The design process of Will Alsop acts as a conduit for the dreams and aspirations of others. Moving from public consultation to the privacy of his painting studio here ideas are born in the liquidity of paint, the serendipity of collage and the flourish of line, resulting in the avant-garde and vibrant designs that Alsop is particularly well known for.

Whether the world approves of these designs or not, does not devalue the creative and artistic process which produces so rich, varied, challenging and inspirational outcomes. Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to private studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design.

Whether a working architect or a student embarking on the first steps towards creating your own design process, this book offers an insight and example into how engaging with the public, before painting the way into architecture, can offer the most stimulating solutions.

Relationships between architects and clients - built upon expressed values, as well as their import into the final work of architecture - are typically not discussed in architectural education, rarely considered in architectural criticism or theory, and usually missing in most writing about architecture. This monograph seeks to highlight and address this deficiency. The book focuses on the process that the firm uses to help their clients to define values, and to intone them through architectural design. Exquisitely presented throughout, this volume presents a range of built and in-process works at a variety of scales, complexity, and locations, with various clients. Most of these projects have not been previously published. The projects will be documented and discussed within the context of the value proposition and design process that distinguish Pickard Chilton's approach to architecture.

Le Corbusier (1887-1965) is arguably the most influential architect of the twentieth century. Despite the fact that he designed no permanent buildings in the United Kingdom, more than any other individual he was responsible for shaping British post-war architecture.

Le Corbusier and Britain traces the growing awareness of work by this visionary figure in contemporary architecture journals and the popular press. Contributions by such prominent architects and critics as Edwin Lutyens, Herbert Read, Evelyn Waugh, Peter Smithson, Jane Drew, Basil Spence and Christopher Booker are accompanied by 150 illustrations, together with writings and drawings by Le Corbusier himself.

Also featuring the most comprehensive bibliography of British writings by and about Le Corbusier ever published, this book is an invaluable addition to the study of architecture.

For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.

Le Corbusier (1887-1965) is arguably the most influential architect of the twentieth century. Despite the fact that he designed no permanent buildings in the United Kingdom, more than any other individual he was responsible for shaping British post-war architecture.

Le Corbusier and Britain traces the growing awareness of work by this visionary figure in contemporary architecture journals and the popular press. Contributions by such prominent architects and critics as Edwin Lutyens, Herbert Read, Evelyn Waugh, Peter Smithson, Jane Drew, Basil Spence and Christopher Booker are accompanied by 150 illustrations, together with writings and drawings by Le Corbusier himself.

Also featuring the most comprehensive bibliography of British writings by and about Le Corbusier ever published, this book is an invaluable addition to the study of architecture.

At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring paintings of her day and came into her own as a woman: traveling the world, falling in and out of love. Fierce Poise is an exhilarating ride through New York's 1950s art scene and a brilliant portrait of a young artist through the moments that shaped her.

Spanish visionary Santiago Calatrava is renowned around the world as an architect, structural engineer, sculptor, and artist. Famed for bridges as much as buildings, he has made his name with neofuturistic structures that combine deft engineering solutions with dramatic visual impact. From the Athens 2004 Olympic sports complex and the Museum of Tomorrow to the Peace Bridge in Calgary, Alamillo Bridge in Seville, and the Mujer Bridge in Buenos Aires, Calatrava's creations show particular interest in the meeting point of movement and balance. With influences ranging from NASA space design to da Vinci's nature studies, the structures dazzle with a sense of lightness, agility, and aerodynamism, but always with a graceful poise amid their particular surroundings. This compact introduction explores Calatrava's unique aesthetic with key projects from his career, from early breakthroughs to his most recent work. Through buildings of culture, science, faith, and across his many famous bridges, we explore his integration of organic forms and human movements, and a uniquely fluid futurism, soaring towards tomorrow. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The borough of Queens has long been celebrated as the melting pot of America. It was the birthplace of North American religious freedom in the seventeenth century, hosted two World's Fairs in the twentieth, and is currently home to over a million foreign-born residents participating in the American experience. In 2013, Spanish-born artist and architect Rafael Herrin-Ferri began to paint a portrait of the "World's Borough"-not with images of its diverse population, or its celebrated international food scene, but with photographs of its highly idiosyncratic housing stock. While All the Queens Houses is mainly a photography book celebrating the broad range of housing styles in New York City's largest and most diverse county, it is also a not-so-subtle endorsement of a multicultural community that mixes global building traditions into the American vernacular, and by so doing breathes new life into its architecture and surrounding urban context. With an introductory essay by Joseph Heathcott.

