The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts Movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, textiles, stained glass, metalwork, and ceramics, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence is important because it provides more insight into the man and more information about his work than any other source. This volume, the fourth of five, contains letters from 1849 and 1850. Happily married, Pugin was more settled in his home at The Grange in Ramsgate in these years than he had ever been before. He completed his long-contemplated book on Floriated Ornament. At first he appears principally as a designer of stained glass, often working for other architects: pre-eminent, he supplies Charles Barry, William Butterfield, R. C. Carpenter, G. G. Scott, for instance. The letters display his knowledge of surviving medieval glass, biblical and historical sources, hagiography, heraldry, iconography, besides revealing his attention to details of composition, texture, colour, the representation of figures, the effects of lighting. Next door to his house, he continued to build the church of St Augustine, which was ready for opening in August 1850. Later that year, two public events quickened the pace of Pugin's life: the Roman Catholic hierarchy was restored in England, and the Great Exhibition was announced for 1851. Personally insulted because of his religion, Pugin defended his embattled faith in the ensuing uproar; at the same time he began to make a multitude of designs for his colleagues to execute: together they produced what came to be called the Medieval Court, the outstanding display in the exhibition and a masterpiece of lasting influence.

Designing Spaces showcases the finest work from DP Design. This comprehensive book is packed with inspiration, ideas and details on designing spaces and infusing soul and character into vast spaces. This unique and engaging book illustrated how designing for an interior space can be a direct, strategic response to a building's intrinsic architectural form, functionality and user experience. Over 20 unconventional examples illustrate how, rather than treating interiors as isolated design projects, they are seen as extensions of the building architecture.

A fascinating new take on the architecture of Adjaye, exploring his approach to five building materials through his projects David Adjaye is one of the most in-demand architects today, known for his thoughtful interpretation of public spaces. In order to understand him as an architect, you must look at his projects through the lens of material - a crucial consideration in his practice. Organized into five sections - Stone/Concrete, Wood, Metal, Glass, and Rammed Earth - Alchemy reimagines the traditional architect monograph by examining the importance of material in architecture, a study vital to Adjaye and his design process. In 2021, David Adjaye was awarded the RIBA Gold Medal, and he was among seven global leaders to receive a TIME100 Impact Award in 2022. The book features over 30 public, commercial, and residential projects around the world, from his 2001 Concrete Garden in London to the Amoako Boafo Gallery in Accra, Ghana, built with rammed earth and completed in 2022.

A deserted Paris house holds the mystery of a brilliant Viennese modernist who worked alongside Le Corbusier and Adolf Loos before vanishing. A leading painter still highly regarded in South Africa, Jean Welz's prior architectural career has been virtually unknown until a string of discoveries unfolded for author and filmmaker Peter Wyeth, allowing him to narrate this amazing true tale of genius. Trained in ultra-sophisticated, but conservative Vienna, Welz was sent to Paris for the 1925 Art Deco exhibition by his influential employer, renowned architect Josef Hoffmann. There he met preeminent modern architects Le Corbusier and Adolf Loos. The latter employed him to assist in building a house for the founder of Dada, Tristan Tzara. They all mixed in avant-garde circles at the Dome Cafe in Montparnasse along with Welz's classmate from Vienna, later Chicago-based architect Gabriel Guevrekian; Welz's future employer Raymond Fischer, whose archive was mostly destroyed by Nazis; and photographer Andre Kertesz. Through Welz's South African family archive, author Wyeth retrieves stories, letters, portfolios, and photographs generations after Welz's death that unravel his heroic designs, his stunning built critique of Corbusier's "Five Points of Architecture," a gravestone for Marx's daughter, and the many ways that Welz disappeared amongst his collaborators, intentionally and not. This account of why Jean Welz did not become a famous name in architecture takes us through his brother's Nazi-art-dealings, illness, betrayal, emigration, and an uncompromising artist's vision at the same time sifting through significant, literally-concrete evidence of Welz's built projects and visionary designs.

