While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again." About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Dulwich Picture Gallery in the south of London is the world's first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public", it opened its famous building designed by John Soane in 1817. To mark the museum's bicentenary in 2017, Dulwich Picture Gallery commissioned a first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant, large-size book documents this piece of built poetry in a series of striking, atmospheric photographs by Sophie Roycroft. The concise essays by Job Floris and Sumayya Vally situate the project within a social, political, and cultural context, complemented by technical details and selected plans and drawings on and inside the book's cover.

Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund's own house at Stennas, it addresses the topic of buildings accompanied by landscapes. It proposes that themes related to landscape are central to Asplund's distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, author Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect's intentions. This book is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.

Architectural solutions & designs to optimize the spaces in your home without spending a fortune. Architect Laura Jane Clark, from the BBC and Netflix smash-hit series Your Home Made Perfect, has spent over 15 years designing, remodelling, and building homes with budgets that range from modest to enormous. THE HANDBOOK OF HOME DESIGN distils Laura's wealth of experience and enthusiasm giving you an accessible yet detailed guide to design, empowering you with the tools and knowledge to shape your home how you want. Throughout your home design journey, whether large or small, Laura takes you each step of the way from understanding your home, reading a plan and writing a brief, right through to sketching your own design and having the confidence to get what you want on the building site. Packed full of tips and tricks, inspiration and technical know-how, THE HANDBOOK OF HOME DESIGN is like having Laura by your side, showing you how to design practical yet beautiful spaces, get more storage into your life and create the home of your dreams. Laura Jane Clark wants to democratize the whole concept of residential architectural design and empower you to redesign your spaces by giving you the language and ability to confidently communicate your vision, get the most out of your design and ultimately love your finished home. Whether you are a long-term homeowner, first-time buyer or simply visualising your dream space, no matter what your budget is, this unique insight into Laura's process allows you to achieve both the design you want and the home you need. www.lamparchitects.co.uk Instagram: @laurajaneclark_

It was around Kengo Kuma's tenth birthday that he came into contact with Kenzo Tange's fishlike Yoyogi National Gymnastics building, completed for the 1964 Tokyo Olympics, and determined that he would become an architect. In the intervening five or so decades, he has become one of the world's most fascinating and influential architects. His design of the National Stadium for the 2020 Tokyo Olympics provides a poetic circularity to his career as an architect, and an opportunity for him to reflect on his own development. Kuma is known throughout the world for his formally daring and materially expressive buildings, recognized for his inventive use of traditional materials, and his use of innovative materials in vernacular forms. He is perhaps less known for his work inside his native Japan, where he works actively towards the preservation of ancient building techniques and craft. A keen curiosity for all forms of building and a wealth of knowledge about the world acquired through expansive travels make Kuma a unique commentator on Tokyo's dynamic architecture. Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan's national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. This book contains something for everyone: design acumen, insights into Japanese culture, a tour of Tokyo and the heartfelt commitment to producing buildings that have meaning and longevity.

To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. That concept is distilled to its essence so that it can inform the design at all scales, from massing to materials to details. The consistency of the concept is evident in the finished product. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight. Architecture of Place is the follow up to Bespoke Home, the first comprehensive survey of Bates Masi’s fifty-plus years of work published in 2016. It focuses on the firm’s recent residential portfolio. Using each house as a case study, the book documents Bates Masi’s design process with concept images, diagrams, architectural models, and narratives for each project. This book demonstrates how influences of the physical and historical context, as well as the client, are distilled into a guiding concept for each project. With over 200 pages of photos and drawings of extraordinary second homes, Architecture of Place will appeal to architects and design devotees alike.

