There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This one is different, however, in a number of ways.
First, it does not treat them as separate subjects, but in relation to each other. While their response to De Stijl throws some new light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined in relation to them. Second, the purpose of the study is to excavate the philosophical foundations of the work, rather than merely to describe and discuss the work itself. Third, it looks for connections between the aims and ideals of the 1920s and such 'post-modern' concerns as the creation of habitable 'places' and the survival of the historical city.

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text.
Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

In Living on the Edge, the author goes in search of the most amazing and seemingly unfeasible buildings which are situated at the edge of deep chasms and on steep cliffs. These houses are the work of architects who approach complexity and difficult conditions with imagination and a talent for thinking outside of the box. This book shows how, with the help of innovative techniques, fear of heights-inducing homes have been built at the most challenging locations all over the world. Living on the Edge is a book for architecture lovers without fear of heights!

"If you can't wait to open up your cottage, taking a peek inside Northern Hideaways: Canadian Cottages and Cabins (The Images Publishing Group, 2022) will make you want to load the car up pronto."-House & Home It's long been a Canadian tradition to "head to the cottage" for holidays. Across the wide expanse of Canada, there are numerous opportunities to do just that. Whether it be a chalet in the ski fields, a boathouse on a fabulous lake, or even just a remote getaway in a secluded forest, Canada fields a wide range of options for places to unwind and spend time with family and friends, and to make the most of all seasons. With a carefully curated selection of beautiful contemporary cottage and cabin designs, this compelling book provides an insight into the Canadian love affair with holiday homes. This beautifully illustrated book celebrates the idea of the Canadian cottage and cabin, and includes a selection of stunning contemporary retreats, guaranteed to make you want to "head to the cottage" for a vacation. The projects and locations featured in this volume include: May House | Indian Point, Nova Scotia Smith House | Upper Kingsburg, Nova Scotia Cap St-Martin Residence | Potton, Quebec Cottage on the Point | Lanaudiere, Quebec Grand-Pic Chalet | Austin, Quebec Lake Brome Residence | Foster, Quebec Lakeside Cabin | Lac-Brome, Quebec Laurentian Ski Chalet | Saint-Donat, Quebec Maison Perchee | East Bolton, Quebec Prefabricated Country Home | Ivry-sur-le-Lac, Quebec Residence St-Ignace | Saint-Ignace-de-Loyola, Quebec The Slender House | Lake Memphremagog,, Quebec Ell House | Wellington, Ontario Go Home Bay Cabin | Georgian Bay, Ontario Kawagama Lake Boathouse | Dorset, Ontario Lake Joseph Cottage | Muskoka, Ontario Lake Manitouwabing Residence | McKellar, Ontario Lake Mississauga Cottage | Kawartha Highlands, Ontario Sky House | Stoney Lake, Ontario The Farm | Clarington, Ontario Woodhouse | Singhampton, Ontario Bowen Island House | Bowen Island, British Columbia House on the Bench | Naramata, British Columbia

Stanisic Associates have designed and constructed an array of apartment blocks throughout Sydney's inner-city that have provided a new way to live and to work in a totally urbanized environment. Many of these apartments have been built on the 'brownfield' sites of the redundant industrial land south of the city centre. The architecture has evolved - through an exploration of planning, material usage, spatial organization and the maximization of sunlight - into a climatically-responsive and appropriate modernism: an architecture that can be described as 'Eco-Minimalism.' STANISIC LIVE/WORK documents this approach to architecture and regenerative planning, and features all the practice's most significant projects, as well as selected un-built schemes that explored key ideas and strategies. All projects have been photographed by Patrick Bingham-Hall, and the book is illustrated with conceptual and schematic renderings, as well as formal drawings.

The story of the project evolves from the first visit to the site at the inauguration, through sketches, drawings, models, notes and memories of Renzo Piano. It becomes a sort of travel journal, immediate and powerful. The story of Renzo Piano and the testimonials of scientists and engineers have been recorded and faithfully transcribed, so that the reader can live the adventure of this project, accompanied by the voice of the protagonists. A text at the end of the book provides the reader with a "behind the scene" view, from the relationship with the scientists to the choice of the materials, to the research of the most suitable solutions for that museum and the specific context in which it was built. It is a story of a museum of sciences which becomes itself the subject of naturalistic studies, the container and the content; according to Renzo's opinion "this century has led to the awareness of the fragility of the Earth, and it is up to us architects, here and now, to find a new language that celebrates sustainability". The research that has been done for this project led to the conquest of a Platinum level in LEED certification (Leadership in Energy and Environmental Design).

