Leonardo da Vinci's scientific explorations were virtually unknown during his lifetime, despite their extraordinarily wide range. He studied the flight patterns of birds to create some of the first human flying machines; designed military weapons and defenses; studied optics, hydraulics, and the workings of the human circulatory system; and created designs for rebuilding Milan, employing principles still used by city planners today. Perhaps most importantly, Leonardo pioneered an empirical, systematic approach to the observation of nature-what is known today as the scientific method.
Drawing on over 6,000 pages of Leonardo's surviving notebooks, acclaimed scientist and bestselling author Fritjof Capra reveals Leonardo's artistic approach to scientific knowledge and his organic and ecological worldview. In this fascinating portrait of a thinker centuries ahead of his time, Leonardo singularly emerges as the unacknowledged "father of modern science."

Inspiring panoramas of sustainable urban development projects around the world In Work in Progress, Spanish photographer Jose Manuel Ballester (born 1960) captures urban design and building projects by the Spanish transport company Ferrovial, including highways, airports and sustainable urban development projects all over the globe.

This book, conceived as a road trip, leads through the fascinating architectural heritage from the time of the tourism boom and of the Cold War in Croatia. Along the Adriatic high way, the picturesque coastal road from the 1960s, impressive hotel complexes and secret military posts emerged at the same time, which today share a similar fate: as ruins with a sea view. The authors from the research department of housing and design of TU Vienna outline routes to these hidden architectures, describe their development, their role in the non-aligned state of Yugoslavia, their decline, and their transformation. Eight removable folding maps examine special phenomena of the coastal area and make the book a practical guide on the journey to the hidden gems of the Croatian Adriatic coast.

In With Reference, Soo Chan of SCDA explores the fundamentals of architecture - going back to inspirations and precedents, examining basic building blocks and core values - in search of a universal spatial vocabulary for contemporary practice. As practice becomes increasingly globalised and fragmented, the applied design language has to absorb nuances of climate, craft, culture, and place. Through a rich diagrammatic analysis of seminal projects by SCDA as well as masters of architecture around the world, With Reference argues for the revival of a rule-based design language.

Julian Abele, Architect and the Beaux Arts uncovers the life of one of the first beaux arts trained African American architects. Overcoming racial segregation at the beginning of the twentieth century, Abele received his architecture degree from the University of Pennsylvania in 1902. Wilson traces Abele's progress as he went on to become the most formally educated architect in America at that time. Abele later contributed to the architectural history of America by designing over 200 buildings throughout his career including the Widener Memorial Library (1913) at Harvard University and the Free Library of Philadelphia (1917). Architectural history is a valuable resource for those studying architecture. As such this book is beneficial for academics and students of architecture and architectural historians with a particular interest in minority discussions.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Familia, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites. Packed full of expert texts and hundreds of full-color illustrations, including new photography, this book presents Gaudi's complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Peter Markli has been one of the most striking protagonists of German-Swiss architecture since the founding of the movement in the early 1980s. However, his impressive buildings resist classification; they do not fit any particular scheme or style, as each structure is developed on an intensely intimate level. This results in wholly unique edifices, which provoke questions about humanity's use of architecture as a means of expressing timelessness, rigidity, and permanence. This volume presents 17 buildings erected by Markli over the past 15 years. Each is analysed thoroughly with texts, plans and images. The presented works are complemented by enlightening essays by Florian Beigel, Philip Christou, Franz Wanner and Ellis Woodman. An exciting interview with Peter Markli himself rounds off this impressive monographic collection, conducted by Elena Kossovskaja.

The buildings of the past were constructed with readily available and local materials, such as stone, wood, or handmade bricks. Architects in the modern era, however, can choose from an ever increasing number of new materials, each one allowing for different advances in design. And yet the traditional materials have never been entirely supplanted; they still form an important part of the architectural range and are still used by architects the world over. The humble brick, for example, has remained a constant throughout the history of architecture, as has timber with its flexibility and warm tones. But today such elements can be used in conjunction with newer materials to highlight their natural beauty in many different ways: creating a stunning metal facade, wrapping a building with a cool, sleek stone finish, designing a wall with an eye-catching interesting texture, or adding depth or warmth to an internal design. Traditional metals are also finding new use, being employed to coat a structure in a light metal skin that reflects the sunlight, or embedded onto a building to add interest and texture. This book journeys through a curated selection of stunning examples from across the world, showcasing how each material is creatively used over a diverse range of building types and styles, and illustrating the myriad possibilities and forms available to the modern architect who chooses to rework these age-old materials into a brand-new decorative yet functional form.

