Often called the father of landscape architecture, Frederick Law Olmsted was responsible for the design of Central Park and Prospect Park in New York City; Mount Royal Park in Montreal; the Belle Isle Park in Detroit; the Grand Necklace of Parks in Milwaukee; the Cherokee Park and entire parks system in Louisville, KY; and the Biltmore Estate in Asheville, North Carolina, to name a few of his most famous projects. His landscape works are enjoyed in 25 states and 3 Canadian provinces. Most of these parks were created during and immediately after the Civil War. This title presents the opportunity to witness the evolution of Olmsted s design and social philosophies during a time of upheaval in American history.

Sixteen selections, dating from the 1850s to the 1890s, reveal Frederick Law Olmsted s youthful interests as well as his mature thinking on cities, small residential sites, the history and theory of urban parks, and landscape architecture in general. His writings directly addressed important issues of his day, but they remain as cogent as ever in today s environmental crisis."

Starting with the Renaissance, this accessible and lively survey takes readers around the world and through history, from Filippo Brunelleschi through Antoni Gaudi to Frank Gehry. Double-page spreads feature full-color illustrations, informative sidebars, and a timeline. A concise and accessible architectural history, this book is a fascinating look at the enormous variety of ways architects have helped define their eras.

Historically, women architects were disappointingly absent in the news and at awards ceremonies, but now they are spearheading some of the most exciting and important projects in every corner of the globe. These profiles of fifty female architects bring to light some of those projects and highlight pioneering women architects. Each architect is introduced in double-page spreads that include a brief biography, an overview of her philosophy and vision, and stunning photographs of her most significant works. Interviews with several of the architects provide a global perspective on how women are changing the face of the world-including feminist icon, philanthropist, and Nigerian "starchitect" Olajumoke Adenowo; Tatiana Bilbao, who is leading the way in sustainable Mexican architecture; Rossana Hu, who is fighting to preserve Chinese village culture in her rapidly urbanizing country; and Elizabeth Diller, who created the High Line, one of New York City's most beloved public spaces, and helped redesign the city's Museum of Modern Art. This volume offers indisputable and inspiring evidence that the architectural profession is no longer just a man's game.

The objects of architecture are not simply inert assemblies of material-they are complex entities that unfold their potential agencies (whether political, social, or environmental) in equally complex ways. Exploring these forms of architectural agency has in recent years been a central aspect of the work of Andres Jaque and the Office for Political Innovation, who, in addition to their built works, pursue a research practice through the many other media of architectural production. Their projects are reactive, intervening on what already exists to demonstrate how design, politics, and criticality operate across different scales and at the intersection of multiple realities. Jaque's performances, videos, and installations-and this book, which collects a range of recent research projects-bring new subjects into the fold of architecture, focusing on alternative actors, distributions of power and representation, and the sociocultural effects of architecture. These episodes address ideas like genetic manipulation, the necessary requeering of dequeered spaces of online interaction, and the selling of modern architectural comforts in order to subvert the field from within and to contest capitalism's flattening-out of public life. Rather than propose alternative-from-scratch futuristic or idealized realities, Jaque and the Office for Political Innovation claim that reality is produced at the intersection of things like porn, interior design, maintenance, and the territorial distribution of toxicity. Documenting a series of performances, research projects, installations, films, characters, and exhibitions, Superpowers of Scale demonstrates the breadth of architectural knowledge and its possible representations.

Tour the Los Angeles architecture designed by award winning architect Frank O. Gehry and other architects with this wonderful guide. Fifty-nine vivid color photos display these fascinating and varied structures, while the text provides addresses and detailed descriptions of each structure and its history. Among the public buildings and offices included are the Walt Disney Concert Hall, Museum of Contemporary Art, Santa Monica City Hall, Santa Monica Civic Auditorium, the Venice Renaissance Building, and well-known "Binoculars Building." The private residences include the Gehry House, the home of fellow architect Rudolf M. Schindler, Venice Art Lofts, and the home of actor and artist Dennis Hopper. Get behind the wheel and cruise L.A. for architecture yourself, or stay at home and enjoy the sites from your lounge chair!