John Madin was the indisputable master of post-war architecture in Birmingham. The work of Madin and his associates had a profound influence on the reshaping of the city after the war, producing some of the most iconic buildings of that period, such as the Birmingham City Library, the Chamber of Commerce and the Post and Mail Building. Trained in the modernist style but too much of a craftsman to abandon decoration entirely, his work is characterised by attention to detail, a preference for natural materials and a desire for decoration and art in his buildings. Many have characterised Madin as a commercial architect, but as the author argues, there was another side to his work. His conservationist approach to the development plan for the Calthorpe Estate, his workman-like master-planning of Dawley, Telford and Corby new towns, his public service commissions, and his design and layout of housing schemes that are still lived-in and popular today, testify to his commitment to human values. Lavishly illustrated with images from Madin's personal archive and stunning new photography, this book is an essential read for architects, students, architectural historians and modernist enthusiasts interested in learning more about a key figure in British post-war architecture. This book has been commissioned as part of a series of books on Twentieth Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

This comprehensive monograph chronicles the personal and professional journey of the Indian architect and urban conservationist Brinda Somaya from 1975 to the present. It explores Somaya's diverse typology of projects in challenging conditions that represent a unique non-stylistic grammar. The essays in this volume offer multiple perspectives on Brinda Somaya's accomplishments, while the dialogues outline the concerns central to her work.

Notable undiscovered architects, like undiscovered composers, are implausible, yet Frances Xavier Velarde OBE, 1897-1960, could be just such a person hiding in plain sight. A stylish architect who took a road less travelled then died as he was getting into his stride. There have been no followers. Yet whenever enthusiasts gather to discuss modern church architecture his name will be mentioned. He was no earnest modernist; instead he loved patterns, bold colour and gold. The Catholic churches he built in Liverpool and London are closer to European Expressionism than International Modernism; many of them have a toy like quality and come with a campanile like a rocket. Today his buildings seem fresh and playful, but also poignant as they evoke the 1950s, brightening the drab parts in which they are to be found and serving to make both spiritually and architecturally aware those who visit. Many are threatened and have been published here for the first time. Dominic Wilkinson and Andrew Crompton have combined Velarde's papers with interviews and archive images, including many by his friend and famous photographer Edward Chambre Hardman. Their book, lavishly illustrated with new photography by Historic England, is a must for architects, students and connoisseurs wanting to discover a different route that modernism could have taken.

The importance of A. W. N. Pugin (1812-52) in architecture and design in England and beyond is incontestable. The leading architect of the Gothic Revival, Pugin is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence furnishes more insight into the man and more information about his work than any other source. This volume, the last of five, contains letters from 1851 and the first months of 1852; after that, Pugin's health failed and he died in September. In the great event of the period, the international exhibition held in the Crystal Palace in Hyde Park, the display of objects made to Pugin's design, which he planned and oversaw, was an outstanding success, bringing substantial commercial benefit to his colleagues and spreading Pugin's influence even more widely than before. The value of his judgment was recognized in his appointment to two committees in connection with the Great Exhibition. Frantic though the preparations for what came to be known as the Medieval Court were, Pugin made time to write for publication. He issued letters and pamphlets in explanation, defence, and support of the Catholic Church and its re-established hierarchy, and turned again to the conundrum that had long teased him, the relation between the faith and the form, not only architectural, in which it found expression. He completed the book on chancel screens conceived some years before. At home in The Grange at Ramsgate, he continued to design stained glass windows, for other architects as well as his own clients, and supervised the production of cartoons; he poured out designs in his usual fields of metalwork, ceramics, furniture, carving, and wallpaper, and branched out, not always happily, into new areas such as embroidery and the decoration of piano cases. The demand for drawings for Westminster, where the House of Commons was due to open early in 1852, was as incessant as ever. His last child, Edmund Peter, was born in 1851 only a few months before his first grandchild, Mildred. Both were baptized in the church of St Augustine which he was still building next to his house and where he himself was soon to be laid in the vault he provided for the purpose. The volume also includes some letters which have come to light too late for inclusion in their proper chronological places and some texts of doubtful authenticity.

