Le Corbusier (1887-1965) is arguably the most influential architect of the twentieth century. Despite the fact that he designed no permanent buildings in the United Kingdom, more than any other individual he was responsible for shaping British post-war architecture.

Le Corbusier and Britain traces the growing awareness of work by this visionary figure in contemporary architecture journals and the popular press. Contributions by such prominent architects and critics as Edwin Lutyens, Herbert Read, Evelyn Waugh, Peter Smithson, Jane Drew, Basil Spence and Christopher Booker are accompanied by 150 illustrations, together with writings and drawings by Le Corbusier himself.

Also featuring the most comprehensive bibliography of British writings by and about Le Corbusier ever published, this book is an invaluable addition to the study of architecture.

The design process of Will Alsop acts as a conduit for the dreams and aspirations of others. Moving from public consultation to the privacy of his painting studio here ideas are born in the liquidity of paint, the serendipity of collage and the flourish of line, resulting in the avant-garde and vibrant designs that Alsop is particularly well known for.

Whether the world approves of these designs or not, does not devalue the creative and artistic process which produces so rich, varied, challenging and inspirational outcomes. Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to private studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design.

Whether a working architect or a student embarking on the first steps towards creating your own design process, this book offers an insight and example into how engaging with the public, before painting the way into architecture, can offer the most stimulating solutions.

Photographer Paul Clemence celebrates a revered icon of modern architecture, the Farnsworth House, located near Plano, Illinois, and designed in 1951 by architect Ludwig Mies van der Rohe. Striking architetural details are captured in 20 eye-catching B & W postcards. Whether mailing or framing the stunning images, this book is a must-have for devotees of architecture, design, Modernism, the Bauhaus, Mies van der Rohe, and photography.

What does a collective process in architecture entail and how does it influence the planning of our built environment? Although the hierarchically organized office with its claim to individual authorship is still the dominant form of architecture firm, more and more horizontally organized collectives with alternative approaches to architectural planning are emerging. In this insightful survey of renowned European collectives, Natalie Donat-Cattin offers an overview of their working methods, organizational forms, goals, and projects. The book includes statements and projects by: A-A Collective, (ab)Normal, Assemble, baukuh, CNCRT, Colectivo Warehouse, Collectif Etc, constructLab, false mirror office, Fosbury Architecture, la-clique, Lacol, n'UNDO, orizzontale, raumlabor, X=(T=E=N), and Zuloark. First comprehensive analysis of collectives in architecture and urban planning Highly topical subject: project development as a collective process Insightful introduction of 16 well-known architectural collectives in Europe

Frank Furness (1839-1912) has remained a curiosity to architectural historians and critics, somewhere between an icon and an enigma, whose importance and impact have yet to be properly evaluated or appreciated. To some, his work pushed pattern and proportion to extremes, undermining or forcing together the historic styles he referenced in such eclectic buildings as the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania Library. To others, he was merely a regional mannerist creating an eccentric personal style that had little resonance and modest influence on the future of architecture. By placing Furness in the industrial culture that supported his work, George Thomas finds a cutting-edge revolutionary who launched the beginnings of modern design, played a key part in its evolution, and whose strategies continue to affect the built world. In his sweeping reassessment of Furness as an architect of the machine age, Thomas grounds him in Philadelphia, a city led by engineers, industrialists, and businessmen who commissioned the buildings that extended modern design to Chicago, Glasgow, and Berlin. Thomas examines the multiple facets of Victorian Philadelphia's modernity, looking to its eager embrace of innovations in engineering, transportation, technology, and building, and argues that Furness, working for a particular cohort of clients, played a central role in shaping this context. His analyses of the innovative planning, formal, and structural qualities of Furness's major buildings identifies their designs as initiators of a narrative that leads to such more obviously modern figures as Louis Sullivan, William Price, Frank Lloyd Wright and eventually, the architects of the Bauhaus. Misunderstood and reviled in the traditional architectural centers of New York and Boston, Furness's projects, commissioned by the progressive industrialists of the new machine age, intentionally broke with the historical styles of the past to work in a modern way-from utilizing principles based on logistical planning to incorporating the new materials of the industrial age. Lavishly illustrated, the book includes more than eighty black-and-white and thirty color photographs that highlight the richness of his work and the originality of his design spanning more than forty years.

For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.

Le Corbusier (1887-1965) is arguably the most influential architect of the twentieth century. Despite the fact that he designed no permanent buildings in the United Kingdom, more than any other individual he was responsible for shaping British post-war architecture.

Le Corbusier and Britain traces the growing awareness of work by this visionary figure in contemporary architecture journals and the popular press. Contributions by such prominent architects and critics as Edwin Lutyens, Herbert Read, Evelyn Waugh, Peter Smithson, Jane Drew, Basil Spence and Christopher Booker are accompanied by 150 illustrations, together with writings and drawings by Le Corbusier himself.

Also featuring the most comprehensive bibliography of British writings by and about Le Corbusier ever published, this book is an invaluable addition to the study of architecture.

