A medium-sized Dublin-based practice, O'Donnell + Tuomey Architects have been involved with urban design, educational and cultural buildings, houses and housing projects in Ireland, the Netherlands and the UK. They have recently won competitions for two key projects in London: the Photographers Gallery and the London School of Economics Students' Centre.
Sheila O'Donnell and John Tuomey, who both teach at University College Dublin and lecture internationally, are the authors of this book. They look at the way in which different geographical, social and political influences have shaped their latest works and approach to architecture generally.
The book is divided into eight sections, each dealing with a different aspect of the practice's concerns: Studio, Courtyards, The World Outside, London Times, Subtraction and Addition, Venice Excursions, Building Ground and Cats Cradles. Specific photographic documentation has been produced for the purpose of inclusion in this book, so as to evoticatively capture its essence.
In the chapter dedicated to their numerous Venician excursions, Sheila O'Donnell and John Tuomey explain their on-going relation to the city's (as well as to its region's) heritage and contemporary culture. Not only has the practice represented Ireland at the 2004 International Venice Architecture Biennale, but their multiple 'encounters' with the works of Aldo Rossi, Carlo Scarpa, and Andrea Palladio, amongst others, have deeply influenced their work over the years. This is seen in elements such as the responsiveness of their buildings' forms to their sites, as well as by an interest in materiality, manifest in their facades as well as in their attention to detail and fascination for craft manufacturing processes.

Tour the Los Angeles architecture designed by award winning architect Frank O. Gehry and other architects with this wonderful guide. Fifty-nine vivid color photos display these fascinating and varied structures, while the text provides addresses and detailed descriptions of each structure and its history. Among the public buildings and offices included are the Walt Disney Concert Hall, Museum of Contemporary Art, Santa Monica City Hall, Santa Monica Civic Auditorium, the Venice Renaissance Building, and well-known "Binoculars Building." The private residences include the Gehry House, the home of fellow architect Rudolf M. Schindler, Venice Art Lofts, and the home of actor and artist Dennis Hopper. Get behind the wheel and cruise L.A. for architecture yourself, or stay at home and enjoy the sites from your lounge chair!

St Mark's Church in Bjoerkhagen, one of Stockholm's southern districts, is one of Sigurd Lewerentz's (1885-1975) key designs. But unlike Lewerentz's other famous church, St Peter's in Klippan, no book has been published to date that constitutes a fitting tribute to this masterpiece of brick brutalism. This opulent new building monograph now fills this gap. Some 300 new colour photographs and especially drawn explanatory plans, alongside essays by distinguished authorities on Lewerentz's architecture, turn this book into a visual feast. It demonstrates the exquisitely atmospheric St Mark's Church both as a standalone object and in the context of its surrounding urban landscape. Moreover, it picks out many details, such as the floor coverings, furnishings, lamps, banisters, the altar, and other liturgical features. The essays explore aspects of materiality and topics such as the church's special acoustics and atmosphere in an attempt to reveal the secret of Sigurd Lewerentz's church designs.

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again." About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

This book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process. Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Perez-Gomez. Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience.

Duplex Architects were founded in 2007 in Zurich and now also run offices in Dusseldorf, Hamburg, and, most recently, in Paris. They have gained an excellent reputation internationally for their designs of various scales and across a vast range of typologies. This first monograph on Duplex Architects' work in Germany and Switzerland offers a close look at their approach to housing design. Five projects in Switzerland are documented extensively through a wealth of images, plans, and visualisations, exemplifying the firm's position on urban planning, typology research, and materiality and demonstrating their utterly independent way of working. Urban scale, search for new forms of communal living, the importance of community, and a collaborative design process are at the core of Duplex Architects' explorations into residential architecture. Nele Dechmann's text and Ludovic Balland's photo essay serve to illuminate Duplex Architects' work each in their own way. Further texts are contributed by the firm's founding partners Anne Kaestle and Dan Schurch, as well as by other expert authors, who cast their own personal glance at the five projects featured in this book.

Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the "Modern Project." The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.

