In architecture, as in many fields, the best method of learning is to learn from the experts. Here, the author, using modern drawing software, has redrawn the plans, elevations, sections, and axonometric drawings from 138 architectural works by the renowned Louis I. Kahn, one of the most important architects of the 20th century in the United States. In so doing, the author arrives at a new and objective perspective to understanding Kahn and his work, creating an invaluable resource for future study. By working through and observing the sketches in a chronological order, Kahn's spatial characteristics and variations can be seen in a holistic way. This book provides an innovative and intimate new look at Kahn and his architectural work.

Inspiring panoramas of sustainable urban development projects around the world In Work in Progress, Spanish photographer Jose Manuel Ballester (born 1960) captures urban design and building projects by the Spanish transport company Ferrovial, including highways, airports and sustainable urban development projects all over the globe.

Despite its consistent presence in architectural practice throughout the 20th and 21st centuries, collage has never been considered a standard form of architectural representation like drafting, model making, or sketching. The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown's view, collage changes the terms of architectural authorship and challenges outdated definitions of originality. Published in conjunction with the exhibition The Architecture of Collage: Marshall Brown at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. These works come from four of his collage series, including Chimera, Je est un autre, as well as the previously unpublished Prisons of Invention and Piranesian Maps of Berlin. Additionally, there are photographs of Ziggurat, an outdoor sculpture with a design based on a collage from Chimera. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art’s curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown's intriguing exploration of an intersection of architecture and art.

In post-Depression America, Greyhound put adventure within the reach of all. Convinced that their terminals should project the glamour and excitement of travel, the company turned to an architect who could translate the sleek, streamlined Greyhound design into buildings that would both serve and delight the public. This volume explores the life of William Strudwick Arrasmith, a defining artist of the short-lived era of streamline design, and especially his work for Greyhound--at least fifty terminals and other facilities. The final third of the book is a detailed examination of 28 of these terminals. A full chronology of Arrasmith's firms and commissions is also included.

The fourth volume in the series The Architect's Studio is dedicated to the works of Anupama Kundoo. The much appraised Indian architect aims to shed light on a scarce resource in our life: time. Kundoo sees time as a forgotten resource in architecture. For her, architecture is a process that embraces the present, the past and the future. Taking inspiration from ancient building methods, Kundoo is concerned with using as few resources as possible in her architecture. This publication explores how traditional Indian building customs, crafts and materials are integrated into her studio's remarkable projects.

The third volume of the series 'The Architect's Studio' focuses on Tatiana Bilbao's exploration of the landscape: from the territory of Mexico over the urban to the interior landscape of the individual building, always taking social conditions into account. This is also demonstrated in Bilbao's various projects such as the architectural design of a pilgrimage route, a botanical garden in the Mexican main trading center Culiacan, and not least the Light of Line, which is intended to enable women in particular to move more safely in remote districts of the city. In constant collaboration with experts from various disciplines, Bilbao wants to create architecture that has a direct impact on its users. The publication also provides insights into the Mexican cultural, artistic, and building traditions that Bilbao incorporates into her projects. The volume addresses the question of the use of collages in architecture and embeds Bilbao's work in a contemporary as well as a historical context. TATIANA BILBAO, born in 1972, is a Mexican architect. She developed the architectural project along the Ruta del Peregrino and is a recipient of the Global Award for Sustainable Architecture by the LOCUS Foundation, Cite de l'Architecture in Paris, and the patronage of UNESCO.

The global success story of the Basel architects Jacques Herzog and Pierre de Meuron has local roots. This book traces these origins while identifying the essential ideas, professional ethics, and development of their architectural practice, established in 1978. The biographies of both architects and the activities of their practice are intimately bound up with the town of Basel. With this embeddedness in Basel as a point of departure, the authors elucidate central themes of their architectural oeuvre: from habitat to monument. With reference to exemplary buildings, they analyze the motifs, constructive principles, and spatial design of the architectonic works of Herzog & de Meuron. In addition, Jacques Herzog and Pierre de Meuron lead us on tours through Basel and its surroundings: statements by the architects, along with photographs taken especially for this volume by George Dupin, present the locales and buildings that have played key roles for the work of these architects. The book is rounded out by an intensive exchange of ideas between the architects and Jean-Francois Chevrier.

In Selective Eye: An Architect's Notebook, David Martin takes us along on a life-long journey of discovery that begins with his distinguished architectural legacy, and his early personal family and educational influences. Sharing his memorable visual and verbal impressions of his wide-ranging travels, through Asia, Europe, the American Southwest, Mexico, the Middle East, the South Pacific, and the Caribbean, David's journey concludes with valuable insights into the conception, design and realization process in architecture, the MADWORKSHOP Foundation, his distinguished career as a teacher, and his plans for the future. A testament to the fact that David is an extremely talented watercolorist and photographer with a not-so-secret passion for automotive and furniture design, his watercolors have been exhibited throughout the United States and are presented here, for the first time, as a collection in print form.

