Digital Monuments radically explodes "iconic architecture" of the new millennium and its hijacking of the public imagination via the digital image. Hallucinatory constructions such as Rem Koolhaas's CCTV headquarters in Beijing, Frank Gehry's Guggenheim Museum in Bilbao and Zaha Hadid's Performing Arts Centre in Abu Dhabi are all introduced to the world by immortal digital imagery that floods the internet-yet comes to haunt the actualised buildings. Like holograms, these "digital monuments," which violently push physics and engineering to their limits, flicker eerily between the real and the unreal-invoking fantasies of omnipotence, immortality and utopian cities. But this experience of iconic architecture as a digital dream on the ground conceals from the urban spectator the social reality of the buildings and the rigidity of their ideology. In 18 micro-essays, Digital Monuments exposes the stereotypes of iconic architecture while depicting the savagery of the industry, from the Greek and Spanish crises triggered by financialised iconic development to mass labour-deaths on construction sites in the UAE.

If you can set up your laptop anywhere, what is the meaning of the dedicated workspace? New Work, New Workspace argues that designated space is still needed, but that it is changing fast. As collaborative interaction is favoured over individual toil, with millenials and Gen X taking a very different attitude to work, and as social upheaval and technological innovation influence the form nthat the places take in which we are employed forever. Metrics for measuring the effectiveness of workspace show that good design, which is focused on the environment and wellbeing that a workforce needs, is still valued. At the same time, more generic spaces, such as co-working spaces, have to fit everyone - or at least all of the target community. Detailed case studies showcase all the places where people work - in large and small offices, in home spaces, in ateliers and workshops and architects' studios. With emphasis on the design details of the space, especially the interior, this is a must-have book providing inspiration for all types and scales of workplace. Case studies include: 80 Atlantic Avenue, Toronto, Canada by Quadrangle Nick Vesey Studio and Gallery, Kent, UK by Guy Hollaway Architects Kostner House, Castelrotto, Italy by MoDus Architects GS1 Portugal, Lisbon, Portugal by Promontorio

The pioneering British modernist architect Richard Seifert was one of the most successful and influential architects of his generation. During the 1960s and '70s he changed the face and fabric of London with a powerful series of highly visible and uncompromising brutalist buildings, including - most famously - Centre Point, the Nat West Tower and King's Reach Tower. Seifert is often described as a modernist version of Christopher Wren in terms of his impact upon the capital, building hundreds of towers, office buildings and hotels in London but also working in other parts of the UK and internationally. An enigmatic and determined figure, Seifert achieved much in his lifetime yet has remained a controversial and divisive figure due to his unwavering commitment to modernism. Both Seifert and his buildings have been attacked, with his work described as 'notorious' for its brutalist aesthetic and an arguable lack of contextuality. Yet in recent years there has been a noticeable upsurge of interest in brutalist architecture in general along with the beginnings of a re-evaluation of Seifert's extraordinary contribution to mid-century architecture and design: a number of buildings by Seifert and his associates have been listed in recognition of their architectural importance. Beautifully illustrated, this book records, analyses and celebrates a considered selection of Seifert's buildings, including Centre Point, the Nat West and King's Reach Towers, Space House, the Euston Station Buildings, the Park Lane Tower Hotel, Drapers Gardens, the International Press Centre, all in London, Wembley Conference Centre and Sussex Heights in Brighton, within the most extensive survey of his work to date.

