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Books > Arts & Architecture > Architecture > Individual architects
Inigo Jones worked as hard on the creation of his architectural persona as he did on the design of the buildings for the early Stuart court. Through his study of continental architectural and art theory, humanist education, and courtly behavior, Jones redefined the intellectual status of architecture in England and forged a new role for the architect in public life. Since his death, he has been variously described as the first educated architect, the first classicist, the first Renaissance architect in Britain, and the savior of British building from the long winter of the Elizabethan style. This reputation has overlooked the many ways that Jones drew on English customs in order to shape classical architecture for a domestic audience. This 2006 book explores the creation of Jones as professional architect and the development of classical architecture in England through a study of his reading, writing, and architectural practice.
The architect, Lina Bo Bardi (1914-1992), has long been considered one of the major modern architects of the twentieth century in Brazil. Her iconic Museum of Art of Sao Paulo (1968), and the bold, Social Service for Commerce Building-Pompeia, Sao Paulo (1986), have gained recognition in recent years and her reputation is beginning to be acknowledged internationally. Bo Bardi's major writings on architecture, however, have not been translated, and are not well known. This book contains the first English-language translation of Propeadeutic Contribution to the Teaching of Architecture Theory, (Habitat, Ltd. Sao Paulo, 1957), a seminal text, published in Portuguese by the Italo-Brazilian Bo Bardi. It is arguably the first published writing on architecture theory by a practicing woman architect. Accompanying the translation is an introductory essay that interprets Bo Bardi's text as a critical and constructive theory of architecture built from a collection of textual and visual artifacts. This translation clearly renders Bo Bardi's work in English, and contextualizes it theoretically, taking into account the specific historical sources and contemporaneous discourses from which it draws. With comparisons to other important architectural pedagogies and theoretical texts of the period, it is also an inquiry into the nature of architecture history and theory, its role in education and its relation to practice.
Barry Parker (1867-1944) was a leading figure in the Arts and Crafts Movement in England. In partnership with Raymond Unwin he planned the world's first 'Garden City', at Letchworth, and London's Hampstead Garden Suburb. They also designed many individual houses and other buildings. In 1910 Parker began publication of a series of essays called 'Modern Country Homes in England' in The Craftsman, an influential American journal. It was his hope that these would be eventually collected together in book form, and would thus stand as a statement of his architectural beliefs. This volume, first published in 1986, is based upon these essays, and offers a critical evaluation of Parker's work. Many of the illustrations are taken from original drawings and photographs.
David Hu's Sea Girt House ocillates gracefully between a sort of proto minimalism and a hyper orchestrated spatial awareness. It's a project that makes no bones about its purpose of providing a single-minded solitude for its inhabitant, even while demonstrating its unwavering solicitude towards its surrounding enviornment.
Jen Alkema's minimalism goes beyond an economy of language and material; it is a way of perceiving the world, a personal attitude rather than an application of style or method. Alkema's primary objective is not to produce a definitive work of beauty. Rather, he creates the conditions that allow beauty to surface. The design claims its own existence, developing into an undeniable reality. The architect becomes his own instrument, no longer the master. If we see minimalism as a derivative of modernism in art, architecture and music, Jen Alkema is not a minimalist. If, however, minimalism is regarded as a way of thinking shared by numerous cultures throughout the ages, Jen Alkema is a minimalist pur sang. His minimalism goes beyond an economy of language and material; it is a way of perceiving the world, a personal attitude rather than an application of style or method. After receiving his degree at The Academy of Architecture (Amsterdam) and reaching the finals of the prestigious Prix de Rome competition in 1995, Jen Alkema turned his focus to the pure essence of architecture: mass, light, structure, repetition, volume, material. His designs, although austere almost to the point of being chaste, incorporate an innate luxury achieved through the exacting use of materials and attention to detail, a perfection in execution. Paradoxical as it may seem, the creation of this sensuous simplicity demands tremendous skill and discipline.
No typology lends itself more naturally to Juan Montoya s creative impulses than tropical residences. There is such a sense of appropriateness to place in the architecture and interiors that our assumption that the designer s stylistic affinity is somehow inborn becomes inescapable. In this book, the reader will visit Montoya-designed residences that occupy ravishing sites in Punta Mita (Mexico), Cap Cana (Dominican Republic), Miami Beach, Fisher Island, and other idyllic oceanfront locales. As much as these homes are escapist fantasias, they are also inextricably rooted to their geographic location and their regional culture. And while their sense of luxury is palpable, so is their lack of pretension, the practicality that makes them functional for the families who reside there, and their resilience to the natural conditions in which they are found. Luxuriate in open-air pavilions with endless views of sea and sand, on sweeping terraces with glimmering pools and dramatic sunsets, and in sumptuous interiors with blue-and-white tiles, intricate beadwork, global textiles, and thatched roofs. This book is a must-have for interior designers, owners or potential buyers of seaside property, and armchair travellers who relish an escape to paradise.
