Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. In this collection, Philip Webb's letters have been drawn together by John Aplin. They tell a fascinating story of Webb's life and work, and the corresponding notes to each text will help the reader to understand the meaning and context of the letters. This work will be of interest to art and architecture historians alike.

This book features the best and most spectacular conversions on the international architecture scene, accompanied by an insightful text and photographs. It includes over 60 projects around the world, including work by Hassell + OMA, David Chipperfield, Heatherwick Studios, Ney + Partners, Herzog & de Meuron, Zaha Hadid and many others. The author explores how these architects creatively approached the conversions of older buildings, ultimately finding a new functionality and life for them in the 21st century.

The name of Robert Adam is today equated, as it was by his contemporaries, with taste, style and elegance. Since his death, the term 'Adamesque' has been used to describe not only ceilings, doorways and fireplaces but objects as various as the City Hall in Charleston and a chamber-pot. A university drop-out, Adam still made his own scholarly contribution to the understanding of classical architecture and was a talented painter as well. As visionary in the decoration of interiors as he was ingenious in the design of exteriors, Adam was more often responsible for the renovation, alteration or completion of existing buildings than for the creation of entirely new ones. Best known perhaps for his work on great private palaces such as Syon and Kenwood, Osterley and Kedleston, Saltram and Culzean, Adam was also responsible for churches and tombs, monuments and market-halls and for such public commissions as the Admiralty Screen in Whitehall and Britain's first purpose-built public archive, The Register House in Edinburgh.

Marco Frascari believed that architects should design thoughtful buildings capable of inspiring their inhabitants to have pleasurable and happy lives. A visionary Italian architect, academic and theorist, Frascari is best-known for his extraordinary texts, which explore the intellectual, theoretical and practical substance of the architectural discipline. As a student in Venice during the late 1960s, Frascari was taught and mentored by Carlo Scarpa. Later he moved to North America with his family, where he became a fulltime academic. Throughout his academic career, he continued to work on numerous architectural projects, including exhibitions, competition entries, and designs for approximately 35 buildings, a small number of which were built. As a means of (re)constructing the theatre of imaginative theory within which these buildings were created, Sam Ridgway draws on a wide selection of Frascari's texts, including his richly poetic book Monsters of Architecture, to explore the themes of representation, demonstration, and anthropomorphism. Three of Frascari's delightful buildings are then brought to light and interpreted, revealing a sophisticated and interwoven relationship between texts and buildings.

The pioneering architect, planner, theorist and educator, Denise Scott Brown is the second recipient of the Soane Medal, which is awarded annually in recognition of architects who have made a major contribution to their field, through their built work, through education, history and theory. The lecture was delivered on 17 October 2018 at the Sainsbury Wing of the National Gallery, which she designed with Robert Venturi. From Soane to the Strip is a transcript of Denise Scott Brown's Soane Medal lecture - a narrated history of her early life and the experiences that shaped her later practice, illustrated by her own extraordinary and rarely-seen photography.

Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us. Designers understand the urgency of reducing humanity's negative environmental impact, yet perpetuate the same mythology of technology that relies on exploiting nature. Responding to climate change by building hard infrastructures and favoring high-tech homogenous design, we are ignoring millennia-old knowledge of how to live in symbiosis with nature. Without implementing soft systems that use biodiversity as a building block, designs remain inherently unsustainable. Lo-TEK, derived from Traditional Ecological Knowledge, is a cumulative body of multigenerational knowledge, practices, and beliefs, countering the idea that indigenous innovation is primitive and exists isolated from technology. It is sophisticated and designed to sustainably work with complex ecosystems. With a foreword by anthropologist Wade Davis and four chapters spanning Mountains, Forests, Deserts, and Wetlands, this book explores thousands of years of human wisdom and ingenuity from 18 countries including Peru, the Philippines, Tanzania, Kenya, Iran, Iraq, India, and Indonesia. We rediscover an ancient mythology in a contemporary context, radicalizing the spirit of human nature. The tactile reading experience of Lo-TEK reflects the ingenuity of carefully selected projects with sophisticated design details: copper highlights the value of ancient knowledge, a cardboard hardcover echoes rawness, and the Swiss binding showcases an open spine and reveals the construction of the book, just as the book discloses hidden technological knowledge.