With her first monograph, Marina Tabassum intends to inspire people by spotlighting special architectural elements which pervade her work, such as Light and Spirituality, Brick and Materiality, Place and Memory, and People and Community. These elements will be examined by architects and scholars who have impacted her work- with whom Marina Tabassum had the opportunity to interact and share her works. The book will take a look at Tabassum's architectural journey from its early beginnings to future projects and ongoing research. As an architect listed in 2020 by Prospect magazine as the third-greatest thinker for the COVID-19 era, her perhaps most well-known feat is the Bait Ur Rouf Mosque in Dhaka, which won the Aga Khan Award for architecture in 2016. Her holistic involvement in this project, which she undertook on request of her grandmother but completed alone with self-sourced private funding, reveals her dedication to impactful architecture. Readers can look forward to the presentation of a wide variety of projects including early URBANA projects, such as the Independence Monument of Bangladesh and the Museum of Independence, the more recent and steadily ongoing research on the $2000 Home and the movable house, and Khudi Bari, modular mobile houses for victims vulnerable to climate change and Rohingya refugees. All projects are represented in text and photographs, from residential to museum architecture, with a focus on sustainability, sensitivity to both history, and the demands of modernity, atmosphere, and materiality. Bangladeshi architect Marina Tabassum is the founder and principal architect of Marina Tabassum Architects (MTA). She founded and heads FACE, the Foundation for Architecture and Community Equity, in Bangladesh. Tabassum has been honored with multiple awards such as the Aga Khan Award for Architecture, the Gold Medal of the French Academy of Architecture, the Victoria and Albert Museum's Jameel Prize, and the 2021 Soane Medal for architecture from the Sir John Soane Museum.

The first English-language overview of the contributions to Renaissance architectural culture of northern Italian architect Vincenzo Scamozzi (1548-1616), this book introduces Anglophone architects and historians to a little-known figure from a period that is recognized as one of the most productive and influential in the Western architectural tradition. Ann Marie Borys presents Vincenzo Scamozzi as a traveler and an observer, the first Western architect to respond to the changing shape of the world in the Age of Discovery. Pointing out his familiarity with the expansion of knowledge in both natural history and geography, she highlights that his truly unique contribution was to make geography and cartography central to the knowledge of the architect. In so doing, she argues that he articulated the first fully realized theory of place. Showing how geographic thinking influences his output, Borys demonstrates that although Scamozzi's work was conceived within an established tradition, it was also influenced by major cultural changes occurring in the late 16th century.

The creator of the ubiquitous Knoll "Tulip" chairs and tables, Eero Saarinen (1910-1961) was one of the 20th century's most prominent space shapers, merging dynamic forms with a modernist sensibility across architecture and design. Among Saarinen's greatest accomplishments are Washington D.C.'s Dulles International Airport, the very sculptural and fluid TWA terminal at JFK Airport in New York, and the 630 ft. (192 m) high Gateway Arch of St. Louis, Missouri, each of them defining structures of postwar America. Catenary curves were present in many of his structural designs. During his long association with Knoll, Saarinen's other famous furniture pieces included the "Grasshopper" lounge chair and the "Womb" settee. Married to Aline Bernstein Saarinen, a well-known critic of art and architecture, Saarinen also collaborated with Charles Eames, with whom he designed his first prize-winning chair. With rich illustration tracing his life and career, this introduction follows Saarinen from his studies across his training all the way to his most prestigious projects, and explores how each of his designs brought a new dimension to the modernist landscape. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Santiago Calatrava first made a name for himself in the late 1980s with delicately designed structures in Zurich that seem to grow out of the earth. He went on to create a series of highly innovative, iconic bridges across Europe, and in recent years he has drawn attention for such large-scale projects as the City of Arts and Sciences in his birth town, Valencia; the Museum of Tomorrow in Rio de Janeiro; and the World Transportation Hub at Ground Zero in New York. Originally trained as an engineer, Calatrava has, at heart, always leaned more towards artistic endeavours than purely structural ones: an entire floor of his residence in Zurich is devoted to creating paintings and sculpture, which he has pursued throughout his career. His influences range from art history and natural philosophy to antiquity, and he manages to combine these in buildings that are structurally highly stylized yet somehow timeless. While many books have documented Calatrava's output over the years, this is the first to offer his own thoughts, in his own words, in a reading format. In this heartfelt memoir of an architect of singular conviction, Calatrava's inspirations, lessons and achievements will touch every reader, whether aspiring architect or lover of art and nature.

This edited collection gathers contributions from a diverse range of renowned scholars and professionals to uncover the unique relationship between passive architectural systems and activism. Focusing on the pioneering work of the influential American chemist and inventor, Harold R. Hay (1909-2009), and the environmental awareness events that took hold in the United States during the 1960s and 1970s, the book assembles essays which closely examine Hay's contribution to architecture and the work of those who directly and tangentially were affected by it. The book also offers insights into the role of passive energy design today. Appealing to researchers, architects and students interested in architecture and design technology, Activism in Architecture explores the role of passive environmental inventions as an active agent in shaping socio-political debates.

