Climate change and increasing resource scarcity together with rising traffic volumes force us to develop new environmentally friendly and people-oriented mobility options. In order to provide a positive mobility experience, the transition from one mobility mode to another must be managed smoothly and safely, and individual, shared or public means of transportation must become convenient and easy. Conceptual as well as existing infrastructure projects provide models for future sustainable and connected mobility. This volume focuses on the importance of design, introducing through photos, plans, and brief texts over 60 groundbreaking projects from the disciplines of product design, architecture, and urban planning. With this international overview Mobility Design portrays the current situation of sustainable mobility systems, while identifying mobility as one of the most important design tasks of the future. With project texts by Markus Hieke, Christian Holl, and Martina Metzner

Carlo Scarpa was a virtuoso of light, a master of detail, and a connoisseur of materials. Today he is known as a 20th-century master of architecture. To mark the first centenary of Scarpa's birth, all his works are presented here for the first time. The 250 illustrations cover all 58 of his structures, including the Castelvecchio Museum (Verona), the Olivetti showroom (Venice), and the Brion Tomb in San Vito d'Altivole (Treviso), as well as his important glass designs. The book includes essays by leading architects and architecture critics, offering an extensive overview of Scarpa's life as well as interpretations of his architecture. Known as the "Frank Lloyd Wright of Italy," Scarpa's decorative style has become a model for architects wishing to revive craft and luscious materials in the contemporary manner.

Acclaimed as the "father of skyscrapers," the quintessentially American icon Frank Lloyd Wright (1867-1959) was an architect of aspiration. He believed in giving cultivated American life its fitting architectural equivalent and applied his idealism to structures across the continent, from suburban homes to churches, offices, skyscrapers, and the celebrated Guggenheim Museum. Wright's work is distinguished by its harmony with humanity and its environment, a philosophy he called organic architecture, and which found its paradigm at Fallingwater, a house in rural Pennsylvania, cited by the American Institute of Architects as "the best all-time work of American architecture." Wright also made a particular mark with his use of industrial materials, and by the simple L or T plan of his Prairie House which became a model for rural architecture across America. Wright was also often involved in many of the interior elements of his buildings, such as the furniture and stained glass, paying particular attention to the balance between individual needs and community activity. Exploring Wright's aspirations to augment American society through architecture, this book offers a concise introduction to his at once technological and Romantic response to the practical challenges of middle-class Americans. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Contents:
Preface. Prologue. Introduction. Charles-Edouard Jeanneret. The years of transition 1912-1917. The heroic decade 1920-1930. The post-war phase. Articulation systems.

Choreographing Space is a reflection on the collaborative work of New York City-based architecture practice, e+i studio. In the book, the founders of the practice, Eva Perez de Vega and Ian Gordon, outline a fascinating selection of projects from the studio, which will take the reader on a journey and give them a key understanding of the important work of this dynamic and forward-thinking architecture and design practice. This insightful book offers both a retrospective and speculative outlook. Retrospectively, it explores the people, places and practices that have influenced each project. For certain projects it also proposes speculative post-human scenarios, to support the idea that the impact of architecture on its environment involves a reconning with the ecologies it replaces. The book is uniquely structured. Organised into four parts, each part opens with a philosophical text that acts as an insightful prelude to the topics, questions and reflections posed by each project. Each part concludes with a speculative scenario, where one of the projects is imagined thriving in a future where life is now almost extinct. These are not intended as apocalyptic or even nostalgic scenarios, but rather as affirmative alternatives to the bleak imaginary arising from the world's current climate crisis. Choreographing Space involves the self-reflexive act of selecting the conceptual strands of each project and organising them under headings, or species. Much like the concept of 'speciation' where living creatures are categorised into seemingly related groups, under their 'genus'. This type of grouping synthesizes the ideas, intents and hopes for each project, and looks into how it could have been implemented differently. Nothing is static, or definite; projects are in continuous process of becoming, as they continue to relate to evolving ecologies of thought.