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) is widely acclaimed as the most influential architect of the 20th century. From private villas to mass social housing projects, his radical ideas, designs, and writings presented a whole-scale reinvention not only of individual structures, but of entire concepts of modern living. Le Corbusier's work made distinct developments over the years, from early vernacular houses in Switzerland through dazzling white, purist villas to dynamic syntheses of art and architecture such as the chapel at Ronchamp and the civic buildings in Chandigarh, India. A hallmark throughout was his ability to combine functionalist aspirations with a strong sense of expressionism, as well as a broader and empathetic understanding of urban planning. He was a founding member of the Congres international d'architecture moderne (CIAM), which championed "architecture as a social art." This book presents some of Le Corbusier's landmark projects to introduce an architect, thinker, and modern pioneer who, even in his unrealized projects, offered discussion and inspiration for generations to come. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts Movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, textiles, stained glass, metalwork, and ceramics, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence is important because it provides more insight into the man and more information about his work than any other source. In this volume, the third of five, which spans the years 1846 to 1848, Pugin's two most important churches are completed and the first part of the House of Lords is opened. He makes his only trip to Italy, and he marries for the third time. His correspondence sheds light too on the religious life of the time, especially ecclesiastical politics.

Written by experienced scholars and renowned academics from Japan, Australia, Europe, S. Korea and the US. Provides a critical, intellectual, and up-to-date account of the Metabolism projects and ideas in the context of current evolution of architectural and urbanism discourse in a global context. Timed to coincide with the 60th anniversary of the publication of the Metabolist manifesto.

Internationally renowned, Peter Rich's career represents a lifelong attempt to find a contemporary, yet uniquely African mode of design. This book follows the chronology of his work which emerges from a fascination with African indigenous settlements, including his documentation, publication and exhibition of Ndebele art and architecture, and his friendship with sculptor Jackson Hlungwani. It explores what Rich calls 'African Space Making' and its forms of complex symmetry; various collaborative community oriented designs of the Apartheid and post-Apartheid period, especially Mandela's Yard in Alexandra township; and finally, his more recent timbrel vaulted structures, constructed from low-tech hand-pressed soil tiles derived from his highly innovative and award winning work at Mapungubwe. The book shows how Rich combines African influences with an environmental awareness aligned to Modernist principles.

What does a collective process in architecture entail and how does it influence the planning of our built environment? Although the hierarchically organized office with its claim to individual authorship is still the dominant form of architecture firm, more and more horizontally organized collectives with alternative approaches to architectural planning are emerging. In this insightful survey of renowned European collectives, Natalie Donat-Cattin offers an overview of their working methods, organizational forms, goals, and projects. The book includes statements and projects by: A-A Collective, (ab)Normal, Assemble, baukuh, CNCRT, Colectivo Warehouse, Collectif Etc, constructLab, false mirror office, Fosbury Architecture, la-clique, Lacol, n'UNDO, orizzontale, raumlabor, X=(T=E=N), and Zuloark. First comprehensive analysis of collectives in architecture and urban planning Highly topical subject: project development as a collective process Insightful introduction of 16 well-known architectural collectives in Europe

In the late nineteenth century one man changed Oxford forever. T. G. Jackson built the Examination Schools, the Bridge of Sighs, worked at a dozen colleges, and restored a score of other Oxford icons. He also built for many of the major public schools, for the University of Cambridge, and at the Inns of Court. A friend of William Morris, he was a pioneering member of the arts and crafts moment. A distinguished historian, he also restored dozens of houses and churches - and ensured the survival of Winchester Cathedral. As an architectural theorist he was a leader of the generation that rejected the Gothic Revival and sought to develop a new and modern style of building. Drawing on extensive archival work, and illustrated with a hundred images, this is the first in-depth analysis of Jackson's career ever written. It sheds light on a little-known architect and reveals that his buildings, his books, and his work as an arts and craftsman were not just important in their own right, they were also part of a wider social change. Jackson was the architect of choice for a particular group of people, for the 'intellectual aristocracy' of late Victorian England. His buildings were a means by which they could articulate their identity and demonstrate their distinctiveness. They reformed the universities and the schools whilst he refashioned their image. Essential reading for anyone interested in Victorian architecture and nineteenth-century society, this book will also be of interest to all those who know and love Oxford or Cambridge.

