Few people in the history of art and architecture have planted a seed of inspiration that grew to become a towering oak of lasting influence. There are those, particularly colleagues and students of Louis I. Kahn, who would say that he was one of these people. Certainly Kahn was one of the foremost architects of the twentieth century, designing such famous landmarks as the National Assembly Building in Dhaka, Bangladesh; the Salk Institute in La Jolla, California; and the Kimbell Museum in Fort Worth, Texas. In this commemorative volume, Charles E. Dagit, Jr. shows the power and influence that Kahn displayed at the University of Pennsylvania department of architecture in the 1960s. Since Dagit knew Kahn personally, this is a factual history as well as a glimpse into Kahn's personal wisdom and humanity. Beginning with a prelude that starts with the author's undergraduate years at the University of Pennsylvania, Dagit launches readers on an intellectual journey of how he first met Kahn. From there he details his experiences with Kahn and explores Kahn's interactions with Penn faculty members, including Mario Romanach, Robert LeRicolais, and Aldo Giurgola. This first-hand account sheds fascinating new light on one of the most prominent architects of the twentieth century.

In this essential TASCHEN introduction to Tadao Ando we explore the hybrid of tradition, modernism, and function that allows his buildings to enchant architects, designers, fashion designers, and beyond. Through key projects including private homes, churches, museums, apartment complexes, and cultural spaces, we explore a uniquely monumental yet comforting aesthetic that draws as much on the calm restraint of Japanese tradition as the compelling modernist vocabularies of Bauhaus and Le Corbusier. With featured projects in Japan, France, Italy, Spain, and the United States, we see not only Ando's global reach but also his refined sensitivity for the environs: the play of light through windows, and, in particular, the interaction of buildings with water. From the mesmerizing Church of the Light in Osaka to the luminous Punta della Dogana Contemporary Art Center in Venice, this is a radiant tour through a distinctly contemporary form as much as a timeless appeal of light, elements, and equilibrium. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Salomon de Caus has been viewed as, variously, a Protestant martyr, the unsung inventor of the steam engine, one of the most important early hydraulic engineers, and a garden designer whose work was influenced by astrology and hermeticism. The first comprehensive book on this protean figure, Nature as Model sifts through historical material, Caus's own writings, and his extant landscape designs to determine what is fact and what is fiction in the life of this polymathic and prolific figure. In doing so, it clarifies numerous hitherto unresolved problems in his biography and historiography. As Luke Morgan shows, Caus made important contributions to some of the most significant landscape projects of his period, including the gardens of Coudenberg Palace in Brussels, Richmond Palace, Hatfield House, Somerset House, Greenwich Palace in London, as well as, most famously, the Hortus Palatinus in Heidelberg, which he designed for the Elector Palatine, Frederick V, and his wife, Elisabeth Stuart, daughter of James I of England. In his work, Caus drew on his intimate knowledge of the late sixteenth-century Italian garden, and through his commissions the design principles and motifs of the late Renaissance garden were transmitted across Europe. The book is a masterful exercise in historical reconstruction, showing how Caus has been read by subsequent generations intent on nationalism, romance, or magic. Morgan investigates the ways in which the early modern garden actually generated meaning through conventional motifs rather than through esoteric narrative programs.

Vast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being 'inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life 'on the outside'. Interior Urbanism explores the roots of this contemporary tension between inside and outside, identifying and analysing the concept of interior urbanism and tracing its history back to the works of John Portman and Associates in 1960s and 70s America. Portman - increasingly recognised as an influential yet understudied figure - was responsible for projects such as Peachtree Center in Atlanta and the Los Angeles Bonaventure Hotel, developments that employed vast internal atriums to define a world of possibilities not just for hotels and commercial spaces, but for the future of the American downtown amid the upheavals of the 1960s and 70s. The book analyses Portman's architecture in order to reconsider major contexts of debate in architecture and urbanism in this period, including the massive expansion of a commercial imperative in architecture, shifts in the governance and development of cities amid social and economic instability, the rise of postmodernism and critical urban studies, and the defence of the street and public space amid the continual upheavals of urban development. In this way the book reconsiders the American city at a crucial time in its development, identifying lessons for how we consider the forces at work, and the spaces produced, in cities in the present.

This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.

