Few architects of the twentieth century have achieved the harmonious and pleasurable fusion of local building traditions with modern forms and sensibility as has Geoffrey Bawa. The man and the buildings that he has created over the last forty years have become legendary in the region and influential around the world. Born in Sri Lanka in 1919 and educated at Cambridge University, Bawa initially worked in a Colombo law firm before returning to London's progressive Architecture Association as a student in the 1950s. His early works were houses that artfully married vernacular styles and sensitively responded to climate and site with a modern architectural vocabulary. It wasn't long before his talents were applied on a larger scale, to a number of carefully designed hotels, the Sri Lanka parliament, and a wide variety of schools, office buildings, and other public works. His oeuvre is symbolized by the evolution of his own residences, in Colombo and in Lunuganga, which eloquently reflect Bawa's career and personality.

This ambitious publication is a comprehensive documentation and appreciation of the man and his work. Introductory chapters present Bawa's early life and the influence of local architecture and his education, while the heart of the book is a portfolio of his most important works. The reference section includes a complete chronology.

Architecture trends come and go, often fueled by a preoccupation with technology, but master architects whose works transgress boundaries, history, and styles always have something to teach. In the work of Geoffrey Bawa there are lessons for all of us.

A comprehensive study of the sacred buildings built and designed by Frank Lloyd Wright, this book offers scholarly discussion with analytical drawings and photographs. These projects represent different periods of Wright's career (from 1886 to 1958), new building technologies, and application of his design concepts as demonstrated in his sacred architecture. This unique contribution will be useful to all those interested in Wright's architecture and theory as well as in sacred architecture.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. Richard Rogers: The Pompidou Centre, Supercrit #3explores Piano+Rogers' phenomenal project for a new type of major cultural building in Paris. You can hear Richard Rogers' description of the project, see the images and join in the crit. Supported by an extensive illustrated section, this innovative and compelling book is an invaluable resource for any architecture student.

William Butterfield was the most daring, rigorous and brilliant architect of his age, whose 60-year practice spanned the entire Victorian era, and whose major works are found from the Firth of Clyde and shores of Belfast to the hills of Dublin and the cliffs of Cardiff and Devon. This book addresses the emergence of a modern society, its expansive institutions and its changing moral code, exploring how Butterfield responded to and advanced that transformation in the national life. It reflects the changing emphasis of Butterfield’s work: first, the revival, rebuilding and reform of the country parish; then the place of the church and the agents of social health in the burgeoning town and city; third, the quiet revolution in secondary education and college life; and finally, sites of refuge, sanctuary, repose and remembrance. Drawing extensively on the literature and discourse of the time, each chapter discusses a societal shift and surveys Butterfield’s most important architectural contributions to this. The chapters are followed by portfolios of photographs and extraordinary sets of coloured contract drawings of projects selected to show the originality, conviction and variety of Butterfield’s designs. Woven through the book are characterisations of the often colourful men and women who were Butterfield’s patrons and associates, including Gladstone, Pusey, Nightingale, and such lesser known but equally crucial figures as Frederick Temple; ‘Mother’ Matilda Blanche Gibbs; the writer Charlotte Yonge; and a score of reforming vicars from the pious William Butler to the radical eccentric, Edward Monro.

The second volume in Thames & Hudson's monographic series on global architect Sir David Adjaye, winner of the 2021 RIBA royal gold medal. Following on from Adjaye - Works: Houses, Pavilions, Installations, Buildings, 1995-2007, published by Thames & Hudson in 2020, this book covers the impressive portfolio of work created by the architect between 2007 and 2015. During the years covered in this book, Adjaye became interested in developing an architecture that was more expansive, taking him outside Europe to work on major projects such as the Museum of Contemporary Art in Denver and the Moscow School of Management Skolkovo. Designing buildings around the globe, including two projects connected with the post-Katrina reconstruction programme in New Orleans, Adjaye carefully tailored his approach to each place, sensitive to the important role architecture plays in affirming a sense of community and identity.