Sensitively balancing historic preservation with contemporary innovation, Ahearn's timeless houses feel deeply connected to the stylistic character of their locales, even as their programs and plans celebrate how we live now. In these pages, Ahearn takes us on a journey through the award-winning private residences and public environments that he has created over his 45-year career. He entertainingly explains how his uniquely urbanistic point of view and novel, narrative-driven process help clients live out their dreams, in homes that recall the past, engage with the present, and look to the future.

A design monograph series on the most remarkable architects, designers, brands and design movements of the twentieth and twenty-first centuries, each book contains a historical-critical essay discussing the life and work of the subject, followed by an illustrated appreciation of groundbreaking work. Frank Gehry transformed contemporary architecture with his innovative use, and range, of materials and forms, from mass-produced items to titanium and 3D computer modelling. Remarkable, surprising, and revealing a sense of flow and movement, his buildings curve, bend and collapse in unexpected ways. From his most famous masterpiece, the Guggenheim Museum Bilbao, to his Dancing House in Prague and the twisting Luma Arles Tower, his experimental shapes inspire awe and wonder.

"This book celebrates teamwork and collaboration over the individual, a refreshing take on a practice which is given to celebrating starchitects." -Peter H. Miller, Traditional Building In 1897, Frank Lloyd Wright, Robert Spencer, Dwight Perkins, and Myron Hunt, all young architects just starting out in practice, shared office space in Chicago. This book is both a history of that brief period and an attempt to assess the extent to which they collaborated on their architectural designs and on the creation of architectural theory which would impact a half century of architectural design. While there is little firsthand documentation of the time spent in their shared loft office in Steinway Hall, this study engages in a side by side comparison of projects they each designed while working there. Overlapping ideas, design similarities, and an analysis of their subsequent work, all suggest that these men formed a creative "collaborative circle" of friends, who jointly developed ideas later claimed as the work of Frank Lloyd Wright. This is a book about artistic collaboration at a time when discussions of art and architectural history are still largely dominated by the belief that significant works are created by the lone artistic genius. At the turn of the last century Spencer, Perkins, Hunt, and Wright were part of a community of architects who were all active members of the Chicago Architectural. Steinway Hall, an office building designed by Dwight Perkins, became a home to Chicago's architectural community with as many as 50 different architects renting space in that building at the turn of the last century. Based on Real Estate Directories from 1897 through 1910 the book includes a listing of the architects that worked and interacted there. Also included are brief biographies of Spencer, Perkins, and Hunt. Excepting Hunt, none of these men have been the subject of individual publications. While Frank Lloyd Wright's life and work have been extensively chronicled, this book reexamines the period between Wright's arrival in Chicago in 1887 and his move into the loft office in Steinway Hall in 1897.

Zaha Hadid was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid's daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing. By her untimely death in 2016, Hadid was firmly established among architecture's finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects. Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid's complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid's own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.

On occasion, an artist is not only from, but of, a place. Imbued with the very spirit of a locale, and thus inspired to return the favour. Such is the nature of the relationship between the legendary architect Foyez Ullah, and Bangladesh' capital city, Dhaka. Dhaka is a city rich with history; borne of eclecticism, and her tremendous growth post-independence has been extraordinary, both culturally and architecturally. From the early Mughal architecture to the Indo-Saracenic style of the colonial era, to the sheets of steel and glass that characterize a modern metropolis, there's an aesthetic battle for the city's very soul being waged. Dhaka is a city rich with history; borne of eclecticism, and her tremendous growth postindependence has been extraordinary, both culturally and architecturally. From the early Mughal architecture to the Indo-Saracenic style of the colonial era, to the sheets of steel and glass that characterize a modern metropolis, there's an aesthetic battle for the city's very soul being waged. Foyez Ullah has played an active role in this conversation for nearly three decades, weaving a tapestry of work within Dhaka's realm that declutters her chaotic whims and sets revealing insight into contextspecific architectural response. Through a series of his architectural benchmarks, as well as texts from the architectural critics Vladimir Belogolovsky and Byron Hawes, this volume posits a framework for responsive and contextual architecture for Dhaka in the 21st century.

