This book presents a selection of papers from the International Conference Geometrias'17, which was hosted by the Department of Architecture at the University of Coimbra from 16 to 18 June 2017. The Geometrias conferences, organized by Aproged (the Portuguese Geometry and Drawing Teachers' Association), foster debate and exchange on practical and theoretical research in mathematics, architecture, the arts, engineering, and related fields. Geometrias'17, with the leitmotif "Thinking, Drawing, Modelling", brought together a group of recognized experts to discuss the importance of geometric literacy and the science of representation for the development of scientific and technological research and professional practices. The 12 peer-reviewed papers gathered here show how geometry, drawing, stereotomy, and the science of representation are still at the core of every act leading to the conception and materialization of form, and highlight their continuing relevance for scholars and professionals in the fields of architecture, engineering, and applied mathematics.

Spanish photographers Anna Devis and Daniel Rueda met at the Universitat Politecnica de Valencia, where they both graduated from the School of Architecture. Today, this creative duo puts to use their architectural backgrounds to tell stories through fun and surprising images that are far from conventional architecture photography. Their particular style is characterised by their visual sense of humour, creativity, precision and a delicate aesthetic inspired by the city, geometry and minimalism. By combining their spatial awareness and their artistic vision, primarily based on simple shapes and bold patterns, they have succeeded in establishing magnetic and joyful narratives that smartly suggest both the nature of human relations and the fascination with the urban environment. Although it may seem surprising or hard to believe, besides some basic image processing, Anna and Daniel create these surreal scenes without the use of photo editing software. Instead, they carefully set the scene in real life using all sorts of everyday objects, unexpected locations and tons of natural light.

Whether in town or country, James Gorst's buildings are defined by a combination of modern thinking and an ingrained respect for craftsmanship and bespoke detailing, with equal weight given to architectural form and engaging, vibrant interiors, full of texture and life. This is the first monograph on his work. In many respects, the timeless character of Gorst's work is rooted in the architect's own journey. Starting out as a neo-classicist, Gorst ultimately became frustrated by the restrictions and historicism of the classical approach and reinvented himself as a dedicated modernist, yet continued to place particular emphasis on a love of proportion, scale, symmetry and detailing. Ranging from rural projects which reflect the vernacular traditions of the surrounding countryside, including large contemporary country houses like RIBA award-winning Ironstone House, to others which creatively reinvent and add to period properties, along with new and innovative urban homes, all are defined by a particular ambition to be innovative, fresh and one of a kind. Each of Gorst's houses represents a particular journey, informed by the client and their needs, the context of the site and a response to landscape and setting, which is often reflected in his choice of natural textures and materials.

A delightful story chronicles the adventures of a wren as he seeks to build the ultimate birdhouse. Learn about architectural style coast to coast in a childishly charming book that is a blast of color from front to back. Expose your child to concepts of classic design as diverse as Georgian Revival and log cabin, Art Deco and Arts & Crafts. Children will see their environment, whether their own home or the town they are driving through, in a whole new light. This is a book you'll want to read aloud together time and again. Early reader-ages 5-8.

Architecture office 'Bovenbouw' presents its work in all of its variety and maps the rich world of references with which it designs. It provides a look inside the variety of projects and the rich world of references of the eponymous architecture office from Antwerp. The book and the exhibition act as complements to one another; autonomous, but all the richer when read together. Intuitive yet thought out, and with a measured dose of humour, it maps an extensive frame of reference.