Architecture, as a discipline and a profession, is facing several crises, which, as yet, it has by no means successfully overcome. The basic hypothesis of the Cosmowomen project is that fully incorporating women into the professional and academic field of architecture would generate new places for thought and attention on the part of professionals or consolidate and expand those that exist, while also intensifying the relationships between those ‘places of thought’, producing a kind of constellation. The exhibition incorporates the work of 65 women architects who have taken the master’s degree programme at the Bartlett School of Architecture in the past ten years, showing a total of 71 projects and including 283 images. The architects are of more than 20 different nationalities and have been tutored by 22 tutors, 50% of them women, who also come from a wide variety of backgrounds in cultural terms and professional experience. The exhibition catalogue includes texts by 20 women architects or professionals in related fields, all with outstanding academic records. Architects: Ana Alonso, Anna Andronova, Christia Angelidou, Felicity Barbur, Justine Bell, Paddi Alice Benson, Christine Bjerke, Romina Canna, Emma Louise Carter, Nicola Chan, Doville Ciapaite, Freya Cobbin, Charlotte Cole, Emma Colthurst, Malina Dabrowska, Naomi De Barr, Emily Doll, Sarah Earney, Sara Firth, Karen A. Frank, Maria Auxiliadora Galvez, Masha Gerzon, Naomi Gibson, Cristina Goberna Pesudo, Faye Greenwood, Lola Haines, Penelope Haralambidou, Bijou Harding, Alice Hardy, Janis Ho, Helena Howard, Sarah Izod, Niki-Marie Jansson, Johanna Just, Gintare Kapociute, Minghui Ke, Fanny Kostorou, Le (Lulu) Li, Ifigeneia Liangi, Ting Jui (Brook) Lin, Marjut Lisco, Shi Yin Ling, Emily Martin, Sara Martinez Zamora, Lauren McNicoll, Heba Mohsen, Alex Mok, Ness Lafoy, Hoy Lei (Kerri) Ngan, Charlotte Page, Jiao Peng, Barbara Penner, Sylwia Poltorak, Sophia Psarra, Katherine Ramchand, Ellie Sampson, Julia Schuetz, Katt Scoot, Maïté Seimetz, Tania Sengupta, Rose Shaw, Faustyna Smolilo, Elin Soderberg, Catrina Stewart, Paula Strunden, Yan Ting (Lorraine), Stefania Tsigkouni, Yinghao Wang, Angeline Wee, Izabela Wieckzorek, Kate Woodcock Fowles, Feng Yang, Siyuan (Amy) Yao, Venessa Yau, See (Phyllis) Yu, Mika Zacarias. Text in English and Italian.

Tihany's interior design represents the pinnacle of contemporary restaurant and hotel design. Adam D. Tihany is widely regarded as the world's preeminent hospitality designer - his fluid, profoundly diverse design vocabulary has for decades affected change and influenced the global luxury market, a market that has embraced his complex mix of design, worldliness, provocation, and pampering. Energy, excitement, and spontaneity, along with careful attention to the smallest detail, characterize Tihany's work, and this book offers an in-depth tour of the designer's most spectacular projects, including the restaurants Le Cirque, Per Se, and Daniel in New York, Aureole in Las Vegas, and Apsley's in London, as well as the Mandarin Oriental Hotel in Las Vegas and the Westin Chosun Hotel in Seoul. Tihany's irrepressibly original and impeccably executed designs have over the decades influenced a generation of designers of restaurants and hotels and have captured the imaginations of countless diners and guests, making Tihany the undisputed master of the art of hospitality design.

A smartly designed and beautifully illustrated look at the life and work of an elusive and influential designer and architect Eileen Gray (1878-1976) was a versatile designer and architect who navigated numerous literary and artistic circles over the course of her life. This handsome volume chronicles Gray's career as a designer, architect, painter, and photographer. The book's essays, featuring copious new research, offer in-depth analysis of more than 50 individual designs and architectural projects, accompanied by both period and new photographs. Born in Ireland and educated in London, Gray proceeded to Paris where she opened a textile studio, studied the Japanese craft of lacquer that would become a primary technique in her design work, and owned and directed the influential gallery and store known as "Jean Desert." Gray struggled for acceptance as a largely self-taught woman in male-dominated professions. Although she is now best known for her furniture, lighting, and carpets, she dedicated herself to many architectural and interior projects that were both personal and socially driven, including the Villa E 1027, the iconic modern house designed with Jean Badovici, as well as economical and demountable projects, such as the Camping Tent. Published in association with the Bard Graduate Center Exhibition Schedule: Bard Graduate Center Gallery, New York (February 28-July 12, 2020)

Founded in 2004 by partners Lyndon Neri and Rossana Hu, Neri&Hu Design and Research Office is an inter-disciplinary architectural design practice based in Shanghai, China. Neri&Hu works internationally providing architecture, interior, master planning, graphic, and product design services. Currently working on projects in many countries, Neri&Hu is composed of multi-cultural staff who speak over thirty different languages. The diversity of the team reinforces a core vision for the practice: to respond to a global worldview incorporating overlapping design disciplines for a new paradigm in architecture. This is the most comprehensive monograph of the studio’s work, featuring around thirty projects at all scales. With 404 illustrations