This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.
* Lavishly illustrated, with numerous in depth studies this book will be an inspiration to both students and architects
* This is the first book to illustrate Le Corbusier's philosophies through his use of detail
* So innovative was Le Corbusier's approach to design and so influential has he been on the current generation of architects that his work remains as relevant today as it ever did

Founded in 2004 by partners Lyndon Neri and Rossana Hu, Neri&Hu Design and Research Office is an inter-disciplinary architectural design practice based in Shanghai, China. Neri&Hu works internationally providing architecture, interior, master planning, graphic, and product design services. Currently working on projects in many countries, Neri&Hu is composed of multi-cultural staff who speak over thirty different languages. The diversity of the team reinforces a core vision for the practice: to respond to a global worldview incorporating overlapping design disciplines for a new paradigm in architecture. This is the most comprehensive monograph of the studio’s work, featuring around thirty projects at all scales. With 404 illustrations

Contents:
Abele, Julian Francis; Alexander, Archie Alphonse; Archer, Romulus Cornelius, Jr.; Bailey, Walter Thomas; Baily, William F.; Bankhead, Lester Oliver; Banks, Louis Harvey; Barnett, Carl Eugene; Bartholomew, Joseph Manual; Bates, Robert Charles; Bellinger, Louis Arnett Stewart; Berry, P. Ross; Bingham, Russell; Birch, Edward E.; Birch, Ernest O.; Blanche, John A.; Blodget, Joseph; Boles, Henry Clifford; Bow, Cyril; Bowman, Charles Summer; Boyde, Thomas Wilson, Jr.; Brent, Calvin Thomas Stowe; Brent, John Edmonson; Brookins, Sanford; Brooks, Elizabeth Carter; Brooks, Hestle Herbert; Brown, Albert Grant; Brown, Georgia Louise; Brown, Grafton Tyler; Brown, John Thomas; Brown, Leroy John Henry; Brown, Richard Lewis; Browne, Ray E.; Buffins, Robert Lester; Carlisle, Alma Fairfax Murray; Cassell, Albert Irvin; Claflin University; Coleman, Sherman; Cook, Julian Abele; Cook, Ralph V.; Cooke, William Wilson; Cross, Clarence; Decatur, William Jefferson; DeCosta, Herbert, Jr.; Delaney, Henry Beard; Dickinson, Charles Edgar; Drayton, Clyde Martin; Duke, Charles Summer; Dunn, Frederick; Dykes, DeWitt S., Sr.; Eberhardt, John Thomas; Edwards, Gaston Alonzo; Elliott, Curtis Graham; Farrar, Daniel J., Sr.; Ferguson, Arthur W.; Ferguson, George Alonzo; Fields, Robert Lionel; Fisher, Orpheus Hodge; Ford, Fleming; Ford, Wade; Foster, George Washington, Jr.; Fry, Louis Edwin, Sr.; Furman, Ethel Bailey; Giles, Lewis Wentworth, III; Giles, Lewis Wentworth, Jr.; Godette, William; Grandy, J.W.R.; Green, Beverly; Griffin, Francis Eugene; Hamilton, Calvin