* This book is the first comprehensive history of architectural modelmaking in Britain, or indeed of anywhere in the world. * An authoritative scholarly study based on six years of extensive research that draws from over 40 interviews, the analysis of over 4000 photographs of architectural models, and more than 700 documentary sources, written in an accessible style making it suitable for a broad audience. * Illustrated with never-before-seen photographs of historic architectural models from the 20th century drawn from private archives, including over 100 images from the Thorp archive, which is the largest known collection of material relating to architectural modelmaking in the world containing over 30,000 photographs and historic documents.

The first English-language overview of the contributions to Renaissance architectural culture of northern Italian architect Vincenzo Scamozzi (1548-1616), this book introduces Anglophone architects and historians to a little-known figure from a period that is recognized as one of the most productive and influential in the Western architectural tradition. Ann Marie Borys presents Vincenzo Scamozzi as a traveler and an observer, the first Western architect to respond to the changing shape of the world in the Age of Discovery. Pointing out his familiarity with the expansion of knowledge in both natural history and geography, she highlights that his truly unique contribution was to make geography and cartography central to the knowledge of the architect. In so doing, she argues that he articulated the first fully realized theory of place. Showing how geographic thinking influences his output, Borys demonstrates that although Scamozzi's work was conceived within an established tradition, it was also influenced by major cultural changes occurring in the late 16th century.

Building Toys: An Architect's Collection documents over 100 architectural building toys from the author's collection, from the mid-1800s to the present, from the U.S. and abroad. Each toy has an immersive two-page spread celebrating its unique features with photos of packaging graphics, component parts, assembly diagrams, and a built example designed and constructed by the author. Well-researched background information on designers and company histories provides intriguing facts which complete each toy's description. When taken together, these stories reveal a microcosm of western commercial and industrial history, illustrating trends in design, advertising, and material production techniques. The book is organised by toy material (natural wood, metal, plastic, etc.), creating six "chapters." It includes a two-page introduction which reflects the author's role as architect, photographer, and collector. There are approximately 250 pages giving a dynamic visual portrayal of a seldom seen world.

This book explores the notion of affective space in relation to architecture. It helps to clarify the first-person, direct experience of the environment and how it impacts a person's emotional states, influencing their perception of the world around them. Affective space has become a central notion in several discussions across philosophy, geography, anthropology, architecture and so on. However, only a limited selection of its key features finds resonance in architectural and urban theory, especially the idea of atmospheres, through the work of German phenomenologist Gernot Boehme. This book brings to light a wider range of issues bound to lived corporeal experience. These further issues have only received minor attention in architecture, where the discourse on affective space mostly remains superficial. The theory of atmospheres, in particular, is often criticized as being a surface-level, shallow theory as it is introduced in an unsystematic and fragmented fashion, and is a mere "easy to use" segment of what is a wider and all but impressionistic analytical method. This book provides a broader outlook on the topic and creates an entry point into a hitherto underexplored field. The book's theoretical foundation rests on a wide range of non-architectural sources, primarily from philosophy, anthropology and the cognitive sciences, and is strengthened through cases drawn from actual architectural and urban space. These cases make the book more comprehensible for readers not versed in contemporary philosophical trends.

Provides an extraordinary insight into the development of one of the most well-known architects and theorists Alexander's A Pattern Language is one of the best-selling books in the history of architecture The essays combine theory and descriptions of practice

This is the revised edition of the first volume on the highly regarded practice Eric Parry Architects, covering their work from the 1980s to the present. Projects featured in Volume 1 include uniquely sensitive university buildings at Cambridge and Sussex; the Damai Suria housing complex in Kuala Lumpur; the romantic and picturesque Chateau de Paulin, France; and the infamous Ministry of Sound night-club in London. Wilfried Wang, recently Director of the Frankfurt Architecture Museum, and currently a visiting critic at the Graduate School of Design, Harvard, considers EPA's importance within architectural discourse, examining their concerns with materiality, attention to detail, craftsmanship and compositional structures. The book is prefaced by the internationally renowned architectural theoretician Dalibor Vesely.