Chronicling forty years of luxury architecture and design by Steve Leung, founder of one of Asia's most successful design studios. This major design monograph represents a comprehensive overview of 35 years of architectural, interior- and product-design work by Steve Leung, founder of Hong Kong-based Steve Leung Design Group (SLD). Spanning luxury residential developments and hotels to high-end restaurants and resorts, SLD's work extends from Hong Kong to China and across Asia. This book - organized by themes that reflect periods in Leung's life and work - captures the essence of one of Asia's most successful and entrepreneurial practices. Introductory texts frame projects presented in each chapter, based on interviews with Steve and other influential creative and cultural figures, and are followed by illustrated project spreads that place each theme in context.

It was around Kengo Kuma's tenth birthday that he came into contact with Kenzo Tange's fishlike Yoyogi National Gymnastics building, completed for the 1964 Tokyo Olympics, and determined that he would become an architect. In the intervening five or so decades, he has become one of the world's most fascinating and influential architects. His design of the National Stadium for the 2020 Tokyo Olympics provides a poetic circularity to his career as an architect, and an opportunity for him to reflect on his own development. Kuma is known throughout the world for his formally daring and materially expressive buildings, recognized for his inventive use of traditional materials, and his use of innovative materials in vernacular forms. He is perhaps less known for his work inside his native Japan, where he works actively towards the preservation of ancient building techniques and craft. A keen curiosity for all forms of building and a wealth of knowledge about the world acquired through expansive travels make Kuma a unique commentator on Tokyo's dynamic architecture. Through twenty-five stories, this intimate little publication paints a picture of how a building inspired a boy to become an architect, how Japan's national heritage helped form his thinking, and how his professional experience has made him one of the most successful architects of his generation. This book contains something for everyone: design acumen, insights into Japanese culture, a tour of Tokyo and the heartfelt commitment to producing buildings that have meaning and longevity.

With more than 280 entries, this architectural A-Z, now part of our Bibliotheca Universalis series, offers an indispensable overview of the key players in the creation of modern space. From the period spanning the 19th to the 21st century, pioneering architects are featured with a portrait, concise biography, as well as a description of her or his important work. Like a bespoke global architecture tour, you'll travel from Manhattan skyscrapers to a Japanese concert hall, from Gaudi's Palau Guell in Barcelona to Lina Bo Bardi's sports and leisure center in a former factory site in Sao Paulo. You'll take in Gio Ponti's colored geometries, Zaha Hadid's free-flowing futurism, the luminous interiors of SANAA, and Charles Rennie Mackintosh's unique blend of Scottish tradition and elegant japonisme. The book's A to Z entries also cover groups, movements, and styles to position these leading individual architects within broader building trends across time and geography, including International Style, Bauhaus, De Stijl, and much more. With illustrations including some of the best architectural photography of the modern era, this is a comprehensive resource for any architecture professional, student, or devotee. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Hoeweler + Yoon Architecture, founded in 2001 and based in Boston, gained early praise for ephemeral and interactive public projects and is recognised today for striking works that combine conceptual speculation and technological sophistication. The firm's impressive body of work has expanded the scope of design beyond traditional disciplinary boundaries and has won them numerous national and international awards. Verify in Field is Hoeweler + Yoon Architecture's second book. Its title derives from a notational convention on architectural drawings to indicate that the information is subject to unknown conditions in the field. The book highlights verification as an intergral part of the design process and demonstrates it as a productive tool to test ideas and act on the world. For both disciplinary and contractual reasons, the instruments of design - drawings, models, and prototypes - operate on the world at a distance. Techniques of prototyping, measurement, feedback, negotiation, and intervention inform the diverse output of the studio. Verify in Field features recent designs by Hoeweler + Yoon architecture, including such projects as the Memorial to Enslaved Laborers at the University of Virginia; a floating outdoor classroom in Philadelphia; the MIT Museum; and a pedestrian bridge in Shanghai's Expo Park. The book also examines the discipline's pressing questions, as they relate to verification, uncertainty, and design agency, in a series of essays by Eric Hoeweler and J. Meejin Yoon on topics that include means and methods, the public realm, energy and environments, the construction detail, and social media. These themes are echoed in conversations with collaborators, historians, and theorists: Adam Greenfield, Nader Tehrani, Kate Orff, Daniel Barber, and Ana Miljacki.

In 2014, Xu Tiantian, founder of Beijing-based studio Design and Architecture (DnA) began to work in Songyang County, in China's Zhejiang Province. Her exemplary holistic planning concept of Architectural Acupuncture, which has gained the support of local administrative and political leadership, aims at revitalising rural areas and comprises the renovation of production plants and of tourist and technical infrastructure as well as the creation of venues for culture and education and of social housing. Each of Xu's small-scale interventions at local level is unique, only the small budget is common to all of them. Moreover, they are all inter-related with each other and in their entirety serve the broader goal of mutual enhancement. This book introduces Xu's concept of Architectural Acupuncture and discusses the influence of architecture on cultural self-understanding and economic renewal in 21st-century rural China. It features some 20 new buildings and conversions of existing structures with diverse functions. Published alongside are essays by international economists, sociologists, and curators as well as by the secretary of the Songyang County Party Committee, examining the social, political, and economic implications of sustainable planning and collective action in the Chinese province.