Pazavia; Hampton Institute; Hancock, Richard Mason; Harris, Clinton S.; Hatton, Isaiah Truman; Hazel, William Augustus; Henderson, Cornelius; Hill, Joseph; Hilliard, Leroy; Hoban, Stewart Daniel, Sr.; Holloway, John Bunyan; Howard University; Hurley, Granville Warner, Sr.; Hutchins, James Edward; Ifill, Percy C.; Jackson, Leon Qunicy; Jenkins, William Edward; Johnson, Conrad Adolphus, Jr.; Johnson, Harvey Nathaniel; Jones, George Maceo; Jones, William Thomas; Kent, Joseph; Kent, Robert; King, Horace; King, John; Lankford, Arthur Edward; Lankford, John Anderson; Lightner, Calvin Esau; Livas, Henry Lewis; Lucas, George; Mackey, Howard Hamilton, Sr.; Madison, Robert James, Sr.; McKissack, Calvin Lunsford; McKissack, Moses III; Melby, John Alexander; Meredith, Amaza Lee; Merrick, John; Michael, John Henry; Mickels, Elon; Miller, Edward Charles; Miller, Francis; Moore, John A.; Moses, William Henry, Jr.; National Technical Association; Negro Building - Alabama State Fair in Montgomery; Negro Building - Appalachian Exposition in Knoxville; Negro Building - Century of Progress World's Fair in Chicago; Negro Building - Cotton States Exposition in Atlanta; Negro Building - Jamestown Ter-centennial Exposition in Virginia; Negro Building - South Carolina Interstate Exposition in Charleston; Tennessee Centennial Exposition in Nashville; Texas Centennial Exposition in Dallas; Norman, John Clavon, Sr.; North Caroline A&T; O'Neal, Kenneth Roderick; Pelham, Fred B.; Persley, Louis Hudson; Pittman, William Sidney; Plater, J. Alonso; Plato, Samuel M.; Prairie View A&M; Price, Henry James; Pyrce, Edward Lyons; Ransom, Leon A.; Rayfield, Wallace A.; Reese, Lawrence; Reynolds, James; Reynolds, Thomas Mason; Roberson, Frank R.; Roberson, Franklin Jefferson; Roberts, Walter L.; Robinson, Hilyard Robert; Robinson, Robert L.; Robinson, William J.; Rosamond, John; Rousseve, Ferdinand Lucien; Russell, Charles Thaddeus; Sealey, Roy Anthony; Simon, John A.; Smith, George Washington; Smith, William W.; Southern University; Spears, Prince W.; Streat, William Afred, Jr.; Sulton, John David; Tandy, Vertner Woodson; Taylor, Robert Robinson; Taylor, Robert Rochon; Thonrton, William Ferguson; Tuskegee Institute; Vaughn, Ralph A.; Vaughn, Roscoe Ingersol; Walker, Josiah; Washington, Booker T., III; Washington, Robert Edward Lee; Welch, John Austin; West, David Benjamin; West, Frank G.; Wheat, Clarence Buchanan; White, Columbus Bob; White, Donald Frank; White, Richard C.; Whittaker, Miller Fulton; Wigington, Clarence Wesley; William, Edward Ross; Williams, Paul Revere; Williams, Robert Johnson; Williston, David Augustus; Wilson, James Walter; Wilson, John Louis; Winder, Earl Theodore; Woodson, Howard Dilworth; Young, Edward Walter Owen; Zenon, Golden Joseph, Sr.

