There is no other designer quite like Anouska Hempel, and this volume is both a celebration of her achievement and an intimate insight into it. Here is a designer whose vision and creative flair know no bounds, whose interiors and landscapes are truly incomparable. The book is divided into thirteen chapters, each highlighting one of her many stunning achievements. There is Beluga , Hempel's own opulent yacht, masquerading as a black-sailed pirate ship; the luxurious interiors and perfectly manicured gardens of Cole Park, the quintessential English country house; the clean lines of the Grosvenor House Apartments in Mayfair; and more. With over 400 stunning colour photographs of interiors, architecture and gardens, this beautiful volume is itself a masterwork of art, a joy for lovers of distinctive design and an essential reference for design professionals.

With more than 280 entries, this architectural A-Z, now part of our Bibliotheca Universalis series, offers an indispensable overview of the key players in the creation of modern space. From the period spanning the 19th to the 21st century, pioneering architects are featured with a portrait, concise biography, as well as a description of her or his important work. Like a bespoke global architecture tour, you'll travel from Manhattan skyscrapers to a Japanese concert hall, from Gaudi's Palau Guell in Barcelona to Lina Bo Bardi's sports and leisure center in a former factory site in Sao Paulo. You'll take in Gio Ponti's colored geometries, Zaha Hadid's free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh's unique blend of Scottish tradition and elegant japonisme. The book's A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Documents the projects of The Scarcity and Creativity Studio and shows how this work has developed a unique methodology for practicing and teaching architecture Aimed at students, teachers and professionals who are exploring the possibilities of design-build, the 16 built projects are fully documented in text, drawings and photos Projects are based in Norway, Chile, Ecuador, Kenya, China, Argentina and Lebanon.

Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund's own house at Stennas, it addresses the topic of buildings accompanied by landscapes. It proposes that themes related to landscape are central to Asplund's distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, author Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect's intentions. This book is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.

Architecture, as a discipline and a profession, is facing several crises, which, as yet, it has by no means successfully overcome. The basic hypothesis of the Cosmowomen project is that fully incorporating women into the professional and academic field of architecture would generate new places for thought and attention on the part of professionals or consolidate and expand those that exist, while also intensifying the relationships between those ‘places of thought’, producing a kind of constellation. The exhibition incorporates the work of 65 women architects who have taken the master’s degree programme at the Bartlett School of Architecture in the past ten years, showing a total of 71 projects and including 283 images. The architects are of more than 20 different nationalities and have been tutored by 22 tutors, 50% of them women, who also come from a wide variety of backgrounds in cultural terms and professional experience. The exhibition catalogue includes texts by 20 women architects or professionals in related fields, all with outstanding academic records. Architects: Ana Alonso, Anna Andronova, Christia Angelidou, Felicity Barbur, Justine Bell, Paddi Alice Benson, Christine Bjerke, Romina Canna, Emma Louise Carter, Nicola Chan, Doville Ciapaite, Freya Cobbin, Charlotte Cole, Emma Colthurst, Malina Dabrowska, Naomi De Barr, Emily Doll, Sarah Earney, Sara Firth, Karen A. Frank, Maria Auxiliadora Galvez, Masha Gerzon, Naomi Gibson, Cristina Goberna Pesudo, Faye Greenwood, Lola Haines, Penelope Haralambidou, Bijou Harding, Alice Hardy, Janis Ho, Helena Howard, Sarah Izod, Niki-Marie Jansson, Johanna Just, Gintare Kapociute, Minghui Ke, Fanny Kostorou, Le (Lulu) Li, Ifigeneia Liangi, Ting Jui (Brook) Lin, Marjut Lisco, Shi Yin Ling, Emily Martin, Sara Martinez Zamora, Lauren McNicoll, Heba Mohsen, Alex Mok, Ness Lafoy, Hoy Lei (Kerri) Ngan, Charlotte Page, Jiao Peng, Barbara Penner, Sylwia Poltorak, Sophia Psarra, Katherine Ramchand, Ellie Sampson, Julia Schuetz, Katt Scoot, Maïté Seimetz, Tania Sengupta, Rose Shaw, Faustyna Smolilo, Elin Soderberg, Catrina Stewart, Paula Strunden, Yan Ting (Lorraine), Stefania Tsigkouni, Yinghao Wang, Angeline Wee, Izabela Wieckzorek, Kate Woodcock Fowles, Feng Yang, Siyuan (Amy) Yao, Venessa Yau, See (Phyllis) Yu, Mika Zacarias. Text in English and Italian.