Alvar Aalto remains Finland's greatest architect, retains his place among the Modern Masters of twentieth-century architecture and is now recognized internationally as one of the world's greatest architects of all time. For Finland, Aalto, through his architecture, furniture, glassware and sculpture, contributed perhaps more than any other Finn to the creation of the cultural identity of the new independent Finland and its promotion around the world. His Finnish Pavilions in Paris and New York from the Thirties placed Finland centre-stage, establishing its identity as a modern, innovative country and generated huge interest in this northern land of lakes and forests. He went on to work in 18 countries around the world, as well as designing many of Finland's most important buildings of the 50s, 60s and 70s. This new biography of Aalto is the first to comprehensively cover his life, from the backwoods of Ostrabothnia to international fame and all of his buildings, from the early alterations and extensions to shops and houses in Jyvaskyla to Finlandia Hall.It draws on Aalto's archive, recollections of former employees and contemporaneous publications to fully explore Alvar Aalto the architect, rather than simply Alvar Aalto's architecture. For the first time, his life is set in the context of the events that surrounded and shaped it - the Finnish Civil War, the Great Depression, The Winter and Continuation Wars, the post-war boom in education, Finland's industrialisation and eventually the social revolution of the 60s which led to his characterization as a member of a Finnish elite and temporary unpopularity. It covers his life from his childhood, growing up in regional Jyvaskyla and Alajarvi, his architectural studies in Helsinki, combat in the Civil War through to the founding of his first office, his early neo-classical work and his international breakthrough with the completion of Paimio Sanatorium and Viipuri Library. It deals with his personal life, his marriage to Aino, what working life in his first office was like, the architectural competitions, his key friendships and continuous financial difficulties.As his career progressed, it explores the patrons who were so important to him - the Gullichsens and the founding of Artek, his new American friends, professorship at MIT. After the war, the death of Aino, marriage to Elissa and the period of his greatest architectural achievements - Saynatsalo Town Hall, Otaniemi University and Imatra Church. It considers the organisation of his new office in Helsinki, his expanding team, fame and eventually vanity. The book seeks to understand what drove him, the combination of skills, talents and character traits, which led to his extraordinary global success. As you will be aware, there is no shortage of books on Alvar Aalto, or to be more precise, there is no shortage of books on Alvar Aalto's Architecture. (Only one previous biography exists, published first in 1984 and now out of print). This book is about an architect and his architecture, written by another architect, not an architectural historian. It is the first, frank and fully-comprehensive biography of Alvar Aalto.

This book is a unique comparative study of two of the greatest figures in modern architecture - Le Corbusier and Alvar Aalto. By assessing the historical, personal and intellectual influences of their attitudes to nature and the creative direction of their work, this study offers a new understanding about the diversity at the heart of modernism. Through an analysis of the architects' own writing about their ideas and philosophies, a better understanding is gained of their ideas for urban living and by looking at their most widely known work, the authors analyse the architects' intentions to build nature into the heart of their architecture. The authors argue that there are many similarities between the attitudes towards nature held by Le Corbusier and Aalto, and that these similarities had an important place in the generation of their architecture.

A career-spanning, slipcased monograph in two volumes presenting the work of one of Asia's most thoughtful and innovative architects. With rising populations around the world and the pressures of looming climatic catastrophe, the work of Vo Trong Nghia is a call for architecture to transform itself from a source of pollution to a reason for hope. Nor is this idea anecdotal: the World Green Building Council estimates that 39% of energy-related carbon emissions can be attributed to buildings. An awareness of architecture's responsibilities has permeated the profession in the developed world, while new ideas and solutions are coming from places where these issues are most acute. Following a long recovery from decades of war, Vietnam has emerged as one of the most exciting centres of design Asia - led largely by the work of Vo Trong Nghia, born one year after the end of the Vietnam War, whose work has gained an international following. As a student in Japan, he studied under the minimalist architect Hiroshi Naito and encountered the work of the Colombian architect Simon Velez, a proponent of bamboo architecture with its large spans and high, voluminous spaces - the ideas and teachings of both were to have a profound influence on his own designs. The buildings of Vo Trong Nghia Architects, established in Ho Chi Minh City in 2006, make clear reference to these sources and influences of the past, and to Vo's own adherence to the Five Precepts of Buddhist teaching. The architect's two main themes - green architecture and bamboo as a building material - form the basis of this two-volume celebration of his work. From the Wind and Water Bar, his first foray into bamboo as a building material, to resort complexes, art installations and his game-changing series of residences, House for Trees, Vo Trong Nighia: Building Nature proves that green architecture creates local relevance, beauty and elegance in its own right.