There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This one is different, however, in a number of ways.
First, it does not treat them as separate subjects, but in relation to each other. While their response to De Stijl throws some new light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined in relation to them. Second, the purpose of the study is to excavate the philosophical foundations of the work, rather than merely to describe and discuss the work itself. Third, it looks for connections between the aims and ideals of the 1920s and such 'post-modern' concerns as the creation of habitable 'places' and the survival of the historical city.

Sinan was the greatest architect of the Ottoman Golden Age of the sixteenth century - when the Ottoman Empire reached its zenith of power and magnificence. His style marks the apogee of Turkish art. Under Suleyman the Magnificent and his succcessor Selmi II, Sinan designed hundreds of buildings: mosques, palaces, tombs, mausolea, hospitals, schools, caravanserai, bridges, aqueducts and baths, many of them presented and analysed in this book. In his greatest works, he adapted Byzantine and Islamic styles to produce something quite new: a centralized organization of absolute space unhindered by pillars or columns and covered by a soaring dome. An architect of genius in a dynamic new empire expanding into both Asia and Europe, he was a true man of the Renaissance.

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text.
Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

What does a collective process in architecture entail and how does it influence the planning of our built environment? Although the hierarchically organized office with its claim to individual authorship is still the dominant form of architecture firm, more and more horizontally organized collectives with alternative approaches to architectural planning are emerging. In this insightful survey of renowned European collectives, Natalie Donat-Cattin offers an overview of their working methods, organizational forms, goals, and projects. The book includes statements and projects by: A-A Collective, (ab)Normal, Assemble, baukuh, CNCRT, Colectivo Warehouse, Collectif Etc, constructLab, false mirror office, Fosbury Architecture, la-clique, Lacol, n'UNDO, orizzontale, raumlabor, X=(T=E=N), and Zuloark. First comprehensive analysis of collectives in architecture and urban planning Highly topical subject: project development as a collective process Insightful introduction of 16 well-known architectural collectives in Europe

"If you can't wait to open up your cottage, taking a peek inside Northern Hideaways: Canadian Cottages and Cabins (The Images Publishing Group, 2022) will make you want to load the car up pronto."-House & Home It's long been a Canadian tradition to "head to the cottage" for holidays. Across the wide expanse of Canada, there are numerous opportunities to do just that. Whether it be a chalet in the ski fields, a boathouse on a fabulous lake, or even just a remote getaway in a secluded forest, Canada fields a wide range of options for places to unwind and spend time with family and friends, and to make the most of all seasons. With a carefully curated selection of beautiful contemporary cottage and cabin designs, this compelling book provides an insight into the Canadian love affair with holiday homes. This beautifully illustrated book celebrates the idea of the Canadian cottage and cabin, and includes a selection of stunning contemporary retreats, guaranteed to make you want to "head to the cottage" for a vacation. The projects and locations featured in this volume include: May House | Indian Point, Nova Scotia Smith House | Upper Kingsburg, Nova Scotia Cap St-Martin Residence | Potton, Quebec Cottage on the Point | Lanaudiere, Quebec Grand-Pic Chalet | Austin, Quebec Lake Brome Residence | Foster, Quebec Lakeside Cabin | Lac-Brome, Quebec Laurentian Ski Chalet | Saint-Donat, Quebec Maison Perchee | East Bolton, Quebec Prefabricated Country Home | Ivry-sur-le-Lac, Quebec Residence St-Ignace | Saint-Ignace-de-Loyola, Quebec The Slender House | Lake Memphremagog,, Quebec Ell House | Wellington, Ontario Go Home Bay Cabin | Georgian Bay, Ontario Kawagama Lake Boathouse | Dorset, Ontario Lake Joseph Cottage | Muskoka, Ontario Lake Manitouwabing Residence | McKellar, Ontario Lake Mississauga Cottage | Kawartha Highlands, Ontario Sky House | Stoney Lake, Ontario The Farm | Clarington, Ontario Woodhouse | Singhampton, Ontario Bowen Island House | Bowen Island, British Columbia House on the Bench | Naramata, British Columbia

In Living on the Edge, the author goes in search of the most amazing and seemingly unfeasible buildings which are situated at the edge of deep chasms and on steep cliffs. These houses are the work of architects who approach complexity and difficult conditions with imagination and a talent for thinking outside of the box. This book shows how, with the help of innovative techniques, fear of heights-inducing homes have been built at the most challenging locations all over the world. Living on the Edge is a book for architecture lovers without fear of heights!

This comprehensive monograph chronicles the personal and professional journey of the Indian architect and urban conservationist Brinda Somaya from 1975 to the present. It explores Somaya's diverse typology of projects in challenging conditions that represent a unique non-stylistic grammar. The essays in this volume offer multiple perspectives on Brinda Somaya's accomplishments, while the dialogues outline the concerns central to her work.

A major overview of Singapore's most exciting architecture practice, documenting the complete corpus of WOHA's pioneering sustainable and built work. WOHA is at the vanguard of urban and ecological revitalization in Singapore and a pioneer of Southeast Asia's green-building revolution. Founded by Wong Mun Summ and Richard Hassell in 1994, Singapore's most dynamic architecture studio is known for delivering innovative and sustainable design solutions to combat the challenges of climate change, biodiversity loss, and urbanization. Even within Singapore's leading-edge architecture scene, WOHA have broken new ground, and they are continuing to do so in our rapidly expanding cities where far-sighted thinking is imperative to sustainable and sociable development. Its projects stretch from Singapore to Bangladesh, China and Australia, where the practice's ambitions are being realized in works like the self-sufficient Punggol Digital District in Singapore. This complete overview documents WOHA's pioneering sustainable and built work, with important ongoing projects followed by a listed chronology. It is a timely assessment of the practical realization of WOHA's theories and principles, and the environmental responsibilities now shouldered by architects and urban planners worldwide.

