From artworks and chairs to architecture, landscaping and interior design, Michael Boyd's devotion to the principles of modernism is comprehensive. An artist and musician, he acquired his expertise as a collector, surrounding himself with rare and beautiful finds. His immersion in the philosophy and creativity of the masters inspired him to restore a succession of classic modern houses, curate exhibitions, create a versatile range of furniture and rugs, and design sculptural gardens. Millennium Modern: Living in Design details his work across the first two decades of the new millennium and reflects his belief that the tenets of modernism - honesty and simplicity - developed more than a century ago, are equally relevant to our pluralistic age. In contrast to the pioneers who wanted to do away with the past, his creations are deeply rooted in the history of design. Essays by Boyd and architectural writer Michael Webb, along with comments from collaborators and critics, explore each facet of his residential design. This beautifully illustrated volume reveals Boyd's holistic design practice from his discovery of design classics in flea markets, to his own furniture designs, which feature in residential interiors, hotels and museums, through to his sensitive restoration of the houses by Paul Rudolph and Oscar Niemeyer, Richard Neutra and Craig Ellwood, and the sculptural landscapes he designed to enhance these residences, as well as masterpieces by John Lautner.

Jewel Changi Airport documents the creation of a remarkable addition to one of the world's premier airports. The sinuous, faceted glass Jewel serves as Singapore's new gateway to the world, and redefines what an airport can be. Brimming with terraced plantings, lush valleys, floating bridges, art installations, shops, restaurants, and a central waterfall, Jewel is a new type of destination: part public garden and part shopping and entertainment complex. Through photos, drawings, ephemera, essays, and interviews, the book provides detailed insights on how the project came to be - from its bold vision and concept to the innovative engineering, environmental, and construction strategies employed to make it a reality.

The architect and designer Augustus Welby Pugin (1812-52), whose early commissions included furniture for George IV at Windsor, assured his place in history through his work with Sir Charles Barry on the Palace of Westminster following the 1834 fire. A pivotal figure in Britain's Gothic Revival, he became a Roman Catholic in 1835, combining his religion with his devotion to the medieval in building projects such as Nottingham Cathedral, St George's Cathedral in Southwark, and Mount St Bernard Abbey in Leicestershire. Benjamin Ferrey (1810-80) studied architectural draughtsmanship under Augustus Charles Pugin (1762-1832). Boarding with the Pugins for seven years, he gained first-hand knowledge of father and son. This 1861 work is a lasting achievement in architectural biography. It includes a substantial appendix by Edmund Sheridan Purcell, a family friend whose own Catholicism equipped him to discuss the religious aspects of the younger Pugin's character and work.

The largely unknown oeuvre of the Philippine architect Leandro V. Locsin (1928-1994) embodies the search for identity in the built environment. Having completed his studies, Locsin opened his practice in 1953 in the capital Manila which, after the aerial attacks by the Allied forces for the liberation of the Philippines from Japanese occupation, had been almost completely destroyed. The reconstruction, as well as technical innovations and favorable political and economic conditions, made it possible for him to design a wide range and large number of projects, including hotels, commercial buildings, churches, cultural venues, and public buildings. His work combines inspiration from modernism with local traditions and comprises a total of 245 projects, of which more than half were completed. The book presents a selection of the most important buildings and projects.