Herbert James Rowse (1887-1963) was an extraordinary architect who shaped the city of Liverpool with his array of exquisite buildings, plans, and infrastructure. Practicing in an eclectic manner that was influenced by American Beaux Arts and later using simpler geometries of monumental bare brick, his large body of work reveals a modernity that was concerned with luxurious materials, restrained but contemporary decoration and sculpture, and bold forms often with a sense of theatre and performance. His work has endured passing trends and fashions, retaining a seductive appeal and resonance with visitors and occupants alike, despite its often monumental massing and extraordinary scale. This book aims to discern not only the architectural merits and advances of his work, but also their wider significance. Through Rowse's work we gain a glimpse into some of the broader agendas of the time and place, not least through the corporate and banking commissions that accompanied the large docks and shipping firms in Liverpool, where Rowse produced some of his most distinctive work. In addition to these commercial ventures Rowse contributed to the post-war housing debates through his proposals that looked to rows of cottages set around village greens, rather than high-rise living. Published in association with The Twentieth Century Society.

Russel and Mary Wright: Dragon Rock at Manitoga, explores the home and woodland paths imagined by Russel and Mary Wright in Hudson Valley New York; a modernist haven that allows for ambiguity, and the natural world where the spirit could flourish. In the era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. The Wrights rejected rigid modernism that did not allow for ambiguity, let alone the natural world. Here we find multiple binary factors: New York City and the sublime Hudson Valley landscape, commercial mass production and handmade nuance, Japanese aesthetics and American ideals, queer attraction, and family yearnings. Wright: Dragon Rock at Manitoga traces a journey, beyond an exploration of space, but a way of life, the story of the creation of a haven where the spirit could flourish. Our understanding of the Wrights's architectural, design, and environmental achievements, synthesizes four archives, including the estate of the Wright family, The Center for Photography at Woodstock, The Russel Wright Design Center at Manitoga, and the Russel Wright Papers at Syracuse University. With a clarion voice, we examine this partnership, revealing new understandings and cultural relevance.

Peter Markli has been one of the most striking protagonists of German-Swiss architecture since the founding of the movement in the early 1980s. However, his impressive buildings resist classification; they do not fit any particular scheme or style, as each structure is developed on an intensely intimate level. This results in wholly unique edifices, which provoke questions about humanity's use of architecture as a means of expressing timelessness, rigidity, and permanence. This volume presents 17 buildings erected by Markli over the past 15 years. Each is analysed thoroughly with texts, plans and images. The presented works are complemented by enlightening essays by Florian Beigel, Philip Christou, Franz Wanner and Ellis Woodman. An exciting interview with Peter Markli himself rounds off this impressive monographic collection, conducted by Elena Kossovskaja.

Gender Gap, curated by Laura Andreini, documents an exhibition of projects and maquettes by 20 international female architects. Created in conjunction with "The Architect's Table", a series of events held at the Museo Novecento in Florence in 2021, the architects featured here address the personal challenges they have encountered in the course of their careers in a field where men are still the predominant players, and offer their observations on women in architecture in the 21st century. In separate chapters, the show highlights work by Carmen Andriani, Sandy Attia, Cristina Celestino, Izaskun Chinchilla, Maria Claudia Clemente, Isotta Cortesi, Elizabeth Diller, Lina Ghothmeh, Carla Juacaba, Fuesanta Nieto, Simona Ottieri, Carme Pigem, Guendalina Salimei, Marella Santangelo, Maria Alessandra Segantini, Benedetta Tagliabue, Monica Tricario, Patricia Viel, Paola Vigano and Laura Andreini, curator of the exhibition and catalogue.