Notable undiscovered architects, like undiscovered composers, are implausible, yet Frances Xavier Velarde OBE, 1897-1960, could be just such a person hiding in plain sight. A stylish architect who took a road less travelled then died as he was getting into his stride. There have been no followers. Yet whenever enthusiasts gather to discuss modern church architecture his name will be mentioned. He was no earnest modernist; instead he loved patterns, bold colour and gold. The Catholic churches he built in Liverpool and London are closer to European Expressionism than International Modernism; many of them have a toy like quality and come with a campanile like a rocket. Today his buildings seem fresh and playful, but also poignant as they evoke the 1950s, brightening the drab parts in which they are to be found and serving to make both spiritually and architecturally aware those who visit. Many are threatened and have been published here for the first time. Dominic Wilkinson and Andrew Crompton have combined Velarde's papers with interviews and archive images, including many by his friend and famous photographer Edward Chambre Hardman. Their book, lavishly illustrated with new photography by Historic England, is a must for architects, students and connoisseurs wanting to discover a different route that modernism could have taken.

Inigo Jones worked as hard on the creation of his architectural persona as he did on the design of the buildings for the early Stuart court. Through his study of continental architectural and art theory, humanist education, and courtly behavior, Jones redefined the intellectual status of architecture in England and forged a new role for the architect in public life. Since his death, he has been variously described as the first educated architect, the first classicist, the first Renaissance architect in Britain, and the savior of British building from the long winter of the Elizabethan style. This reputation has overlooked the many ways that Jones drew on English customs in order to shape classical architecture for a domestic audience. This 2006 book explores the creation of Jones as professional architect and the development of classical architecture in England through a study of his reading, writing, and architectural practice.

The first English-language overview of the contributions to Renaissance architectural culture of northern Italian architect Vincenzo Scamozzi (1548-1616), this book introduces Anglophone architects and historians to a little-known figure from a period that is recognized as one of the most productive and influential in the Western architectural tradition. Ann Marie Borys presents Vincenzo Scamozzi as a traveler and an observer, the first Western architect to respond to the changing shape of the world in the Age of Discovery. Pointing out his familiarity with the expansion of knowledge in both natural history and geography, she highlights that his truly unique contribution was to make geography and cartography central to the knowledge of the architect. In so doing, she argues that he articulated the first fully realized theory of place. Showing how geographic thinking influences his output, Borys demonstrates that although Scamozzi's work was conceived within an established tradition, it was also influenced by major cultural changes occurring in the late 16th century.

Ernst L. Freud (1892-1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos's private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms-including the customary couches-a subject dealt with here for the first time. By interweaving an account of Freud's professional and personal life in Vienna, Berlin, and London with a critical discussion of selected examples of his domestic architecture, interior designs, and psychoanalytic consulting rooms, the author offers a rich tapestry of Ernst L. Freud's world. His clients constituted a "Who's Who" of the Jewish and non-Jewish bourgeoisie in 1920s Berlin and later in London, among them the S. Fischer publisher family, Melanie Klein, Ernest Jones, the Spenders, and Julian Huxley. While moving within a social class known for its cultural and avant-garde activities, Freud refrained from spatial, formal, or technological experiments. Instead, he focused on creating modern homes for his bourgeois clients.

Over the course of twenty years, acclaimed studio Miro Rivera Architects has produced an innovative, refined, and imaginative body of work-both modern and respectful of time-honored building traditions-that embodies the particularities of place and blurs the line between art and architecture. The firm's diverse practice weaves together a commitment to craftsmanship with a honed sense of materiality and space to create structures at once elegant, controlled, and pleasant to inhabit. In all, Miro Rivera Architects has won more than one hundred design awards and represented American architecture at exhibitions worldwide. The first from the firm, this volume provides critical insight into the studio's creative process through texts, 95 drawings, and 231 photographs, exploring two decades of work that has helped bring Texas architecture onto the international stage. Featuring essays by Michael Sorkin, Nina Rappaport, Juan Luis de las Rivas Sanz, and Carlos Jimenez-prominent thinkers in urban design and architecture-and new images by renowned photographers Iwan Baan and Sebastian Schutyser, this book examines Miro Rivera's approach to Austin as a "landscape city" and situates the firm's work in a global context related to concepts of nature, urbanism, sustainability, and history.

A comprehensive study of the sacred buildings built and designed by Frank Lloyd Wright, this book offers scholarly discussion with analytical drawings and photographs. These projects represent different periods of Wright's career (from 1886 to 1958), new building technologies, and application of his design concepts as demonstrated in his sacred architecture. This unique contribution will be useful to all those interested in Wright's architecture and theory as well as in sacred architecture.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. Richard Rogers: The Pompidou Centre, Supercrit #3explores Piano+Rogers' phenomenal project for a new type of major cultural building in Paris. You can hear Richard Rogers' description of the project, see the images and join in the crit. Supported by an extensive illustrated section, this innovative and compelling book is an invaluable resource for any architecture student.