ADAM Architecture has a worldwide reputation for traditional Western design. Although the practice is based in the UK, it has built award-winning projects of all types around the world, and is known for combining modern interpretations of the Classical tradition with the latest technology. Among its most admired work are its country houses, and 19 of these houses are the focus of this new book, written by architectural historian Jeremy Musson. Robert Adam co-founded the practice (as Winchester Design) in 1986, and has worked with technical director Paul Hanvey for more than 30 years (including at a previous incarnation of the practice). Adam now works with three other architect-directors - Nigel Anderson, Hugh Petter and George Saumarez Smith - to build country houses that are not period reproductions but creative interpretations of past traditions. Each director has his own architectural personality, together producing a body of work that uses historical precedents, including construction techniques, materials, layout and details, to give expression to thoroughly modern works. Their schemes address the modern-day realities of energy conservation, climate control, internet access, computer-managed systems and security - all prerequisites in contemporary house design. Unlike country houses of the past, today's houses must be functional without live-in staff. Kitchens are now the focus of much family life and entertaining, rather than spaces to be kept from sight. These and numerous other practical considerations receive meticulous attention in an ADAM Architecture country house. The book begins with two forewords, with Clive Aslet and Calder Loth offering their interpretations of the ideal country house from a British and an American perspective respectively. The introduction provides an overview of the rich and varied tradition of the English country house, from the medieval manor house to houses of the Elizabethan and Jacobean periods, and the Classically inspired designs of the seventeenth and eighteenth centuries through to the architecture of the Gothic Revival and then the Arts and Crafts Movement. Architects associated with the country house throughout the ages include, among others, John Vanburgh, William Chambers, Robert Adam, John Nash and Sir Edwin Lutyens. And now, today, ADAM Architecture is one of the leading practices designing and building new country houses.

Alexey Shchusev (1873-1949) was one of the most celebrated architects of the Soviet Union, famous for Lenin's Mausoleum in Moscow. Not only a gifted designer of many prominent buildings, his career was quite unique and closely intertwined with the turbulent course of Russian and Soviet history. He was one of the very few architects who managed to rise to the top of the architectural hierarchy under the tsars and then to repeat this success under Soviet rule. Already before the Revolution of 1917, Shchusev was an acclaimed Revivalist architect, wellknown for his church designs and Moscow's Kazan Station. In the 1920s, he became a renowned Constructivist. Following the official renunciation of Avant-Garde architecture ordered by Stalin, Shchusev swiftly became an advocate of Socialist Classicism, designing many projects in the dictator's favoured Empire Style in order to satisfy the Stalinist state's needs for monumental representation. Combining a scholarly study of Shchusev's career with stunning photographs this book traces the development of this artistically and politically gifted architect through the architectural and historical changes in the first half of the twentieth century.

Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund's own house at Stennas, it addresses the topic of buildings accompanied by landscapes. It proposes that themes related to landscape are central to Asplund's distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, author Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect's intentions. This book is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.

A medium-sized Dublin-based practice, O'Donnell + Tuomey Architects have been involved with urban design, educational and cultural buildings, houses and housing projects in Ireland, the Netherlands and the UK. They have recently won competitions for two key projects in London: the Photographers Gallery and the London School of Economics Students' Centre.
Sheila O'Donnell and John Tuomey, who both teach at University College Dublin and lecture internationally, are the authors of this book. They look at the way in which different geographical, social and political influences have shaped their latest works and approach to architecture generally.
The book is divided into eight sections, each dealing with a different aspect of the practice's concerns: Studio, Courtyards, The World Outside, London Times, Subtraction and Addition, Venice Excursions, Building Ground and Cats Cradles. Specific photographic documentation has been produced for the purpose of inclusion in this book, so as to evoticatively capture its essence.
In the chapter dedicated to their numerous Venician excursions, Sheila O'Donnell and John Tuomey explain their on-going relation to the city's (as well as to its region's) heritage and contemporary culture. Not only has the practice represented Ireland at the 2004 International Venice Architecture Biennale, but their multiple 'encounters' with the works of Aldo Rossi, Carlo Scarpa, and Andrea Palladio, amongst others, have deeply influenced their work over the years. This is seen in elements such as the responsiveness of their buildings' forms to their sites, as well as by an interest in materiality, manifest in their facades as well as in their attention to detail and fascination for craft manufacturing processes.

The first in-depth exploration of the award-winning King Abdulaziz Center for World Culture in Saudi Arabia, designed by Norwegian architects Snøhetta Ithra, also known as the King Abdulaziz Center for World Culture, in Dhahran, Saudi Arabia, is an unprecedented architectural achievement. Designed on a monumental scale by the Norwegian architectural firm Snøhetta, built by Saudi Aramco, and inaugurated by King Salman bin Abdulaziz in late 2017, Ithra has been listed in Time magazine as one of the world's top 100 places to visit and is the winner of Project of the Year and Best Innovative Project of the Year at the Construction Innovation Awards in 2019. This multi-purpose cultural institution, with its unusual geometric sculptures, is one of a kind in contemporary architecture. With stunning imagery and a holographic wrap-around case, the book offers an in-depth, behind-the-scenes look at the inspiration for Ithra, from the competition process and selection of the architect to its complex construction and reveals the story behind this striking architectural gem, from its inception to its realization.