News on Ludwig Hilberseimer! Ludwig Hilberseimer (1885-1967) is regarded as one of the leading theorists of the Neues Bauen movement in pre-War Germany, and of modern, functional urbanism. This set of accomplishments still dominates the public image of the architect, urban planner, teacher and art critic to this day. His development beyond that period has long been neglected. The essays in this collection seek to fill this gap, offering an exciting and wide-ranging new perspective on the work of a central protagonist of modernism. Until now, most critical studies of Hilberseimer's work came from his place of exile in Chicago and his work in Germany/Europe and the USA tended to be viewed separately; this volume is the first to attempt to end this separation and encourage a complete overview of is work. Previously unknown archival discoveries With contributions by Alexander Eisenschmidt, Magdalena Droste, Christine Mengin, Philipp Oswalt, Robin Schuldenfrei, Charles Waldheim and others

Moshe Safdie explains that probably more than half of his lifetime design work is unbuilt, and he considers his unbuilt work to be some of his most significant work. In this richly illustrated book, replete with detailed diagrams, sketches, models and studies, Moshe Safdie explains that for those who design in order to build, not succeeding in building is never a failure (there are many reasons why a project might not be built) because these designs are part of the evolution of an architect's work. This volume is a fascinating journey through Safdie's thoughts and career, and also a historical reference of the social and political forces at play at the time. Not only a treatise on Safdie's unrealised concepts, this book is also a wonderful affirmation that there is valuable heritage in the unbuilt. Includes a number of significant projects from around the globe, including the following: Habitat Original Proposal, Montreal, Quebec, Canada 1964; Habitat New York II, New York, New York, United States 1967; San Francisco State, College Student Union, San Francisco, California, United States 1967; Pompidou Centre, Paris, France 1971; Western Wall Precinct, Jerusalem, Israel 1972; Supreme Court of Israel, Jerusalem, Israel 1985; Columbus Center, New York, New York, United States 1985; Ballet Opera House, Toronto, Ontario, Canada 1987; Museum of Contemporary Art, Stuttgart, Germany 1990; Superconducting Super Collider Laboratory, Waxahachie, Texas, United States 1993; Incheon Airport, Incheon, Korea 2011; Jumeirah Gateway Mosque, Dubai, UAE 2007; National Art Museum of China, Beijing, China 2012.

This book focuses on Kay Fisker (1893-1965)’s housing estates in Copenhagen. A leading exponent of Danish Functionalism, Fisker was influenced by Louis Sullivan, and had a strong belief in continuity, putting modernism in perspective and identifying precedents. He built many large-scale housing schemes, mostly for non-profit workers' housing associations, and developed innovative and beautifully considered high-density, low-rise block schemes, which have proven useful and influential to the growing number of contemporary architects who have examined his designs. Beautifully illustrated with photographs and architectural drawings, this book documents and critically analyses three of Kay Fisker's seminal housing projects in Copenhagen: Hornbaekhus (1923); Vestersohus (1935-39); and Dronningegarden (1943-58). These projects reflect how Fisker's work contains valuable lessons for contemporary architects in economy, precision and generosity in housing design. Essays by Martin Søberg, Poul Sverrild and Job Floris set Fisker’s work within their historical, social and architectural context. In the final section, architects from three leading contemporary practices – Clancy Moore, Monadnock and Tony Fretton - discuss how Kay Fisker has influenced their own approaches and work.