The garden design firm of SMI Landscape Architecture is known for its estate masterplanning, its public gardens and streetscapes, and its thoughtful private gardens for clients across the United States, particularly in Florida, and in the Bahamas. The firm's philosophy incorporates a `botanic garden' approach with exotic planting and elements of classical European design to create beautiful, usable spaces, and it is also known for its preservation and restoration of old landscapes. This book presents 15 new gardens, never before published in any book, that show the range of the firm's work. Each client has different requirements, and so each garden turns out differently - but each shows the firm's hallmarks of lush planting, luxurious garden `rooms' and immaculate hardscaping. As Jorge Sánchez puts it in the Preface, `This book shows how not one individual but many make a firm successful.' For each garden, practical information about the design approach and details of the planting are combined with an account of the process, the firm's relationship with the client and the reasons for the design decisions. Through the narrative - often personal, always descriptive, always detailed - a picture builds up of the approach to each set of circumstances. Many of the projects are in Palm Beach, where a boom in the building of new houses and their attached estates in the early twentieth century has left a legacy of stunning - if sometimes neglected - homes and landscapes ripe for restoration. Local architects such as Addison Mizner and Maurice Fatio designed houses that are now being rejuvenated and sympathetically modernized to fit the requirements of twenty-first-century families, and firms such as SMI are at the forefront of the re-creation of their gardens. The Weisfisch Garden in Palm Beach, for example, was carefully restored and given the surroundings its architecture and its owners deserved, and the whole project was recognized with a prestigious award from the Palm Beach Preservation Foundation. The firm of SMI also works in temperate planting zones, and projects in more northerly states provide an opportunity to work with an entirely different palette of plants. For the Plumb Garden in Chadds Ford, Pennsylvania, for example, the firm was commissioned to remodel a small estate attached to an old pleasure house. The landscape here is much wilder and more temperate than in Florida, and the firm's job was to work with the natural flora and contours of the land while quietly intervening to personalize the areas nearest the house. Simple manipulations of form and slope along with water features and some much more intimate spaces have created a garden that fits impeccably into its wider context and yet is capable of being used and enjoyed by the family. Throughout the book there is a strong sense of participation - with the climate, with the local flora, with the clients and with other designers, whether architects, artisans or interior designers. To be part of such collaborative efforts is hugely satisfying for Sánchez and the members of his team, Claudia Visconti, John Lubischer and Brian Vertesch, as well as producing the best possible result for each set of clients. This beautiful book will appeal to garden lovers everywhere, as well as to design aficionados seeking a deeper understanding of the creative process behind making a garden. It will also appeal to garden designers and horticultural students.

This book explores Louis I. Kahn's approach to tradition as revealed in two of his important, unbuilt, projects. Focusing on Kahn's designs for the Dominican Motherhouse of St. Catherine de Ricci, Media, Pennsylvania (1965-1969), and the Hurva Synagogue, Jerusalem, Israel (1967-1974), the book challenges prevailing aesthetic and methodological assessments of Kahn's use of tradition. It reveals how an authentic and critical theoretical-historical and humanistic study of tradition nourished Kahn's designs, enabling him to mediate historical rituals, ideas and beliefs - and to develop innovative designs rooted deep in human culture while addressing real modern concerns. The book evaluates Kahn's works as a creative recreation and re-interpretation of the past, shedding light on the potential value of the meaningful consideration of tradition in modern times.

This is the first full biography of two of Scotland's most eminent Architects, James Miller and John James Burnet. While born just three years apart into very different circumstances - Burnet was the son of a wealthy Glasgow architect and Miller a farmer's son - their careers and lives became intertwined as they competed for work and eventually the role of Scotland's leading architect. Born in 1857 and 1860 respectively, one inherited and the other established successful practices in Glasgow at the zenith of that city's wealth in the late 19th century. John James Burnet, who was educated at the Ecole des Beaux Arts in Paris, and led his profession in Glasgow in the latter years of the 19th and early years of the 20th centuries, produced many of the city's finest buildings. These include The Athenaeum on Buchanan Street; Charing Cross Mansions; numerous city-centre commercial buildings such as Waterloo Chambers and Atlantic Chambers and the Townhouses on University Avenue. After moving to London, his work included the extension of the British Museum, The Daily Telegraph Building on Fleet Street and Adelaide House by London Bridge. Burnet was knighted and awarded the RIBA's Gold Medal in 1923 and is recognized as one of Scotland's finest architects. James Miller is simply Scotland's most prolific architect. During his long career he designed The Empire Exhibition of 1901, Glasgow Royal Infirmary, Glasgow Central Station, Wemyss Bay Station, St Enoch's Underground Station, Turnberry Hotel, Peebles Hydro Hotel, Gleneagles Hotel, the interiors of the SS Lusitania and SS Aquitania, Hampden Park, Forteviot Model Village, the Institution of Civil Engineers in Westminster, numerous banks, commercial buildings and churches in Glasgow and beyond as well as schools, country houses, factories and town halls. Despite this extraordinary output and his considerable architectural contribution to Scotland's heritage, he has received relatively little acclaim, until now. This is a fascinating double biography, the story of Burnet and Miller's parallel lives and work, set against the background of the booming Empire's 'Second City'.

