Architectures of Transversality investigates the relationship between modernity, space, power, and culture in Iran. Focusing on Paul Klee's Persian-inspired miniature series and Louis Kahn's unbuilt blueprint for a democratic public space in Tehran, it traces the architectonics of the present as a way of moving beyond universalist and nationalist accounts of modernism. Transversality is a form of spatial production and practice that addresses the three important questions of the self, objects, and power. Using Deleuzian and Heideggerian theory, the book introduces the practices of Klee and Kahn as transversal spatial responses to the dialectical tension between existential and political territories and, in doing so, situates the history of the silent, unrepresented and the unbuilt - constructed from the works of Klee and Kahn - as a possible solution to the crisis of modernity and identity-based politics in Iran.

Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund's own house at Stennas, it addresses the topic of buildings accompanied by landscapes. It proposes that themes related to landscape are central to Asplund's distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, author Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect's intentions. This book is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.

This project is also the exploration of "another world", seemingly remote: the Pacific and the culture of ephemeral, the encounter with the great Kanak people and his history suspended between past and future. An adventure that ends with the discovery of an unsuspected affinity: "I'm more Kanak than you are", Renzo Piano will say. Just like the previous monographs, the presented material is unpublished, retrieved thanks to the research and classification in the archives of the Renzo Piano Foundation, and commentated with sketches, notes and memories of Renzo Piano. It becomes a sort of travel journal, intimate and powerful. The stories of Renzo Piano, Marie-Claude Tjibaou, Alban Bensa and Glenn Murcutt were recorded and faithfully transcribed, so that the reader can live the adventure of this project, accompanied by the voice of the protagonists.

Since the release of his first monograph, Vincent Van Duysen has consolidated his reputation for buildings of exceptional spatial mastery and highly refined detailing, and built a growing international following. This beautiful companion volume presents thirty of the Belgian architect's most recent works produced over the past decade, much of which has been exquisitely captured by renowned photographers Helene Binet and Francois Halard. The buildings featured from this latest period include an array of elegant residences in Europe, New York, Paris and The Hamptons, as well as larger-scale commercial and public projects. Product and furniture designs, microcosms of the architect's rigorous attention to detail, are also featured, including yacht interiors and objets decoratifs. With a foreword by close friend and Academy Award-winning actor Julianne Moore, the broader context of Van Duysen's contribution to contemporary architecture is provided by architect Nicola di Battista and architecture critic Marc Dubois. An illustrated chronology provides a complete overview of the architect's recent projects. Van Duysen has established a reputation as one of the world's most refined and artful architects. This major new publication will further cement his uncompromising commitment to creating timeless places and spaces.

Sir John Soane's Influence on Architecture from 1791: A Continuing Legacy is the first in-depth study of this eighteenth-century British architect's impact on the work of others, extending globally and still indeed the case over 200 years later. Author Oliver Bradbury presents a compelling argument that the influence of Soane (1753-1837) has persevered through the centuries, rather than waning around the time of his death. Through examinations of internationally-renowned architects from Benjamin Henry Latrobe to Philip Johnson, as well as a number of not so well known Soanean disciples, Bradbury posits that Soane is perhaps second only to Palladio in terms of the longevity of his influence on architecture through the course of more than two centuries, from the early 1790s to today, concluding with the recent return to pure revivalism. Previous investigations have been limited to focusing on Soane's late-Georgian and then post-modern influence; this is the first in-depth study of his impact over the course of two centuries. Through this survey, Bradbury demonstrates that Soane's influence has been truly international in the pre-modern era, reaching throughout the British Isles and beyond to North America and even colonial Australia. Through his inclusion of select, detailed case studies, Bradbury contends that Soane's is a continuing, not negated, legacy in architecture.