Sir Edwin Lutyens is widely regarded as one of Britain's greatest architects. In a career of over 50 years, spanning the Victorian, Edwardian and modern eras of architecture, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous World War I memorials across Europe and Britain, and his magnum opus designs for New Delhi built during the 1920s and 1930s. Despite such diversity of building types across his long career, Lutyens's most celebrated works remain his country houses, which first established his reputation during the 1890s. As Lutyens's practice flourished his work became widely promoted in publications such as Country Life magazine, and his houses, particularly those designed in the vernacular manner, would subsequently give rise to an entire genre of the English country house that became known, as it is to this day, as a 'Lutyens-style' house. Sir Edwin Lutyens: The Arts and Crafts Houses brings together in new, wide-format, full-colour photography a definitive collection of 45 of Lutyens's great Arts and Crafts houses, in which he ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features 575 all-new current photographs of the houses, inside and outside, together with a selection of floor plans of the houses, and a fresh interpretation of Lutyens's enduring architectural genius.

Inigo Jones worked as hard on the creation of his architectural persona as he did on the design of the buildings for the early Stuart court. Through his study of continental architectural and art theory, humanist education, and courtly behavior, Jones redefined the intellectual status of architecture in England and forged a new role for the architect in public life. Since his death, he has been variously described as the first educated architect, the first classicist, the first Renaissance architect in Britain, and the savior of British building from the long winter of the Elizabethan style. This reputation has overlooked the many ways that Jones drew on English customs in order to shape classical architecture for a domestic audience. This 2006 book explores the creation of Jones as professional architect and the development of classical architecture in England through a study of his reading, writing, and architectural practice.

The focus of the Hungarian architecture practice, 3h architects, which was founded in 1994 by Katalin Csillag and Zsolt Gunther, is on the sensitive transformation of urban spaces and historic buildings. They set spaces with great intensity and complexity against a world that seems incomprehensible, often linking them with interrupted strands of history and creating unmistakable space effects using daylight and artificial lighting. Their work covers offices, housing and educational buildings, as well as castles and churches, and has already attracted a number of awards. The monograph documents nine completed and five not-yet-completed buildings. The essays by various authors focus on the practice's key interests in the context of Hungary's architectural culture: space and light, typology, context, and ornament

Documents the projects of The Scarcity and Creativity Studio and shows how this work has developed a unique methodology for practicing and teaching architecture Aimed at students, teachers and professionals who are exploring the possibilities of design-build, the 16 built projects are fully documented in text, drawings and photos Projects are based in Norway, Chile, Ecuador, Kenya, China, Argentina and Lebanon.

The bridge has always stood as a transitional structure - not purely a work of engineering, nor simply a work of architecture. Its functional requirements are more stringent than those of the average building; it not only must stand up; it must stand up, support those who cross it, and effectively span the space over which it stands. As Samuel Johnson said, "the first excellence of a bridge is strength ... for a bridge that cannot stand, however beautiful, will boast its beauty but a little while." The Scottish architect Robert Adam (1728-92) understood these precepts well, continually building bridges that were not just structurally sound, but also aesthetically pleasing. Unlike his contemporaries, Adam did not view bridges as mere skeletons upon which to apply ornament. Rather, he sought to achieve architectural totality, incorporating his bridge designs into greater architectural programs, thereby producing aesthetically pleasing and contextually specific designs. From the Pulteney Bridge in Bath to the ruined arch and viaduct at Culzean Castle in Ayrshire, The Bridges of Robert Adam: A Fanciful and Picturesque Tour will take the reader across Britain, shedding new light on an understudied aspect of the great architect's career.