Mexico underwent tremendous growth and transition during the twentieth century, transforming it from a rural country into an urban nation that formed part of a much wider global process of modernisation/westernisation. During this time, Mexican Modernist architecture came into its own, becoming recognised both nationally and internationally as a paradigmatic example of this new design approach. However, relatively little is still known about how Mexican Modernism was able to become a mature and confident movement so quickly, one with such strongly held convictions that they are still very much alive and well today, and which are still shaping and influencing Mexicos architectural forms, lifestyles, values and ideals. This book examines those elements that contributed to its making during the twentieth century. In so doing, it considers Mexican Modernism to be a direct product of its socio-cultural settings and so uses a cultural studies approach to identify the key drivers, or 'power structures', which were involved. Five power structures are investigated which relate to academic, economic/political, social, gender, and post-colonial status. Such power structures are analysed by looking in close detail at 13 of the most famous Mexican architects, documenting their ideas through their own verbal testimonies and their most interesting buildings. Those architects include: Jose Villagran Garcia, Luis Barragan and Juan O'Gorman from the first generation; Pedro Ramirez Vazquez, Agustin Hernandez and Abraham Zabludovsky from the second; Carlos Mijares, Ricardo Legorreta and Juan Jose Diaz Infante from the third; and finally, Enrique Norten, Clara de Buen, Alberto Kalach and Javier Sordo Madaleno from the fourth generation. This book's uniqueness lies in revealing the inter-relationships of the power structures that have controlled and constrained what Mexican architecture could achieve, offering a dissection of what happened within the profession. The book also criticizes the persistence of these same power structures today, and it voices the urgent need for a new kind of architecture for the future. It is essential reading for anyone studying Mexican architecture.

A comprehensive study of the sacred buildings built and designed by Frank Lloyd Wright, this book offers scholarly discussion with analytical drawings and photographs. These projects represent different periods of Wright's career (from 1886 to 1958), new building technologies, and application of his design concepts as demonstrated in his sacred architecture. This unique contribution will be useful to all those interested in Wright's architecture and theory as well as in sacred architecture.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. Richard Rogers: The Pompidou Centre, Supercrit #3explores Piano+Rogers' phenomenal project for a new type of major cultural building in Paris. You can hear Richard Rogers' description of the project, see the images and join in the crit. Supported by an extensive illustrated section, this innovative and compelling book is an invaluable resource for any architecture student.

Provides, for the first time, access to a chronological arc of John Habrakens’ writing in a single collection. Includes over 250 illustrations and interview with the author to enable him to reflect on his journey of inquiry, research, advocacy and teaching His record of accomplishments, too often unrecognized for their seminal value, is remarkable and without match, and continues to enjoy an expanding worldwide following.

Written by experienced scholars and renowned academics from Japan, Australia, Europe, S. Korea and the US. Provides a critical, intellectual, and up-to-date account of the Metabolism projects and ideas in the context of current evolution of architectural and urbanism discourse in a global context. Timed to coincide with the 60th anniversary of the publication of the Metabolist manifesto.

- Bridges history, theory, design, construction, technology, and sensory experience by means of digital simulations that enhance the assessment and values of our material choices - Uses the work of Aalto and selected contemporary architects, along with computer modeling software, to showcase the importance of comprehensive design - Offers an expanded reading of Aalto's approach towards building technology and how these impacted choices in choosing material and form for culture and environment - Includes 80 black and white illustrations

This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.
* Lavishly illustrated, with numerous in depth studies this book will be an inspiration to both students and architects
* This is the first book to illustrate Le Corbusier's philosophies through his use of detail
* So innovative was Le Corbusier's approach to design and so influential has he been on the current generation of architects that his work remains as relevant today as it ever did

Penned by two internationally renowned critics, this volume comments on architecture and various cultural phenomena. More than a year of correspondence and mutual provocation contributes to a discussion where architecture, art, literature, and philosophy come face to face in unexpected ways, demonstrating that the bed of architecture is always unmade, but it carries memories of sweet dreams.

