Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.

The story of Frank Lloyd Wright's life is no less astounding than his greatest architectural works. He enmeshed himself eagerly in myth and hearsay, and revelled in the extravagance of his creative persona. Throughout his long career, Wright strongly resisted the suggestion that his accomplishments owed anything to earthly influences. As much as he wanted his achievements to be recognised, he wanted them to be unaccountable - but they are not. This book reveals for the first time how his unbreakable self-belief and startling creative defiance both originated in the liberal religious and philosophical attitudes woven into his personality during his childhood - deliberately so by his mother and by his many aunts and uncles, to honour the fierce Welsh radicalism of their ancestors.

* A Times and New Statesman Book of the Year * * BBC Radio 4 Book of the Week * * Illustrated with over 130 colour photographs and drawings * 'A masterpiece.' Edmund de Waal 'Commanding, intelligent, gripping.' The Times From 1910 to 1930 Gropius was at the very centre of European modern art and design, as the founder of the German art school, the Bauhaus. Yet Gropius's beliefs and affiliations left him little choice but to leave Germany when Hitler came to power. In this riveting book, Fiona MacCarthy draws on new research to re-evaluate Gropius's work and life. From his shattering experiences in the First World War to his turbulent marriage to the notorious Alma Mahler and the tragic early death of their daughter, MacCarthy leads us through his disorientating years in London, to his final peaceful and productive life in America. This is biography at its finest and most vivid.

The volume Nicolas Party | L'Heure Mauve collects a vast visual epic in which Party plays a variety of roles, sometimes impersonating the artist, others the scenographer, the conservator, or the sculptor. His work, and the title of the show, are inspired by L'Heure Mauve, a piece created in 1921 by the Canadian painter Ozlas Leduc that highlights the different interpretations given to the relationship between man and nature throughout the history of art. The result is a constantly changing natural environment: it can be a place full of danger and catastrophe, a territory to be conquered, an expanse disseminated with ancient ruins, or even silences where there are no traces of human presence. Nature finally becomes the theatre for the Anthropocene, its connection with humanity by now inextricable, and the passing of time and the finiteness of existence make way for a feeling of melancholy. Our artist interrogates the world's image, and he does so by dialoguing very concretely with the spaces and the works belonging to the collection of the Montreal Museum of Fine Arts. The present volume reflects this personal evolution by employing a unique graphic framework and a packaging that is as precious as its contents. Text in English and French.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Familia, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites. Packed full of expert texts and hundreds of full-color illustrations, including new photography, this book presents Gaudi's complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The design process of Will Alsop acts as a conduit for the dreams and aspirations of others. Moving from public consultation to the privacy of his painting studio - here ideas are born in the liquidity of paint, the serendipity of collage and the flourish of line, resulting in the avant-garde and vibrant designs that Alsop is particularly well known for. Whether the world approves of these designs or not, does not devalue the creative and artistic process which produces so rich, varied, challenging and inspirational outcomes. Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to private studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design. Whether a working architect or a student embarking on the first steps towards creating your own design process, this book offers an insight and example into how engaging with the public, before painting the way into architecture, can offer the most stimulating solutions.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. In this collection, Philip Webb's letters have been drawn together by John Aplin. They tell a fascinating story of Webb's life and work, and the corresponding notes to each text will help the reader to understand the meaning and context of the letters. This work will be of interest to art and architecture historians alike.