On occasion, an artist is not only from, but of, a place. Imbued with the very spirit of a locale, and thus inspired to return the favour. Such is the nature of the relationship between the legendary architect Foyez Ullah, and Bangladesh' capital city, Dhaka. Dhaka is a city rich with history; borne of eclecticism, and her tremendous growth post-independence has been extraordinary, both culturally and architecturally. From the early Mughal architecture to the Indo-Saracenic style of the colonial era, to the sheets of steel and glass that characterize a modern metropolis, there's an aesthetic battle for the city's very soul being waged. Dhaka is a city rich with history; borne of eclecticism, and her tremendous growth postindependence has been extraordinary, both culturally and architecturally. From the early Mughal architecture to the Indo-Saracenic style of the colonial era, to the sheets of steel and glass that characterize a modern metropolis, there's an aesthetic battle for the city's very soul being waged. Foyez Ullah has played an active role in this conversation for nearly three decades, weaving a tapestry of work within Dhaka's realm that declutters her chaotic whims and sets revealing insight into contextspecific architectural response. Through a series of his architectural benchmarks, as well as texts from the architectural critics Vladimir Belogolovsky and Byron Hawes, this volume posits a framework for responsive and contextual architecture for Dhaka in the 21st century.

This book features the advanced studios of Chris Perry, Eric Bunge and Mimi Hoang, and Liza Fior with Katherine Clarke assisted by Andrei Harwell. The research and projects grapple with the issues of how to insert new pieces of architecture both as infrastructural and individual cultural buildings, into sites where existing physical and social issues are at conflict. The design solutions in each case--Cern headquarters in Geneva, the Peripherique of Paris, and the London 2012 Olympic site--unify the urban design and piece together the sites as bits of urban acupuncture creating new amenities and resources for the future. The book includes interviews with the architects about the work of their professional offices and essays on the themes of their advanced studios."

Provides indepth analysis of Eric Owen Moss' philosophical and engineered solutions to architecture and design, often representing paradigm shifts in focus The work of Eric Owen Moss Architects is about "making it new," and the aspiration to uncover new ways to think, to feel, to see, and to understand architecture and this essential concept is the departure point for Eric Owen Moss Architects. This firm's oeuvre is underscored by its unique approach to design, which is that it's convinced the world renews itself, and that architecture has the capacity to offer alternative venues as human affairs continue to be re-imagined. Showcasing highly illustrated and richly photographed works, this volume illuminates how Eric Owen Architects avoids traditional organisation strategies, standardised design solutions, and any notion of architecture as simply a repetitive style. This book delves into how the firm is fascinated both by individual buildings, and that evolving inter-relationship between building and city, and the interrogation of that urban/building exchange in a search/research of alternative design tactics, methods, and techniques that will obligate and modify both building and city. Spanning four decades, Eric Owen Moss Architects has designed a variety of award-winning buildings that continue to re-shape the discourse of international architecture. The Eric Owen Moss office works across a range of typologies and continues to educate through prolific engagement, including master planning, building designs, exhibits, lectures, publications, and teaching around the world. AUTHOR: Eric Owen Moss was honoured with the Academy Award in Architecture from the American Academy of Arts and Letters in 1999, and has received numerous honours for his work. Moss has held teaching positions at major universities around the world and in 2006 he received the AIA|LA Educator of the Year in 2006, and the Most Admired Educator Award from the Design Futures Council in 2013. SELLING POINTS: * Provides in-depth analysis of Eric Owen Moss' philosophical and engineered solutions to architecture and design, often representing paradigm shifts in focus * Covers projects from around the world, including China, Finland, United States, Russia, Mexico and across Europe 400 col.

Inigo Jones worked as hard on the creation of his architectural persona as he did on the design of the buildings for the early Stuart court. Through his study of continental architectural and art theory, humanist education, and courtly behavior, Jones redefined the intellectual status of architecture in England and forged a new role for the architect in public life. Since his death, he has been variously described as the first educated architect, the first classicist, the first Renaissance architect in Britain, and the savior of British building from the long winter of the Elizabethan style. This reputation has overlooked the many ways that Jones drew on English customs in order to shape classical architecture for a domestic audience. This 2006 book explores the creation of Jones as professional architect and the development of classical architecture in England through a study of his reading, writing, and architectural practice.