Regardless of style, age or size, a home should be a place of refuge, a private space in which we can feel truly comfortable, whether spending time on our own or entertaining friends. Above all, it should be a place of our own making, filled with the books, furniture and other cherished objects that say so much about who we are. Nowhere is this philosophy more apparent than in the work of Chester Jones, one of the UK's most celebrated interior designers and decorators. Lavishly illustrated throughout, "The Interiors of Chester Jones" provides a unique and fascinating insight into both Jones himself - a former architect and managing director of Colefax and Fowler - and the thinking behind the many rich and nuanced interiors he has created since establishing his own firm in 1989. The book covers every aspect of his work, from his distinctive use of art and artefacts to his sympathetic treatment of a building's architectural history, and includes a series of in-depth case studies on past projects. At the heart of this beautiful book is Jones's own belief that to be happy in one's own surroundings, to live contentedly in a space of our own design, is to feel genuinely at home.

This book, the first monograph on Leonardo Ricci's oeuvre, uses archive materials, some of which have never been published, to investigate the entire range of Ricci's work, by examining some of his most interesting projects and putting them into the context of the current architectural panorama. His professional activity in the passionate climate of post-war reconstruction in Italy, his communitarian projects and experimental family residences, his book Anonymous (20th Century) in which he defined with an "existentialist" approach his theories of painting, architecture, and urban planning, his visionary projects for "Earth-City" macrostructures, his innovative approach to the spatial organisation of public institutions in his last projects, every step of Ricci's work was always coherently connected to a basic aim: to translate into an architectural form the dynamism of phenomena and the incessant flow of life. The book investigates Leonardo Ricci's practical and theoretical approach to architectural design, giving this exceptional figure the recognition he deserves within the panorama of Italian and international architecture following the Second World War.

Andre Fu is one of Asia's leading interiors designers. When his design for the world-renowned The Upper House hotel in Hong Kong opened ten years ago, he became an overnight sensation around the world. As one of Asia's most widely sought-after interior designers, the Hong Kong-based designer has gone on to create forward-thinking interiors for other major hotels, restaurants and leading brands, including Louis Vuitton, The Berkeley (London) and Waldorf hotels. This showcase of his works to date features eighteen recent projects around the world and provides fresh insights into Fu's creative process, including his hand-drawn sketches and mood boards, as well as an introductory essay that explores Fu's key influences and the importance of his unique and highly refined East-meets-West aesthetic. With an illustrated chronology of all the designer's works to date, this rich overview presents the award-winning vision of interior design's rising star, not only in Asia but across the world.

Sensitively balancing historic preservation with contemporary innovation, Ahearn's timeless houses feel deeply connected to the stylistic character of their locales, even as their programs and plans celebrate how we live now. In these pages, Ahearn takes us on a journey through the award-winning private residences and public environments that he has created over his 45-year career. He entertainingly explains how his uniquely urbanistic point of view and novel, narrative-driven process help clients live out their dreams, in homes that recall the past, engage with the present, and look to the future.

Houses - not skyscrapers, museums or schools - remained Frank Lloyd Wright's favourite building type from the beginning to the end of his seventy-year career as an architect.When he started his practice near the close of the 19th century, he saw a house as the embodiment of democracy and individual freedom.Your home had more capacity to spread well-being, he said, than any cathedral or palace.To him it was the centre of all family life. As 50 Favourite Houses by Frank Lloyd Wright shows, his ideal home took on an amazing variety of forms. From Wright's 300 house designs that were eventually built, this book visits fifty that have become world-wide favourites. Here, from the young architect's first period, is his own home and studio in Oak Park, Illinois, an architectural laboratory for him over two decades.Wright next ushered in the 20th century with his Prairie House, whose sheltering roofs and horizontal lines linked them to the earth; classics such as the Willits, Dana Thomas and Robie Houses. In the 1920s came revolutionary design in California built of textured concrete, followed in the 1930s by the internationally renowned Fallingwater and Taliesin West. Each of the examples featured grew from Wright's never-changing principles that a house should be built with nature, use materials and colours, be designed from within, have the consistency of a finely woven fabric, achieve harmony through unity, and be a work of art - not just a house.