It was around Kengo Kuma's tenth birthday that he came into contact with Kenzo Tange's fishlike Yoyogi National Gymnastics building, completed for the 1964 Tokyo Olympics, and determined that he would become an architect. In the intervening five or so decades, he has become one of the world's most fascinating and influential architects. His design of the National Stadium for the 2020 Tokyo Olympics provides a poetic circularity to his career as an architect, and an opportunity for him to reflect on his own development. Kuma is known throughout the world for his formally daring and materially expressive buildings, recognized for his inventive use of traditional materials, and his use of innovative materials in vernacular forms. He is perhaps less known for his work inside his native Japan, where he works actively towards the preservation of ancient building techniques and craft. A keen curiosity for all forms of building and a wealth of knowledge about the world acquired through expansive travels make Kuma a unique commentator on Tokyo's dynamic architecture. Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan's national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. This book contains something for everyone: design acumen, insights into Japanese culture, a tour of Tokyo and the heartfelt commitment to producing buildings that have meaning and longevity.

The African continent contains some of the world's most vibrant culture and creativity, and yet its buildings - vernacular, colonial or contemporary - have rarely engaged the interest of Western architects. David Adjaye, the first black architect to establish a truly global reputation in his field, has found endless sources of inspiration for his designs in the rich - and chequered - heritage of Africa's teeming metropolises. His life dream was to return to the continent as an architect to document Africa's built environment. Over a long decade, he tirelessly documented these dynamic, colourful cities, photographing thousands of buildings, sites and places, and letting each building speak for itself in telling contrast to a design world obsessed with photorealistic slickness. The result was a stunning seven-volume work that has become an essential resource for all those interested in the burgeoning continent. This compact edition will make the fruits of this once-in-a-generation record available to a much wider audience. The result is one of the most original, ambitious and important architectural publications of our time, now available to everyone wishing to gain an understanding of a unique architectural heritage overlooked for too long.

In this planning guide, the renowned lighting designer Ulrike Brandi documents all her findings on the topics of lighting design, daylight, sustainability and healthy living spaces. It is a challenge to create holistic lighting design in times of advancing mechanization, but it is the right thing to do in terms of achieving sustainability in the use of light and energy. The renowned lighting designer Ulrike Brandi explains this attitude with the words, "It's better to make the most of natural light from the start, rather than compensating with artificial light afterwards". The guideline Light Nature Architecture proves how essential, but also simple, it is to integrate natural light into architectural planning and thus into the design of healthy and pleasant living and working environments. This richly illustrated handbook is structured based on natural light phenomena and combines Ulrike Brandi's wealth of experience, theoretical principles, and design methods to create a reference work and source of inspiration. Richly illustrated basic work for holistic lighting design Insight into the extensive practical experience of the renowned lighting designer Ulrike Brandi Source of inspiration for professional planners, architects and laypeople Available in English and German (Licht Natur Architektur, ISBN 9783035624083)

Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze's acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors' major new discoveries include the massive transcript of the early 1950s Farnsworth House court case, which discloses for the first time the facts about Mies' epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century.

Albert Speer remains the most mysterious character of the leadership of the Nazi regime. He was the chief architect of the Third Reich and Adolf Hitler's confidant. Speer built the "Reichskanzlei" (official offices), discovered the "Lightdome" and was finally, in 1942, named as the minister for arms. But he characterised himself as apolitical, called Hitler's hatred of Jews an anomaly, and the conspirators of the 20th July placed Speer's name on their cabinet list.
Here at last are the memoirs of the mysterious Albert Speer, the "good Nazi"
Joachim Fest's records of conversations with Speer provide a fascinating insight into the psyche of Hitler's architect
This book is a vital contribution towards the understanding of the psychology of the national socialist leadership
Fest has created a volume that provides a unique portrait of a member of the Nazi party until now clouded in mystery

Whether in town or country, James Gorst's buildings are defined by a combination of modern thinking and an ingrained respect for craftsmanship and bespoke detailing, with equal weight given to architectural form and engaging, vibrant interiors, full of texture and life. This is the first monograph on his work. In many respects, the timeless character of Gorst's work is rooted in the architect's own journey. Starting out as a neo-classicist, Gorst ultimately became frustrated by the restrictions and historicism of the classical approach and reinvented himself as a dedicated modernist, yet continued to place particular emphasis on a love of proportion, scale, symmetry and detailing. Ranging from rural projects which reflect the vernacular traditions of the surrounding countryside, including large contemporary country houses like RIBA award-winning Ironstone House, to others which creatively reinvent and add to period properties, along with new and innovative urban homes, all are defined by a particular ambition to be innovative, fresh and one of a kind. Each of Gorst's houses represents a particular journey, informed by the client and their needs, the context of the site and a response to landscape and setting, which is often reflected in his choice of natural textures and materials.

