Often called the father of landscape architecture, Frederick Law Olmsted was responsible for the design of Central Park and Prospect Park in New York City; Mount Royal Park in Montreal; the Belle Isle Park in Detroit; the Grand Necklace of Parks in Milwaukee; the Cherokee Park and entire parks system in Louisville, KY; and the Biltmore Estate in Asheville, North Carolina, to name a few of his most famous projects. His landscape works are enjoyed in 25 states and 3 Canadian provinces. Most of these parks were created during and immediately after the Civil War. This title presents the opportunity to witness the evolution of Olmsted s design and social philosophies during a time of upheaval in American history.

Sixteen selections, dating from the 1850s to the 1890s, reveal Frederick Law Olmsted s youthful interests as well as his mature thinking on cities, small residential sites, the history and theory of urban parks, and landscape architecture in general. His writings directly addressed important issues of his day, but they remain as cogent as ever in today s environmental crisis."

This book explores Louis I. Kahn's approach to tradition as revealed in two of his important, unbuilt, projects. Focusing on Kahn's designs for the Dominican Motherhouse of St. Catherine de Ricci, Media, Pennsylvania (1965-1969), and the Hurva Synagogue, Jerusalem, Israel (1967-1974), the book challenges prevailing aesthetic and methodological assessments of Kahn's use of tradition. It reveals how an authentic and critical theoretical-historical and humanistic study of tradition nourished Kahn's designs, enabling him to mediate historical rituals, ideas and beliefs - and to develop innovative designs rooted deep in human culture while addressing real modern concerns. The book evaluates Kahn's works as a creative recreation and re-interpretation of the past, shedding light on the potential value of the meaningful consideration of tradition in modern times.

In 2011, Zurich-based architect Fawad Kazi, together with the KSSG-OKS planning consortium, won the competition for the rebuilding and extension of St Gallen's cantonal hospital (KSSG) and the new regional children's hospital for eastern Switzerland (OKS). By 2028, this huge undertaking will have transformed the whole area they are built in. This building monograph, laid out in five elegant volumes, documents in much detail the ambitious project, which is a significant trailblazer in the area of hospital design and urban development. This second volume is devoted to KSSG's Haus 10, situated at the northern end of the site. Connected to the hospital's main building by means of an ingenious passage, it serves to treat walk-in patients. Its flexible structure allows adaptions to suit also future needs of KSSG. The interior design is based on materials and features intended also for the other new buildings still to come. Text in English and German.

From artworks and chairs to architecture, landscaping and interior design, Michael Boyd's devotion to the principles of modernism is comprehensive. An artist and musician, he acquired his expertise as a collector, surrounding himself with rare and beautiful finds. His immersion in the philosophy and creativity of the masters inspired him to restore a succession of classic modern houses, curate exhibitions, create a versatile range of furniture and rugs, and design sculptural gardens. Millennium Modern: Living in Design details his work across the first two decades of the new millennium and reflects his belief that the tenets of modernism - honesty and simplicity - developed more than a century ago, are equally relevant to our pluralistic age. In contrast to the pioneers who wanted to do away with the past, his creations are deeply rooted in the history of design. Essays by Boyd and architectural writer Michael Webb, along with comments from collaborators and critics, explore each facet of his residential design. This beautifully illustrated volume reveals Boyd's holistic design practice from his discovery of design classics in flea markets, to his own furniture designs, which feature in residential interiors, hotels and museums, through to his sensitive restoration of the houses by Paul Rudolph and Oscar Niemeyer, Richard Neutra and Craig Ellwood, and the sculptural landscapes he designed to enhance these residences, as well as masterpieces by John Lautner.

Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.