Mexico underwent tremendous growth and transition during the twentieth century, transforming it from a rural country into an urban nation that formed part of a much wider global process of modernisation/westernisation. During this time, Mexican Modernist architecture came into its own, becoming recognised both nationally and internationally as a paradigmatic example of this new design approach. However, relatively little is still known about how Mexican Modernism was able to become a mature and confident movement so quickly, one with such strongly held convictions that they are still very much alive and well today, and which are still shaping and influencing Mexicos architectural forms, lifestyles, values and ideals. This book examines those elements that contributed to its making during the twentieth century. In so doing, it considers Mexican Modernism to be a direct product of its socio-cultural settings and so uses a cultural studies approach to identify the key drivers, or 'power structures', which were involved. Five power structures are investigated which relate to academic, economic/political, social, gender, and post-colonial status. Such power structures are analysed by looking in close detail at 13 of the most famous Mexican architects, documenting their ideas through their own verbal testimonies and their most interesting buildings. Those architects include: Jose Villagran Garcia, Luis Barragan and Juan O'Gorman from the first generation; Pedro Ramirez Vazquez, Agustin Hernandez and Abraham Zabludovsky from the second; Carlos Mijares, Ricardo Legorreta and Juan Jose Diaz Infante from the third; and finally, Enrique Norten, Clara de Buen, Alberto Kalach and Javier Sordo Madaleno from the fourth generation. This book's uniqueness lies in revealing the inter-relationships of the power structures that have controlled and constrained what Mexican architecture could achieve, offering a dissection of what happened within the profession. The book also criticizes the persistence of these same power structures today, and it voices the urgent need for a new kind of architecture for the future. It is essential reading for anyone studying Mexican architecture.

MOSHOOD ADEMOLA FAYEMIWO was a newspaper publisher/editor in Nigeria where he grew up but now lives in Chicago. An alumnus of University of Lagos, Nigeria, University of South Florida, and State University of New York, he is author of Who's Who of Africans in America and four published books.. His next book is; Jonathan; The Squandering of Good Luck. MARGIE MARIE NEAL is former university professor, education consultant, and reading coach in Chicago. An alumna of State University of New York, Chicago State University, American College of Education, and University of Illinois at Urbana-Champaign. She is co-author, People Power in Africa: A Week That Changed Nigeria Forever," and author of; "The Roles of Professional Organizations in the Effective Teaching of Reading in Chicago Public School-CPS: The IRA and IRC as Case Studies," (forthcoming). Praise For ALIKO MOHAMMAD ADNGOTE THE BIOGRAPHY OF THE RICHEST BLACK PERSON IN THE WORLD "A highly recommended book to anyone who enjoys learning about how different people of all walks of life become rich and successful, and what it takes to get to the top"---Readers Favorite Book (Starred Review), USA. "A compelling book about a unique personality in Africa"---Goodreads, USA. "Flawlessly written, Dangote stands out as a hallmark of excellent artisanship and knowledgeable chronicling"--- Bookplex Review of Books, Mumbai, India. "Nigerian Aliko Dangote, the richest black person in the world, is a witness to the fact that success as a passionate entrepreneur is not limited by race, ethnicity or national origin"---Congressman Jesse L. Jackson, Jr.-(D - IL), 2nd Congressional District, U.S. House of Representatives, Washington, DC, USA. In a land lacking a culture of independent biography, this is a starting point, and Dangote is a promising introduction to the fascinating and still largely unmapped universe of one of the world's richest men."---The Huffington Post, USA. "Dangote has trumped long held assumptions, cultural archetypes and stereotypes, to become known as a respected business man, power broker and philanthropist"---Hon Gloria Hyatt, Member of the British Empire (MBE), motivational speaker, education, coach and managing director, Teach Consultancy Limited, UK. "This is a timely book on Aliko Dangote and the positive changes that are taking place in Africa,"---Prof. Vijay Mahajan, The John Harbin Centennial Chair of Business, McCombs School of Business, University of Texas, Austin USA. Publisher's website: http: //sbpra.com/MoshoodAdemolaFayemiwoandMargieMarieNeal

Chronicling forty years of luxury architecture and design by Steve Leung, founder of one of Asia's most successful design studios. This major design monograph represents a comprehensive overview of 35 years of architectural, interior- and product-design work by Steve Leung, founder of Hong Kong-based Steve Leung Design Group (SLD). Spanning luxury residential developments and hotels to high-end restaurants and resorts, SLD's work extends from Hong Kong to China and across Asia. This book - organized by themes that reflect periods in Leung's life and work - captures the essence of one of Asia's most successful and entrepreneurial practices. Introductory texts frame projects presented in each chapter, based on interviews with Steve and other influential creative and cultural figures, and are followed by illustrated project spreads that place each theme in context.