Critic and historian Mercedes Daguerre presents 20 innovative houses by 20 leading contemporary architects and explores how domestic architecture has responded to the changing nature of family life. Featured architects include established stars such as Dutch architect Rem Koolhaas, Tadao Ando of Japan and Glenn Murcutt of Australia as well as a number of emerging practices. Case study houses are drawn from all over the world and span a diverse range of geographical settings from inner city Manhattan to the sand dunes of Victoria in Australia.

'Makiya was Baghdad and Baghdad was Makiya.' These words sum up the life of one of the Middle East's most famous architects. Mohamed Makiya's career spanned seven decades and included projects in more than ten countries. He was a master of incorporating traditional and classical styles into modern architecture. For Makiya, the continuity of tradition as a 'living dimension' was the justification for his work. Makiya was revered as a teacher of architecture in Iraq, where he set up the first Department of Architecture at Baghdad University in 1959. Makiya was also a promoter of Iraqi art, which he displayed at his Kufa Gallery in London that was set up to build a bridge between the East and the West. This compelling biography reveals the life of a visionary who achieved remarkable feats in Iraq and whose philosophy and humanity crossed all borders and cultures.

Inventing Modernity.

The godfather of Italian design.

Italian architect and designer Gio Ponti (1891-1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his oeuvre remains one of the most diverse and groundbreaking in design history. Trained initially in architecture, Ponti soon moved into industrial and interior design, experimenting with ceramics, silverware, and glass. Ponti's key works are spread throughout this extensive overview, including structures of all kinds, from small residential dwellings to high-rise buildings, schools, and office blocks.

The home was one of Ponti's recurring interests and central areas of innovation. His talent for total design--a careful consideration of both interior and exterior space--is charted in the glossy reproductions, floor plans, and drawings featured in this edition. Ponti's colorful, carefree, and elegant spaces blended an expressive neoclassicism with emerging modernist sensibility.

The founder and nearly lifelong editor of domus magazine never ceased to develop and reinvent his style. From the Denver Art Museum to his collection of churches, from bespoke homeware to the symbol of modern Milan, the Pirelli Tower, this monograph provides an introduction to Ponti's exuberant creativity and illustrious career.

There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This one is different, however, in a number of ways.
First, it does not treat them as separate subjects, but in relation to each other. While their response to De Stijl throws some new light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined in relation to them. Second, the purpose of the study is to excavate the philosophical foundations of the work, rather than merely to describe and discuss the work itself. Third, it looks for connections between the aims and ideals of the 1920s and such 'post-modern' concerns as the creation of habitable 'places' and the survival of the historical city.

In the architecture of Richard Neutra (1892-1970), inside and outside find their perfect modernist harmony. As the Californian sun glints off sleek building surfaces, vast glass panel walls allow panoramic views over mountains, gardens, palm trees, and pools. Neutra moved to the United States from his native Vienna in 1923 and settled in Los Angeles. He displayed his affinity with architectural settings early on with the Lovell House, set on a landscaped hill with views of the Pacific Ocean and Santa Monica Mountains. Later projects such as the Kaufmann House and Nesbitt House would continue this blend of art, landscape, and living comfort, with Neutra's clients often receiving detailed questionnaires to define their precise needs. This richly illustrated architect introduction presents the defining projects of Neutra's career. As crisp structures nestle amid natural wonders, we celebrate a particularly holistic brand of modernism which incorporated the ragged lines and changing colors of nature as much as the pared down geometries of the International Style. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The Auroville Architects Monograph Series documents the pioneering work of the architects whose vision shaped Auroville, a unique international township in southeastern India. This monograph, the second in the series, is a comprehensive record of the work of Piero and Gloria Cicionesi, whose architectural legacy translates Auroville's philosophy of community living into built form. In 1968, plunged upon arrival into designing buildings on a barren red plateau, their deep engagement with the philosophy of Auroville resulted in the construction of several communal living spaces, with a spatial sense that is simple, modern and timeless. The Matrimandir, the spiritual heart of Auroville, was built and executed by Piero. Completed in 1992, it shows his mathematical genius and his sense of perfection and material detailing, sharpened in the democratic, collective milieu of Auroville. Gloria's projects such as the residential and community living spaces she designed, display her concerns about the comfort and security of an ageing population, as well as her willingness to experiment with newer, more sustainable materials. This publication, with a Foreword by eminent architect BV Doshi, brings together essays, drawings and photographs to demonstrate the elegant legacy of Piero and Gloria Cicionesi, for whom architecture was not only a search for beauty but also had a deeper social aspiration.

