prior's work in colour, including many of his architectural drawings and photographs of most of his extant buildings. Prior is the missing link of the Arts and Crafts Movement, in both a theoretical and a practical sense, as he was possibly the only practitioner who genuinely translated the artistic theories of Ruskin and Morris into architectural reality. He went on to found the School of Architecture at the University of Cambridge in 1912.

The ideas of architects are usually conveyed by their buildings. Vladimir Belogolovsky takes a different approach in his new work. The New York based author gives a detailed picture of contemporary architects - through words. The publication consisting of almost 600 pages presents interviews with 30 architects, which Belogolovsky conducted in the framework of his long-term, international activities as a curator and author. The names of the interviewees read like a "Who-is-Who" of modern architecture.The fame surrounding these avant-garde masters has eclipsed merely professional circles and reached the conscience of the wide general public. Their iconic work has attracted so much attention over the last years in the mass media that it is often referred to as Starchitecture. Interviews with: David Adjaye, Will Alsop, Alejandro Aravena, Shigeru Ban, Elizabeth Diller, Winka Dubbeldam, Peter Eisenman, Norman Foster, Zaha Hadid, Steven Holl, Bjarke Ingels, Kengo Kuma, Daniel Libeskind, Jurgen Hermann Mayer, Giancarlo Mazzanti, Richard Meier, Paulo Mendes da Rocha, Glenn Murcutt, Gregg Pasquarelli, Joshua Prince-Ramus, Wolf Prix, Kevin Roche, Robert Stern, Sergei Tchoban and Sergey Kuznetsov, Bernard Tschumi, Robert Venturi and Denise Scott Brown, Rafael Vinoly, Alexandro Zaera-Polo.