Pietro Nobile (1776-1854), originally from Ticino in Switzerland, Director of the School of Architecture at the Academy of Fine Arts in Vienna, architect working for the imperial court and protege of the Austrian Chancellor of State Clemens Lothar Metternich, attempted to combine science, mechanics, and aesthetics in architecture. An architect trained both as an engineer and academically, he reformed teaching at the School of Architecture at the Academy in Vienna by reacting to the design methods introduced at the Polytechnic in Paris, and by making academic drawing compulsory for engineers. The publication presents the results of Italian-Austrian-Czech cooperation on research into the architect's death estate in Trieste and Bellinzona, Switzerland, and other materials scattered throughout Europe.

Introducing novel theoretical, empirical and practical investigations with case studies from UK, Europe, South America and South East Asia, the book offers a novel global outlook on how contemporary homes are facing genuine challenges from operational, economic, spatial, social and wellbeing perspectives. The changing demographics of our modern society have inevitably impacted the dynamics and relationships within the home from being personal and private to that of multiple work relationships; domestic work, care for older people, or supporting people with special needs. Whilst the home is a concept universally experienced, permeating every aspect of our lives, it remains an entity whose influence on health and wellbeing is poorly understood. This book brings together 17 different contributions from scholars, researchers and practitioners from different disciplinary and professional backgrounds including three feature articles by leading figures, such as Lord Best and Baroness Hollins. The chapters are organised within three parts that look at the triangle of people + work + care in the home. At a time when homes are increasingly becoming local hubs for care and wellbeing, this volume is a critical and useful addition to current literature in the social sciences, humanities, economics, culture, care and wellbeing in the domestic sphere.

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida's long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists' sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

McMorran & Whitby are arguably one of the most unsung practices of post-war British architecture. Led from the late 1950s by Donald McMorran and George Whitby, two indisputable architectural heavyweights of the post-war era, the practice willingly rejected the experimentalism and fleeting faddishness that characterised the dominant paradigm of the age and from which so many of Britain's towns and cities are still blighted. The practice can be seen as part of an evolution in British classical tradition with direct linkages through other eminent figures such as Sir Edwin Lutyens and E. Vincent Harris. Their work found notable favour with public institutions, such as the police, county and city councils, and universities. These include Devon County Hall in Exeter, various buildings at Nottingham University, West Suffolk County Council buildings in Bury St Edmunds, but, above all, numerous significant commissions for the City Corporation such as Wood Street Police Station and the extension to the Central Criminal Courts, commonly known as the New Bailey. This book is the first major publication on McMorran & Whitby's work, and therefore contains an inspiring combination of contemporary photography and previously unpublished archival material. It is an essential read for architects, students, and historians, not least because it highlights the importance in the arts of seeking longer perspectives than those which, all too often, our own ephemeral epoch permits. This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

Dulwich Picture Gallery in the south of London is the world's first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public", it opened its famous building designed by John Soane in 1817. To mark the museum's bicentenary in 2017, Dulwich Picture Gallery commissioned a first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant, large-size book documents this piece of built poetry in a series of striking, atmospheric photographs by Sophie Roycroft. The concise essays by Job Floris and Sumayya Vally situate the project within a social, political, and cultural context, complemented by technical details and selected plans and drawings on and inside the book's cover.

A presentation of all of Gaudi's works: from his earliest projects until the end of his life. Featuring drawings of the buildings and a visual chronology of the architect's life. Joan Bassegoda explains each architectural monument.

Greta Magnusson Grossman (1906-1999) was a prolific designer working within the male-dominated world of mid-century modern design, whose status and influence has been largely ignored. Grossman was the ultimate polymath - an industrial designer, interior designer and architect working within two fascinating contexts: Scandinavia and North America. This book gives an overview of Grossman's background and education and the formative years of her career in Sweden, before describing her move to Los Angeles in 1940. While she is remembered for her work as a product and lighting designer, her work as an interior designer has been almost entirely overlooked. This book catalogues and emphasises the significance of her contribution to interior design: making the connections between ideas she tested at the scale of the product within the interior environment. It positions her contribution to interior design in relation to the canon of the genres to which she contributed, her discipline and the emerging canon of women designers - who are only now being recognised, whilst considering her enduring legacy upon the world of design today.