Barry Parker (1867-1944) was a leading figure in the Arts and Crafts Movement in England. In partnership with Raymond Unwin he planned the world's first 'Garden City', at Letchworth, and London's Hampstead Garden Suburb. They also designed many individual houses and other buildings. In 1910 Parker began publication of a series of essays called 'Modern Country Homes in England' in The Craftsman, an influential American journal. It was his hope that these would be eventually collected together in book form, and would thus stand as a statement of his architectural beliefs. This volume, first published in 1986, is based upon these essays, and offers a critical evaluation of Parker's work. Many of the illustrations are taken from original drawings and photographs.

Reflecting the historic first European seismic code, this professional book focuses on seismic design, assessment and retrofitting of concrete buildings, with thorough reference to, and application of, EN-Eurocode 8. Following the publication of EN-Eurocode 8 in 2004-05, 30 countries are now introducing this European standard for seismic design, for application in parallel with existing national standards (till March 2010) and exclusively after that. Eurocode 8 is also expected to influence standards in countries outside Europe, or at the least, to be applied there for important facilities. Owing to the increasing awareness of the threat posed by existing buildings substandard and deficient buildings and the lack of national or international standards for assessment and retrofitting, its impact in that field is expected to be major.

Written by the lead person in the development of the EN-Eurocode 8, the present handbook explains the principles and rationale of seismic design according to modern codes and provides thorough guidance for the conceptual seismic design of concrete buildings and their foundations. It examines the experimental behaviour of concrete members under cyclic loading and modelling for design and analysis purposes; it develops the essentials of linear or nonlinear seismic analysis for the purposes of design, assessment and retrofitting (especially using Eurocode 8); and gives detailed guidance for modelling concrete buildings at the member and at the system level. Moreover, readers gain access to overviews of provisions of Eurocode 8, plus an understanding for them on the basis of the simple models of the element behaviour presented in the book.

Also examined are the modern trends in performance- and displacement-based seismic assessment of existing buildings, comparing the relevant provisions of Eurocode 8 with those of new US prestandards, and details of the most common and popular seismic retrofitting techniques for concrete buildings and guidance for retrofitting strategies at the system level. Comprehensive walk-through examples of detailed design elucidate the application of Eurocode 8 to common situations in practical design. Examples and case studies of seismic assessment and retrofitting of a few real buildings are also presented.

From the reviews
"This is a massive book that has no equal in the published literature, as far as the reviewer knows. It is dense and comprehensive and leaves nothing to chance. It is certainly taxing on the reader and the potential user, but without it, use of Eurocode 8 will be that much more difficult. In short, this is a must-read book for researchers and practitioners in Europe, and of use to readers outside of Europe too. This book will remain an indispensable backup to Eurocode 8 and its existing Designers Guide to EN 1998-1 and EN 1998-5 (published in 2005), for many years to come. Congratulations to the author for a very well planned scope and contents, and for a flawless execution of the plan." AMR S. ELNASHAI

"The book is an impressive source of information to understand the response of reinforced concrete buildings under seismic loads with the ultimate goal of presenting and explaining the state of the art of seismic design. Underlying the contents of the book is the in-depth knowledge of the author in this field and in particular his extremely important contribution to the development of the European Design Standard EN 1998 - Eurocode 8: Design of structures for earthquake resistance. However, although Eurocode 8 is at the core of the book, many comparisons are made to other design practices, namely from the US and from Japan, thus enriching the contents and interest of the book." EDUARDO C. CARVALHO"

This comprehensive biography traces the life and works of Robert Maillart, one of the most important engineers and designers of the twentieth century. His career developed around a central issue of modern technological society: the debate between two antithetical views of engineering opposing applied science, which relied on general mathematical theories for understanding structures against design, which Maillart championed. Maillart considered structures not merely works of utility but also as works of art. As utilitarian objects, he created a series of innovations of lasting significance. Aesthetically, Maillart shaped his three innovations in concrete to create surprising and often stunning new forms. Providing an analysis of these innovations, this biography also connects Maillart's aesthetic ideas with the private and professional context in which he worked.