This book, conceived as a road trip, leads through the fascinating architectural heritage from the time of the tourism boom and of the Cold War in Croatia. Along the Adriatic high way, the picturesque coastal road from the 1960s, impressive hotel complexes and secret military posts emerged at the same time, which today share a similar fate: as ruins with a sea view. The authors from the research department of housing and design of TU Vienna outline routes to these hidden architectures, describe their development, their role in the non-aligned state of Yugoslavia, their decline, and their transformation. Eight removable folding maps examine special phenomena of the coastal area and make the book a practical guide on the journey to the hidden gems of the Croatian Adriatic coast.

This book explores Louis I. Kahn's approach to tradition as revealed in two of his important, unbuilt, projects. Focusing on Kahn's designs for the Dominican Motherhouse of St. Catherine de Ricci, Media, Pennsylvania (1965-1969), and the Hurva Synagogue, Jerusalem, Israel (1967-1974), the book challenges prevailing aesthetic and methodological assessments of Kahn's use of tradition. It reveals how an authentic and critical theoretical-historical and humanistic study of tradition nourished Kahn's designs, enabling him to mediate historical rituals, ideas and beliefs - and to develop innovative designs rooted deep in human culture while addressing real modern concerns. The book evaluates Kahn's works as a creative recreation and re-interpretation of the past, shedding light on the potential value of the meaningful consideration of tradition in modern times.

The architecture of Michael Hopkins' (b.1935) formative years has evolved into something that defies easy stylistic categorization. In buildings such as Glyndebourne Opera House, the Inland Revenue Centre and the New Parliamentary Building, a new individuality has emerged. These works have the uncompromising quality of certain nineteenth-century industrial buildings, yet they have gained acceptance among some of Britain's most ancient institutions. They are often hybrid creations, juxtaposing strongly contrasting elements, while remaining loyal to a strict code of truth to materials and honesty of expression. Traditional and new forms of construction are combined in unconventional ways, often using innovative prefabrication techniques, but without sacrificing traditional craft virtues. Detailed presentations of 26 buildings and projects analyse the genesis and logic of a unique - and now instantly recognizable - architectural scope. This book's publication coincided with Hopkins' most important commission to date - the New Parliamentary Building in London - which enjoys an extensive presentation and detailed discussion by Patrick Hodgkinson. An essay by respected architecture critic Charles Jencks examines themes and historical precedent in the buildings, whereas an interview with Michael Hopkins himself gives a personal perspective to the momentous work and office of Michael Hopkins and Partners.

A stunning visual biography of the life of Walter Gropius, founder of the Bauhaus, and one of the world's most influential architects This illustrated biography tells the story of Gropius's life, beginning with his shattering experiences in World War One, his turbulent marriage to the notorious Alma Mahler, the establishment of the Bauhaus, and the tragic death of their daughter Manon. After Gropius's agonized decision to leave Nazi Germany in 1933, the book explores his life in exile in London and then his move to America in 1937, where he lived and worked until his death in 1969. Features more than 375 illustrations including letters, telegrams, sketches, drawings, photographs, posters, brochures, and other ephemera. The authors present the life of Walter Gropius as not just a key figure of 20th-century architecture, but as an extraordinarily generous person - a connector, protector, and benefactor who improved the lives and careers of all those with whom he came into contact. This is the first comprehensive illustrated biography of one of Modern architecture's most important figures.

CARTHA is a non-profit curated platform for sharing different forms of critical thinking regarding architecture and society, founded in 2015. Through opinions, experiences, and works it aims to map the contemporary architectural landscape and to bridge gaps between academic discourse and practical work. Each year CARTHA dedicates to a specific topic. In 2015 the topic was "Relations within the architectural spectrum." This book collects contributions by forty-two young architects from around the world in four sections: Worth Sharing, Confreres, Mannschaft, and Santisima Trinidad. They aim to develop the ways in which architects share, relate to architects, to workers, and to their clients and user of their buildings. Each section features an introductory interview with a renowned architect and a visual exploration by an up-and-coming photographer.