Peter Cook has been a pivotal figure within the architecture world for over half a century. He first came to international renown in the 1960s as a founder of the radical, experimental group Archigram, winners of the 2002 RIBA Royal Gold Medal. He is also former Director of the Institute of Contemporary Arts (ICA), London, and Emeritus Professor and former Chair of the Bartlett School of Architecture (University College London). Suffused with Peter's infectious energy, enthusiasm and charm, this intriguing memoir explores major themes in architecture through the lens of his life and work. Taking the reader on a journey through his colourful and wide-ranging career, it touches on his early years and architectural education, his relationships with key figures within the architecture community and his work teaching and lecturing internationally. It also provides an inside account of his leadership of the Bartlett, for which he is frequently credited as a central figure in rescuing the reputation of a once-ailing, now world-famous, school of architecture. Featuring full-colour images of his most famous drawings, including Archigram's 'Plug-in City', and built works, such as the Kunsthaus Graz in Austria and the Vienna Economics and Business University's Department of Law and Central Administration Buildings, this book is a window into the life of one of architecture's most celebrated rebels.

Introducing novel theoretical, empirical and practical investigations with case studies from UK, Europe, South America and South East Asia, the book offers a novel global outlook on how contemporary homes are facing genuine challenges from operational, economic, spatial, social and wellbeing perspectives. The changing demographics of our modern society have inevitably impacted the dynamics and relationships within the home from being personal and private to that of multiple work relationships; domestic work, care for older people, or supporting people with special needs. Whilst the home is a concept universally experienced, permeating every aspect of our lives, it remains an entity whose influence on health and wellbeing is poorly understood. This book brings together 17 different contributions from scholars, researchers and practitioners from different disciplinary and professional backgrounds including three feature articles by leading figures, such as Lord Best and Baroness Hollins. The chapters are organised within three parts that look at the triangle of people + work + care in the home. At a time when homes are increasingly becoming local hubs for care and wellbeing, this volume is a critical and useful addition to current literature in the social sciences, humanities, economics, culture, care and wellbeing in the domestic sphere.

The Roehampton Lane (Alton West) estate is widely acclaimed as one of the seminal works of the Modern Movement in Britain. Less well known is the identity of its designers, four ambitious young architects in the employ of the London County Council: Bill Howell, John Killick, John Partridge and Stan Amis. Launched into practice with a maverick design for Churchill College, Cambridge, their output ranged from additions to Oxford and Cambridge colleges to theatres, houses and government buildings.Deriving a distinctive design language from revealed structure and highly modelled surfaces, HKPA developed a rich, allusive and extrovert architecture. Although a mastery of pre-cast concrete and a preference for raw finishes earned them an early reputation as Brutalists, their sensitivity to context, refined sense of light and materials and eye for the qualities of historic buildings transcends any single style. Geraint Franklin has combined interviews with archival research to tell the story of the individuals, collaborations and aspirations behind the built and unrealised projects. Lavishly illustrated with new photography by James O. Davies and images from the practice archive, this book is a must for architects, students and enthusiasts wanting to discover this key practice in British post-war architecture.

McMorran & Whitby are arguably one of the most unsung practices of post-war British architecture. Led from the late 1950s by Donald McMorran and George Whitby, two indisputable architectural heavyweights of the post-war era, the practice willingly rejected the experimentalism and fleeting faddishness that characterised the dominant paradigm of the age and from which so many of Britain's towns and cities are still blighted. The practice can be seen as part of an evolution in British classical tradition with direct linkages through other eminent figures such as Sir Edwin Lutyens and E. Vincent Harris. Their work found notable favour with public institutions, such as the police, county and city councils, and universities. These include Devon County Hall in Exeter, various buildings at Nottingham University, West Suffolk County Council buildings in Bury St Edmunds, but, above all, numerous significant commissions for the City Corporation such as Wood Street Police Station and the extension to the Central Criminal Courts, commonly known as the New Bailey. This book is the first major publication on McMorran & Whitby's work, and therefore contains an inspiring combination of contemporary photography and previously unpublished archival material. It is an essential read for architects, students, and historians, not least because it highlights the importance in the arts of seeking longer perspectives than those which, all too often, our own ephemeral epoch permits. This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

Wright's Writings traces the discursive work of Frank Lloyd Wright through a set of essays by Kenneth Frampton. Originally written as a series of introductions to the five-volume collection of Wright's writing published in 1992, the essays are gathered here as a critical survey of the architect's written and spoken work-a body of text that testifies to Wright's staggering prolificacy, pleasure in argument, diversity of interests, and desire to engage with timely political debates. Alongside these five essays, Wright's Writings provides a visual record of Wright's literary output, demonstrating the range of media he employed in the act of making architecture. Read together, it presents a history of the architect through the essays, books, letters, lectures, and speeches he wrote as well as the material and social cultures he navigated.