Reflecting the historic first European seismic code, this professional book focuses on seismic design, assessment and retrofitting of concrete buildings, with thorough reference to, and application of, EN-Eurocode 8. Following the publication of EN-Eurocode 8 in 2004-05, 30 countries are now introducing this European standard for seismic design, for application in parallel with existing national standards (till March 2010) and exclusively after that. Eurocode 8 is also expected to influence standards in countries outside Europe, or at the least, to be applied there for important facilities. Owing to the increasing awareness of the threat posed by existing buildings substandard and deficient buildings and the lack of national or international standards for assessment and retrofitting, its impact in that field is expected to be major.

Written by the lead person in the development of the EN-Eurocode 8, the present handbook explains the principles and rationale of seismic design according to modern codes and provides thorough guidance for the conceptual seismic design of concrete buildings and their foundations. It examines the experimental behaviour of concrete members under cyclic loading and modelling for design and analysis purposes; it develops the essentials of linear or nonlinear seismic analysis for the purposes of design, assessment and retrofitting (especially using Eurocode 8); and gives detailed guidance for modelling concrete buildings at the member and at the system level. Moreover, readers gain access to overviews of provisions of Eurocode 8, plus an understanding for them on the basis of the simple models of the element behaviour presented in the book.

Also examined are the modern trends in performance- and displacement-based seismic assessment of existing buildings, comparing the relevant provisions of Eurocode 8 with those of new US prestandards, and details of the most common and popular seismic retrofitting techniques for concrete buildings and guidance for retrofitting strategies at the system level. Comprehensive walk-through examples of detailed design elucidate the application of Eurocode 8 to common situations in practical design. Examples and case studies of seismic assessment and retrofitting of a few real buildings are also presented.

From the reviews
"This is a massive book that has no equal in the published literature, as far as the reviewer knows. It is dense and comprehensive and leaves nothing to chance. It is certainly taxing on the reader and the potential user, but without it, use of Eurocode 8 will be that much more difficult. In short, this is a must-read book for researchers and practitioners in Europe, and of use to readers outside of Europe too. This book will remain an indispensable backup to Eurocode 8 and its existing Designers Guide to EN 1998-1 and EN 1998-5 (published in 2005), for many years to come. Congratulations to the author for a very well planned scope and contents, and for a flawless execution of the plan." AMR S. ELNASHAI

"The book is an impressive source of information to understand the response of reinforced concrete buildings under seismic loads with the ultimate goal of presenting and explaining the state of the art of seismic design. Underlying the contents of the book is the in-depth knowledge of the author in this field and in particular his extremely important contribution to the development of the European Design Standard EN 1998 - Eurocode 8: Design of structures for earthquake resistance. However, although Eurocode 8 is at the core of the book, many comparisons are made to other design practices, namely from the US and from Japan, thus enriching the contents and interest of the book." EDUARDO C. CARVALHO"

The pioneering British modernist architect Richard Seifert was one of the most successful and influential architects of his generation. During the 1960s and '70s he changed the face and fabric of London with a powerful series of highly visible and uncompromising brutalist buildings, including - most famously - Centre Point, the Nat West Tower and King's Reach Tower. Seifert is often described as a modernist version of Christopher Wren in terms of his impact upon the capital, building hundreds of towers, office buildings and hotels in London but also working in other parts of the UK and internationally. An enigmatic and determined figure, Seifert achieved much in his lifetime yet has remained a controversial and divisive figure due to his unwavering commitment to modernism. Both Seifert and his buildings have been attacked, with his work described as 'notorious' for its brutalist aesthetic and an arguable lack of contextuality. Yet in recent years there has been a noticeable upsurge of interest in brutalist architecture in general along with the beginnings of a re-evaluation of Seifert's extraordinary contribution to mid-century architecture and design: a number of buildings by Seifert and his associates have been listed in recognition of their architectural importance. Beautifully illustrated, this book records, analyses and celebrates a considered selection of Seifert's buildings, including Centre Point, the Nat West and King's Reach Towers, Space House, the Euston Station Buildings, the Park Lane Tower Hotel, Drapers Gardens, the International Press Centre, all in London, Wembley Conference Centre and Sussex Heights in Brighton, within the most extensive survey of his work to date.