This book is a faithful reflection on the spirit and working modes infusing Josep Lluis Mateo's lively architectural practice. Unquestionably one of Spain's most renowned architects, Mateo's work has had enormous influence on the international architecture scene. His projects in Paris, The Hague and Amsterdam, as well as newer designs in Haarlem, Basel and Castelo Banco, are all analyzed in depth in this volume. "Josep Lluis Mateo: Works, Projects, Writings" includes a photographic essay on the International Convention Centre in Barcelona--one of Mateo's most authoritative projects of recent years. In addition there is an extensive study by Jose Luis Pardo and an interview by Philip Ursprung. Lluis Mateo has a studio in Barcelona and teaches at the ETH in Zrich, where he is Professor of Architecture and Design.

Queer Sites in Global Contexts showcases a variety of cross-cultural perspectives that foreground the physical and online experiences of LGBTQ+ people living in the Caribbean, South and North America, the Middle East, Europe, and Asia. The individual chapters-a collection of research-based texts by scholars around the world-provide twelve compelling case studies: queer sites that include buildings, digital networks, natural landscapes, urban spaces, and non-normative bodies. By prioritizing divergent histories and practices of queer life in geographies that are often othered by dominant queer studies in the West-female sex workers, people of color, indigenous populations, Latinx communities, trans identities, migrants-the book constructs thoroughly situated, nuanced discussions on queerness through a variety of research methods. The book presents tangible examples of empirical research and practice-based work in the fields of queer and gender studies; geography, architectural, and urban theory; and media and digital culture. Responding to the critical absence surrounding experiences of non-White queer folk in Western academia, Queer Sites in Global Contexts acts as a timely resource for scholars, activists, and thinkers interested in queer placemaking practices-both spatial and digital-of diverse cultures.

The 135 postcards appearing in this Scientific Album were published almost without exception in the period when Gaudi was working. They are an example of the hundreds of postcards dedicated to his works of the time. No other monument in the city could equal it in both photogenic and emotional terms, especially in the case of Park Guell and even more so in that of the Sagrada Familia. The postcards show not only a simple finished building but a construction growth, comparable only with the processes of transformation that occur in nature or in the development of living organisms, subjected like this to the passing of time and the action of the elements.