A serious scholarly look at the work of R. Buckminster Fuller is long overdue. While Fuller himself wrote and published many volumes, and several biographies were written about him, there is little research that contributes to a critical understanding of his work and its historical significance. The 1,300-plus linear feet of material contained in the Fuller Archive at Stanford, including papers, photographs, audio and video recordings, and models, has been recently organized and described by the Department of Special Collections, and is ready to be explored by a new generation of scholars.
Fuller's work has often suffered from lopsided treatment. Some laud him as a planetary prophet whose design science work foretold sustainable architecture and nanotechnology; others dismiss him as a "delirious technician" with a talent for linguistic obfuscation. Between adulation and disdain must lie a balanced picture of Fuller's life and his work.
This volume paints that picture by taking a broader historical view, discussing Fuller and his work in the context of larger social and cultural patterns. Fuller is a common thread in a critical cultural history that will show him to be both a participant in and a product of his times. By placing Fuller and his work in a historical framework, we will arrive at a much richer understanding of both this self-made polymath and his times. This fresh, contextual look at Fuller's work from leading scholars in different fields is an important step toward filling the void of serious scholarship on Fuller.

A serious scholarly look at the work of R. Buckminster Fuller is long overdue. While Fuller himself wrote and published many volumes, and several biographies were written about him, there is little research that contributes to a critical understanding of his work and its historical significance. The 1,300-plus linear feet of material contained in the Fuller Archive at Stanford, including papers, photographs, audio and video recordings, and models, has been recently organized and described by the Department of Special Collections, and is ready to be explored by a new generation of scholars.
Fuller's work has often suffered from lopsided treatment. Some laud him as a planetary prophet whose design science work foretold sustainable architecture and nanotechnology; others dismiss him as a "delirious technician" with a talent for linguistic obfuscation. Between adulation and disdain must lie a balanced picture of Fuller's life and his work.
This volume paints that picture by taking a broader historical view, discussing Fuller and his work in the context of larger social and cultural patterns. Fuller is a common thread in a critical cultural history that will show him to be both a participant in and a product of his times. By placing Fuller and his work in a historical framework, we will arrive at a much richer understanding of both this self-made polymath and his times. This fresh, contextual look at Fuller's work from leading scholars in different fields is an important step toward filling the void of serious scholarship on Fuller.

Ludwig Mies van der Rohe’s writings and lectures are relatively modest in quantity compared with the number of his remarkable buildings that have transformed cities throughout the globe. These writings, like his architecture, have continued to generate interest among different generations of students and scholars. This anthology contains all of his writings and lectures, both well-known and never republished. Succinct and speculative, these writings concerning architecture and education – mostly translated from German to English – reveal Mies as an arch­itect who constructed his texts with the same disciplined restraint with which he designed buildings.

Julian Abele, Architect and the Beaux Arts uncovers the life of one of the first beaux arts trained African American architects. Overcoming racial segregation at the beginning of the twentieth century, Abele received his architecture degree from the University of Pennsylvania in 1902. Wilson traces Abele's progress as he went on to become the most formally educated architect in America at that time. Abele later contributed to the architectural history of America by designing over 200 buildings throughout his career including the Widener Memorial Library (1913) at Harvard University and the Free Library of Philadelphia (1917). Architectural history is a valuable resource for those studying architecture. As such this book is beneficial for academics and students of architecture and architectural historians with a particular interest in minority discussions.

Leonardo da Vinci's scientific explorations were virtually unknown during his lifetime, despite their extraordinarily wide range. He studied the flight patterns of birds to create some of the first human flying machines; designed military weapons and defenses; studied optics, hydraulics, and the workings of the human circulatory system; and created designs for rebuilding Milan, employing principles still used by city planners today. Perhaps most importantly, Leonardo pioneered an empirical, systematic approach to the observation of nature-what is known today as the scientific method.
Drawing on over 6,000 pages of Leonardo's surviving notebooks, acclaimed scientist and bestselling author Fritjof Capra reveals Leonardo's artistic approach to scientific knowledge and his organic and ecological worldview. In this fascinating portrait of a thinker centuries ahead of his time, Leonardo singularly emerges as the unacknowledged "father of modern science."