On occasion, an artist is not only from, but of, a place. Imbued with the very spirit of a locale, and thus inspired to return the favour. Such is the nature of the relationship between the legendary architect Foyez Ullah, and Bangladesh' capital city, Dhaka. Dhaka is a city rich with history; borne of eclecticism, and her tremendous growth post-independence has been extraordinary, both culturally and architecturally. From the early Mughal architecture to the Indo-Saracenic style of the colonial era, to the sheets of steel and glass that characterize a modern metropolis, there's an aesthetic battle for the city's very soul being waged. Dhaka is a city rich with history; borne of eclecticism, and her tremendous growth postindependence has been extraordinary, both culturally and architecturally. From the early Mughal architecture to the Indo-Saracenic style of the colonial era, to the sheets of steel and glass that characterize a modern metropolis, there's an aesthetic battle for the city's very soul being waged. Foyez Ullah has played an active role in this conversation for nearly three decades, weaving a tapestry of work within Dhaka's realm that declutters her chaotic whims and sets revealing insight into contextspecific architectural response. Through a series of his architectural benchmarks, as well as texts from the architectural critics Vladimir Belogolovsky and Byron Hawes, this volume posits a framework for responsive and contextual architecture for Dhaka in the 21st century.

Frank Lloyd Wright's buildings on the West Coast have not been thoroughly covered in print until now. Between 1909 and 1959, Wright designed a total of 38 structures up and down the West Coast, from Seattle to Southern California. These include well-known structures such as the Marin County Civic Center and Hollyhock House in Los Angeles, and many lesser-known gems such as the 1909 Stewart House near Santa Barbara.

MARK ANTHONY WILSON is an architectural historian who has been writing and teaching about architecture for more than thirty-five years. He holds a B.A. in history from UC Berkeley and an M.A. in history and media from California State University, East Bay. He has written four previous books about architecture, including Julia Morgan: Architect of Beauty (Gibbs Smith, 2007) and Bernard Maybeck: Architect of Elegance (Gibbs Smith, 2011). His articles have appeared in the New York Times, Los Angeles Times, San Francisco Chronicle, Christian Science Monitor, USA Today, and elsewhere. Mark lives in Berkeley, California, with his wife, Ann, and his daughter, Elena.

With more than 200 photographs by veteran architectural photographer Joel Puliatti and 50 archival images (many of which have never been seen in print before), this comprehensive survey of Wright's West Coast legacy features background information on the clients' relationships with Wright, including insights gleaned from correspondence with the original owners and interviews with many of the current owners.

A personal account of three major buildings by the famed Israeli architect, Ada Karmi-Melamede: the Supreme Court Building in Jerusalem, co-designed by her brother Ram Karmi (1993); the Open University Campus in Tel Aviv (2004); and the Visitors Pavilion at Ramat Hanadiv, a nature park and memorial garden dedicated to Baron Edmond de Rothschild, near Zikhron Yaakov. These buildings are notable for their human scale, which is an essential component of democratic spaces, for their careful calibration of components, designed to be experienced through movement, as envisaged by Le Corbusier with his promenade architecturale, and for their sensitivity to the surrounding terrain, interacting with the landscape and not sitting on top of it. Lavishly illustrated with photography captured under sunny skies, and accompanied by her own preliminary sketches, plans and elevations, Ada Karmi-Melamede provides an illuminating insight into her work, which will be of particular interest to students of architecture.

The first ever monograph on contemporary architectural practice in Bangladesh, dedicated to international-award-winning architect Mohammad Rafiq Azam. Rafiq Azam is a world-renowned architect. He recently received the Residential Building of the Year Award at the 2012 Emirates Glass LEAF Awards, which took place during 2012 London Design Festival. He has a holistic approach to design, which not only incorporates the elements of nature but also harnesses its beauty and potential in a practical way, in order to enhance the personal experience of a building. From his uniquely Bangladeshi perspective, the human being has two parts - the body as shell and thoughts as soul; and his architecture is similar, where the building manifests as the shell and nature as its soul. Considering the socioeconomic and city planning conditions of Dhaka, Bangladesh's capital, Azam's architectural vocabulary is kept simple and essential, with traditional spaces like the courtyard, pond, ghat (steps leading into water) and ample internal and external greenery that merge both urban and rural typologies in an intensely urban context. He arranges water courts as swimming pools in the middle of homes, arranges natural light rooms and unfolding wall systems to emphasise the interrelationship between form and void. With more than 200 colour and black-and-white plates, exquisite design sketches and aerial views, as well as watercolour paintings and inspirational phrases, this exceptionally beautiful book is a unique introduction and insight into a visionary architect and Bangladeshi contemporary living and culture.