"Derham Groves has written this illuminating story of an exceptional but hitherto unsung Australian architect whose distinctive designs in China as well as his homeland may still be seen and enjoyed. In this book Groves has for the first time revealed some characteristic strands of Arthur Purnell's talents, whereby his subject's remarkable creativity is now clear for us to enjoy." - Robert Irving, architecture historian and pupil of Arthur Purnell Arthur Purnell's 'Forgotten' Architecture: Canton and Cars focuses on two early phases in the career of the much overlooked and underrated Australian architect, Arthur Purnell (1878-1964). In 1903, Purnell teamed up with the American engineer, Charles Paget (1874-1933) in Canton, China. Between 1903 and 1910, Purnell and Paget designed many important and impressive buildings, including the Arnhold, Karberg & Co. building (1907), one of the first reinforced concrete buildings in Southern China, and the South China Cement Factory (1907), which would later become the headquarters of Dr. Sun Yatsen (1866-1925), the first president of the Republic of China. Not many architects can design a cement factory fit for a president's palace! When Purnell returned to Australia in 1910, he had to start again from scratch. As cars were taking over from horses in a big way, he saw that designing for cars would be the next big thing in architecture. The fledgling Australian car industry was full of colourful, larger-than-life characters like Col. Harley Tarrant (1860-1949), who built his first car in 1897 and Australia's first petrol-fuelled car in 1901, and Alec Barlow Sr. (1880-1937), the archetypal dodgy car salesman. Purnell wanted in, designing many buildings for both men, including early car factories and car showrooms. In this unique book, Groves asks: why isn't Arthur Purnell more famous?

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911-1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America. This introductory book brings together the most important of Lautner's projects to explore his his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner's sensitivity to a building's surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner's houses now labeled Los Angeles Historic-Cultural Monuments, we'll also consider the architect's cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Antoni Gaudi has a reputation as monastic, mad and hermetic. But the architect of many of the buildings that define Barcelona's cityscape was no mad eccentric. He was a genius inspired by his faith in nature and the divine. Picking up the same strands of eclecticism and art nouveau current in fin de siecle European architecture, he transformed them into an idiom unique to himself and Barcelona to create a series of buildings as revolutionary in their engineering as they were astonishing for their spaces. For Gaudi his work was his life, and this book reveals the exuberant world and groundbreaking work of this unique figure in the history of modern architecture.

The professional practice as well as the academic discipline of planning has been fundamentally re-invented all over the world in recent decades. In this astonishing transition, the thinking and scholarship of Patsy Healey appears as a constantly recurring influence and inspiration around the globe. The purpose of this book is to present, discuss and celebrate Healey's seminal contributions to the development of the theory and practice of spatial planning. The volume contains a selection of 13 less readily available, but nevertheless, key texts by Healey, which have been selected to represent the trajectory of Patsy's work across the several decades of her research career. 12 original chapters by a wide range of invited contributors take the ideas in the reprinted papers as points of departure for their own work, tracing out their continuing relevance for contemporary and future directions in planning scholarship. In doing so, these chapters tease out the themes and interests in Healey's work which are still highly relevant to the planning project. The title - Connections - symbolises relationality, possibly the most outstanding element linking Patsy's ideas. The book showcases the wide international influence of Patsy's work and celebrates the whole trajectory of work to show how many of her ideas on for instance the role of theory in planning, processes of change, networking as a mode of governance, how ideas spread, and ways of thinking planning democratically were ahead of their time and are still of importance.