This fully illustrated monograph is dedicated to architect Pierre-Louis Faloci, 2018 Laureate of the Grand Prix national de l'architecture and author of the concept of "global village". The book highlights the career path of Faloci and explores the concept of "ecology of the gaze", which for him, together with that of "eco building", plays a key role in today's architecture. Text in English and French.

Digital Monuments radically explodes "iconic architecture" of the new millennium and its hijacking of the public imagination via the digital image. Hallucinatory constructions such as Rem Koolhaas's CCTV headquarters in Beijing, Frank Gehry's Guggenheim Museum in Bilbao and Zaha Hadid's Performing Arts Centre in Abu Dhabi are all introduced to the world by immortal digital imagery that floods the internet-yet comes to haunt the actualised buildings. Like holograms, these "digital monuments," which violently push physics and engineering to their limits, flicker eerily between the real and the unreal-invoking fantasies of omnipotence, immortality and utopian cities. But this experience of iconic architecture as a digital dream on the ground conceals from the urban spectator the social reality of the buildings and the rigidity of their ideology. In 18 micro-essays, Digital Monuments exposes the stereotypes of iconic architecture while depicting the savagery of the industry, from the Greek and Spanish crises triggered by financialised iconic development to mass labour-deaths on construction sites in the UAE.

Taking an interdisciplinary approach, weaving together art, philosophy, history, and literature, this book investigates the landscapes and buildings of Swedish architect Erik Gunnar Asplund. Through critical essays and beautiful illustrations focusing on four projects, the Woodland Cemetery, the Stockholm Public Library, the Stockholm Exhibition and Asplund's own house at Stennas, it addresses the topic of buildings accompanied by landscapes. It proposes that themes related to landscape are central to Asplund's distinctive work, with these particular sites forming a collection that documents an evolution in his design thinking from 1915 to 1940. The architect himself wrote comparatively little about his design intentions. However, through close reading and analysis of the selected projects as landscapes with architecture, author Malcolm Woollen argues that reflections of the history of Swedish landscape architecture and the intellectual climate in the late nineteenth and early twentieth centuries are evident in his work and help to explain the architect's intentions. This book is a must-have for academics, advanced students and researchers in landscape architecture and design who are interested in Nordic Classicism and the works of Erik Gunnar Asplund.

A comprehensive look at the life and work of one of the 20th century's most influential architects Aldo van Eyck (1918-1999) was a Dutch architect, writer, and teacher who helped redefine Modern architecture in the second half of the 20th century. As an advocate for architecture's engagement with history, culture, climate, and the lived human experience of buildings and urban spaces, he created designs that privileged place and the daily rituals in the lives of its inhabitants over universal ideals. In this volume, enlivened by 300 illustrations from the Aldo van Eyck archive, Robert McCarter provides the first comprehensive study of van Eyck's 50-year career since his death, guiding readers through the architect's buildings and unrealized projects, with a focus on the interior spatial experience and on the design and construction processes. Highlighted projects include the Amsterdam Orphanage, the Roman Catholic Church in The Hague, and some of the hundreds of playgrounds he famously designed over the course of his career. McCarter also investigates how van Eyck's writings and lectures convey the importance of architecture in the everyday lives of people around the world and throughout history. By presenting his design work together with the principles on which it was founded, McCarter illuminates van Eyck's ethical interpretation of architecture's place in the world.

Zaha Hadid was a revolutionary architect, who for many years built almost nothing, despite winning critical acclaim. Some even said her audacious, futuristic designs were unbuildable. During the latter years of her life, Hadid's daring visions became a reality, bringing a unique new architectural language to cities and structures as varied as the Rosenthal Center for Contemporary Art in Cincinnati, hailed by The New York Times as "the most important new building in America since the Cold War"; the MAXXI Museum in Rome; the Guangzhou Opera House in China; and the London 2012 Olympics Aquatics Centre. At the time of her unexpected death in 2016, Hadid was firmly established among the elite of world architecture, recognized as the first woman to win both the Pritzker Prize for architecture and the RIBA Royal Gold Medal, but above all as a giver of new forms, the first great architect of the noughties. From her early sharply angled buildings to later more fluid architecture that made floors, ceilings, walls, and furniture part of an overall design, this essential introduction presents key examples of Hadid's pioneering practice. She was an artist, as much as an architect, who fought to break the old rules and crafted her own 21st-century universe. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