Contents:
Abele, Julian Francis; Alexander, Archie Alphonse; Archer, Romulus Cornelius, Jr.; Bailey, Walter Thomas; Baily, William F.; Bankhead, Lester Oliver; Banks, Louis Harvey; Barnett, Carl Eugene; Bartholomew, Joseph Manual; Bates, Robert Charles; Bellinger, Louis Arnett Stewart; Berry, P. Ross; Bingham, Russell; Birch, Edward E.; Birch, Ernest O.; Blanche, John A.; Blodget, Joseph; Boles, Henry Clifford; Bow, Cyril; Bowman, Charles Summer; Boyde, Thomas Wilson, Jr.; Brent, Calvin Thomas Stowe; Brent, John Edmonson; Brookins, Sanford; Brooks, Elizabeth Carter; Brooks, Hestle Herbert; Brown, Albert Grant; Brown, Georgia Louise; Brown, Grafton Tyler; Brown, John Thomas; Brown, Leroy John Henry; Brown, Richard Lewis; Browne, Ray E.; Buffins, Robert Lester; Carlisle, Alma Fairfax Murray; Cassell, Albert Irvin; Claflin University; Coleman, Sherman; Cook, Julian Abele; Cook, Ralph V.; Cooke, William Wilson; Cross, Clarence; Decatur, William Jefferson; DeCosta, Herbert, Jr.; Delaney, Henry Beard; Dickinson, Charles Edgar; Drayton, Clyde Martin; Duke, Charles Summer; Dunn, Frederick; Dykes, DeWitt S., Sr.; Eberhardt, John Thomas; Edwards, Gaston Alonzo; Elliott, Curtis Graham; Farrar, Daniel J., Sr.; Ferguson, Arthur W.; Ferguson, George Alonzo; Fields, Robert Lionel; Fisher, Orpheus Hodge; Ford, Fleming; Ford, Wade; Foster, George Washington, Jr.; Fry, Louis Edwin, Sr.; Furman, Ethel Bailey; Giles, Lewis Wentworth, III; Giles, Lewis Wentworth, Jr.; Godette, William; Grandy, J.W.R.; Green, Beverly; Griffin, Francis Eugene; Hamilton, Calvin Pazavia; Hampton Institute; Hancock, Richard Mason; Harris, Clinton S.; Hatton, Isaiah Truman; Hazel, William Augustus; Henderson, Cornelius; Hill, Joseph; Hilliard, Leroy; Hoban, Stewart Daniel, Sr.; Holloway, John Bunyan; Howard University; Hurley, Granville Warner, Sr.; Hutchins, James Edward; Ifill, Percy C.; Jackson, Leon Qunicy; Jenkins, William Edward; Johnson, Conrad Adolphus, Jr.; Johnson, Harvey Nathaniel; Jones, George Maceo; Jones, William Thomas; Kent, Joseph; Kent, Robert; King, Horace; King, John; Lankford, Arthur Edward; Lankford, John Anderson; Lightner, Calvin Esau; Livas, Henry Lewis; Lucas, George; Mackey, Howard Hamilton, Sr.; Madison, Robert James, Sr.; McKissack, Calvin Lunsford; McKissack, Moses III; Melby, John Alexander; Meredith, Amaza Lee; Merrick, John; Michael, John Henry; Mickels, Elon; Miller, Edward Charles; Miller, Francis; Moore, John A.; Moses, William Henry, Jr.; National Technical Association; Negro Building - Alabama State Fair in Montgomery; Negro Building - Appalachian Exposition in Knoxville; Negro Building - Century of Progress World's Fair in Chicago; Negro Building - Cotton States Exposition in Atlanta; Negro Building - Jamestown Ter-centennial Exposition in Virginia; Negro Building - South Carolina Interstate Exposition in Charleston; Tennessee Centennial Exposition in Nashville; Texas Centennial Exposition in Dallas; Norman, John Clavon, Sr.; North Caroline A&T; O'Neal, Kenneth Roderick; Pelham, Fred B.; Persley, Louis Hudson; Pittman, William Sidney; Plater, J. Alonso; Plato, Samuel M.; Prairie View A&M; Price, Henry James; Pyrce, Edward Lyons; Ransom, Leon A.; Rayfield, Wallace A.; Reese, Lawrence; Reynolds, James; Reynolds, Thomas Mason; Roberson, Frank R.; Roberson, Franklin Jefferson; Roberts, Walter L.; Robinson, Hilyard Robert; Robinson, Robert L.; Robinson, William J.; Rosamond, John; Rousseve, Ferdinand Lucien; Russell, Charles Thaddeus; Sealey, Roy Anthony; Simon, John A.; Smith, George Washington; Smith, William W.; Southern University; Spears, Prince W.; Streat, William Afred, Jr.; Sulton, John David; Tandy, Vertner Woodson; Taylor, Robert Robinson; Taylor, Robert Rochon; Thonrton, William Ferguson; Tuskegee Institute; Vaughn, Ralph A.; Vaughn, Roscoe Ingersol; Walker, Josiah; Washington, Booker T., III; Washington, Robert Edward Lee; Welch, John Austin; West, David Benjamin; West, Frank G.; Wheat, Clarence Buchanan; White, Columbus Bob; White, Donald Frank; White, Richard C.; Whittaker, Miller Fulton; Wigington, Clarence Wesley; William, Edward Ross; Williams, Paul Revere; Williams, Robert Johnson; Williston, David Augustus; Wilson, James Walter; Wilson, John Louis; Winder, Earl Theodore; Woodson, Howard Dilworth; Young, Edward Walter Owen; Zenon, Golden Joseph, Sr.