The urban research projects of Estudio Teddy Cruz + Fonna Forman made the Tijuana-San Diego border region a global laboratory for engaging the central challenges of urbanization. The projects engage urban and political confl ict as a creative tool, and demonstrate the capacity of architecture and design to confront exclusion and homogenization in the city, and propose alternative strategies for more inclusive urban development.

Franco Albini's works of architecture and design, produced between 1930 and 1977, have enjoyed a recent revival but to date have received only sporadic scholarly attention from historians and critics of the Modern Movement. A chorus of Italian voices has sung his praises, none more eloquently than his protege, Renzo Piano. Kay Bea Jones' illuminating study of selected works by Studio Albini will reintroduce his contributions to one of the most productive periods in Italian design. Albini emerged from the ideology of Rationalism to produce some of Italy's most coherent and poetic examples of modern design. He collaborated for over 25 years with Franca Helg and at a time when professional male-female partnerships were virtually unknown. His museums and installation motifs changed the way Italians displayed historic artifacts. He composed novel suspension structures for dwellings, shops, galleries and his signature INA pavilions where levity and gravity became symbolic devices for connoting his subjects. Albini clarified the vital role of tradition in modern architecture as he experimented with domestic space. His cohort defied CIAM ideologies to re-socialize postwar housing and speculate on ways of reviving Italian cities. He explored new fabrication technologies, from the scale of furniture to wide-span steel structures, yet he never abandoned the rigors of craft and detail in favor of mass-production. Suspending Modernity follows the evolution of Albini's most important buildings and projects, even as they reveal his apprehensive attitudes about the modern condition. Jones argues here that Albini's masterful use of materials and architectural expression mark an epic paradigm shift in the modern period.

In this essential TASCHEN introduction to Tadao Ando we explore the hybrid of tradition, modernism, and function that allows his buildings to enchant architects, designers, fashion designers, and beyond. Through key projects including private homes, churches, museums, apartment complexes, and cultural spaces, we explore a uniquely monumental yet comforting aesthetic that draws as much on the calm restraint of Japanese tradition as the compelling modernist vocabularies of Bauhaus and Le Corbusier. With featured projects in Japan, France, Italy, Spain, and the United States, we see not only Ando's global reach but also his refined sensitivity for the environs: the play of light through windows, and, in particular, the interaction of buildings with water. From the mesmerizing Church of the Light in Osaka to the luminous Punta della Dogana Contemporary Art Center in Venice, this is a radiant tour through a distinctly contemporary form as much as a timeless appeal of light, elements, and equilibrium. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

During his lifetime, the work of architect George Hadfield (1763-1826) was highly regarded, both in England and the United States. Since his death, however, Hadfield's contributions to architecture have slowly faded from view, and few of his buildings survive. In order to reassess Hadfield's career and work, this book draws upon a wide selection of written and visual sources to reconstruct his life and legacy. After a general introduction, the book begins with an outline of Hadfield's early years and moves on to look in detail at the extant major buildings in Washington, D.C. that he worked on: the Capitol, Arlington House and Old City Hall. Hadfield's contributions to the Capitol and other Federal buildings are fully researched and assessed for the first time and Arlington House is set in context and shown to have been much more influential than has been appreciated hitherto. New material is presented on City Hall, which is another major and unjustly neglected contribution to the architecture of Washington. The complicated interlocking circles of his family and friends, his fellow architects, and his patrons and clients, including the transatlantic connections, are also explored, revealing much about the course of his career and American architecture in general. Subsequent chapters and the Catalogue explore the other projects that Hadfield was involved with, ranging from office buildings, jails, theatres, factories and banks to a mausoleum and monuments. The book ends with a reassessment of Hadfield's qualities and influence, arguing that these were greater than is often acknowledged. By offering explanations as to why his work was particularly admired by contemporaries, it is concluded that Hadfield's architectural style has been influential from his own times to the present and has been disseminated throughout the United States.

The reinvention of London's Grade I-listed King's Cross station by Network Rail, architectural practice John McAslan + Partners and engineers Arup is among Europe's most ambitious infrastructure projects. It has seen more than the restoration and modernization of the historic fabric of Lewis Cubitt's original double-barrelled train shed of 1852, in itself a masterpiece of rational design: the vast new semicircular Western Concourse, with its dramatic glass-and-steel canopy, creates at King's Cross one of Britain's most iconic examples of transport architecture. This fascinating book tells the complete story of the transformation of the station, a transport hub that is projected to be used by some 55 million people each year and is the gateway to the wider urban regeneration of the bustling surrounding area. With lively contributions from experts in the fields of architecture, planning and design, Transforming King's Cross is the essential record of a groundbreaking project, and offers a preview of the new dynamics of movement and place that are set to become familiar in our large cities over the coming decades.