More Space for Architecture features a fascinating selection of buildings and projects designed by Sheila O'Donnell and John Tuomey over a seven-year period, from 2015 to 2021. Unbuilt and unpublished designs act like stepping stones to trace a continuous path between a wide range of recent and realised works, which includes schools, universities, housing, artist collaborations and public buildings. Context-sensitive buildings on complex and difficult sites in Dublin, Cork and Budapest are outlined and presented in detail for the reader, from conceptual sketches through to completion. Competition-winning projects under construction include the highly public V&A East and Sadler's Wells East, both currently on site at the Queen Elizabeth Olympic Park in Stratford, London; the new Academic Hub in TU Dublin's city centre campus; and the brand new extension at the School of Architecture at Liverpool University. The book also features a collection of reflective essays written by O'Donnell + Tuomey, which includes a selection of O'Donnell's characteristic watercolour studies, expanding on ideas aired in public lectures and developed in studio conversations. More Space for Architecture is a companion volume to the earlier monograph from O'Donnell + Tuomey, Space for Architecture, first published by Artifice Press in 2014 and one of the publishing house's biggest sellers.

In 2011, Zurich-based architect Fawad Kazi, together with the KSSG-OKS planning consortium, won the competition for the rebuilding and extension of St Gallen's cantonal hospital (KSSG) and the new regional children's hospital for eastern Switzerland (OKS). By 2028, this huge undertaking will have transformed the whole area they are built in. This building monograph, laid out in five elegant volumes, documents in much detail the ambitious project, which is a significant trailblazer in the area of hospital design and urban development. This second volume is devoted to KSSG's Haus 10, situated at the northern end of the site. Connected to the hospital's main building by means of an ingenious passage, it serves to treat walk-in patients. Its flexible structure allows adaptions to suit also future needs of KSSG. The interior design is based on materials and features intended also for the other new buildings still to come. Text in English and German.

From sprawling houses to compact bungalows and from world-famous museums to a still-working gas station, Frank Lloyd Wright's designs can be found in nearly every corner of the country. While the renowned architect passed away more than fifty years ago, researchers and enthusiasts are still uncovering structures that should be attributed to him. William Allin Storrer is one of the experts leading this charge, and his definitive guide, The Architecture of Frank Lloyd Wright, has long been the resource of choice for anyone interested in Wright. Thanks to the work of Storrer and his colleagues at the Rediscovering Wright Project, thirty-seven new sites have recently been identified as the work of Wright. Together with more photos, updated and expanded entries, and a new essay on the evolution of Wright's unparalleled architectural style, this new edition is the most comprehensive and authoritative catalog available. Organized chronologically, the catalog includes full-color photos, location information, and historical and architectural background for all of Wright's extant structures in the United States and abroad, as well as entries for works that have been demolished over the years. A geographic listing makes it easy for traveling Wright fans to find nearby structures and a new key indicates whether a site is open to the public. Publishing for Wright's sesquicentennial, this new edition will be a trusted companion for anyone embarking on their own journeys through the wonder and genius of Frank Lloyd Wright.