The architect, Lina Bo Bardi (1914-1992), has long been considered one of the major modern architects of the twentieth century in Brazil. Her iconic Museum of Art of Sao Paulo (1968), and the bold, Social Service for Commerce Building-Pompeia, Sao Paulo (1986), have gained recognition in recent years and her reputation is beginning to be acknowledged internationally. Bo Bardi's major writings on architecture, however, have not been translated, and are not well known. This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory, (Habitat, Ltd. Sao Paulo, 1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that interprets Bo Bardi's text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts. This translation clearly renders Bo Bardi's work in English, and contextualizes it theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.

The work of Alejandra Cisneros marks a significant departure from the tropical 'Bali-style' villa design popularised in the past two decades and is a refreshing antidote to the anodyne villas invading Bali's centuries-old rice terraces. In Seen | Unseen, Alej shares her insights on reimagining traditional homes for 21st-century lifestyles in today's fragile environments. She reveals the thinking behind her designs, and her heart-centred process of co-creation a "conspiracy of client, joglo, land, Balinese craftsmanship, and culture." She also acknowledges the influence of Tri Hita Karana, the Balinese concept of cosmological balance that governs their relationship with people, the environment and the Creator. This beautifully illustrated book focuses on her whimsical, exciting homes - fanciful yet practical, designed for potters and poets, artists and entrepreneurs alike hailing from North and South America, Europe and Asia. Crafted almost entirely from antique teakwood, traditional materials, and showcasing joyful design ideas, each home merges seamlessly with the landscape. Alej curates unique, mould-breaking homes that create a new way of living that is at one with nature in the tropics. Her canvas is the Bali landscape; her paints are Java's traditional teakwood joglos and Indonesia's myriad natural materials; her brushes are the Balinese craftspeople that bring her vision to reality.

David Hu's Sea Girt House ocillates gracefully between a sort of proto minimalism and a hyper orchestrated spatial awareness. It's a project that makes no bones about its purpose of providing a single-minded solitude for its inhabitant, even while demonstrating its unwavering solicitude towards its surrounding enviornment.

Jen Alkema's minimalism goes beyond an economy of language and material; it is a way of perceiving the world, a personal attitude rather than an application of style or method. Alkema's primary objective is not to produce a definitive work of beauty. Rather, he creates the conditions that allow beauty to surface. The design claims its own existence, developing into an undeniable reality. The architect becomes his own instrument, no longer the master. If we see minimalism as a derivative of modernism in art, architecture and music, Jen Alkema is not a minimalist. If, however, minimalism is regarded as a way of thinking shared by numerous cultures throughout the ages, Jen Alkema is a minimalist pur sang. His minimalism goes beyond an economy of language and material; it is a way of perceiving the world, a personal attitude rather than an application of style or method. After receiving his degree at The Academy of Architecture (Amsterdam) and reaching the finals of the prestigious Prix de Rome competition in 1995, Jen Alkema turned his focus to the pure essence of architecture: mass, light, structure, repetition, volume, material. His designs, although austere almost to the point of being chaste, incorporate an innate luxury achieved through the exacting use of materials and attention to detail, a perfection in execution. Paradoxical as it may seem, the creation of this sensuous simplicity demands tremendous skill and discipline.

No typology lends itself more naturally to Juan Montoya s creative impulses than tropical residences. There is such a sense of appropriateness to place in the architecture and interiors that our assumption that the designer s stylistic affinity is somehow inborn becomes inescapable. In this book, the reader will visit Montoya-designed residences that occupy ravishing sites in Punta Mita (Mexico), Cap Cana (Dominican Republic), Miami Beach, Fisher Island, and other idyllic oceanfront locales. As much as these homes are escapist fantasias, they are also inextricably rooted to their geographic location and their regional culture. And while their sense of luxury is palpable, so is their lack of pretension, the practicality that makes them functional for the families who reside there, and their resilience to the natural conditions in which they are found. Luxuriate in open-air pavilions with endless views of sea and sand, on sweeping terraces with glimmering pools and dramatic sunsets, and in sumptuous interiors with blue-and-white tiles, intricate beadwork, global textiles, and thatched roofs. This book is a must-have for interior designers, owners or potential buyers of seaside property, and armchair travellers who relish an escape to paradise.