Few architects of the twentieth century have achieved the harmonious and pleasurable fusion of local building traditions with modern forms and sensibility as has Geoffrey Bawa. The man and the buildings that he has created over the last forty years have become legendary in the region and influential around the world. Born in Sri Lanka in 1919 and educated at Cambridge University, Bawa initially worked in a Colombo law firm before returning to London's progressive Architecture Association as a student in the 1950s. His early works were houses that artfully married vernacular styles and sensitively responded to climate and site with a modern architectural vocabulary. It wasn't long before his talents were applied on a larger scale, to a number of carefully designed hotels, the Sri Lanka parliament, and a wide variety of schools, office buildings, and other public works. His oeuvre is symbolized by the evolution of his own residences, in Colombo and in Lunuganga, which eloquently reflect Bawa's career and personality.

This ambitious publication is a comprehensive documentation and appreciation of the man and his work. Introductory chapters present Bawa's early life and the influence of local architecture and his education, while the heart of the book is a portfolio of his most important works. The reference section includes a complete chronology.

Architecture trends come and go, often fueled by a preoccupation with technology, but master architects whose works transgress boundaries, history, and styles always have something to teach. In the work of Geoffrey Bawa there are lessons for all of us.

Over the course of twenty years, acclaimed studio Miro Rivera Architects has produced an innovative, refined, and imaginative body of work-both modern and respectful of time-honored building traditions-that embodies the particularities of place and blurs the line between art and architecture. The firm's diverse practice weaves together a commitment to craftsmanship with a honed sense of materiality and space to create structures at once elegant, controlled, and pleasant to inhabit. In all, Miro Rivera Architects has won more than one hundred design awards and represented American architecture at exhibitions worldwide. The first from the firm, this volume provides critical insight into the studio's creative process through texts, 95 drawings, and 231 photographs, exploring two decades of work that has helped bring Texas architecture onto the international stage. Featuring essays by Michael Sorkin, Nina Rappaport, Juan Luis de las Rivas Sanz, and Carlos Jimenez-prominent thinkers in urban design and architecture-and new images by renowned photographers Iwan Baan and Sebastian Schutyser, this book examines Miro Rivera's approach to Austin as a "landscape city" and situates the firm's work in a global context related to concepts of nature, urbanism, sustainability, and history.

From the towering Sagrada Familia to the shimmering, textured facade of Casa Batllo and the enchanting landscape of Park Guell, it's easy to see why Antoni Gaudi (1852-1926) gained the epithet "God's architect." With fluid forms and mathematical precision, his work extols the wonder of natural creation: columns soar like tree trunks, window frames curve like flowering branches, and ceramic tiling shimmers like scaly, reptilian skin. With this outstanding attention to natural detail, his inspirations from both neo-Gothic and Orientalist aesthetics, and a lifelong commitment to Catalan identity, Gaudi created a unique brand of the Modernista movement which transformed, and defines, Barcelona's cityscape. With seven of Gaudi's projects listed as UNESCO World Heritage Sites, this book introduces the architect's extraordinary vision and unique legacy, exploring the influences and the details which allow his buildings to impress, inspire, and amaze, one century after their construction. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

J. Irwin Miller:The Shaping of An American Town tells the life story of this remarkable man who led Cummins Engine Company from its roots as a small, family business to an international Fortune 500 company and transformed Columbus, Indiana, into a gem of midcentury modern architecture. As president and then chairman of Cummins, Miller emphasized a corporation's responsibility to the community in which it was located and its other stakeholders. Miller's commitment to Columbus architecture inspired such legends as I. M. Pei, Eliel and Eero Saarinen, Kevin Roche, and others to contribute their designs to what has become one of the most artistically revolutionary towns in the country. Columbus's unique public art and architecture continue to inspire young architects and attract visitors from around the world. Miller has also played a significant role in the American civil rights movement, securing cosponsorship for the March on Washington and working with presidents John F. Kennedy and Lyndon Johnson to help pass the Civil Rights Act. Martin Luther King Jr., once called Miller "the most socially responsible businessman in the country."