Makers of 20th-Century Modern Architecture is an indispensable reference book for the scholar, student, architect or layman interested in the architects who initiated, developed, or advanced modern architecture. The book is amply illustrated and features the most prominent and influential people in 20th-century modernist architecture including Wright, Eisenman, Mies van der Rohe and Kahn. It describes the milieu in which they practiced their art and directs readers to information on the life and creative activities of these founding architects and their disciples. The profiles of individual architects include critical analysis of their major buildings and projects. Each profile is completed by a comprehensive bibliography.

Contents:
Preface. Prologue. Introduction. Charles-Edouard Jeanneret. The years of transition 1912-1917. The heroic decade 1920-1930. The post-war phase. Articulation systems.

For the Aalto Moment in Your Projects This carefully curated catalog celebrates the rich detail in the work of Aino, Elissa, and Alvar Aalto. Every support, railing, and handle is the result of intensive formal and functional research. The authors document 50 Aalto buildings – some well-known and others less so – and arrange their photographs by component into 20 chapters. The result is a rich photographic record that will serve as a source of inspiration for every architect. From door handles to skylights: Aalto's infinite wealth of components Inspiring documentation with 400 systematically arranged photos Unconventionally detailed solutions with special attention paid to technical feasibility Also available in German (ISBN 978-3-0356-2331-4)

Le Corbusier (1887-1965), born Charles-Edouard Jeanneret-Gris in La Chaux-de-Fonds (Switzerland), is considered by many to be the most influential architect of the twentieth century. Educated in his hometown in the Arts and Crafts tradition under his mentor Charles L'Eplattenier, his early training included important travels and periods of work in the offices of the Perret Brothers (Paris) and Peter Behrens (Berlin). He settled permanently in Paris in 1917, after which he encountered the modernist painter Amedee Ozenfant who would have a significant influence on his work; together they established Purism and the L'Esprit Nouveau journal. During this period he also took the name Le Corbusier derived from the name of a relative. The 1920s saw Le Corbusier emerge as one of the leading modern architects internationally with his designs for a series of villas and projects for the modern city. His 'white' architecture of this period was inspired by modern machines, including early aircraft, automobiles, and ocean liners, along with an abiding interest in architectural history. Many of his ideas were captured in two important publications: Vers une architecture (1923) and Urbanisme (1925). In the early 1930s he sought larger commissions internationally and his architecture evolved away from the Purist work of the 1920s with the adoption of vernacular elements. As the political climate in Europe changed in the late 1930s Le Corbusier's career struggled leading him to take desperate measures. For example, during World War II, he attempted unsuccessfully to secure commissions from the Vichy regime controlling southern France. During this period he also began work on his Modulor measurement system. At the end of the work he reestablished his office in Paris and embarked on a creative and productive period that would last until his death by drowning in 1965. Of particular importance was the Unite d'Habitation project in Marseilles, begun in 1946, which allowed him to develop his ideas for collective housing; this project also signaled the emergence of his 'brutalist' period. His formal experiments also broadened with works such as the pilgrimage church of Notre Dame-du-Haut at Ronchamp and the monastery of La Tourette. In 1950 he was invited to India, where he was engaged to take over the master plan of the new capital city of the Punjab at Chandigarh. This allowed him to test his urban theories and to develop designs for the Capitol complex. A series of late work demonstrated Le Corbusier's continuing experiments in architecture. Often unfairly maligned for the failings of modern urbanism, Le Corbusier's legacy continues to evolve. This four-volume collection of writings on the career and legacy of Le Corbusier traces the various periods of his life from his early training to his final projects. The writings, by Le Corbusier and leading scholars, also explore important themes and specific buildings. The final volume includes articles, some critical of his ideas, which examine his legacy and impact.

This beautifully presented monograph features a selection of gardens created between 1982 and 2020 by visionary garden artist Michel Delvosalle. Passionate about nature and the harmony of landscapes, Michel Delvosalle completed his studies as a landscape architect in 1972 and has since enjoyed an extremely varied career as a garden artist, creator of spaces and atmospheres, painter, sculptor and landscape architect. Whilst each garden is unique in its setting and design, they all share the artist's signature hallmark: the search for harmony and the flexibility to adapt to places and people. Luxuriously bound in natural linen with exquisite full colour photography throughout, this curated selection will inspire designers and garden fans alike.