From artworks and chairs to architecture, landscaping and interior design, Michael Boyd's devotion to the principles of modernism is comprehensive. An artist and musician, he acquired his expertise as a collector, surrounding himself with rare and beautiful finds. His immersion in the philosophy and creativity of the masters inspired him to restore a succession of classic modern houses, curate exhibitions, create a versatile range of furniture and rugs, and design sculptural gardens. Millennium Modern: Living in Design details his work across the first two decades of the new millennium and reflects his belief that the tenets of modernism - honesty and simplicity - developed more than a century ago, are equally relevant to our pluralistic age. In contrast to the pioneers who wanted to do away with the past, his creations are deeply rooted in the history of design. Essays by Boyd and architectural writer Michael Webb, along with comments from collaborators and critics, explore each facet of his residential design. This beautifully illustrated volume reveals Boyd's holistic design practice from his discovery of design classics in flea markets, to his own furniture designs, which feature in residential interiors, hotels and museums, through to his sensitive restoration of the houses by Paul Rudolph and Oscar Niemeyer, Richard Neutra and Craig Ellwood, and the sculptural landscapes he designed to enhance these residences, as well as masterpieces by John Lautner.

Founded in 2004 by David Montalba, Montalba Architects is an international architecture firm with offices in both Los Angeles and Lausanne. Raised between Switzerland and California, David has cultivated a design philosophy that balances precision and craft with humanistic architecture to form a cohesive presence of both the contextual and the conceptual. Place and Space encapsulates this insightful philosophy through the ideas and projects of the studio spanning more than a decade. Montalba Architects produces impactful architecture and urban design-related projects in a broad range of locations, from the rural landscapes of Wyoming and Switzerland to dense urban sites in New York and Los Angeles. The work engages in a collective pursuit of uncovering ideas and processes to create new forms of expression through space and scale. Projects featured in the book emphasise the importance of experience in architecture, and environments that are both socially responsive and aesthetically progressive, which build on the firm's trademark craft of volumetric landscapes, material integrity, natural light and pure spatial volumes. Place and Space explores the duality of Switzerland and California, and how these locations have inherently influenced the overall ideas and work of Montalba Architects. Woven throughout the text are conversations between David Montalba and other creatives and thinkers, including landscape designer Andrea Cochran, artist Andy Denzler, entrepreneurs David Alleman and Rich Pierson, and film director Zack Snyder, that cross-examine and explore different approaches to space and place. With a foreword by the acclaimed LA-based architect Lawrence Scarpa, alongside extensive photographs and reproductions of drawings, this book further shapes the philosophies that craft a cohesive connection between all Montalba Architects work and is a testament toward its continued influence within the industry.

The publication explores the different yet corresponding architectural concepts of Umberto Riva and Bijoy Jain. On the basis of building visits and ongoing conversations, the author Mirko Zardini interprets Umberto Riva's and Bijoy Jain's motivations and inds unlikely resonance in their complementary approaches. The publication accompanies the exhibition held under the same name at the Canadian Centre for Architecture.

Peter Cook has been a pivotal figure within the architecture world for over half a century. He first came to international renown in the 1960s as a founder of the radical, experimental group Archigram, winners of the 2002 RIBA Royal Gold Medal. He is also former Director of the Institute of Contemporary Arts (ICA), London, and Emeritus Professor and former Chair of the Bartlett School of Architecture (University College London). Suffused with Peter's infectious energy, enthusiasm and charm, this intriguing memoir explores major themes in architecture through the lens of his life and work. Taking the reader on a journey through his colourful and wide-ranging career, it touches on his early years and architectural education, his relationships with key figures within the architecture community and his work teaching and lecturing internationally. It also provides an inside account of his leadership of the Bartlett, for which he is frequently credited as a central figure in rescuing the reputation of a once-ailing, now world-famous, school of architecture. Featuring full-colour images of his most famous drawings, including Archigram's 'Plug-in City', and built works, such as the Kunsthaus Graz in Austria and the Vienna Economics and Business University's Department of Law and Central Administration Buildings, this book is a window into the life of one of architecture's most celebrated rebels.