The definitive monograph on the ideas and work of the Canadian-born (of Norwegian ancestry), Florence-trained, Ibiza-based architect. The fusion of Ibizan traditions with modern function, form, and taste is the hallmark of Blackstad's projects, which were dedicated to conserving the cultural significance of the island within today's architecture. Rolph Blackstad exhaustively studied Ibizan architecture when it was still a living millennial tradition, with peasant builders working with rules passed down by word of mouth from father to son. The architect's study of these builders formed the basis of his research, design and building for more than 40 years. This book is a tribute to Blackstad's work in the wake of his recent death. In it, the reader will discover an unbroken tradition reaching back to distant origins; a design based on historical Mediterranean architecture, combining style and building techniques to suit contemporary lifestyles.

Hoeweler + Yoon Architecture, founded in 2001 and based in Boston, gained early praise for ephemeral and interactive public projects and is recognised today for striking works that combine conceptual speculation and technological sophistication. The firm's impressive body of work has expanded the scope of design beyond traditional disciplinary boundaries and has won them numerous national and international awards. Verify in Field is Hoeweler + Yoon Architecture's second book. Its title derives from a notational convention on architectural drawings to indicate that the information is subject to unknown conditions in the field. The book highlights verification as an intergral part of the design process and demonstrates it as a productive tool to test ideas and act on the world. For both disciplinary and contractual reasons, the instruments of design - drawings, models, and prototypes - operate on the world at a distance. Techniques of prototyping, measurement, feedback, negotiation, and intervention inform the diverse output of the studio. Verify in Field features recent designs by Hoeweler + Yoon architecture, including such projects as the Memorial to Enslaved Laborers at the University of Virginia; a floating outdoor classroom in Philadelphia; the MIT Museum; and a pedestrian bridge in Shanghai's Expo Park. The book also examines the discipline's pressing questions, as they relate to verification, uncertainty, and design agency, in a series of essays by Eric Hoeweler and J. Meejin Yoon on topics that include means and methods, the public realm, energy and environments, the construction detail, and social media. These themes are echoed in conversations with collaborators, historians, and theorists: Adam Greenfield, Nader Tehrani, Kate Orff, Daniel Barber, and Ana Miljacki.

Few people in the history of art and architecture have planted a seed of inspiration that grew to become a towering oak of lasting influence. There are those, particularly colleagues and students of Louis I. Kahn, who would say that he was one of these people. Certainly Kahn was one of the foremost architects of the twentieth century, designing such famous landmarks as the National Assembly Building in Dhaka, Bangladesh; the Salk Institute in La Jolla, California; and the Kimbell Museum in Fort Worth, Texas.

In this commemorative volume, Charles E. Dagit, Jr. shows the power and influence that Kahn displayed at the University of Pennsylvania department of architecture in the 1960s. Since Dagit knew Kahn personally, this is a factual history as well as a glimpse into Kahn's personal wisdom and humanity.

Beginning with a prelude that starts with the author's undergraduate years at the University of Pennsylvania, Dagit launches readers on an intellectual journey of how he first met Kahn. From there he details his experiences with Kahn and explores Kahn's interactions with Penn faculty members, including Mario Romanach, Robert Le Ricolet, and Aldo Giurgola. This first-hand account sheds fascinating new light on one of the most prominent architects of the twentieth century.

The architect, Lina Bo Bardi (1914-1992), has long been considered one of the major modern architects of the twentieth century in Brazil. Her iconic Museum of Art of Sao Paulo (1968), and the bold, Social Service for Commerce Building-Pompeia, Sao Paulo (1986), have gained recognition in recent years and her reputation is beginning to be acknowledged internationally. Bo Bardi's major writings on architecture, however, have not been translated, and are not well known. This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory, (Habitat, Ltd. Sao Paulo, 1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that interprets Bo Bardi's text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts. This translation clearly renders Bo Bardi's work in English, and contextualizes it theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.

Zaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable. During the latter years of her life, Hadid's daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as "the most important new building in America since the Cold War"; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre. At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties. From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid's pioneering practice. She was an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

In 2014, Xu Tiantian, founder of Beijing-based studio Design and Architecture (DnA) began to work in Songyang County, in China's Zhejiang Province. Her exemplary holistic planning concept of Architectural Acupuncture, which has gained the support of local administrative and political leadership, aims at revitalising rural areas and comprises the renovation of production plants and of tourist and technical infrastructure as well as the creation of venues for culture and education and of social housing. Each of Xu's small-scale interventions at local level is unique, only the small budget is common to all of them. Moreover, they are all inter-related with each other and in their entirety serve the broader goal of mutual enhancement. This book introduces Xu's concept of Architectural Acupuncture and discusses the influence of architecture on cultural self-understanding and economic renewal in 21st-century rural China. It features some 20 new buildings and conversions of existing structures with diverse functions. Published alongside are essays by international economists, sociologists, and curators as well as by the secretary of the Songyang County Party Committee, examining the social, political, and economic implications of sustainable planning and collective action in the Chinese province.

"This gorgeous doorstop of a book ... Seductive and serious - for the most discerning coffee tables." - Edwin Heathcote, Financial Times. Sigurd Lewerentz (1885-1975) is one of the most highly revered - and also one of the most heavily mythologised - protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential to other architects internationally today than he has been during his lifetime. Countless architecture lovers from around the world visit his still existent buildings. Stockholm's woodland cemetery Skogskyrkogarden, his most significant contribution to landscape design, is a UNESCO World Heritage site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national centre for architecture and design, where his archive and personal library are being kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs etc. from his estate, most of which published here for the first time, as well as with newly taken photographs of his realised buildings. Essays by leading experts explore Lewerentz's life and work, his legacy and lasting significance from today's perspective. This vast, beautifully designed book offers the most comprehensive survey to date of Lewerentz's entire achievements in all fields of his manifold work.

What does a collective process in architecture entail and how does it influence the planning of our built environment? Although the hierarchically organized office with its claim to individual authorship is still the dominant form of architecture firm, more and more horizontally organized collectives with alternative approaches to architectural planning are emerging. In this insightful survey of renowned European collectives, Natalie Donat-Cattin offers an overview of their working methods, organizational forms, goals, and projects. The book includes statements and projects by: A-A Collective, (ab)Normal, Assemble, baukuh, CNCRT, Colectivo Warehouse, Collectif Etc, constructLab, false mirror office, Fosbury Architecture, la-clique, Lacol, n'UNDO, orizzontale, raumlabor, X=(T=E=N), and Zuloark. First comprehensive analysis of collectives in architecture and urban planning Highly topical subject: project development as a collective process Insightful introduction of 16 well-known architectural collectives in Europe

Through the process of redrawing the plans of a wide range of completed projects by Le Corbusier, this book offers a new interpretation of his architectural works. Redrawing all the technical drawings provides an insight into the thoughts of the architect when dealing with different building types with different functions and provides a fresh understanding of the morphological strategies. Containing 11 different types of public buildings completed by Le Corbusier, this book draws on 80 of his works, and includes drawings and 3D model spatial diagrams. When examined in the context of completion date, the reader is able to observe the continuity and transition of Le Corbusier's design ideas. By focusing on Le Corbusier and his influential architecture, the book provides a better understanding of the morphological basis of modernist architecture in the 20th century.

This is a study of the architect Walter Segal (1907-1985): his background, influences, thoughts, writings, his unique approach to architectural practice (and his built work) and his enduring impact on architecture and attitudes to housing across the world. It firstly sets out his formative years in Continental Europe. Segal's father was an eminent modernist painter and a founder of the Dada movement. Walter grew up surrounded by leaders of the European avant-garde. Qualifying as architect in Germany just as the Nazi party came to power, Segal moved to Switzerland, Mallorca, Egypt and finally to London in 1936. The second section focuses on Walter Segal's central theme of popular housing, his unique and independent form of professional practice, how he managed to spread his ideas through writing and teaching, and how his architecture developed towards the timber-frame form known world-wide today as 'the Segal system', which could be used by people to build their own houses. The third section follows the development of the timber-frame form known world-wide today as 'the Segal method' and how it came to be used by people to build and indeed design their own houses. This culminated at the time of Segal's death in two areas of self-built public authority social housing in London - housing which, nearly half a century later, remains as unique and highly desirable neighbourhoods. The final section explores the legacy offered by Segal to younger generations; how his work and example, half a century after his timber 'method' was developed, leads to the possibility of making, and then living within, communities whose places are constructed with a flexible, easily assembled, planet-friendly timber-frame building system today and tomorrow.