- Bridges history, theory, design, construction, technology, and sensory experience by means of digital simulations that enhance the assessment and values of our material choices - Uses the work of Aalto and selected contemporary architects, along with computer modeling software, to showcase the importance of comprehensive design - Offers an expanded reading of Aalto's approach towards building technology and how these impacted choices in choosing material and form for culture and environment - Includes 80 black and white illustrations

Provides, for the first time, access to a chronological arc of John Habrakens’ writing in a single collection. Includes over 250 illustrations and interview with the author to enable him to reflect on his journey of inquiry, research, advocacy and teaching His record of accomplishments, too often unrecognized for their seminal value, is remarkable and without match, and continues to enjoy an expanding worldwide following.

This self-taught Dutch architect was among the most widely copied architects of the 1930s and 1940s. His international influence is all the more amazing when one considers that most of his architecture was built in the provincial town of Hilversum. Travel, word-of-mouth, and literature spread the news of his humane, modern approach to building design. The more than 1,200 bibliographic entries in this work are presented alphabetically by decades and further by genres. Each is summarized, described, and evaluated in the context of a critical overview of Dudok's career. Architectural scholars and students will profit from this comprehensive guide to the international literature on one of the most emulated champions of modern architecture. For too long, much was made in the English-language architectural literature of Germany's pioneer role in developing Modernism. That contribution was undeniably valuable, but the Dutch were unfairly overlooked; however, Dudok's work was not. Hilversum became a magnet for young foreign architects in the 1930s. He cast his spell upon much of continental Europe, the United States and Britain, and throughout the 1940s his style was so widely mimicked that a new adjective was coined: dudoky. This volume will reintroduce the importance of Dudok's work to today's scholars and students.

This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.
* Lavishly illustrated, with numerous in depth studies this book will be an inspiration to both students and architects
* This is the first book to illustrate Le Corbusier's philosophies through his use of detail
* So innovative was Le Corbusier's approach to design and so influential has he been on the current generation of architects that his work remains as relevant today as it ever did

* This book is the first comprehensive history of architectural modelmaking in Britain, or indeed of anywhere in the world. * An authoritative scholarly study based on six years of extensive research that draws from over 40 interviews, the analysis of over 4000 photographs of architectural models, and more than 700 documentary sources, written in an accessible style making it suitable for a broad audience. * Illustrated with never-before-seen photographs of historic architectural models from the 20th century drawn from private archives, including over 100 images from the Thorp archive, which is the largest known collection of material relating to architectural modelmaking in the world containing over 30,000 photographs and historic documents.

This book is a faithful reflection on the spirit and working modes infusing Josep Lluis Mateo's lively architectural practice. Unquestionably one of Spain's most renowned architects, Mateo's work has had enormous influence on the international architecture scene. His projects in Paris, The Hague and Amsterdam, as well as newer designs in Haarlem, Basel and Castelo Banco, are all analyzed in depth in this volume. "Josep Lluis Mateo: Works, Projects, Writings" includes a photographic essay on the International Convention Centre in Barcelona--one of Mateo's most authoritative projects of recent years. In addition there is an extensive study by Jose Luis Pardo and an interview by Philip Ursprung. Lluis Mateo has a studio in Barcelona and teaches at the ETH in Zrich, where he is Professor of Architecture and Design.