Renowned today as one of the most important architects of the twentieth century, Bruce Goff (1904-1982) was only twelve years old when a Tulsa architectural firm took him on as an apprentice. Throughout his career he defied expectations, not only as a designer of innovative buildings but also as a gifted educator and painter. This beautifully illustrated volume, featuring more than 150 photographs, architectural drawings, and color plates, explores the vast multitude of ideas and themes that influenced Goff's work. Tracing what he calls Goff's ""path of originality,"" Arn Henderson begins by describing two of Goff's earliest and most significant influences: the architect Frank Lloyd Wright and the French composer Claude Debussy. As Henderson explains, Goff embraced from a young age Wright's ideal of organic expression, where all elements of a building's design are integrated into a unified whole. Although Goff's stylistic dependence on Wright eventually waned, the music of Debussy, with its qualities of mystery and ""discipline in freedom,"" was a perpetual source of inspiration. Henderson also emphasizes Goff's identification with the American West, particularly Oklahoma, where he developed most of his ideas and created many of his masterful buildings. Goff served as a professor at the University of Oklahoma between 1947 and 1955, becoming the first chair of its School of Architecture. The new studio course he introduced was a pivotal development, ensuring that his ideas were imparted to the next generation of architects. Part biography of a well-known architect, part analysis of Goff's work, this book is also a finely woven tapestry of information and interpretation that encompasses the ideas and experiences that shaped Goff's artistic vision over his lifetime. Based on scores of interviews with Goff's associates and former students, as well as the author's firsthand study of Goff's extant buildings, this volume deepens our appreciation of the great architect's lasting legacy.

Irreverent and iconoclastic, Nigel Coates has been agitating the architectural scene for over 40 years. In this warm and compelling autobiography, he explores the highs and lows of life at the cutting edge of architecture. Coates' work collides at the intersection between bodies, sexuality and design. As 'artist-architect' and polymath, he has designed buildings, exhibitions, interiors and products. He is also known for his idiosyncratic and dynamic drawings. From the 1980s onwards he captured the media spotlight, and was as likely to appear in Vogue as the Architectural Review. His portfolio includes work for leading brands, such as Liberty, Katharine Hamnett and Jasper Conran, and destination clubs and cafes from Istanbul to Tokyo. Buildings include The Wall in Japan, Powerhouse::uk and the Geffrye Museum in London. He designs for many Italian companies such as Fornasetti, GTV and Poltronova, and has produced lively installations for international art institutions and design exhibitions. As Head of Architecture at the Royal College of Art from 1995-2011, he turned the department into a leading international school. Featuring over 120 images of Coates' most celebrated projects, this memoir is a visual feast for any devotee of contemporary design. It encompasses his childhood in postwar Malvern, student years at the Architectural Association, the founding of radical architectural group NATO, '70s and '80s London club culture and lost loves along the way. This is a searingly honest, unvarnished personal history of one of the UK's most versatile and influential designers.

"This gorgeous doorstop of a book ... Seductive and serious - for the most discerning coffee tables." - Edwin Heathcote, Financial Times. Sigurd Lewerentz (1885-1975) is one of the most highly revered - and also one of the most heavily mythologised - protagonists of modern European architecture. Arguably Sweden's most distinguished modernist, he is more influential to other architects internationally today than he has been during his lifetime. Countless architecture lovers from around the world visit his still existent buildings. Stockholm's woodland cemetery Skogskyrkogarden, his most significant contribution to landscape design, is a UNESCO World Heritage site. This authoritative new monograph on Sigurd Lewerentz is based on extensive research undertaken at ArkDes, Sweden's national centre for architecture and design, where his archive and personal library are being kept. It features a wealth of drawings and sketches, designs for furniture and interiors, model photographs etc. from his estate, most of which published here for the first time, as well as with newly taken photographs of his realised buildings. Essays by leading experts explore Lewerentz's life and work, his legacy and lasting significance from today's perspective. This vast, beautifully designed book offers the most comprehensive survey to date of Lewerentz's entire achievements in all fields of his manifold work.