Scenic Architecture Office always starts with responding to needs from body & mind, nature, and society, and tries to establish a balanced and dynamic relevance among them through ontological orders composed by space-time and tectonics. This collection includes 12 representative works in its 15 years of practice, and each work contains design concept, sketches, tectonic details, and photos. The works are categorised in "Courtyard Settlement", "Extension of Homes", and "Free Units". "Courtyard Settlement" refers to reconstruction of the spatial formtype of courtyard; "Extension of Homes", expansion of the traditional house formtype; and "Free Units" test of the new formtype. Through explorations of the formtype, they hope to bridge the past, present and future to make architecture a carrier of cultural memory and the times' energy, and a balanced and dynamic connection between human, nature and society.

This book examines the cinematic representation of New York from the mid-1960s through the mid-1980s It places the dominant discourse of urban decline in dialogue with marginal perspectives that reimagine the city along alternative paths as a resilient, adaptive, and endlessly inspiring place The book draws on mainstream, independent, documentary, and experimental films It offers a multifaceted account of the power of film to imagine the city's decline and reimagine its potential The book analyzes how filmmakers mobilized derelict space and various articulations of "nature" as settings and signifiers that decenter traditional understandings of the city to represent New York alternately as a wasteland, a wilderness, a playground, a home, an art space, and an ecosystem This book will be of great interest to scholars and students of film studies, media studies, urban cinema, eco-cinema, and architectural theory

Cantley's work offers a unique and critical insight into the emergence of a liminal territory that exists between the real and the virtual that mainstream architecture has yet to exploit. Speculative Coolness surveys and collects a highly experimental architecture/design praxis. This book presents a selected body of his work, showcasing projects which seek to understand and explore the conditions, contexts, and media logics which govern this new territory, and to speculate on the Architecture[s] which it might occupy, and which might occupy it. Featuring both resolved projects and work[s] that are under development, this anthology represents constructs that locate themselves somewhere between architecture and its documentative media. The projects are presented alongside a series of critical essays written by pre-eminent architectural practitioners and theorists. These essays explore the disciplinary, social, and cultural context of the work, serving to underscore the importance of these explorations to the expansion of disciplinary knowledge.

- Bridges history, theory, design, construction, technology, and sensory experience by means of digital simulations that enhance the assessment and values of our material choices - Uses the work of Aalto and selected contemporary architects, along with computer modeling software, to showcase the importance of comprehensive design - Offers an expanded reading of Aalto's approach towards building technology and how these impacted choices in choosing material and form for culture and environment - Includes 80 black and white illustrations

The urban attentions of Pritzker Laureate Sverre Fehn (1924-2009) are extensive, but as yet virtually unexplored. This book examines ten select projects to illuminate Fehn's approach to the city, the embodiment of that thinking in his designs, and the broader lessons those efforts offer for better understanding the relationship between architecture and urban life, with unignorable implications for emergent urban architecture and its address of sociological and ecological crises. Wary of large-scale planning proposals or the erasure of existing urban patterns, Fehn offered an uncommon and profoundly vibrant approach to urbanism at the scale of the single architectural project. His writings, constructed buildings, competition entries, and lectures suggest opportunities for reinvigorating architecture's engagement with the city, and provoke a rethinking of concepts foundational to its theorization. What is the nature of urbanity? What is the relationship of urbanity to the natural world? What is the role of architecture in the provision and sustenance of urban life? While exploring this territory will expand our knowledge of an architect central to key developments of late modernism, the range of the book and the arguments developed therein delineate far broader aims: a fuller understanding of architecture's urban promise.