Jan Kaplicky (1937-2009) was a visionary architect with a passion for drawing. It was his way of discovering, describing and constructing; and through drawing he presented beguiling architectural imagery of the highest order. Many of his sketches, cutaway drawings and photomontages are brought together and celebrated in this book. These drawings date from the early years of his independent practice, Future Systems, in the 1970s, to his final ink drawings, executed in the mid-1990s. Featured projects range from design studies for the International Space Station, undertaken with NASA, to the Media Centre at Lord's Cricket Ground, in London, winner of the 1999 Stirling Prize.

In this essential TASCHEN introduction to Tadao Ando we explore the hybrid of tradition, modernism, and function that allows his buildings to enchant architects, designers, fashion designers, and beyond. Through key projects including private homes, churches, museums, apartment complexes, and cultural spaces, we explore a uniquely monumental yet comforting aesthetic that draws as much on the calm restraint of Japanese tradition as the compelling modernist vocabularies of Bauhaus and Le Corbusier. With featured projects in Japan, France, Italy, Spain, and the United States, we see not only Ando's global reach but also his refined sensitivity for the environs: the play of light through windows, and, in particular, the interaction of buildings with water. From the mesmerizing Church of the Light in Osaka to the luminous Punta della Dogana Contemporary Art Center in Venice, this is a radiant tour through a distinctly contemporary form as much as a timeless appeal of light, elements, and equilibrium. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This one is different, however, in a number of ways.
First, it does not treat them as separate subjects, but in relation to each other. While their response to De Stijl throws some new light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined in relation to them. Second, the purpose of the study is to excavate the philosophical foundations of the work, rather than merely to describe and discuss the work itself. Third, it looks for connections between the aims and ideals of the 1920s and such 'post-modern' concerns as the creation of habitable 'places' and the survival of the historical city.

Designing Spaces showcases the finest work from DP Design. This comprehensive book is packed with inspiration, ideas and details on designing spaces and infusing soul and character into vast spaces. This unique and engaging book illustrated how designing for an interior space can be a direct, strategic response to a building's intrinsic architectural form, functionality and user experience. Over 20 unconventional examples illustrate how, rather than treating interiors as isolated design projects, they are seen as extensions of the building architecture.

Graduate Hotels give life to physical spaces that uniquely connect with guests on a visceral level. Each hotel is its own immersive experience of inspired texture and contrast that captures the college experience in full. This book will follow suit: a 256-page tome beautifully designed in the style of a college yearbook that tells the deep and nuanced stories of the college towns Graduate lives in. A book as easily at home in the Art and Architecture section of a bookshelf as in the Travel section. A book useful for design inspiration and mood boards as it is for wanderlust and adventure planning. Every Graduate property celebrates great design, art, architecture, and a youthful, playful optimism that reflects the spirit of each community from Oxford, Mississippi to Oxford, UK, and every point in between. This is a book for the culturally-curious traveller who delights in rekindling the spirit of their college days. A great appreciation for design, art, architecture, the stories behind things, and the people that make cities unique. The Graduate Book is a celebration of this spirit as much for art-lovers as it is for alums.

A life story told in discrete, arresting snapshots of despair, resilience, creativity, and hope, Joe Andoe's literary portrait of his time to date on earth is as powerful as a heavyweight's hook and as spellbinding as a major crack-up on the opposite side of the highway. It is a testament to a young man's fortitude and genius and luck that enabled him to survive a life lived wildly out of control; a rocket ride from the sordid depths of self-destruction to the glorious pinnacles of . . . "Jubilee City."