Greta Magnusson Grossman (1906-1999) was a prolific designer working within the male-dominated world of mid-century modern design, whose status and influence has been largely ignored. Grossman was the ultimate polymath - an industrial designer, interior designer and architect working within two fascinating contexts: Scandinavia and North America. This book gives an overview of Grossman's background and education and the formative years of her career in Sweden, before describing her move to Los Angeles in 1940. While she is remembered for her work as a product and lighting designer, her work as an interior designer has been almost entirely overlooked. This book catalogues and emphasises the significance of her contribution to interior design: making the connections between ideas she tested at the scale of the product within the interior environment. It positions her contribution to interior design in relation to the canon of the genres to which she contributed, her discipline and the emerging canon of women designers - who are only now being recognised, whilst considering her enduring legacy upon the world of design today.

A career-spanning, slipcased monograph in two volumes presenting the work of one of Asia's most thoughtful and innovative architects. With rising populations around the world and the pressures of looming climatic catastrophe, the work of Vo Trong Nghia is a call for architecture to transform itself from a source of pollution to a reason for hope. Nor is this idea anecdotal: the World Green Building Council estimates that 39% of energy-related carbon emissions can be attributed to buildings. An awareness of architecture's responsibilities has permeated the profession in the developed world, while new ideas and solutions are coming from places where these issues are most acute. Following a long recovery from decades of war, Vietnam has emerged as one of the most exciting centres of design Asia - led largely by the work of Vo Trong Nghia, born one year after the end of the Vietnam War, whose work has gained an international following. As a student in Japan, he studied under the minimalist architect Hiroshi Naito and encountered the work of the Colombian architect Simon Velez, a proponent of bamboo architecture with its large spans and high, voluminous spaces - the ideas and teachings of both were to have a profound influence on his own designs. The buildings of Vo Trong Nghia Architects, established in Ho Chi Minh City in 2006, make clear reference to these sources and influences of the past, and to Vo's own adherence to the Five Precepts of Buddhist teaching. The architect's two main themes - green architecture and bamboo as a building material - form the basis of this two-volume celebration of his work. From the Wind and Water Bar, his first foray into bamboo as a building material, to resort complexes, art installations and his game-changing series of residences, House for Trees, Vo Trong Nighia: Building Nature proves that green architecture creates local relevance, beauty and elegance in its own right.

Sir Edwin Lutyens is widely regarded as one of Britain's greatest architects. In a career of over 50 years, spanning the Victorian, Edwardian and modern eras of architecture, Lutyens was prolific. His work ranged from great country houses, city commercial office buildings, his famous World War I memorials across Europe and Britain, and his magnum opus designs for New Delhi built during the 1920s and 1930s. Despite such diversity of building types across his long career, Lutyens's most celebrated works remain his country houses, which first established his reputation during the 1890s. As Lutyens's practice flourished his work became widely promoted in publications such as Country Life magazine, and his houses, particularly those designed in the vernacular manner, would subsequently give rise to an entire genre of the English country house that became known, as it is to this day, as a 'Lutyens-style' house. Sir Edwin Lutyens: The Arts and Crafts Houses brings together in new, wide-format, full-colour photography a definitive collection of 45 of Lutyens's great Arts and Crafts houses, in which he ingeniously blended the style of the Arts and Crafts movement with his own inventive interpretation of the Classical language of architecture. The book features 575 all-new current photographs of the houses, inside and outside, together with a selection of floor plans of the houses, and a fresh interpretation of Lutyens's enduring architectural genius.

This book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process. Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Perez-Gomez. Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience.

The conservation of our Modern architectural heritage is a subject of vehement debate. When do buildings become old or significant enough to warrant special heritage status and protection? Should Modern listed buildings be treated differently from those of earlier periods? And what does all this mean for building users and owners, who might be better served if their buildings were less authentic, but more comfortable and usable? Presenting a clear line of sight through these complex questions, this book explores the conservation, regeneration and adaptive re-use of Modern architecture. It provides a general grounding in the field, its recent history and current development, including chapters on authenticity, charters, listing and protection. Case studies drawing on the author's extensive practical experience offer valuable lessons learnt in the conservation of Modern heritage buildings. Looking beyond the specialist field of 'elite' heritage, Revaluing Modern Architecture also considers the changing culture of conservation for 'sub-iconic' buildings in relation to de-carbonisation and the climate emergency. It suggests how revaluing the vast legacy of modern architecture can help to promote a more sustainable future. Features leading conservation projects, such as the celebrated Penguin Pool at London Zoo, Finsbury Health Centre by Lubetkin & Tecton and Wells Coates' Isokon (Lawn Road) Flats, as well as previously unpublished projects. Analyses key Modern conservation controversies of recent years Illustrated with over 160 photos and drawings. An essential primer for architectural students and practitioners, academics, those employed in conservation and planning, property owners, developers, surveyors and building managers.