Complex, controversial, and prolific, Howard Barnstone was a central figure in the world of twentieth-century modern architecture. Recognized as Houston’s foremost modern architect in the 1950s, Barnstone came to prominence for his designs with partner Preston M. Bolton, which transposed the rigorous and austere architectural practices of Ludwig Mies van der Rohe to the hot, steamy coastal plain of Texas. Barnstone was a man of contradictions—charming and witty but also self-centered, caustic, and abusive—who shaped new settings that were imbued, at once, with spatial calm and emotional intensity. Making Houston Modern explores the provocative architect’s life and work, not only through the lens of his architectural practice but also by delving into his personal life, class identity, and connections to the artists, critics, collectors, and museum directors who forged Houston’s distinctive culture in the postwar era. Edited by three renowned voices in the architecture world, this volume situates Barnstone within the contexts of American architecture, modernism, and Jewish culture to unravel the legacy of a charismatic personality whose imaginative work as an architect, author, teacher, and civic commentator helped redefine architecture in Texas.

The largely unknown oeuvre of the Philippine architect Leandro V. Locsin (1928-1994) embodies the search for identity in the built environment. Having completed his studies, Locsin opened his practice in 1953 in the capital Manila which, after the aerial attacks by the Allied forces for the liberation of the Philippines from Japanese occupation, had been almost completely destroyed. The reconstruction, as well as technical innovations and favorable political and economic conditions, made it possible for him to design a wide range and large number of projects, including hotels, commercial buildings, churches, cultural venues, and public buildings. His work combines inspiration from modernism with local traditions and comprises a total of 245 projects, of which more than half were completed. The book presents a selection of the most important buildings and projects.

Renowned today as one of the most important architects of the twentieth century, Bruce Goff (1904-1982) was only twelve years old when a Tulsa architectural firm took him on as an apprentice. Throughout his career he defied expectations, not only as a designer of innovative buildings but also as a gifted educator and painter. This beautifully illustrated volume, featuring more than 150 photographs, architectural drawings, and color plates, explores the vast multitude of ideas and themes that influenced Goff's work. Tracing what he calls Goff's ""path of originality,"" Arn Henderson begins by describing two of Goff's earliest and most significant influences: the architect Frank Lloyd Wright and the French composer Claude Debussy. As Henderson explains, Goff embraced from a young age Wright's ideal of organic expression, where all elements of a building's design are integrated into a unified whole. Although Goff's stylistic dependence on Wright eventually waned, the music of Debussy, with its qualities of mystery and ""discipline in freedom,"" was a perpetual source of inspiration. Henderson also emphasizes Goff's identification with the American West, particularly Oklahoma, where he developed most of his ideas and created many of his masterful buildings. Goff served as a professor at the University of Oklahoma between 1947 and 1955, becoming the first chair of its School of Architecture. The new studio course he introduced was a pivotal development, ensuring that his ideas were imparted to the next generation of architects. Part biography of a well-known architect, part analysis of Goff's work, this book is also a finely woven tapestry of information and interpretation that encompasses the ideas and experiences that shaped Goff's artistic vision over his lifetime. Based on scores of interviews with Goff's associates and former students, as well as the author's firsthand study of Goff's extant buildings, this volume deepens our appreciation of the great architect's lasting legacy.