This comprehensive biography traces the life and works of Robert Maillart, one of the most important engineers and designers of the twentieth century. His career developed around a central issue of modern technological society: the debate between two antithetical views of engineering opposing applied science, which relied on general mathematical theories for understanding structures against design, which Maillart championed. Maillart considered structures not merely works of utility but also as works of art. As utilitarian objects, he created a series of innovations of lasting significance. Aesthetically, Maillart shaped his three innovations in concrete to create surprising and often stunning new forms. Providing an analysis of these innovations, this biography also connects Maillart's aesthetic ideas with the private and professional context in which he worked.
In Selective Eye: An Architect's Notebook, David Martin takes us along on a life-long journey of discovery that begins with his distinguished architectural legacy, and his early personal family and educational influences. Sharing his memorable visual and verbal impressions of his wide-ranging travels, through Asia, Europe, the American Southwest, Mexico, the Middle East, the South Pacific, and the Caribbean, David's journey concludes with valuable insights into the conception, design and realization process in architecture, the MADWORKSHOP Foundation, his distinguished career as a teacher, and his plans for the future. A testament to the fact that David is an extremely talented watercolorist and photographer with a not-so-secret passion for automotive and furniture design, his watercolors have been exhibited throughout the United States and are presented here, for the first time, as a collection in print form.
This is a scholarly examination of the theoretical work of one of the most important architects of early modern Europe. Trained as a scientist, Wren applied the seventeenth-century scientific methods to his study of ancient, medieval, Renaissance and contemporary architecture. From his study of ancient buildings, he posited a new version of the origins and development of the Classical style, thereby becoming one of the first to challenge theoretical principles of architecture that had been upheld since the Renaissance. Rejecting the idea of beauty as absolute and innate, Wren formulated an empirical definition, based on visual perception and custom. His acceptance of the relativity of beauty also led him to recognize the Gothic style, then disparaged by himself and his contemporaries throughout Europe, as a legitimate one that evolved within particular cultural circumstances. This edition of Wren's writings includes accurate, annotated transcriptions of the texts.
Regardless of style, age or size, a home should be a place of
refuge, a private space in which we can feel truly comfortable,
whether spending time on our own or entertaining friends. Above
all, it should be a place of our own making, filled with the books,
furniture and other cherished objects that say so much about who we
are. Nowhere is this philosophy more apparent than in the work of
Chester Jones, one of the UK's most celebrated interior designers
and decorators. Lavishly illustrated throughout, "The Interiors of
Chester Jones" provides a unique and fascinating insight into both
Jones himself - a former architect and managing director of Colefax
and Fowler - and the thinking behind the many rich and nuanced
interiors he has created since establishing his own firm in 1989.
The book covers every aspect of his work, from his distinctive use
of art and artefacts to his sympathetic treatment of a building's
architectural history, and includes a series of in-depth case
studies on past projects. At the heart of this beautiful book is
Jones's own belief that to be happy in one's own surroundings, to
live contentedly in a space of our own design, is to feel genuinely
at home.
The work of Alejandra Cisneros marks a significant departure from the tropical 'Bali-style' villa design popularised in the past two decades and is a refreshing antidote to the anodyne villas invading Bali's centuries-old rice terraces. In Seen | Unseen, Alej shares her insights on reimagining traditional homes for 21st-century lifestyles in today's fragile environments. She reveals the thinking behind her designs, and her heart-centred process of co-creation a "conspiracy of client, joglo, land, Balinese craftsmanship, and culture." She also acknowledges the influence of Tri Hita Karana, the Balinese concept of cosmological balance that governs their relationship with people, the environment and the Creator. This beautifully illustrated book focuses on her whimsical, exciting homes - fanciful yet practical, designed for potters and poets, artists and entrepreneurs alike hailing from North and South America, Europe and Asia. Crafted almost entirely from antique teakwood, traditional materials, and showcasing joyful design ideas, each home merges seamlessly with the landscape. Alej curates unique, mould-breaking homes that create a new way of living that is at one with nature in the tropics. Her canvas is the Bali landscape; her paints are Java's traditional teakwood joglos and Indonesia's myriad natural materials; her brushes are the Balinese craftspeople that bring her vision to reality.