studio bau:ton, the practice founded by Swiss architect Peter Gruneisen, designs buildings rooted in the sphere of imagination and creativity. The practice's main clients are in the music and film production industry in Los Angeles, for whom it designs private houses and work spaces. The focus is on the combination of high-tech entertainment design with glamorous, exclusive architecture. On the occasion of its 30th anniversary, the Los Angeles-based architectural practice nonzero\architecture is publishing the second monograph. The book includes conversations with well known clients including Hans Zimmer, David Lynch, Bruce Botnik, and Paul Lieberstein. The completed projects include residences, mixed residential/work spaces, through to recording studios and public buildings.

In 1956, TIME magazine called him one of the defining "form-givers of the 20th century." Today, Marcel Breuer (1902-1981) remains a locus classicus of modernism for architects and designers alike. As a Bauhaus pioneer, even his earliest work was marked by a material restraint; the balance of texture, color, and shape; and a symbiosis of local and global, big and small, rough and smooth. In this essential introductory monograph, we survey Breuer's complete career through some of his most influential projects and ideas, from his landmark tubular furniture to the MoMA Research House to his innovation of "binuclear" housing, splitting living and sleeping areas into separate wings. Along the way, we follow Hungarian-born Breuer's journey to international acclaim, with featured projects from Germany, France, England, Switzerland, and across the United States contributing to his global status as a modernist maestro. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Frederick Law Olmsted's career as a landscape architect was long and varied. The best-known fruits of that career were surely the great urban parks: Central Park in Manhattan, Prospect Park in Brooklyn, Franklin Park in Boston. But most of this took place after the Civil War. Prior to 1865, Olmsted had built a public reputation as an author and journalist (producing three historically important books on slavery and the antebellum South) and as General Secretary of the Sanitary Commission of the Union Forces, the committee in charge of organizing medical treatment for the military during the war. He had also previously been an apprentice merchant, a seaman, a farmer, and manager of a mining plantation in California. His life had been marked by innumerable illnesses and accidents. His personality was notable for its contentiousness and obsessiveness.

Working from Olmsted's own personal and professional writings, Melvin Kalfus seeks to establish in this, the first biography of Olmstead to appear in a decade and a half, the connections between the many facets of Olmstead's life and work. Kalfus shows how Olmsted's childhood afflictions provided him with the inner sources of his creative imagination, provided the symbolism that was the linguistic and visual vocabulary employed in his work, fired his ambition, and led him so obsessively to seek the world's esteem through his works. Finally, Kalfus argues that Olmsted's individual psychodynamics fitted him uniquely to the role of the creative professional in public life-- the agent (or "delegate") for his society's needs-- needs that were unspoken as well as spoken.

The most incisive texts on Rem Koolhaas / OMA The activities of Rem Koolhaas and his staff were widely discussed even before the foundation of the Office for Metropolitan Architecture in 1975. Today, many contributions on the work of OMA can be found in the international architectural press, including Koolhaas' own writings. The book contains about 150 selected texts-interviews, feature articles, essays, lead articles, reviews, letters, introductions, appraisals, and competition reports that have been compiled for the first time. This compilation not only provides a fresh and critical view of the oeuvre of one the most important contemporary architects, but also represents an account of the debate on architectural and urban design in recent decades. The most incisive texts on the work of OMA/Rem Koolhaas, with many articles that have never before been translated into English An overview of notions, ideas, and debates in architectural discourse, theory, and criticism, from the 1970s until 2000, that remain relevant today Illustrated with more than 100 cover shoots

Manual for Urban Design Urban design is based on planning and design principles that need to meet functional demands on the one hand, but on the other hand bring the design elements together into a distinctive whole. The basic compositional principles are, for the most part, timeless. Designing Cities examines the most important design and presentation principles of urban design, using historical examples and contemporary international competition entries designed by practices including Foster + Partners, KCAP Architects & Planners, MVRDV, and OMA. At the core of the publication is the question of how the projects were designed and what methods and tools were available to the designer: such as parametric design, in which variable parameters automatically influence the design and provide a range of possible solutions. Tools for urban design Current projects and award-winning competition entries by renowned international practices A textbook for students and a practical design aid for practicing architects and planners