This book documents contemporary architectural projects designed by women architects participating in diverse forms of practice in diverse regions around the world. Examining each design within its unique context, this collection of forty projects includes beautifully illustrated case studies of transformative buildings, encompassing a range of sizes, building types, materials, and construction methods. Overcoming historical challenges within architectural practice, the women architects in this collection lead their firms and expand the field of architecture. Brit Andresen, Andresen O'Gorman Architects, Australia; Sandra Barclay, Barclay & Crousse Architecture, Peru + France; Tatiana Bilbao Estudio, Mexico; Shirley Blumberg, KPMB Architects, Canada; Eliana Bormida, Bormida y Yanzon Arquitectos, Argentina; Fernanda Canales Arquitectura, Mexico; Gabriela Carrillo, Mexico; Aziza Chaouni Projects, Canada; Elizabeth Diller, Diller Scofidio + Renfro, USA; Carmen Espegel, Espegel Arquitectos, Espana; Yvonne Farrell and Shelley McNamara, Grafton Architects, Eire; Jeanne Gang, Studio Gang, USA + France; Lina Ghotmeh Architecture, France; Melkan Gursel, Tabanlioglu Architects, Turkey, UK + USA; Studio Anna Heringer, Deutschland; Francine Houben, Mecanoo, Nederland, Taiwan, UK + USA; Carla Juacaba Studio, Brasil; Antonia Lehmann, Izquierdo Lehmann Arquitectos, Chile; Ines Lobo Arquitectos, Portugal; Lu Wenyu, Amateur Architecture Studio, China; Doriana Mandrelli Fuksas, STUDIO FUKSAS, Italia, France, UAE + China; Nina Maritz Architects, Namibia; Valerie Mulvin, McCullough Mulvin Architects, Eire; Sheila O'Donnell, O'Donnell + Tuomey, Eire + UK; Patricia Patkau, Patkau Architects, Canada; Estudio Carme Pinos, Espana; Samira Rathod Design Associates, Bharat Ganarajya; Maria Samaniego, arquitectura x, Ecuador; Kazuyo Sejima, Kazuyo Sejima and Associates + SANAA, Japan; Brigitte Shim, Shim-Sutcliffe Architects, Canada; Sonja Petrus Spamer Architects, South Africa; Marina Tabassum Architects, Bangladesh; Kerstin Thompson Architects, Australia; Lene Tranberg, Lundgaard & Tranberg Arkitekter A/S, Danmark; Billie Tsien, Tod Williams Billie Tsien Architects | Partners, USA; Claire Weisz, WXY Architecture + Urban Design, USA; Sarah Wigglesworth Architects, UK; Xu Tiantian, DnA (Design and Architecture), China; Estudio Cazu Zegers Arquitectura, Chile; Marusa Zorec, Arrea Arhitektura, Slovenija

The architect, Lina Bo Bardi (1914-1992), has long been considered one of the major modern architects of the twentieth century in Brazil. Her iconic Museum of Art of Sao Paulo (1968), and the bold, Social Service for Commerce Building-Pompeia, Sao Paulo (1986), have gained recognition in recent years and her reputation is beginning to be acknowledged internationally. Bo Bardi's major writings on architecture, however, have not been translated, and are not well known. This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory, (Habitat, Ltd. Sao Paulo, 1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that interprets Bo Bardi's text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts. This translation clearly renders Bo Bardi's work in English, and contextualizes it theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.

Few people in the history of art and architecture have planted a seed of inspiration that grew to become a towering oak of lasting influence. There are those, particularly colleagues and students of Louis I. Kahn, who would say that he was one of these people. Certainly Kahn was one of the foremost architects of the twentieth century, designing such famous landmarks as the National Assembly Building in Dhaka, Bangladesh; the Salk Institute in La Jolla, California; and the Kimbell Museum in Fort Worth, Texas.

In this commemorative volume, Charles E. Dagit, Jr. shows the power and influence that Kahn displayed at the University of Pennsylvania department of architecture in the 1960s. Since Dagit knew Kahn personally, this is a factual history as well as a glimpse into Kahn's personal wisdom and humanity.

Beginning with a prelude that starts with the author's undergraduate years at the University of Pennsylvania, Dagit launches readers on an intellectual journey of how he first met Kahn. From there he details his experiences with Kahn and explores Kahn's interactions with Penn faculty members, including Mario Romanach, Robert Le Ricolet, and Aldo Giurgola. This first-hand account sheds fascinating new light on one of the most prominent architects of the twentieth century.

Spencer Fung is never without a sketchbook or a pencil. Inspiration and ideas can strike at any moment, and often the smallest thing that catches his eye impels him to capture it on paper. Whether it is designing private houses, restaurants, hotels, furniture or lighting, he starts by hand, creating miniature works of art, which he then develops into scale perspective drawings, exploring space, structure and detail.His designs have always drawn their inspiration from nature and the environment, from the rugged mountains of the Pyrenees to the quiet meadows of a country farm; from the beams of a medieval tythe barn to the patterns of a drystone wall. Passionately committed to the organic recycling of natural materials, the book is structured into chapters on wood, stone, metal, glass and organic materials in which over 40 of his projects are showcased. Spencer prefers to commission small artisanal firms who have retained a high degree of skill, as a result many dying and forgotten crafts have been revitalized new forms - the use of drystone walling inside a bathroom, or coppiced ash branches being used as a hanging rail for clothes - are examples that are not just deeply inspiring but sympathetic to the environment as well.This book will appeal to anyone interested in design, recycling, upcycling, the environment, organic and mindful living but in a style conscious and glamorous way.