Flux Redux is a book about design experiments undertaken at the Zurich and Los Angeles-based firm agps Architecture over the course of three decades. The story it tells addresses the evolution of a body of work relative to the evolution of environmental discourse, reflecting also on the shifting relations between technology and sustainability in architecture. The nine case studies from agps Architecture's portfolio record changes in how architecture is thought about and how it is made. Around 500 illustrations in the book are supplemented with texts by Marc Angelil, one of the founders of agps, and Cary Siress, architect and professor at the Nanjing University's Graduate School of Architecture and Urban Planning. Further contributions are provided by Swiss structural engineer Ernst Hofmann and Margarete von Lupin, a Zurich-based scholar of design and media studies and lecturer at Zurich University of the Arts and University of Zurich. Additional texts by Rainer Hehl, architect and visiting professor at Technische Universitat Berlin and Yokohama National University, and Alvaro Siza, one of the most distinguished architects of our time, round out this inspiring volume that also offers observations on architects' never-ending task of trial and error to make each building a more sustainable agent of a larger environmental system.

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida's long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists' sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

Dulwich Picture Gallery in the south of London is the world's first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public", it opened its famous building designed by John Soane in 1817. To mark the museum's bicentenary in 2017, Dulwich Picture Gallery commissioned a first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant, large-size book documents this piece of built poetry in a series of striking, atmospheric photographs by Sophie Roycroft. The concise essays by Job Floris and Sumayya Vally situate the project within a social, political, and cultural context, complemented by technical details and selected plans and drawings on and inside the book's cover.

The first in-depth exploration of the award-winning King Abdulaziz Center for World Culture in Saudi Arabia, designed by Norwegian architects Snøhetta Ithra, also known as the King Abdulaziz Center for World Culture, in Dhahran, Saudi Arabia, is an unprecedented architectural achievement. Designed on a monumental scale by the Norwegian architectural firm Snøhetta, built by Saudi Aramco, and inaugurated by King Salman bin Abdulaziz in late 2017, Ithra has been listed in Time magazine as one of the world's top 100 places to visit and is the winner of Project of the Year and Best Innovative Project of the Year at the Construction Innovation Awards in 2019. This multi-purpose cultural institution, with its unusual geometric sculptures, is one of a kind in contemporary architecture. With stunning imagery and a holographic wrap-around case, the book offers an in-depth, behind-the-scenes look at the inspiration for Ithra, from the competition process and selection of the architect to its complex construction and reveals the story behind this striking architectural gem, from its inception to its realization.

Finalist, 2021 Writers' League of Texas Book Award Regarded as both a legend and a villain, the critic Dave Hickey has inspired generations of artists, art critics, musicians, and writers. His 1993 book The Invisible Dragon became a cult hit for its potent and provocative critique of the art establishment and its call to reconsider the role of beauty in art. His next book, 1997's Air Guitar, introduced a new kind of cultural criticism-simultaneously insightful, complicated, vulnerable, and down-to-earth-that propelled Hickey to fame as an iconoclastic thinker, loved and loathed in equal measure, whose influence extended beyond the art world. Far from Respectable is a focused, evocative exploration of Hickey's work, his impact on the field of art criticism, and the man himself, from his Huck Finn childhood to his drug-fueled periods as both a New York gallerist and Nashville songwriter to, finally, his anointment as a tenured professor and MacArthur Fellow. Drawing on in-person interviews with Hickey, his friends and family, and art world comrades and critics, Daniel Oppenheimer examines the controversial writer's distinctive takes on a broad range of subjects, including Norman Rockwell, Robert Mapplethorpe, academia, Las Vegas, basketball, country music, and considers how Hickey and his vision of an "ethical, cosmopolitan paganism" built around a generous definition of art is more urgently needed than ever before.