Divided into three chapters, Houses in the City, Houses in the Country and Places People Go To, the book showcases some of MBA's most spectacular projects, showing site pictures before, during and after construction. Most architecture books gloss over the nightmare part of the build, but the authors are keen to explain exactly what to expect during the process. Scattered throughout the book are some of the inspirations for MBA's designs, things they like and items that inspire them. While much of their work is focused in Central London, MBA has undertaken commissions worldwide including France,Germany and Los Angeles. In particular, their work for the Soho House Group and their emphasis on recycling and the environment have been the hallmarks of their success. Whether their commissions are commercial, residential or charitable, country or town houses, hotels, restaurants or bars, MBA create spaces you really want to eat, live or stay in. A quirky sense of humour is always at play, infusing their work with an empathy and warmth that many architects in the same filed just miss. Theirs is a vibrant and very busy practice.

Until his death at age 104, Oscar Niemeyer (1907-2012) was something of an unstoppable architectural force. Over seven decades of work, he designed approximately 600 buildings, transforming skylines from Bab-Ezzouar, Algeria, to his homeland masterpiece Brasilia. Niemeyer's work took the reduced forms of modernism and infused them with free-flowing grace. In place of pared-down starkness, his structures rippled with sinuous and seductive lines. In buildings such as the Niteroi Contemporary Art Museum, Edificio Copan, or the Metropolitan Cathedral in Brasilia, he brought curvaceousness to the concrete jungle. In the futuristic federal capital of Brasilia, he designed almost all public buildings, and thus became integral to the global image of Brazil. With rich illustrations documenting highlights from his prolific career, this book introduces Niemeyer's unique vision and its transformative influence on buildings of business, faith, culture, and the public imagination of Brazil. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

This book presents over 40 finished works by Chinese architects, produced between 2003 and 2008. A compelling selection representing a new generation of architects in a country whose building rhythm over the last decade has been unstoppable, as China's architects are making their mark within the backdrop of an avalanche of world class architecture stars. Featuring works by China Architecture Design & Research Group, Jiakun Architects, Atelier Deshaus, Mada s.p.a.m, MAD, TM Studio, Urbanus, Studio Pei-Zhu, Amateur Architecture Studio, Atelier Feichang Jianzhu, Atelier Z+, Standardarchitecture and Architectural Design & Research Institute Nanjing University.

An Architect's Address Book is memoir in 18 chapters of the places Robert Lemon has lived, studied, and worked over the past six decades. Some are of places that he has visited many times and are important to his career. Studying architecture and conservation, Lemon has lived in Ottawa, Paris, London, Rome, and York. His work has involved projects in Vancouver, Los Angeles, Dorset, the High Arctic, and Xi'an. Other stories are about visiting the buildings of Andrea Palladio and Carlo Scarpa in the Veneto, Arne Jacobsen and Kay Fisker in Denmark, and five iconic 20th-century houses in France, in company of colleagues. Most of the chapters focus on someone influential to Lemon's career; and his vast interest in food is a thread through most stories.