Andre Fu is one of Asia's leading interiors designers. When his design for the world-renowned The Upper House hotel in Hong Kong opened ten years ago, he became an overnight sensation around the world. As one of Asia's most widely sought-after interior designers, the Hong Kong-based designer has gone on to create forward-thinking interiors for other major hotels, restaurants and leading brands, including Louis Vuitton, The Berkeley (London) and Waldorf hotels. This showcase of his works to date features eighteen recent projects around the world and provides fresh insights into Fu's creative process, including his hand-drawn sketches and mood boards, as well as an introductory essay that explores Fu's key influences and the importance of his unique and highly refined East-meets-West aesthetic. With an illustrated chronology of all the designer's works to date, this rich overview presents the award-winning vision of interior design's rising star, not only in Asia but across the world.

News on Ludwig Hilberseimer! Ludwig Hilberseimer (1885-1967) is regarded as one of the leading theorists of the Neues Bauen movement in pre-War Germany, and of modern, functional urbanism. This set of accomplishments still dominates the public image of the architect, urban planner, teacher and art critic to this day. His development beyond that period has long been neglected. The essays in this collection seek to fill this gap, offering an exciting and wide-ranging new perspective on the work of a central protagonist of modernism. Until now, most critical studies of Hilberseimer's work came from his place of exile in Chicago and his work in Germany/Europe and the USA tended to be viewed separately; this volume is the first to attempt to end this separation and encourage a complete overview of is work. Previously unknown archival discoveries With contributions by Alexander Eisenschmidt, Magdalena Droste, Christine Mengin, Philipp Oswalt, Robin Schuldenfrei, Charles Waldheim and others

Frank Lloyd Wright was renowned during his life not only as an architectural genius but also as a subject of controversy--from his radical design innovations to his turbulent private life, including a notorious mass murder that occurred at his Wisconsin estate, Taliesin, in 1914. But the estate also gave rise to one of the most fascinating and provocative experiments in American cultural history: the Taliesin Fellowship, an extraordinary architectural colony where Wright trained hundreds of devoted apprentices and where all of his late masterpieces--Fallingwater, Johnson Wax, the Guggenheim Museum--were born.

Drawing on hundreds of new and unpublished interviews and countless unseen documents from the Wright archives, The Fellowship is an unforgettable story of genius and ego, sex and violence, mysticism and utopianism. Epic in scope yet intimate in its detail, it is a stunning true account of how an idealistic community devolved into a kind of fiefdom where young apprentices were both inspired and manipulated, often at a staggering personal cost, by the architect and his imperious wife, Olgivanna Hinzenberg, along with her spiritual master, the legendary Greek-Armenian mystic Georgi Gurdjieff. A magisterial work of biography, it will forever change how we think about Frank Lloyd Wright and his world.

The international and multidisciplinary practice GRAFT conceives of itself as a label for architecture, urban design, product design, and music. GRAFT calls itself a "hybrid office" and produces dynamic architectural designs for standard commissions; however, the architects also initiate their own projects and system solutions for tasks with a social, ecological, or esthetic emphasis. The book presents buildings by GRAFT in the fields of culture, offices, brand architecture, retail, and mobility. It contains about forty generously illustrated projects that document a wide range of work in which the respective corporate culture is incorporated in GRAFT's sophisticated architectural language. Dialectic essays focus on the practice's key themes, such as the debate on urban identity or mobility transition.

Irreverent and iconoclastic, Nigel Coates has been agitating the architectural scene for over 40 years. In this warm and compelling autobiography, he explores the highs and lows of life at the cutting edge of architecture. Coates' work collides at the intersection between bodies, sexuality and design. As 'artist-architect' and polymath, he has designed buildings, exhibitions, interiors and products. He is also known for his idiosyncratic and dynamic drawings. From the 1980s onwards he captured the media spotlight, and was as likely to appear in Vogue as the Architectural Review. His portfolio includes work for leading brands, such as Liberty, Katharine Hamnett and Jasper Conran, and destination clubs and cafes from Istanbul to Tokyo. Buildings include The Wall in Japan, Powerhouse::uk and the Geffrye Museum in London. He designs for many Italian companies such as Fornasetti, GTV and Poltronova, and has produced lively installations for international art institutions and design exhibitions. As Head of Architecture at the Royal College of Art from 1995-2011, he turned the department into a leading international school. Featuring over 120 images of Coates' most celebrated projects, this memoir is a visual feast for any devotee of contemporary design. It encompasses his childhood in postwar Malvern, student years at the Architectural Association, the founding of radical architectural group NATO, '70s and '80s London club culture and lost loves along the way. This is a searingly honest, unvarnished personal history of one of the UK's most versatile and influential designers.