The buildings of the past were constructed with readily available and local materials, such as stone, wood, or handmade bricks. Architects in the modern era, however, can choose from an ever increasing number of new materials, each one allowing for different advances in design. And yet the traditional materials have never been entirely supplanted; they still form an important part of the architectural range and are still used by architects the world over. The humble brick, for example, has remained a constant throughout the history of architecture, as has timber with its flexibility and warm tones. But today such elements can be used in conjunction with newer materials to highlight their natural beauty in many different ways: creating a stunning metal facade, wrapping a building with a cool, sleek stone finish, designing a wall with an eye-catching interesting texture, or adding depth or warmth to an internal design. Traditional metals are also finding new use, being employed to coat a structure in a light metal skin that reflects the sunlight, or embedded onto a building to add interest and texture. This book journeys through a curated selection of stunning examples from across the world, showcasing how each material is creatively used over a diverse range of building types and styles, and illustrating the myriad possibilities and forms available to the modern architect who chooses to rework these age-old materials into a brand-new decorative yet functional form.

Southern Homes and Plan Books showcases the architectural legacy and design philosophy of Leila Ross Wilburn (1885-1967), a legacy that includes hundreds of houses in a variety of popular house styles, from bungalows to ranch houses, built using Wilburn's plan books during the first six decades of the twentieth century. Wilburn opened her own firm in Atlanta in 1909 and practiced until her death in 1967. She published nine plan books that offered mail order house designs to contractors, builders, and prospective homeowners and allowed them the ease of choosing a preconceived design and construction plan. Sarah J. Boykin and Susan M. Hunter provide a survey of the southern homes built from Wilburn's plan books, examining Wilburn's architectural legacy and her achievements as a plan book architect. The book provides beautiful photographs of houses built from her plans, along with illustrations from the plan books themselves and other related documents from the time. Readers can thus see how her designs were realized as individual houses and also how they influenced the development of some of the Atlanta area's beloved historical neighborhoods, most notably Druid Hills, Morningside, Virginia-Highlands, and Candler Park, as well as the MAK (McDonough, Adams, and Kings Highway) district in Decatur. Today, Wilburn's houses are enjoyed as appealing, historic homes and represent some of the richest examples of southern vernacular architecture to emerge from the plan book tradition.

Provides indepth analysis of Eric Owen Moss' philosophical and engineered solutions to architecture and design, often representing paradigm shifts in focus The work of Eric Owen Moss Architects is about "making it new," and the aspiration to uncover new ways to think, to feel, to see, and to understand architecture and this essential concept is the departure point for Eric Owen Moss Architects. This firm's oeuvre is underscored by its unique approach to design, which is that it's convinced the world renews itself, and that architecture has the capacity to offer alternative venues as human affairs continue to be re-imagined. Showcasing highly illustrated and richly photographed works, this volume illuminates how Eric Owen Architects avoids traditional organisation strategies, standardised design solutions, and any notion of architecture as simply a repetitive style. This book delves into how the firm is fascinated both by individual buildings, and that evolving inter-relationship between building and city, and the interrogation of that urban/building exchange in a search/research of alternative design tactics, methods, and techniques that will obligate and modify both building and city. Spanning four decades, Eric Owen Moss Architects has designed a variety of award-winning buildings that continue to re-shape the discourse of international architecture. The Eric Owen Moss office works across a range of typologies and continues to educate through prolific engagement, including master planning, building designs, exhibits, lectures, publications, and teaching around the world. AUTHOR: Eric Owen Moss was honoured with the Academy Award in Architecture from the American Academy of Arts and Letters in 1999, and has received numerous honours for his work. Moss has held teaching positions at major universities around the world and in 2006 he received the AIA|LA Educator of the Year in 2006, and the Most Admired Educator Award from the Design Futures Council in 2013. SELLING POINTS: * Provides in-depth analysis of Eric Owen Moss' philosophical and engineered solutions to architecture and design, often representing paradigm shifts in focus * Covers projects from around the world, including China, Finland, United States, Russia, Mexico and across Europe 400 col.