This unique appraisal of the famous Swiss architect's major works have now been expanded to include two more buildings. The Villa Shodhan and the Pavilion Suisse round out the coverage of Le Corbusier's significant works. The author critically examines Le Corbusier's achievements helping student and professional alike to appreciate the elements of successful design. The narrative and fine illustration cover the key buildings from each of the four developmental stages of his work, making it an excellent guide for practicing architects and students.

London is a living architectural exhibition. This tried and trusted portable guide will help you to find your way around one of the worlds most exciting cities, offering architectural experiences and insights into London's finest contemporary architecture. features more than 400 buildings including key venues from the 2012 Olympic Park provides a superb full colour photographic record of the capital aids navigation of the city's greatest architectural sights with a clear map-based format considers each district in turn, identifying the buildings most worthwhile visiting, and providing essential information and insights into each includes a large scale, portable, lightweight map, for use when walking the tours Jam packed with the author's intimate architectural experience and knowledge of London's buildings, the accompanying commentary is both lively and entertaining, providing all the information that any architectural explorer will need to appreciate and experience London's contemporary architecture.

Architectural solutions & designs to optimize the spaces in your home without spending a fortune. Architect Laura Jane Clark, from the BBC and Netflix smash-hit series Your Home Made Perfect, has spent over 15 years designing, remodelling, and building homes with budgets that range from modest to enormous. THE HANDBOOK OF HOME DESIGN distils Laura's wealth of experience and enthusiasm giving you an accessible yet detailed guide to design, empowering you with the tools and knowledge to shape your home how you want. Throughout your home design journey, whether large or small, Laura takes you each step of the way from understanding your home, reading a plan and writing a brief, right through to sketching your own design and having the confidence to get what you want on the building site. Packed full of tips and tricks, inspiration and technical know-how, THE HANDBOOK OF HOME DESIGN is like having Laura by your side, showing you how to design practical yet beautiful spaces, get more storage into your life and create the home of your dreams. Laura Jane Clark wants to democratize the whole concept of residential architectural design and empower you to redesign your spaces by giving you the language and ability to confidently communicate your vision, get the most out of your design and ultimately love your finished home. Whether you are a long-term homeowner, first-time buyer or simply visualising your dream space, no matter what your budget is, this unique insight into Laura's process allows you to achieve both the design you want and the home you need. www.lamparchitects.co.uk Instagram: @laurajaneclark_

Australian architect Robin Boyd (1919-1971) advocated tirelessly for the voice of Australian architects so that there could be an architecture that might speak to Australian conditions and sensibilities.His legacy continues in the work of contemporary Australian architects yet also prompts a way forward for architecture particularly in relationship to the landscapes they inhabit through a quality of continuous space found in his work where the buildings are spatially reliant and sympathetic to the places they occupy. A selection of 22 projects are documented comprehensively in this book for the first time. This slice through Boyd's body of work reveals a gifted, complex and contemporary thinker.

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text. Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

Chronicling the last radical architectural group of the twentieth century - NATO (Narrative Architecture Today) - who emerged from the Architectural Association at the start of the 1980s, this book explores the group's work which echoed a wider artistic and literary culture that drew on the specific political, social and physical condition of 1980s London. It traces NATO's identification with a particular stream of post-punk, postmodern expression: a celebration of the abject, an aesthetic of entropy, and a do-it-yourself provisionality. NATO has most often been documented in reference to Nigel Coates (the instigator of NATO), which has led to a one-sided, one-dimensional record of NATO's place in architectural history. This book sets out a more detailed, contextual history of NATO, told through photographs, drawings, and ephemera, restoring a truer polyvocal narrative of the group's ethos and development.