Irreverent and iconoclastic, Nigel Coates has been agitating the architectural scene for over 40 years. In this warm and compelling autobiography, he explores the highs and lows of life at the cutting edge of architecture. Coates' work collides at the intersection between bodies, sexuality and design. As 'artist-architect' and polymath, he has designed buildings, exhibitions, interiors and products. He is also known for his idiosyncratic and dynamic drawings. From the 1980s onwards he captured the media spotlight, and was as likely to appear in Vogue as the Architectural Review. His portfolio includes work for leading brands, such as Liberty, Katharine Hamnett and Jasper Conran, and destination clubs and cafes from Istanbul to Tokyo. Buildings include The Wall in Japan, Powerhouse::uk and the Geffrye Museum in London. He designs for many Italian companies such as Fornasetti, GTV and Poltronova, and has produced lively installations for international art institutions and design exhibitions. As Head of Architecture at the Royal College of Art from 1995-2011, he turned the department into a leading international school. Featuring over 120 images of Coates' most celebrated projects, this memoir is a visual feast for any devotee of contemporary design. It encompasses his childhood in postwar Malvern, student years at the Architectural Association, the founding of radical architectural group NATO, '70s and '80s London club culture and lost loves along the way. This is a searingly honest, unvarnished personal history of one of the UK's most versatile and influential designers.

French-born Jean Prouve (1901-1984) was the 20th century's leading construction designer, a self-declared constructeur and member of the jury who oversaw the design of the Centre Pompidou in Paris. As a designer, he captured the midcentury spirit of innovation, expansion, and growth, developing techniques that united simple, striking aesthetics with practical, cost-effective materials and assembly. From vast, temporary exhibition marquees to handheld letter openers, modular building systems to interior lighting, Prouve's designs efficiently fitted their function with minimal fuss and understated elegance. Feted by designers, architects, and engineers the world over, Prouve has left a rich and inspirational legacy, which resonates perfectly with the approach of this compact volume, neatly summarizing his life and works. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

This book explores the role of silence in how we design, present and experi-ence architecture. Grounded in phenomenological theory, the book builds on historical, theoretical and practical approaches to examine silence as a methodological tool of architectural research and unravel the experiential qualities of the design process. Distinct from an entirely soundless experience, silence is proposed as a material condition organically incorporated into the built and natural landscape. Kakalis argues that, either human or atmospheric, silence is a condition of waiting for a sound to be born or a new spatio-temporal event to emerge. In silence, therefore, we are attentive and attuned to the atmos-phere of a place. The book unpacks a series of stories of silence in religious topographies, urban landscapes, film and theatre productions and architec-tural education with contributed chapters and interviews with Jeff Malpas and Alberto Perez-Gomez. Aimed at postgraduate students, scholars and researchers in architectural theory, it shows how performative and atmospheric qualities of silence can build a new understanding of architectural experience.

A career-spanning, slipcased monograph in two volumes presenting the work of one of Asia's most thoughtful and innovative architects. With rising populations around the world and the pressures of looming climatic catastrophe, the work of Vo Trong Nghia is a call for architecture to transform itself from a source of pollution to a reason for hope. Nor is this idea anecdotal: the World Green Building Council estimates that 39% of energy-related carbon emissions can be attributed to buildings. An awareness of architecture's responsibilities has permeated the profession in the developed world, while new ideas and solutions are coming from places where these issues are most acute. Following a long recovery from decades of war, Vietnam has emerged as one of the most exciting centres of design Asia - led largely by the work of Vo Trong Nghia, born one year after the end of the Vietnam War, whose work has gained an international following. As a student in Japan, he studied under the minimalist architect Hiroshi Naito and encountered the work of the Colombian architect Simon Velez, a proponent of bamboo architecture with its large spans and high, voluminous spaces - the ideas and teachings of both were to have a profound influence on his own designs. The buildings of Vo Trong Nghia Architects, established in Ho Chi Minh City in 2006, make clear reference to these sources and influences of the past, and to Vo's own adherence to the Five Precepts of Buddhist teaching. The architect's two main themes - green architecture and bamboo as a building material - form the basis of this two-volume celebration of his work. From the Wind and Water Bar, his first foray into bamboo as a building material, to resort complexes, art installations and his game-changing series of residences, House for Trees, Vo Trong Nighia: Building Nature proves that green architecture creates local relevance, beauty and elegance in its own right.