While some architects have a signature style, Renzo Piano seeks to apply coherent ideas to extraordinarily different projects. His buildings impress as much for their individual impact as for their diversity of scale, material, and form. Piano rose to international prominence with his codesign of the Pompidou Center in Paris, described by The New York Times as a building that "turned the architecture world upside down." Since then, he has continued to craft many high-profile cultural spaces, including the Modern Wing of the Art Institute of Chicago; the Morgan Library Renovation and Expansion in New York; and, most recently, the Whitney Museum of American Art, an asymmetric nine-story structure in Manhattan's Meatpacking District with both indoor and outdoor galleries. In New York and London, the Renzo touch has also transformed the skyline with the towers of the New York Times Building and the Shard, the tallest building in the European Union. This essential introduction travels from Osaka, Japan, to Bern, Switzerland, and through many cities, structures, and islands in between, to explore the staggering scope of the Renzo Piano repertoire. From the "inside-out" Pompidou to the airy shells of the Tjibaou Cultural Center in Noumea, New Caledonia, this is a thrilling journey through the beauty of architecture, where, in Piano's own words, "each time, it is like life starting all over again." About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Globally acclaimed miminalist architect, John Pawson, celebrates colors through 320 inspiring photographs."Pawson is a lot more than just an architect; he's also handy with a camera and has a good eye for what makes a nice picture." -MonocleGlobally acclaimed architectural designer John Pawson takes you on a multi-colored journey across the world through a carefully curated sequence of 320 images. It's a celebration of color from one of the most unexpected sources. His architecture might be known for its limited color palette - primarily white - but Pawson's photographs tell another story. Pawson is always taking photographs of patterns, details, textures, and spatial arrangements that often inform his work, which includes the new Design Museum in London and Calvin Klein retail stores.

Hillier: Selected Works presents the design work of the husband-and-wife team of J. Robert and Barbara A. Hillier during the last 25 years coupled with a brief graphic retrospective of the Hillier practice of architecture over 57 years of operation. Despite taking unconventional paths to architecture, both Hilliers enjoyed exhilarating careers growing the firm to 500 people and executing nearly 4,000 projects in 27 U.S. States and 34 Foreign Countries. The quality of the firm’s work has been honoured by over 350 design awards. The selected projects in this monograph are driven by strictly disciplined programming and then conceived by bringing into balance all the forces at work on a project: culture, climate, site, economics, market, and even politics. The resultant architecture is distinctive of its time, its place, and its client, rather than of a particular language or style. In 2008, Hillier Architecture, then one of the largest firms in the USA, merged with a foreign firm to create the 3rd largest architectural firm worldwide. Studio Hillier, the firm’s current iteration, was formed in 2012. More recently, NJIT’s College of Architecture and Design was renamed the J. Robert and Barbara A. Hillier College of Architecture and Design, celebrating the Hilliers’ commitment to providing more equitable access to design education.

This is the first full biography of two of Scotland's most eminent Architects, James Miller and John James Burnet. While born just three years apart into very different circumstances - Burnet was the son of a wealthy Glasgow architect and Miller a farmer's son - their careers and lives became intertwined as they competed for work and eventually the role of Scotland's leading architect. Born in 1857 and 1860 respectively, one inherited and the other established successful practices in Glasgow at the zenith of that city's wealth in the late 19th century. John James Burnet, who was educated at the Ecole des Beaux Arts in Paris, and led his profession in Glasgow in the latter years of the 19th and early years of the 20th centuries, produced many of the city's finest buildings. These include The Athenaeum on Buchanan Street; Charing Cross Mansions; numerous city-centre commercial buildings such as Waterloo Chambers and Atlantic Chambers and the Townhouses on University Avenue. After moving to London, his work included the extension of the British Museum, The Daily Telegraph Building on Fleet Street and Adelaide House by London Bridge. Burnet was knighted and awarded the RIBA's Gold Medal in 1923 and is recognized as one of Scotland's finest architects. James Miller is simply Scotland's most prolific architect. During his long career he designed The Empire Exhibition of 1901, Glasgow Royal Infirmary, Glasgow Central Station, Wemyss Bay Station, St Enoch's Underground Station, Turnberry Hotel, Peebles Hydro Hotel, Gleneagles Hotel, the interiors of the SS Lusitania and SS Aquitania, Hampden Park, Forteviot Model Village, the Institution of Civil Engineers in Westminster, numerous banks, commercial buildings and churches in Glasgow and beyond as well as schools, country houses, factories and town halls. Despite this extraordinary output and his considerable architectural contribution to Scotland's heritage, he has received relatively little acclaim, until now. This is a fascinating double biography, the story of Burnet and Miller's parallel lives and work, set against the background of the booming Empire's 'Second City'.

Investigations presents a selection of the firm s projects, identifying a specific architectural element, material, or design process to reveal the unique character of the built results. Projects include the Los Angeles Museum of the Holocaust of sculpted concrete that enables the building to be located predominantly underneath a park; the folded surfaces of the Skyline Residence perched atop the Hollywood Hills; and Apertures, a mid-rise of hospitality and commercial uses in Mexico City for which a seismically-sound breeze-block system was developed. Each project is illustrated with photographs, drawings, and diagrams, and insightful essays speak to the firm s development over the years, including its experiments in design and construction.