Leonard Manasseh was an 'architect's architect', greatly admired by his contemporaries both on a personal and professional level. He came to prominence at the Festival of Britain and went on to be one of the leading British architects of the 1960s, designing private houses and offices as well as major public commissions. Timothy Brittain-Catlin, architect and architectural historian at the University of Kent, describes how the work of Leonard Manasseh and Partners expresses one of the central themes of the 1950s and 1960s - the apparent conflict between the architect as creative artist on one hand, and as rational technologist and scientist on the other. Leonard Manasseh and his partner, Ian Baker, were lauded for producing modernist designs that were in keeping with their historical settings or landscapes. Examples include industrial buildings in rural settings, a study for King's Lynn, undertaken with architect-planner Elizabeth Chesterton, and the project that is most commonly associated with the practice, the National Motor Museum at Beaulieu. Lavishly illustrated with images from Manasseh's private archive and stunning new photography, this book is an essential read for architects, students and enthusiasts for modernism wanting to learn more about a key practice in British post-war architecture. This book has been commissioned as part of a series of books on Twentieth Century Architects by RIBA Publishing, English Heritage and the Twentieth Century Society.

The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures which--in a reference to the idea of the cave--he describes as "primitive future." With this approach he creates forms that are committed to a playful interaction between user and space. Alongside private residences, such as the well-known N House, his library for Musashino Art University has achieved particular recognition. In addition he was represented at the 2010 Venice Biennale with a design for a house. In his personal sketchbook Sou Fujimoto offers insights into his design process. Through the sketches, drawings, and notes readers can trace how his complex concepts are made manifest and develop on paper.
SOU FUJIMOTO, born in Hokkaido, Japan, in 1971, established his architectural practice Sou Fujimoto Architects in 2000. In 2008, he was World Architecture Festival winner in the Private House category, and was awarded a RIBA International Fellowship in 2012. Recently he completed the new library and museum for the Musashino Art University in Tokyo.

This is a study of the architect Walter Segal (1907-1985): his background, influences, thoughts, writings, his unique approach to architectural practice (and his built work) and his enduring impact on architecture and attitudes to housing across the world. It firstly sets out his formative years in Continental Europe. Segal's father was an eminent modernist painter and a founder of the Dada movement. Walter grew up surrounded by leaders of the European avant-garde. Qualifying as architect in Germany just as the Nazi party came to power, Segal moved to Switzerland, Mallorca, Egypt and finally to London in 1936. The second section focuses on Walter Segal's central theme of popular housing, his unique and independent form of professional practice, how he managed to spread his ideas through writing and teaching, and how his architecture developed towards the timber-frame form known world-wide today as 'the Segal system', which could be used by people to build their own houses. The third section follows the development of the timber-frame form known world-wide today as 'the Segal method' and how it came to be used by people to build and indeed design their own houses. This culminated at the time of Segal's death in two areas of self-built public authority social housing in London - housing which, nearly half a century later, remains as unique and highly desirable neighbourhoods. The final section explores the legacy offered by Segal to younger generations; how his work and example, half a century after his timber 'method' was developed, leads to the possibility of making, and then living within, communities whose places are constructed with a flexible, easily assembled, planet-friendly timber-frame building system today and tomorrow.

Queer Sites in Global Contexts showcases a variety of cross-cultural perspectives that foreground the physical and online experiences of LGBTQ+ people living in the Caribbean, South and North America, the Middle East, Europe, and Asia. The individual chapters-a collection of research-based texts by scholars around the world-provide twelve compelling case studies: queer sites that include buildings, digital networks, natural landscapes, urban spaces, and non-normative bodies. By prioritizing divergent histories and practices of queer life in geographies that are often othered by dominant queer studies in the West-female sex workers, people of color, indigenous populations, Latinx communities, trans identities, migrants-the book constructs thoroughly situated, nuanced discussions on queerness through a variety of research methods. The book presents tangible examples of empirical research and practice-based work in the fields of queer and gender studies; geography, architectural, and urban theory; and media and digital culture. Responding to the critical absence surrounding experiences of non-White queer folk in Western academia, Queer Sites in Global Contexts acts as a timely resource for scholars, activists, and thinkers interested in queer placemaking practices-both spatial and digital-of diverse cultures.