Gordon Walker's (b. 1939) highly unusual design process has yielded an extensive architecture of extraordinary quality; he is a unique figure in the American architectural movement and in the history of the Pacific Northwest. This personal and professional biography contributes both to our understanding of the breadth of viable design processes and, in a broader sense, to regional and architectural history. Gordon Walker is a 1962 graduate of the University of Idaho. He was co-founder of Olson Walker Architects (now Olson Kundig), worked with NBBJ in Seattle and San Francisco, and practiced in his own name for twelve years before joining Mithun Architects as a consulting principal. His work embraces the American west coast from Davis, California, to the Canadian border. He has designed over thirty residences (and built several with his own hands); a host of buildings and plans for universities throughout the Northwest and California; three buildings for the Pacific Northwest Ballet; and myriad commercial buildings, remodels, restaurants, and parks. He has been an educator and mentor, teaching at the Universities of Idaho and Washington. In addressing all of its determinants simultaneously in plan, section, and elevation, Gordon Walker has, for half a century, created an architecture of exceptional merit.

Throughout history, the relationship between landscape and architecture has formed the basis of culture and the development of human settlements. The unfolding of a site, its transformation through the construction of buildings or of entire cities, translates into this basic idea: that history extends geography. In recent decades, generic architecture has increasingly homogenized the appearance of different territories, resulting in a profoundly different understanding of nature and landscape. Within his work, french architect and urban planner Jean-Pierre Pranlas-Descours continuously articulates the relationship between landscape and architecture. This book traces his line of thought by reflecting on 16 projects and their specific conditions.

Walter Gropius (1883-1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago. In this essential architect introduction, we survey Gropius' evolution and influence with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany, to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius's exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style. Along the way, we see how many of Gropius's tenets remain benchmarks for architects, designers, and urbanists today. Whether in his emphasis on a functional beauty or his interest in housing and city planning, Gropius astounds in the agility of his thinking as much as in the luminous precision of his work. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

This is the first full biography of two of Scotland's most eminent Architects, James Miller and John James Burnet. While born just three years apart into very different circumstances - Burnet was the son of a wealthy Glasgow architect and Miller a farmer's son - their careers and lives became intertwined as they competed for work and eventually the role of Scotland's leading architect. Born in 1857 and 1860 respectively, one inherited and the other established successful practices in Glasgow at the zenith of that city's wealth in the late 19th century. John James Burnet, who was educated at the Ecole des Beaux Arts in Paris, and led his profession in Glasgow in the latter years of the 19th and early years of the 20th centuries, produced many of the city's finest buildings. These include The Athenaeum on Buchanan Street; Charing Cross Mansions; numerous city-centre commercial buildings such as Waterloo Chambers and Atlantic Chambers and the Townhouses on University Avenue. After moving to London, his work included the extension of the British Museum, The Daily Telegraph Building on Fleet Street and Adelaide House by London Bridge. Burnet was knighted and awarded the RIBA's Gold Medal in 1923 and is recognized as one of Scotland's finest architects. James Miller is simply Scotland's most prolific architect. During his long career he designed The Empire Exhibition of 1901, Glasgow Royal Infirmary, Glasgow Central Station, Wemyss Bay Station, St Enoch's Underground Station, Turnberry Hotel, Peebles Hydro Hotel, Gleneagles Hotel, the interiors of the SS Lusitania and SS Aquitania, Hampden Park, Forteviot Model Village, the Institution of Civil Engineers in Westminster, numerous banks, commercial buildings and churches in Glasgow and beyond as well as schools, country houses, factories and town halls. Despite this extraordinary output and his considerable architectural contribution to Scotland's heritage, he has received relatively little acclaim, until now. This is a fascinating double biography, the story of Burnet and Miller's parallel lives and work, set against the background of the booming Empire's 'Second City'.

Internationally recognized for his ability to blend space and light with great contextual sensitivity, architect Steven Holl achieves his award-winning designs by beginning each commission with a small watercolor exploring light, color, and form. Paintings help Holl create a concept-driven design that showcases the unique qualities of each project. This collection of watercolors, which are works of art themselves, includes his most recent projects, from the JFK Center for the Performing Arts expansion and Hunters Point Public Library to University College Dublin.

Inspiring panoramas of sustainable urban development projects around the world In Work in Progress, Spanish photographer Jose Manuel Ballester (born 1960) captures urban design and building projects by the Spanish transport company Ferrovial, including highways, airports and sustainable urban development projects all over the globe.