Chronicling the last radical architectural group of the twentieth century - NATO (Narrative Architecture Today) - who emerged from the Architectural Association at the start of the 1980s, this book explores the group's work which echoed a wider artistic and literary culture that drew on the specific political, social and physical condition of 1980s London. It traces NATO's identification with a particular stream of post-punk, postmodern expression: a celebration of the abject, an aesthetic of entropy, and a do-it-yourself provisionality. NATO has most often been documented in reference to Nigel Coates (the instigator of NATO), which has led to a one-sided, one-dimensional record of NATO's place in architectural history. This book sets out a more detailed, contextual history of NATO, told through photographs, drawings, and ephemera, restoring a truer polyvocal narrative of the group's ethos and development.

Glenn Murcutt is an internationally acclaimed Australian architect who for five years taught a series of master studios for graduate architecture students at the University of Washington. This book combines examples of the students' studio work with edited transcripts of Murcutt's public lectures and sessions with students, professionals, and Finnish architect Juhanni Pallasamaa. Essays set the studios into the context of an inquiry about the local practice of a global architecture. The studio work shows an application, in the Northwest environment, of Murcutt's fundamental principles. These projects often make evident architecture that has a precise engagement with local conditions and the natural environment. Structures and material details take their measure from an industrial craft of making. The collected studio work shows a full progression from site sketches through detail development, in drawings and models. Jim Nicholls is a senior lecturer in the Department of Architecture, College of Built Environments, University of Washington.

As the official architects of Napoleon, Charles Percier (1764-1838) and Pierre-Francois-Leonard Fontaine (1762-1853) designed interiors that responded to the radical ideologies and collective forms of destruction that took place during the French Revolution. The architects visualized new forms of imperial sovereignty by inverting the symbols of monarchy and revolution, constructing meeting rooms resembling military encampments and gilded thrones that replaced the Bourbon lily with Napoleonic bees. Yet in the wake of political struggle, each foundation stone that the architects laid for the new imperial regime was accompanied by an awareness of the contingent nature of sovereign power. Contributing fresh perspectives on the architecture, decorative arts, and visual culture of revolutionary France, this book explores how Percier and Fontaine's desire to build structures of permanence and their inadvertent reliance upon temporary architectural forms shaped a new awareness of time, memory, and modern political identity in France.

Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.

C.F.A. Voysey (1857-1941) was an architect-designer who advocated honest and thorough design, and championed high standards of craftsmanship applied only to the finest materials. The resulting objects-simple yet elegant, often enhanced by beautiful and symbolic decoration-were considered revolutionary in their time and continue to enchant audiences today. The first substantial monograph to be published in 20 years, this comprehensive book focuses on Voysey as a designer of furniture, metalwork and textiles, providing a new analysis of his characteristic motifs and designs. It draws on the greatest public and private collections of his work to give a complete and fully illustrated account of Voysey's output and his vision for domestic life at the turn of the twentieth century. Original drawings and plans, archive photography and images of a vast selection of surviving objects are brought together here in a fresh examination of the Arts and Crafts pioneer. The authors' extensive new research documents the personal and professional relationships that enabled Voysey to become a great and prolific designer. The book draws together new information on how he ran his business; how he promoted, exhibited and sold his work; who his clients were; who was responsible for manufacturing his designs; and what a Voysey house and interior looked like.

"This gorgeous doorstop of a book ... Seductive and serious - for the most discerning coffee tables." - Edwin Heathcote, Financial Times. Sigurd Lewerentz (1885-1975) is one of the most highly revered - and also one of the most heavily mythologised - protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential to other architects internationally today than he has been during his lifetime. Countless architecture lovers from around the world visit his still existent buildings. Stockholm's woodland cemetery Skogskyrkogarden, his most significant contribution to landscape design, is a UNESCO World Heritage site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national centre for architecture and design, where his archive and personal library are being kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs etc. from his estate, most of which published here for the first time, as well as with newly taken photographs of his realised buildings. Essays by leading experts explore Lewerentz's life and work, his legacy and lasting significance from today's perspective. This vast, beautifully designed book offers the most comprehensive survey to date of Lewerentz's entire achievements in all fields of his manifold work.