This title focuses on a key architect in Florida's first building boom. Marion Manley (1893-1984) was Maimi's first female architect and successfully maintained an independent architectural practice in south Florida over much of the twentieth century. In this first comprehensive, illustrated work on Manley, Catherine Lynn and Carie Penabad explore the relationship of Manley's work to her life and to the broader historical moment of which she was a part, including the overall development of the city of Miami. The book catalogs all of Manley's known work, includes images and plans where available, and provides detailed examinations of what the authors consider to be her best, most emblematic work in each phase of her long career. Best known as one of the designers of the innovative University of Miami campus built just after the Second World War, Manley worked on other public buildings that are less well known, including an addition to the John Ringling Museum in Sarasota. Her residential work is interesting as well: modest and rational, with careful consideration of regional characteristics and construction appropriate to the south Florida landscape. As noted architect Elizabeth Plater-Zyberk remarks in her foreword, 'Understanding the reduced circumstances of the provenance of these buildings and their low-technology characteristics, such as rooms with cross ventilation, large areas of shaded glass, and the almost tactile relationship to the adjacent landscape, we must admire the legacy of Marion Manley'.

Globally acclaimed miminalist architect, John Pawson, celebrates colors through 320 inspiring photographs."Pawson is a lot more than just an architect; he's also handy with a camera and has a good eye for what makes a nice picture." -MonocleGlobally acclaimed architectural designer John Pawson takes you on a multi-colored journey across the world through a carefully curated sequence of 320 images. It's a celebration of color from one of the most unexpected sources. His architecture might be known for its limited color palette - primarily white - but Pawson's photographs tell another story. Pawson is always taking photographs of patterns, details, textures, and spatial arrangements that often inform his work, which includes the new Design Museum in London and Calvin Klein retail stores.

The Melnikov House, a building designed by the architect Konstantin Melnikov in Moscow for his family (1927 - 1929), is an icon of the architectural avant-garde. The house was originally built as an experimental cylindrical house to test out Konstantin Melnikov's very own concept of mass construction of residential estate. The original layout, elegant spatial arrangement, and smart engineering techniques made this masterpiece world famous. According to the words of Melnikov, the essence of the house lies in its "even distribution of weight, light, air, and heat". Being of a unique architectural form, it still looks modern while retaining the authentic memorial atmosphere of the twentieth century, thus reflecting the tragic life of this maverick architect. This book covers the house in its current condition - during its transformation from a family home to the State Melnikovs Museum, awaiting an in-depth survey by specialists and conservation works. The book contains rich archival materials as well as recent photographs. It describes the challenges and choices that need to be made during the process of museumification. Many of the memorial objects from the house linked to the professional life of the architect will be published for the first time.

A comprehensive book on Selldorf Architects, with a detailed look at the museums, residences, and public buildings the firm has designed in the United States and abroad. Founding principal Annabelle Selldorf was born in Cologne, Germany and educated at the Pratt Institute and Syracuse University. The firm launched into international prominence with the opening of New York's Neue Galerie in 2001. Since, Selldorf Architects has become known for galleries, cultural projects, and as well as private homes. More recently, the firm has made its mark with Sims Municipal Recycling in Brooklyn in 2013. The design and construction won an Award for Excellence in Design from the Public Design Commission. In 2014, Selldorf Architects received the commission to build the expansion of the Museum of Contemporary Art in San Diego. This book begins with an extensive conversation between Tom Eccles and Annabelle Selldorf, as well as an essay by architecture critic Ian Volner. A newly-shot, full color portfolio by renowned photographer Todd Eberle is complimented by an in-depth look at the story behind 30 selected projects, including architectural plans and sketches.

The Roehampton Lane (Alton West) estate is widely acclaimed as one of the seminal works of the Modern Movement in Britain. Less well known is the identity of its designers, four ambitious young architects in the employ of the London County Council: Bill Howell, John Killick, John Partridge and Stan Amis. Launched into practice with a maverick design for Churchill College, Cambridge, their output ranged from additions to Oxford and Cambridge colleges to theatres, houses and government buildings.Deriving a distinctive design language from revealed structure and highly modelled surfaces, HKPA developed a rich, allusive and extrovert architecture. Although a mastery of pre-cast concrete and a preference for raw finishes earned them an early reputation as Brutalists, their sensitivity to context, refined sense of light and materials and eye for the qualities of historic buildings transcends any single style. Geraint Franklin has combined interviews with archival research to tell the story of the individuals, collaborations and aspirations behind the built and unrealised projects. Lavishly illustrated with new photography by James O. Davies and images from the practice archive, this book is a must for architects, students and enthusiasts wanting to discover this key practice in British post-war architecture.