Contents:
Abele, Julian Francis; Alexander, Archie Alphonse; Archer, Romulus Cornelius, Jr.; Bailey, Walter Thomas; Baily, William F.; Bankhead, Lester Oliver; Banks, Louis Harvey; Barnett, Carl Eugene; Bartholomew, Joseph Manual; Bates, Robert Charles; Bellinger, Louis Arnett Stewart; Berry, P. Ross; Bingham, Russell; Birch, Edward E.; Birch, Ernest O.; Blanche, John A.; Blodget, Joseph; Boles, Henry Clifford; Bow, Cyril; Bowman, Charles Summer; Boyde, Thomas Wilson, Jr.; Brent, Calvin Thomas Stowe; Brent, John Edmonson; Brookins, Sanford; Brooks, Elizabeth Carter; Brooks, Hestle Herbert; Brown, Albert Grant; Brown, Georgia Louise; Brown, Grafton Tyler; Brown, John Thomas; Brown, Leroy John Henry; Brown, Richard Lewis; Browne, Ray E.; Buffins, Robert Lester; Carlisle, Alma Fairfax Murray; Cassell, Albert Irvin; Claflin University; Coleman, Sherman; Cook, Julian Abele; Cook, Ralph V.; Cooke, William Wilson; Cross, Clarence; Decatur, William Jefferson; DeCosta, Herbert, Jr.; Delaney, Henry Beard; Dickinson, Charles Edgar; Drayton, Clyde Martin; Duke, Charles Summer; Dunn, Frederick; Dykes, DeWitt S., Sr.; Eberhardt, John Thomas; Edwards, Gaston Alonzo; Elliott, Curtis Graham; Farrar, Daniel J., Sr.; Ferguson, Arthur W.; Ferguson, George Alonzo; Fields, Robert Lionel; Fisher, Orpheus Hodge; Ford, Fleming; Ford, Wade; Foster, George Washington, Jr.; Fry, Louis Edwin, Sr.; Furman, Ethel Bailey; Giles, Lewis Wentworth, III; Giles, Lewis Wentworth, Jr.; Godette, William; Grandy, J.W.R.; Green, Beverly; Griffin, Francis Eugene; Hamilton, Calvin Pazavia; Hampton Institute; Hancock, Richard Mason; Harris, Clinton S.; Hatton, Isaiah Truman; Hazel, William Augustus; Henderson, Cornelius; Hill, Joseph; Hilliard, Leroy; Hoban, Stewart Daniel, Sr.; Holloway, John Bunyan; Howard University; Hurley, Granville Warner, Sr.; Hutchins, James Edward; Ifill, Percy C.; Jackson, Leon Qunicy; Jenkins, William Edward; Johnson, Conrad Adolphus, Jr.; Johnson, Harvey Nathaniel; Jones, George Maceo; Jones, William Thomas; Kent, Joseph; Kent, Robert; King, Horace; King, John; Lankford, Arthur Edward; Lankford, John Anderson; Lightner, Calvin Esau; Livas, Henry Lewis; Lucas, George; Mackey, Howard Hamilton, Sr.; Madison, Robert James, Sr.; McKissack, Calvin Lunsford; McKissack, Moses III; Melby, John Alexander; Meredith, Amaza Lee; Merrick, John; Michael, John Henry; Mickels, Elon; Miller, Edward Charles; Miller, Francis; Moore, John A.; Moses, William Henry, Jr.; National Technical Association; Negro Building - Alabama State Fair in Montgomery; Negro Building - Appalachian Exposition in Knoxville; Negro Building - Century of Progress World's Fair in Chicago; Negro Building - Cotton States Exposition in Atlanta; Negro Building - Jamestown Ter-centennial Exposition in Virginia; Negro Building - South Carolina Interstate Exposition in Charleston; Tennessee Centennial Exposition in Nashville; Texas Centennial Exposition in Dallas; Norman, John Clavon, Sr.; North Caroline A&T; O'Neal, Kenneth Roderick; Pelham, Fred B.; Persley, Louis Hudson; Pittman, William Sidney; Plater, J. Alonso; Plato, Samuel M.; Prairie View A&M; Price, Henry James; Pyrce, Edward Lyons; Ransom, Leon A.; Rayfield, Wallace A.; Reese, Lawrence; Reynolds, James; Reynolds, Thomas Mason; Roberson, Frank R.; Roberson, Franklin Jefferson; Roberts, Walter L.; Robinson, Hilyard Robert; Robinson, Robert L.; Robinson, William J.; Rosamond, John; Rousseve, Ferdinand Lucien; Russell, Charles Thaddeus; Sealey, Roy Anthony; Simon, John A.; Smith, George Washington; Smith, William W.; Southern University; Spears, Prince W.; Streat, William Afred, Jr.; Sulton, John David; Tandy, Vertner Woodson; Taylor, Robert Robinson; Taylor, Robert Rochon; Thonrton, William Ferguson; Tuskegee Institute; Vaughn, Ralph A.; Vaughn, Roscoe Ingersol; Walker, Josiah; Washington, Booker T., III; Washington, Robert Edward Lee; Welch, John Austin; West, David Benjamin; West, Frank G.; Wheat, Clarence Buchanan; White, Columbus Bob; White, Donald Frank; White, Richard C.; Whittaker, Miller Fulton; Wigington, Clarence Wesley; William, Edward Ross; Williams, Paul Revere; Williams, Robert Johnson; Williston, David Augustus; Wilson, James Walter; Wilson, John Louis; Winder, Earl Theodore; Woodson, Howard Dilworth; Young, Edward Walter Owen; Zenon, Golden Joseph, Sr.

The 135 postcards appearing in this Scientific Album were published almost without exception in the period when Gaudi was working. They are an example of the hundreds of postcards dedicated to his works of the time. No other monument in the city could equal it in both photogenic and emotional terms, especially in the case of Park Guell and even more so in that of the Sagrada Familia. The postcards show not only a simple finished building but a construction growth, comparable only with the processes of transformation that occur in nature or in the development of living organisms, subjected like this to the passing of time and the action of the elements.