Climate change and increasing resource scarcity together with rising traffic volumes force us to develop new environmentally friendly and people-oriented mobility options. In order to provide a positive mobility experience, the transition from one mobility mode to another must be managed smoothly and safely, and individual, shared or public means of transportation must become convenient and easy. Conceptual as well as existing infrastructure projects provide models for future sustainable and connected mobility. This volume focuses on the importance of design, introducing through photos, plans, and brief texts over 60 groundbreaking projects from the disciplines of product design, architecture, and urban planning. With this international overview Mobility Design portrays the current situation of sustainable mobility systems, while identifying mobility as one of the most important design tasks of the future. With project texts by Markus Hieke, Christian Holl, and Martina Metzner

Contents:
Preface. Prologue. Introduction. Charles-Edouard Jeanneret. The years of transition 1912-1917. The heroic decade 1920-1930. The post-war phase. Articulation systems.

Choreographing Space is a reflection on the collaborative work of New York City-based architecture practice, e+i studio. In the book, the founders of the practice, Eva Perez de Vega and Ian Gordon, outline a fascinating selection of projects from the studio, which will take the reader on a journey and give them a key understanding of the important work of this dynamic and forward-thinking architecture and design practice. This insightful book offers both a retrospective and speculative outlook. Retrospectively, it explores the people, places and practices that have influenced each project. For certain projects it also proposes speculative post-human scenarios, to support the idea that the impact of architecture on its environment involves a reconning with the ecologies it replaces. The book is uniquely structured. Organised into four parts, each part opens with a philosophical text that acts as an insightful prelude to the topics, questions and reflections posed by each project. Each part concludes with a speculative scenario, where one of the projects is imagined thriving in a future where life is now almost extinct. These are not intended as apocalyptic or even nostalgic scenarios, but rather as affirmative alternatives to the bleak imaginary arising from the world's current climate crisis. Choreographing Space involves the self-reflexive act of selecting the conceptual strands of each project and organising them under headings, or species. Much like the concept of 'speciation' where living creatures are categorised into seemingly related groups, under their 'genus'. This type of grouping synthesizes the ideas, intents and hopes for each project, and looks into how it could have been implemented differently. Nothing is static, or definite; projects are in continuous process of becoming, as they continue to relate to evolving ecologies of thought.

It was around Kengo Kuma's tenth birthday that he came into contact with Kenzo Tange's fishlike Yoyogi National Gymnastics building, completed for the 1964 Tokyo Olympics, and determined that he would become an architect. In the intervening five or so decades, he has become one of the world's most fascinating and influential architects. His design of the National Stadium for the 2020 Tokyo Olympics provides a poetic circularity to his career as an architect, and an opportunity for him to reflect on his own development. Kuma is known throughout the world for his formally daring and materially expressive buildings, recognized for his inventive use of traditional materials, and his use of innovative materials in vernacular forms. He is perhaps less known for his work inside his native Japan, where he works actively towards the preservation of ancient building techniques and craft. A keen curiosity for all forms of building and a wealth of knowledge about the world acquired through expansive travels make Kuma a unique commentator on Tokyo's dynamic architecture. Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan's national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. This book contains something for everyone: design acumen, insights into Japanese culture, a tour of Tokyo and the heartfelt commitment to producing buildings that have meaning and longevity.

The African continent contains some of the world's most vibrant culture and creativity, and yet its buildings - vernacular, colonial or contemporary - have rarely engaged the interest of Western architects. David Adjaye, the first black architect to establish a truly global reputation in his field, has found endless sources of inspiration for his designs in the rich - and chequered - heritage of Africa's teeming metropolises. His life dream was to return to the continent as an architect to document Africa's built environment. Over a long decade, he tirelessly documented these dynamic, colourful cities, photographing thousands of buildings, sites and places, and letting each building speak for itself in telling contrast to a design world obsessed with photorealistic slickness. The result was a stunning seven-volume work that has become an essential resource for all those interested in the burgeoning continent. This compact edition will make the fruits of this once-in-a-generation record available to a much wider audience. The result is one of the most original, ambitious and important architectural publications of our time, now available to everyone wishing to gain an understanding of a unique architectural heritage overlooked for too long.