A life story told in discrete, arresting snapshots of despair, resilience, creativity, and hope, Joe Andoe's literary portrait of his time to date on earth is as powerful as a heavyweight's hook and as spellbinding as a major crack-up on the opposite side of the highway. It is a testament to a young man's fortitude and genius and luck that enabled him to survive a life lived wildly out of control; a rocket ride from the sordid depths of self-destruction to the glorious pinnacles of . . . "Jubilee City."

This is a scholarly examination of the theoretical work of one of the most important architects of early modern Europe. Trained as a scientist, Wren applied the seventeenth-century scientific methods to his study of ancient, medieval, Renaissance and contemporary architecture. From his study of ancient buildings, he posited a new version of the origins and development of the Classical style, thereby becoming one of the first to challenge theoretical principles of architecture that had been upheld since the Renaissance. Rejecting the idea of beauty as absolute and innate, Wren formulated an empirical definition, based on visual perception and custom. His acceptance of the relativity of beauty also led him to recognize the Gothic style, then disparaged by himself and his contemporaries throughout Europe, as a legitimate one that evolved within particular cultural circumstances. This edition of Wren's writings includes accurate, annotated transcriptions of the texts.

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911-1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America. This introductory book brings together the most important of Lautner's projects to explore his his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner's sensitivity to a building's surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner's houses now labeled Los Angeles Historic-Cultural Monuments, we'll also consider the architect's cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Divided into three chapters, Houses in the City, Houses in the Country and Places People Go To, the book showcases some of MBA's most spectacular projects, showing site pictures before, during and after construction. Most architecture books gloss over the nightmare part of the build, but the authors are keen to explain exactly what to expect during the process. Scattered throughout the book are some of the inspirations for MBA's designs, things they like and items that inspire them. While much of their work is focused in Central London, MBA has undertaken commissions worldwide including France,Germany and Los Angeles. In particular, their work for the Soho House Group and their emphasis on recycling and the environment have been the hallmarks of their success. Whether their commissions are commercial, residential or charitable, country or town houses, hotels, restaurants or bars, MBA create spaces you really want to eat, live or stay in. A quirky sense of humour is always at play, infusing their work with an empathy and warmth that many architects in the same filed just miss. Theirs is a vibrant and very busy practice.

An expanded edition on the master of Modernism, Le Corbusier, by award-winning architectural historian William J. R. Curtis. Originally published in 1996 to critical fanfair, scholar William J.R. Curtis has re-issued his classic text with extensive new scholarship and contemporary research that continues the high standard of the original. Presented chronologically with a clear narrative, Curtis has worked tirelessly not only to document Le Corbusier's key projects in detail but to contextualize them within the architect's overarching philosophy of urbanism and art and the pervading culture of Le Corbusier's time. With full access to the renowned Le Corbusier archive, Curtis' text is lavishly illustrated with new photographs, plans and original sketches and a fresh new design. Praise for the first edition: "This is not only the best single work on Le Corbusier - a model of scholarship, erudite yet eminently readable - it is also an invaluable analysis of the creative architectural process. It should be read and re-read by every student of architecture." - Building Design "William J. R. Curtis is the best architectural historian writing in the English language." - Chicago Tribune

Russel and Mary Wright: Dragon Rock at Manitoga, explores the home and woodland paths imagined by Russel and Mary Wright in Hudson Valley New York; a modernist haven that allows for ambiguity, and the natural world where the spirit could flourish. In the era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. The Wrights rejected rigid modernism that did not allow for ambiguity, let alone the natural world. Here we find multiple binary factors: New York City and the sublime Hudson Valley landscape, commercial mass production and handmade nuance, Japanese aesthetics and American ideals, queer attraction, and family yearnings. Wright: Dragon Rock at Manitoga traces a journey, beyond an exploration of space, but a way of life, the story of the creation of a haven where the spirit could flourish. Our understanding of the Wrights's architectural, design, and environmental achievements, synthesizes four archives, including the estate of the Wright family, The Center for Photography at Woodstock, The Russel Wright Design Center at Manitoga, and the Russel Wright Papers at Syracuse University. With a clarion voice, we examine this partnership, revealing new understandings and cultural relevance.