The ARCASIA Awards for Architecture is an annual award established by the Architects Regional Council Asia to recognise the outstanding architectural works of Asian architects. It hopes to encourage the inheritance of the Asian spirit and promote the improvement of the Asian architectural environment as well as the role of architects and architecture in the social, economic and cultural development of Asian countries. This special issue of Architecture Asia gives a comprehensive review of the 26 winning projects of ARCASIA Awards for Architecture 2021, which includes Single Family Residential Projects, Multi-family Residential Complexes, Commercial Buildings, Resort Buildings, Institutional Buildings, Social and Cultural Buildings, Specialized Buildings, Industrial Buildings, Conservation Projects, Integrated Projects, Socially Responsible Architecture, and Sustainable Buildings. Through brief jury comments, project descriptions and rich images, this book provides a wonderful opportunity for readers all over the world to give a quick glance at what happened in Asian architecture in 2021.

Tour the Los Angeles architecture designed by award winning architect Frank O. Gehry and other architects with this wonderful guide. Fifty-nine vivid color photos display these fascinating and varied structures, while the text provides addresses and detailed descriptions of each structure and its history. Among the public buildings and offices included are the Walt Disney Concert Hall, Museum of Contemporary Art, Santa Monica City Hall, Santa Monica Civic Auditorium, the Venice Renaissance Building, and well-known "Binoculars Building." The private residences include the Gehry House, the home of fellow architect Rudolf M. Schindler, Venice Art Lofts, and the home of actor and artist Dennis Hopper. Get behind the wheel and cruise L.A. for architecture yourself, or stay at home and enjoy the sites from your lounge chair!

Founded in 2004 by David Montalba, Montalba Architects is an international architecture firm with offices in both Los Angeles and Lausanne. Raised between Switzerland and California, David has cultivated a design philosophy that balances precision and craft with humanistic architecture to form a cohesive presence of both the contextual and the conceptual. Place and Space encapsulates this insightful philosophy through the ideas and projects of the studio spanning more than a decade. Montalba Architects produces impactful architecture and urban design-related projects in a broad range of locations, from the rural landscapes of Wyoming and Switzerland to dense urban sites in New York and Los Angeles. The work engages in a collective pursuit of uncovering ideas and processes to create new forms of expression through space and scale. Projects featured in the book emphasise the importance of experience in architecture, and environments that are both socially responsive and aesthetically progressive, which build on the firm's trademark craft of volumetric landscapes, material integrity, natural light and pure spatial volumes. Place and Space explores the duality of Switzerland and California, and how these locations have inherently influenced the overall ideas and work of Montalba Architects. Woven throughout the text are conversations between David Montalba and other creatives and thinkers, including landscape designer Andrea Cochran, artist Andy Denzler, entrepreneurs David Alleman and Rich Pierson, and film director Zack Snyder, that cross-examine and explore different approaches to space and place. With a foreword by the acclaimed LA-based architect Lawrence Scarpa, alongside extensive photographs and reproductions of drawings, this book further shapes the philosophies that craft a cohesive connection between all Montalba Architects work and is a testament toward its continued influence within the industry.

This title is a commemorative volume celebrating the life and work of the architect and architectural historian Alan Colquhoun, who died in December 2012.