Reveals new and previously unknown biographical material about an important figure in 19th-century American architecture and music Jacob Wrey Mould is not a name that readily comes to mind when we think of New York City architecture. Yet he was one-third of the party responsible for the early development of Central Park in New York. To this day, his sculptural reliefs, tile work, and structures in the Park enthrall visitors. Mould introduced High Victorian architecture to NYC, his fingerprint most pronounced in his striking and colorful ornamental designs and beautiful embellishments found in the carved decorations and mosaics at the Bethesda Terrace. Resurfacing the forgotten contributions of Mould, Hell on Color, Sweet on Song presents a study of this 19th-century American architect and musical genius. Jacob Wrey Mould, whose personal history included a tie to Africa, was born in London in 1825 and trained there as an architect before moving to New York in 1852. The following year, he received the commission to design All Souls Unitarian Church. Nicknamed "the Church of the Holy Zebra," it was the first building in America to display the mix of colorful materials and Medieval Italian inspiration that were characteristic of High Victorian Gothic architecture. In addition to being an architect and designer, Mould was an accomplished musician and prolific translator of opera librettos. Yet anxiety over money and resentment over lack of appreciation of his talents soured Mould's spirit. Unsystematic, impractical, and immune from maturity, he displayed a singular indifference to the realities of architecture as a commercial enterprise. Despite his personal shortcomings, he influenced the design of some of NYC's revered landmarks, including Sheepfold, the Metropolitan Museum of Art, the American Museum of Natural History, the City Hall Park fountain, and the Morningside Park promenade. From 1875-1879, he worked for Henry Meiggs, the "Yankee Pizarro," in Lima, Peru. Resting on the foundation of Central Park Docent Lucille Gordon's heroic efforts to raise from obscurity one of the geniuses of American architecture and a significant contributor to the world of music in his time, Hell on Color, Sweet on Song sheds new light on a forgotten genius of American architecture and music. Funding for this book was provided by: Furthermore: a program of the J. M. Kaplan Fund

The importance of A. W. N. Pugin (1812-52) in architecture and design in England and beyond is incontestable. The leading architect of the Gothic Revival, Pugin is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence furnishes more insight into the man and more information about his work than any other source. This volume, the last of five, contains letters from 1851 and the first months of 1852; after that, Pugin's health failed and he died in September. In the great event of the period, the international exhibition held in the Crystal Palace in Hyde Park, the display of objects made to Pugin's design, which he planned and oversaw, was an outstanding success, bringing substantial commercial benefit to his colleagues and spreading Pugin's influence even more widely than before. The value of his judgment was recognized in his appointment to two committees in connection with the Great Exhibition. Frantic though the preparations for what came to be known as the Medieval Court were, Pugin made time to write for publication. He issued letters and pamphlets in explanation, defence, and support of the Catholic Church and its re-established hierarchy, and turned again to the conundrum that had long teased him, the relation between the faith and the form, not only architectural, in which it found expression. He completed the book on chancel screens conceived some years before. At home in The Grange at Ramsgate, he continued to design stained glass windows, for other architects as well as his own clients, and supervised the production of cartoons; he poured out designs in his usual fields of metalwork, ceramics, furniture, carving, and wallpaper, and branched out, not always happily, into new areas such as embroidery and the decoration of piano cases. The demand for drawings for Westminster, where the House of Commons was due to open early in 1852, was as incessant as ever. His last child, Edmund Peter, was born in 1851 only a few months before his first grandchild, Mildred. Both were baptized in the church of St Augustine which he was still building next to his house and where he himself was soon to be laid in the vault he provided for the purpose. The volume also includes some letters which have come to light too late for inclusion in their proper chronological places and some texts of doubtful authenticity.