The Auroville Architects Monograph Series documents the pioneering work of the architects whose vision shaped Auroville, a unique international township in southeastern India. This monograph, the second in the series, is a comprehensive record of the work of Piero and Gloria Cicionesi, whose architectural legacy translates Auroville's philosophy of community living into built form. In 1968, plunged upon arrival into designing buildings on a barren red plateau, their deep engagement with the philosophy of Auroville resulted in the construction of several communal living spaces, with a spatial sense that is simple, modern and timeless. The Matrimandir, the spiritual heart of Auroville, was built and executed by Piero. Completed in 1992, it shows his mathematical genius and his sense of perfection and material detailing, sharpened in the democratic, collective milieu of Auroville. Gloria's projects such as the residential and community living spaces she designed, display her concerns about the comfort and security of an ageing population, as well as her willingness to experiment with newer, more sustainable materials. This publication, with a Foreword by eminent architect BV Doshi, brings together essays, drawings and photographs to demonstrate the elegant legacy of Piero and Gloria Cicionesi, for whom architecture was not only a search for beauty but also had a deeper social aspiration.

There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This one is different, however, in a number of ways.
First, it does not treat them as separate subjects, but in relation to each other. While their response to De Stijl throws some new light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined in relation to them. Second, the purpose of the study is to excavate the philosophical foundations of the work, rather than merely to describe and discuss the work itself. Third, it looks for connections between the aims and ideals of the 1920s and such 'post-modern' concerns as the creation of habitable 'places' and the survival of the historical city.

The remarkable career of the architect Andrea Palladio (1508-1580) is largely due to an extraordinary moment of prosperity in the Veneto mainland, both in the city and in the countryside: a boom due in large measure to a little-studied revolution in manufacturing. This book brings to light for the first time the architecture of these early industries, especially the production of textiles (wool, silk), mining and metalworking, paper manufacture, ceramics, sawmilling and leather-tanning. The huge surge in patent applications to the Venetian Senate in the period highlights the parallel technological improvements in both efficiency and quality. Former proto-industrial buildings across the Veneto, studied at first-hand, reveal the efficiency of hydraulic power and smooth-running mechanical processes. Water-power, a clean, renewable energy source, and structures made of natural, traditional materials, have much to teach today’s civilisation.

Lake-Flato Architects of San Antonio, Texas, is nationally and internationally acclaimed for buildings that respond organically to the natural environment. The firm uses local materials and workmanship, as well as a deep knowledge of vernacular traditions, to design buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted. Lake-Flato won the Global Award for Sustainable Architecture in 2013, and it has also received the American Institute of Architects' highest honor, the National Firm Award. In all, Lake-Flato has won more than 150 national and state design awards. Residential architecture has always been a priority for the firm, and Lake-Flato Houses showcases an extensive selection of landmark homes built since 1999. Color photographs and architectural commentary create a memorable portrait of houses from Texas to Montana. Reflecting the firm's emphasis on designing in harmony with the land, the houses are grouped by the habitats in which they're rooted--brushland, desert, hillside, mountains, city, and water. These groupings reveal how Lake-Flato works with the natural environment to create houses that merge into the landscape, blurring boundaries between inside and outside and accommodating the climate through both traditional and cutting-edge technologies. The sections are opened by noted architect and educator Frederick Steiner, who discusses Lake-Flato's unique responses to the forms and materials of the various landscapes. An introduction by journalist Guy Martin summarizes the history of Lake-Flato and its philosophy, and explores the impact of its work on sustainable architecture.

Throughout history, the relationship between landscape and architecture has formed the basis of culture and the development of human settlements. The unfolding of a site, its transformation through the construction of buildings or of entire cities, translates into this basic idea: that history extends geography. In recent decades, generic architecture has increasingly homogenized the appearance of different territories, resulting in a profoundly different understanding of nature and landscape. Within his work, french architect and urban planner Jean-Pierre Pranlas-Descours continuously articulates the relationship between landscape and architecture. This book traces his line of thought by reflecting on 16 projects and their specific conditions.

This book presents a selection of papers from the International Conference Geometrias'17, which was hosted by the Department of Architecture at the University of Coimbra from 16 to 18 June 2017. The Geometrias conferences, organized by Aproged (the Portuguese Geometry and Drawing Teachers' Association), foster debate and exchange on practical and theoretical research in mathematics, architecture, the arts, engineering, and related fields. Geometrias'17, with the leitmotif "Thinking, Drawing, Modelling", brought together a group of recognized experts to discuss the importance of geometric literacy and the science of representation for the development of scientific and technological research and professional practices. The 12 peer-reviewed papers gathered here show how geometry, drawing, stereotomy, and the science of representation are still at the core of every act leading to the conception and materialization of form, and highlight their continuing relevance for scholars and professionals in the fields of architecture, engineering, and applied mathematics.