Provides an index of ideas, theories, projects, and definitions that string into a methodology for evaluating the contemporary language of architecture. Beautifully designed with text and image spreads, it includes over 160 full colour illustrations. Includes interviews and contributions from Toyo Ito, Anthony Vidler, Ben van Berkel, Sou Fujimoto, Christian Kerez and Greg Lynn.

A major overview of Skylab’s built works, from show-stopping residences to high-profile cultural projects, presented via a covetable book design that takes its inspiration from an album or LP. Skylab: The Nature of Buildings is the first monograph of the Portland, Oregon-based architecture and design studio. Founded by Jeff Kovel in 1999, Skylab has emerged as a leading creative force in the Pacific Northwest and North America. At the vanguard of innovative and sustainable design, the practice is known for a range of spectacular residences designed for leading creatives, as well as distinctive music venues, resorts, and other high-profile projects, including the N M Bodecker Foundation, Nike’s Serena Williams Building, and the Columbia Building. Presenting more than two decades of work, the story of Skylab is told by several influential contributors through reflective essays, interviews, conversations and anecdotes, as well as extensive project photography and illustrations that detail the firm’s design process. A uniquely crafted object, the book’s design is based on the concept of a double vinyl album, with four 'sides' (A, B, C, D), ten projects 'tracks', inside front- and back-cover gatefolds, and nine project 'interlude' foldout posters in the book. 'Our work balances on three themes: narrative, strategy, and regeneration', Kovel writes in the book’s Preface. 'Narrative is the "what" — a design process based on telling compelling stories. Strategy is the "how" — innovating best practices through construction and market intelligence. Regeneration is the "why" — our north star and the legacy of our work, defined by designing with nature as a partner, seeking to rebalance the relationship with land, time and people. This was the bedrock meaning behind our practice when we started in 1999, and it continues to this day.'

Calvin Tomkins first discovered the work of Robert Rauschenberg in the late 1950s, when he began to look seriously at contemporary art. While gazing at Rauschenberg's painting "Double Feature, " Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that "for the last forty years it's been his] ambition to write about contemporary art not as a critic or a judge, but as a participant." Tomkins has spent many of those years writing about Robert Rauschenberg, whom he rapidly came to see as "one of the most inventive and influential artists of his generation." So it seemed natural to make Rauschenberg the focus of "Off the Wall," which deals with the radical changes that have made advanced visual art such a powerful force in the world.
"Off the Wall" chronicles the astonishingly creative period of the 1950s and 1960s, a high point in American art. In his in his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Rauschenberg's vitally important and productive career spans this revolution, reaching beyond it to the present day. Featuring the artists and the art world surrounding Rauschenberg--from Jackson Pollock, and Willem de Kooning to Jasper Johns, Frank Stella, and Andy Warhol, together with dealers Betty Parsons, and Leo Castelli, and the patron Peggy Guggenheim--Tomkins's stylish and witty portrait of one of America's most original and inspiring artists is fascinating, enlightening, and very entertaining.

The Invention of Melbourne defines the relationship between an architect of genius, William Wardell, and the first Catholic Archbishop of Melbourne, James Goold, an Irishman educated in Risorgimento, Italy. Their partnership produced St Patrick's, the largest cathedral of the 19th century anywhere in the world, and some thirteen churches, decorated with hundreds of Baroque paintings. These ambitious policies coincided with the Gold Rush, which contributed financially to their success. The contribution made by Wardell and Goold to the built environment of Melbourne remains significant, and the essays in this volume radically reassess Goold, who until now has been either dismissed as a stern, aloof Irish cleric, or viewed more favourably for his achievements as a champion of Catholic education. Similarly, Wardell's legacy to Melbourne has been forgotten despite the conspicuous presence of Government House and the Gothic Bank, for many Melburnians their most favourite building. Together, they actively and creatively shaped the city that became a major international metropolis.