Greta Magnusson Grossman (1906-1999) was a prolific designer working within the male-dominated world of mid-century modern design, whose status and influence has been largely ignored. Grossman was the ultimate polymath - an industrial designer, interior designer and architect working within two fascinating contexts: Scandinavia and North America. This book gives an overview of Grossman's background and education and the formative years of her career in Sweden, before describing her move to Los Angeles in 1940. While she is remembered for her work as a product and lighting designer, her work as an interior designer has been almost entirely overlooked. This book catalogues and emphasises the significance of her contribution to interior design: making the connections between ideas she tested at the scale of the product within the interior environment. It positions her contribution to interior design in relation to the canon of the genres to which she contributed, her discipline and the emerging canon of women designers - who are only now being recognised, whilst considering her enduring legacy upon the world of design today.

The buildings of the past were constructed with readily available and local materials, such as stone, wood, or handmade bricks. Architects in the modern era, however, can choose from an ever increasing number of new materials, each one allowing for different advances in design. And yet the traditional materials have never been entirely supplanted; they still form an important part of the architectural range and are still used by architects the world over. The humble brick, for example, has remained a constant throughout the history of architecture, as has timber with its flexibility and warm tones. But today such elements can be used in conjunction with newer materials to highlight their natural beauty in many different ways: creating a stunning metal facade, wrapping a building with a cool, sleek stone finish, designing a wall with an eye-catching interesting texture, or adding depth or warmth to an internal design. Traditional metals are also finding new use, being employed to coat a structure in a light metal skin that reflects the sunlight, or embedded onto a building to add interest and texture. This book journeys through a curated selection of stunning examples from across the world, showcasing how each material is creatively used over a diverse range of building types and styles, and illustrating the myriad possibilities and forms available to the modern architect who chooses to rework these age-old materials into a brand-new decorative yet functional form.

While Le Corbusier's urban projects are generally considered confrontational in their relationship to the traditional urban fabric, his proposal for the Venice hospital project remained an exercise in preserving the medieval fabric of the city of Venice through a systemic replication of its urban tissue. This book offers a detailed study of Le Corbusier's Venice hospital project as a plausible built entity. In addition, it analyses it in the light of its supposed affinity with the medieval urban configuration of the city of Venice. No formal attempt to date has been made to critically analyse the hospital project's design considerations in comparison to the medieval urban configuration of the city of Venice. Using a range of methodologies including those from architectural theory and history, using archival resources, on-site analysis, and interviews with important resource persons, this book is an interpretation of the conceptual basis for Le Corbusier understanding of the structural formulation of the city of Venice as mentioned in The Radiant City (1935). In doing so, it deciphers the diagrammatic analysis of the city structure found in this work into a set of coherent design modules that were applied in the hospital project and that could become a point of further investigation. Architects and other architecturally interested laypeople with an interest in Venice will find the book a valuable addition to their knowledge. For architectural historians the book makes an important link between modernism and the historically grown Venice.

Architecture in Context is a series of seven books describing and illustrating all the seminal traditions of architecture from the earliest settlements in the Euphrates and Jordan valleys to the stylistically and technologically sophisticated buildings of the second half of the twentieth century. It brings together the fruits of the author's lifetime of teaching and travelling the world, seeing and photographing buildings in an extraordinary synthesis. Each stand-alone volume sets the buildings described and illustrated within their political, technological, social and cultural contexts, exploring architecture not only as the development of form but as an expression of the civilization within which it evolved. The series focuses on the story of the Classical tradition from its origins in Mesopotamia and Egypt, through its realization in ancient Greece and Rome, to the Renaissance, Neo-Classicism, Eclecticism and Modernism. This thread is supplemented with detailed excursions to cover the development of architecture in Central America, India, South-East Asia, and the Islamic world. For students of architecture and art history, for travellers, and for readers who want to understand the genesis of the buildings they see around them, each volume provides a complete, readable and superbly illustrated reference.