Inigo Jones worked as hard on the creation of his architectural persona as he did on the design of the buildings for the early Stuart court. Through his study of continental architectural and art theory, humanist education, and courtly behavior, Jones redefined the intellectual status of architecture in England and forged a new role for the architect in public life. Since his death, he has been variously described as the first educated architect, the first classicist, the first Renaissance architect in Britain, and the savior of British building from the long winter of the Elizabethan style. This reputation has overlooked the many ways that Jones drew on English customs in order to shape classical architecture for a domestic audience. This 2006 book explores the creation of Jones as professional architect and the development of classical architecture in England through a study of his reading, writing, and architectural practice.
Living Buildings celebrates the 50th Anniversary of Donald Insall Associates, the Practice founded by distinguished British architect Donald Insall, a leading exponent in the field of Architectural Conservation. Probably best known for the restoration of Windsor Castle after a devastating fire in 1992, the team's dedicated work has ensured the longevity of many of Britain's national treasures. This book presents a detailed examination of a painstaking approach to architectural conservation, comprehensively illustrated by case-studies, drawings, plans and in-depth descriptions. It is designed for a wide readership among all those who love and care for old buildings and appreciate good new design in sensitive areas.
The creative genius behind Founder's Building at Royal Holloway, University of London, arguably the most glorious building in England of the end of the nineteenth century, is widely respected and its architectural style is regarded as archetypally 'Victorian'. Yet its architect, William Henry Crossland, is little known, despite a substantial catalogue of buildings, most of which remain standing today. Bringing Crossland out of the shadows, this biography explores this mysterious and elusive figure in depth for the first time. Recently digitised documents and long-hidden archival material have thrown a powerful light on Crossland, which, together with the author's first-hand knowledge of his buildings, offer the reader an unprecedented appreciation and understanding of the man, his life and work, as well as his personal and artistic influences. W.H. Crossland fills a gap in nineteenth-century architectural knowledge, but it is also the touching story of an ambitious and talented man, who is long overdue to be recognised as one of the 'greats' among nineteenth-century architects. This book is intended for architects, architectural historians and anyone who is interested in the built environment, nineteenth-century history and intriguing personal stories.
This richly illustrated monograph delves into the innovative output of one of the world's most prolific international design and architecture practitioners, Tokyo-based Shigeru Ban. Canvassing an enormous compilation of works, this title is a significant contribution to IMAGES' stable of works showcasing renowned architects from around the globe. This book features an array of innovative projects, from commercial and residential innovation strategies to humanitarian works, such as emergency shelters made from paper and modular shelters for earthquake victims. Shigeru Ban's visionary residential design philosophies encompass timber hybrid structures, including a building constructed from cardboard tubes; the tallest hybrid timber structure in the world for a residential tower in Vancouver; as well as the new home designed for the Aspen Art Museum, which features woven wooden cladding. His innovation extends to the industrial design of an architect's scale pen used for drawing. This book also helps to relay Shigeru Ban's contemporary discourse on architectural culture, and how it is moving in new directions. This title is a must-have for any serious aficionado of modern architecture, innovative thinking, and design.
Julian Abele, Architect and the Beaux Arts uncovers the life of one of the first beaux arts trained African American architects. Overcoming racial segregation at the beginning of the twentieth century, Abele received his architecture degree from the University of Pennsylvania in 1902. Wilson traces Abele's progress as he went on to become the most formally educated architect in America at that time. Abele later contributed to the architectural history of America by designing over 200 buildings throughout his career including the Widener Memorial Library (1913) at Harvard University and the Free Library of Philadelphia (1917). Architectural history is a valuable resource for those studying architecture. As such this book is beneficial for academics and students of architecture and architectural historians with a particular interest in minority discussions.
In his second book, Jürgen Geiselhart presents private residences in several newly constructed villas that are oriented stylistically toward extremely diverse models in the history of architecture and art. His individual architectures and interior architectures from the years 2017 to 2022 are based firstly on the wishes of the clients and search for a contemporary implementation with respect to the execution of details and materials on this basis. In a very personal conversation, Jürgen Geiselhart describes the creation history and design ideas of the private residences, which are presented over 280 pages of expressive digital photography. Text in English and German.