*A must-have for any design enthusiasts, especially those interested in Carleton Varney and Dorothy Draper*Insider views of the world's most famous resorts, the Greenbrier in White Sulphur Springs, West Virginia and the Grand Hotel on Mackinac Island, Michigan*Perfect compendium to HSN's television show, Live Vividly*As practical as it is beautiful, this book contains decorating advice from one of Architectural Digest's "Deans of Design" "Everything's grand" says decorator extraordinaire, Carleton Varney. After over forty years in the interior design business, Varney opens his archive and brings together his favorite large-scale luxury decorating projects, including an Irish country manor, a sixteenth-century castle, a colonial mansion, a Southern plantation, along with two of his best-loved resorts - the Greenbrier in West Virginia and the "Queen of the Great Lakes", Michigan's Grand Hotel. On these pages, he also showcases his most recent private residential project - a 6000 square foot Mediterranean-style home, near the Rio Grande. In Decorating in the Grand Manor, Varney focuses our attention on all the elements of elegant design, from crystal chandeliers to magnificent architectural details and dispenses his time-honored advice on how to achieve the look at home.

Provides, for the first time, access to a chronological arc of John Habrakens’ writing in a single collection. Includes over 250 illustrations and interview with the author to enable him to reflect on his journey of inquiry, research, advocacy and teaching His record of accomplishments, too often unrecognized for their seminal value, is remarkable and without match, and continues to enjoy an expanding worldwide following.

This is the first full biography of the eminent British Architect Sir Herbert Baker. Written with the full cooperation of his family and with access to his archive and private papers, it gives an account of his remarkable life and career, which established him as the leading architect to the British Empire. From London, through the commemoration of the empire's war dead in France, via South Africa and Australia to India, he celebrated the might and power of an empire which once ruled a quarter of the world. He was an intimate friend of many of most fascinating men of his age, including Cecil Rhodes, Lawrence of Arabia, John Buchan, Jan Smuts and, of course, his fellow architect Sir Edwin Lutyens. From his childhood in Kent, through a Victorian architectural apprenticeship in London and on to becoming the most prolific architect of his age in South Africa, he built the new imperial capital of New Delhi in India with Lutyens, before returning to England where he established a practice in London that built or rebuilt such landmark buildings as the Bank of England, South Africa House, India House, Rhodes House, and the stands for Lords Cricket Ground, as well as numerous churches and private houses.

For the Aalto Moment in Your Projects This carefully curated catalog celebrates the rich detail in the work of Aino, Elissa, and Alvar Aalto. Every support, railing, and handle is the result of intensive formal and functional research. The authors document 50 Aalto buildings – some well-known and others less so – and arrange their photographs by component into 20 chapters. The result is a rich photographic record that will serve as a source of inspiration for every architect. From door handles to skylights: Aalto's infinite wealth of components Inspiring documentation with 400 systematically arranged photos Unconventionally detailed solutions with special attention paid to technical feasibility Also available in German (ISBN 978-3-0356-2331-4)

The importance of A. W. N. Pugin (1812-52) in the history of the Gothic Revival, in the development of ecclesiology, in the origins of the Arts and Crafts Movement, and in architectural theory is incontestable. A leading British architect who was also a designer of furniture, textiles, stained glass, metalwork, and ceramics, he is one of the most significant figures of the mid-nineteenth century and one of the greatest designers. His correspondence is important because it provides more insight into the man and more information about his work than any other source. This volume, the fourth of five, contains letters from 1849 and 1850. Happily married, Pugin was more settled in his home at The Grange in Ramsgate in these years than he had ever been before. He completed his long-contemplated book on Floriated Ornament. At first he appears principally as a designer of stained glass, often working for other architects: pre-eminent, he supplies Charles Barry, William Butterfield, R. C. Carpenter, G. G. Scott, for instance. The letters display his knowledge of surviving medieval glass, biblical and historical sources, hagiography, heraldry, iconography, besides revealing his attention to details of composition, texture, colour, the representation of figures, the effects of lighting. Next door to his house, he continued to build the church of St Augustine, which was ready for opening in August 1850. Later that year, two public events quickened the pace of Pugin's life: the Roman Catholic hierarchy was restored in England, and the Great Exhibition was announced for 1851. Personally insulted because of his religion, Pugin defended his embattled faith in the ensuing uproar; at the same time he began to make a multitude of designs for his colleagues to execute: together they produced what came to be called the Medieval Court, the outstanding display in the exhibition and a masterpiece of lasting influence.