This title is a commemorative volume celebrating the life and work of the architect and architectural historian Alan Colquhoun, who died in December 2012.

Albert Speer remains the most mysterious character of the leadership of the Nazi regime. He was the chief architect of the Third Reich and Adolf Hitler's confidant. Speer built the "Reichskanzlei" (official offices), discovered the "Lightdome" and was finally, in 1942, named as the minister for arms. But he characterised himself as apolitical, called Hitler's hatred of Jews an anomaly, and the conspirators of the 20th July placed Speer's name on their cabinet list.
Here at last are the memoirs of the mysterious Albert Speer, the "good Nazi"
Joachim Fest's records of conversations with Speer provide a fascinating insight into the psyche of Hitler's architect
This book is a vital contribution towards the understanding of the psychology of the national socialist leadership
Fest has created a volume that provides a unique portrait of a member of the Nazi party until now clouded in mystery

The fourth volume in the series The Architect's Studio is dedicated to the works of Anupama Kundoo. The much appraised Indian architect aims to shed light on a scarce resource in our life: time. Kundoo sees time as a forgotten resource in architecture. For her, architecture is a process that embraces the present, the past and the future. Taking inspiration from ancient building methods, Kundoo is concerned with using as few resources as possible in her architecture. This publication explores how traditional Indian building customs, crafts and materials are integrated into her studio's remarkable projects.

Architect Albert Frey (1903-1998) saw a modernist utopia in the desert. Born in Zurich, he studied in Europe with Le Corbusier before moving to the United States in 1930, convinced it was the land of architectural opportunity. On a visit to Palm Springs, he fell under the desert spell. It was here, amid the arid and empty landscape, that he could truly envisage a perfect modern future. Like fellow Californian luminary, John Lautner, Frey would spend the rest of his career nurturing the consonance of architecture and nature: studying the fall of sunlight and rain, and merging aluminum, steel, and glass with the boulders and sands of the West Coast wilds. His vision centered in particular on Palm Springs, capitalizing on the city's postwar population boom to create a bastion of the sleek, leisurely modernism that defines midcentury California. In this dependable architect introduction, we follow Frey's long and prestigious career from his European beginnings through to the apogee of his Californian practice, taking in his notes on De Stijl, Le Corbusier, and Bauhaus, and exploring the stylistic, material, and geographic makings of his unique "desert modernism." About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. Frank Gehry transformed contemporary architecture with his innovative use, and range, of materials and forms, from mass-produced items to titanium and 3D computer modelling. Remarkable, surprising, and revealing a sense of flow and movement, his buildings curve, bend and collapse in unexpected ways. From his most famous masterpiece, the Guggenheim Museum Bilbao, to his Dancing House in Prague and the twisting Luma Arles Tower, his experimental shapes inspire awe and wonder.

Frank Lloyd Wright was renowned during his life not only as an architectural genius but also as a subject of controversy--from his radical design innovations to his turbulent private life, including a notorious mass murder that occurred at his Wisconsin estate, Taliesin, in 1914. But the estate also gave rise to one of the most fascinating and provocative experiments in American cultural history: the Taliesin Fellowship, an extraordinary architectural colony where Wright trained hundreds of devoted apprentices and where all of his late masterpieces--Fallingwater, Johnson Wax, the Guggenheim Museum--were born.

Drawing on hundreds of new and unpublished interviews and countless unseen documents from the Wright archives, The Fellowship is an unforgettable story of genius and ego, sex and violence, mysticism and utopianism. Epic in scope yet intimate in its detail, it is a stunning true account of how an idealistic community devolved into a kind of fiefdom where young apprentices were both inspired and manipulated, often at a staggering personal cost, by the architect and his imperious wife, Olgivanna Hinzenberg, along with her spiritual master, the legendary Greek-Armenian mystic Georgi Gurdjieff. A magisterial work of biography, it will forever change how we think about Frank Lloyd Wright and his world.