Greg Penoyre and Sunand Prasad (recently elected President of the RIBA) have been in practice together for 18 years. In that time, they have garnered an eclectic portfolio of buildings that are both visually striking and practical, and for a variety of uses, including education, healthcare, housing and culture. "Transformations: The Architecture of Penoyre & Prasad" consists of eight essays written by Prasad: 'The Anchor of Function'; 'Architecture, Art and Culture'; 'Plan Section and Elevation'; 'Who Designs?'; 'From DIY to PFI'; 'Environments for Healing'; 'Environments for Learning'; and 'Working with Existing Buildings'. These texts discuss Penoyre and Prasad's engagement with their clients and examines its relationship to both architectural history and the contemporary situations and purposes for which the practice works. "Transformations" provides a unique and personal insight into Penoyre and Prasad's major projects, including Moorfields Eye Hospital, the Rich Mix Centre, Wolverhampton Civic Halls, Woodacre Farm Learning Difficulties Unit and the University of Portsmouth Frewen Library.
The first English-language overview of the contributions to Renaissance architectural culture of northern Italian architect Vincenzo Scamozzi (1548-1616), this book introduces Anglophone architects and historians to a little-known figure from a period that is recognized as one of the most productive and influential in the Western architectural tradition. Ann Marie Borys presents Vincenzo Scamozzi as a traveler and an observer, the first Western architect to respond to the changing shape of the world in the Age of Discovery. Pointing out his familiarity with the expansion of knowledge in both natural history and geography, she highlights that his truly unique contribution was to make geography and cartography central to the knowledge of the architect. In so doing, she argues that he articulated the first fully realized theory of place. Showing how geographic thinking influences his output, Borys demonstrates that although Scamozzi's work was conceived within an established tradition, it was also influenced by major cultural changes occurring in the late 16th century.
Walter Gropius (1883-1969) set out to build for the future. As the founding director of the Bauhaus, the Berlin-born architect had an inestimable influence on our aesthetic environment, championing a bold new hybrid of light, geometry, and industrial design, as dazzling today as it was a century ago. In this essential architect introduction, we survey Gropius' evolution and influence with 20 of his most significant projects, from the Bauhaus Building in Dessau, Germany, to the Chicago Tribune Tower and Harvard University Graduate Center, completed after Gropius's exodus to the United States in 1937. We explore his role both as an architectural practitioner, and as a writer and educator, not only as a Bauhaus pioneer, but also, along with Ludwig Mies van der Rohe, as a leading proponent of the International Style. Along the way, we see how many of Gropius's tenets remain benchmarks for architects, designers, and urbanists today. Whether in his emphasis on a functional beauty or his interest in housing and city planning, Gropius astounds in the agility of his thinking as much as in the luminous precision of his work. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)
In these rapidly changing times, we are increasingly embracing change and innovation; we deviate, modify, shift and pivot to challenge long-accepted norms. Transformation is everywhere, at all times. Transformation is also the central topic in the architectural profession and the built environment. It can be evidenced in concepts and ideas, in awareness, appearance, form, character, nature or culture. This year, the Zumtobel Group commissioned the international architecture practice UNStudio to create their annual report for 2021/2022, adding to the Austrian lighting company's unique oeuvre of yearly published art books. As a collaboration with graphic design duo Bloemendaal & Dekkers, this year's publication presents a design reflection on the theme of transformation. Using illustrations drawn from the work of UNStudio over the past thirty years, the book presents a visual investigation into the creative process, and demonstrates how ideas and concepts are developed by the practice into physical form. Through a similar thought process, the book itself is designed to undergo its own metamorphosis.
Rick Mather Architects (RMA) have been working in London since the early 70s. Best known for their award winning museum extensions, such as the Dulwich Picture Gallery and the National Maritime Museum, RMA's portfolio spans a broad spectrum of projects, including residential and student housing, master plans and urban design for both renovations and new buildings. They are world renowned for their intuitive sense of place and context, as well as their pioneering technologies in structural glass and sustainable design. The book establishes Rick Mather's unique approach to resolving complex design issues on both a large scale and in the fine details; the work of the practice is described in accessible terms through the texts and through a wealth of visual material, including photography and drawings supplied by the practice. Alongside this documentation, the visual aspect is supplemented by reproduced paintings, maps and drawings from a diverse range of sources, which have inspired and informed the work. Over the past 33 years, the practice has undertaken 500 projects. These include the Virginia Museum of Fine Art; the student halls of residence in Norfolk; the Ashmolean Museum extension, Oxford; the masterplanning of London's South Bank Centre; as well as Mather's iconic housing of the 1980s and 90s. This book will cover the full range of the projects, exploring Mather's response to the technical and social requirements of the briefs, and the way that a US born architect has re-imagined Britain's culture and made it his own. |
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