The conservation of our Modern architectural heritage is a subject of vehement debate. When do buildings become old or significant enough to warrant special heritage status and protection? Should Modern listed buildings be treated differently from those of earlier periods? And what does all this mean for building users and owners, who might be better served if their buildings were less authentic, but more comfortable and usable? Presenting a clear line of sight through these complex questions, this book explores the conservation, regeneration and adaptive re-use of Modern architecture. It provides a general grounding in the field, its recent history and current development, including chapters on authenticity, charters, listing and protection. Case studies drawing on the author's extensive practical experience offer valuable lessons learnt in the conservation of Modern heritage buildings. Looking beyond the specialist field of 'elite' heritage, Revaluing Modern Architecture also considers the changing culture of conservation for 'sub-iconic' buildings in relation to de-carbonisation and the climate emergency. It suggests how revaluing the vast legacy of modern architecture can help to promote a more sustainable future. Features leading conservation projects, such as the celebrated Penguin Pool at London Zoo, Finsbury Health Centre by Lubetkin & Tecton and Wells Coates' Isokon (Lawn Road) Flats, as well as previously unpublished projects. Analyses key Modern conservation controversies of recent years Illustrated with over 160 photos and drawings. An essential primer for architectural students and practitioners, academics, those employed in conservation and planning, property owners, developers, surveyors and building managers.

Until his death at age 104, Oscar Niemeyer (1907-2012) was something of an unstoppable architectural force. Over seven decades of work, he designed approximately 600 buildings, transforming skylines from Bab-Ezzouar, Algeria, to his homeland masterpiece Brasilia. Niemeyer's work took the reduced forms of modernism and infused them with free-flowing grace. In place of pared-down starkness, his structures rippled with sinuous and seductive lines. In buildings such as the Niteroi Contemporary Art Museum, Edificio Copan, or the Metropolitan Cathedral in Brasilia, he brought curvaceousness to the concrete jungle. In the futuristic federal capital of Brasilia, he designed almost all public buildings, and thus became integral to the global image of Brazil. With rich illustrations documenting highlights from his prolific career, this book introduces Niemeyer's unique vision and its transformative influence on buildings of business, faith, culture, and the public imagination of Brazil. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The ARCASIA Awards for Architecture is an annual award established by the Architects Regional Council Asia to recognise the outstanding architectural works of Asian architects. It hopes to encourage the inheritance of the Asian spirit and promote the improvement of the Asian architectural environment as well as the role of architects and architecture in the social, economic and cultural development of Asian countries. This special issue of Architecture Asia gives a comprehensive review of the 26 winning projects of ARCASIA Awards for Architecture 2021, which includes Single Family Residential Projects, Multi-family Residential Complexes, Commercial Buildings, Resort Buildings, Institutional Buildings, Social and Cultural Buildings, Specialized Buildings, Industrial Buildings, Conservation Projects, Integrated Projects, Socially Responsible Architecture, and Sustainable Buildings. Through brief jury comments, project descriptions and rich images, this book provides a wonderful opportunity for readers all over the world to give a quick glance at what happened in Asian architecture in 2021.

Often called the father of landscape architecture, Frederick Law Olmsted was responsible for the design of Central Park and Prospect Park in New York City; Mount Royal Park in Montreal; the Belle Isle Park in Detroit; the Grand Necklace of Parks in Milwaukee; the Cherokee Park and entire parks system in Louisville, KY; and the Biltmore Estate in Asheville, North Carolina, to name a few of his most famous projects. His landscape works are enjoyed in 25 states and 3 Canadian provinces. Most of these parks were created during and immediately after the Civil War. This title presents the opportunity to witness the evolution of Olmsted s design and social philosophies during a time of upheaval in American history.

Sixteen selections, dating from the 1850s to the 1890s, reveal Frederick Law Olmsted s youthful interests as well as his mature thinking on cities, small residential sites, the history and theory of urban parks, and landscape architecture in general. His writings directly addressed important issues of his day, but they remain as cogent as ever in today s environmental crisis."