Introducing novel theoretical, empirical and practical investigations with case studies from UK, Europe, South America and South East Asia, the book offers a novel global outlook on how contemporary homes are facing genuine challenges from operational, economic, spatial, social and wellbeing perspectives. The changing demographics of our modern society have inevitably impacted the dynamics and relationships within the home from being personal and private to that of multiple work relationships; domestic work, care for older people, or supporting people with special needs. Whilst the home is a concept universally experienced, permeating every aspect of our lives, it remains an entity whose influence on health and wellbeing is poorly understood. This book brings together 17 different contributions from scholars, researchers and practitioners from different disciplinary and professional backgrounds including three feature articles by leading figures, such as Lord Best and Baroness Hollins. The chapters are organised within three parts that look at the triangle of people + work + care in the home. At a time when homes are increasingly becoming local hubs for care and wellbeing, this volume is a critical and useful addition to current literature in the social sciences, humanities, economics, culture, care and wellbeing in the domestic sphere.

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida's long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists' sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

McMorran & Whitby are arguably one of the most unsung practices of post-war British architecture. Led from the late 1950s by Donald McMorran and George Whitby, two indisputable architectural heavyweights of the post-war era, the practice willingly rejected the experimentalism and fleeting faddishness that characterised the dominant paradigm of the age and from which so many of Britain's towns and cities are still blighted. The practice can be seen as part of an evolution in British classical tradition with direct linkages through other eminent figures such as Sir Edwin Lutyens and E. Vincent Harris. Their work found notable favour with public institutions, such as the police, county and city councils, and universities. These include Devon County Hall in Exeter, various buildings at Nottingham University, West Suffolk County Council buildings in Bury St Edmunds, but, above all, numerous significant commissions for the City Corporation such as Wood Street Police Station and the extension to the Central Criminal Courts, commonly known as the New Bailey. This book is the first major publication on McMorran & Whitby's work, and therefore contains an inspiring combination of contemporary photography and previously unpublished archival material. It is an essential read for architects, students, and historians, not least because it highlights the importance in the arts of seeking longer perspectives than those which, all too often, our own ephemeral epoch permits. This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

Dulwich Picture Gallery in the south of London is the world's first purpose-built public art gallery. Founded in 1811, when Sir Francis Bourgeois RA bequeathed his collection of old masters "for the inspection of the public", it opened its famous building designed by John Soane in 1817. To mark the museum's bicentenary in 2017, Dulwich Picture Gallery commissioned a first temporary summer pavilion on its grounds. For the second edition of the Dulwich Pavilion in 2019, the commission was awarded to London-based architects Dingle Price and Alex Gore in collaboration with British artist Yinka Ilori. This elegant, large-size book documents this piece of built poetry in a series of striking, atmospheric photographs by Sophie Roycroft. The concise essays by Job Floris and Sumayya Vally situate the project within a social, political, and cultural context, complemented by technical details and selected plans and drawings on and inside the book's cover.

Recipient of 2019 John Brinckerhoff Jackson Book Prize, Foundation for Landscape Studies 2021 On the Brinck Book Award Winner "Burle Marx created a new and modern grammar for international landscape design." -Lauro Cavalcanti, quoted in the New York Times "The real creator of the modern garden." -American Institute of Architects Presenting the first English translation of Burle Marx's "depositions," this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country's military dictatorship. Roberto Burle Marx (1909-1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx's career-the years in which he served as a member of the Federal Cultural Council created by the military dictatorship in the mid-1960s. Despite the inherent conflict and risk in working with the military regime, Burle Marx boldly used his position to advocate for the protection of the unique Brazilian landscape, becoming a prophetic voice of caution against the regime's policies of rapid development and resource exploitation. Depositions presents the first English translation of eighteen environmental position pieces that Burle Marx wrote for the journal Cultura , a publication of the Brazilian Ministry of Education and Culture, from 1967 through 1973. Catherine Seavitt Nordenson introduces and contextualizes the depositions by analyzing their historical and political contexts, as well as by presenting pertinent examples of Burle Marx's earlier public projects, which enables a comprehensive reading of the texts. Addressing deforestation, the establishment of national parks, the place of commemorative sculpture, and the unique history of the Brazilian cultural landscape, Depositions offers new insight into Burle Marx's outstanding landscape oeuvre and elucidates his transition from prolific designer to prescient counselor.