This beautifully presented monograph features a selection of gardens created between 1982 and 2020 by visionary garden artist Michel Delvosalle. Passionate about nature and the harmony of landscapes, Michel Delvosalle completed his studies as a landscape architect in 1972 and has since enjoyed an extremely varied career as a garden artist, creator of spaces and atmospheres, painter, sculptor and landscape architect. Whilst each garden is unique in its setting and design, they all share the artist's signature hallmark: the search for harmony and the flexibility to adapt to places and people. Luxuriously bound in natural linen with exquisite full colour photography throughout, this curated selection will inspire designers and garden fans alike.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects.

Supercrit #4 Bernard Tschumi: Parc de la Villette examines the groundbreaking public space with art installations. You can hear the architect 's project definition, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.

Sir James Stirling was arguably the greatest British architect of the twentieth century. This book provides the most comprehensive critical survey of Stirling's work to date, charting the development of his ideas from his formative years, through his partnership with James Gowan, on to his period in practice as sole partner; and finally, his partnership with Michael Wilford. Using archival material, extensive interviews with his partners and others who worked for him, together with analytical examination of key buildings, this detailed critical examination explains his philosophy, working method and design strategy. In doing so, it sheds new light on the atelier structure of his office and who did what on his major buildings. Geoffrey Baker is the first to analyse in depth the articulation systems used in major projects undertaken by Stirling. He confirms that the Staatsgalerie complex at Stuttgart does not demonstrate Stirling's interest in post modernism but rather an enhanced sensitivity towards context informed by his growing allegiance to the classical canon. Baker explains how this important development in his work, powerfully influenced by Karl Friedrich Schinkel, is consummated in perhaps the finest of Stirling's uncompleted works, the extension to London's National Gallery. In a discussion of his mature works, Baker explains how Stirling's work can be understood in terms of several interconnected ideas. These include surrealism, historicism, myth and metaphor, inconsistency and ambiguity, bi-lateral symmetry, the garden, rusticity and arcadia, and the archetype, seen as the repository of the collective architectural memory. As well as discussing his interests and those who influenced Stirling, the book compares his oeuvre with that of the pioneers of modern architecture, Mies van der Rohe, Frank Lloyd Wright, Alvar Aalto and Le Corbusier. This book charts a remarkable career, and offers invaluable insights not only into the masterly, timeless architecture, but also into the man himself: charismatic, irreverent, courageous, serious; sometimes rude, often stubborn, belligerent, yet gentle. He was endlessly inventive and deeply dedicated to his art, producing buildings that reflect all of the above, buildings that are magnificent and ultimately humane.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects. Richard Rogers: The Pompidou Centre, Supercrit #3explores Piano+Rogers' phenomenal project for a new type of major cultural building in Paris. You can hear Richard Rogers' description of the project, see the images and join in the crit. Supported by an extensive illustrated section, this innovative and compelling book is an invaluable resource for any architecture student.

Focusing on the house and museum and its considerable collections of architectural fragments, models, drawings folios and publications, this book is about thirteen Lincoln's Inn Fields in London, England, built in the early 1800s by the renowned eighteenth-century architect Sir John Soane. The book maps the influences, references, connections, extensions, and productions at play in Soane's house-museum. The house, still a public museum, was highly original in its period, and it continues to influence and impress architects and historians alike. Today's visitor is confronted by a dense, complex series of spaces, a strange accumulation of rooms, objects and effects. This book examines the ways in which Soane enlisted light, shadow, color, fiction and narrative, vistas, spatial complexity, the fragment, and the mirror to produce a spectacular space.