The publication explores the different yet corresponding architectural concepts of Umberto Riva and Bijoy Jain. On the basis of building visits and ongoing conversations, the author Mirko Zardini interprets Umberto Riva's and Bijoy Jain's motivations and inds unlikely resonance in their complementary approaches. The publication accompanies the exhibition held under the same name at the Canadian Centre for Architecture.

To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach, rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. It may be derived from the owner s interests, the site's parameters, or the character of the place. That concept is distilled to its essence, just a few words, such that it can inform the design at all scales, from massing, to materials, to details. The consistency of the concept is evident in the finished product. It imbues even small details and simple materials with meaning, thus making the mundane memorable. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight.

"Derham Groves has written this illuminating story of an exceptional but hitherto unsung Australian architect whose distinctive designs in China as well as his homeland may still be seen and enjoyed. In this book Groves has for the first time revealed some characteristic strands of Arthur Purnell's talents, whereby his subject's remarkable creativity is now clear for us to enjoy." - Robert Irving, architecture historian and pupil of Arthur Purnell Arthur Purnell's 'Forgotten' Architecture: Canton and Cars focuses on two early phases in the career of the much overlooked and underrated Australian architect, Arthur Purnell (1878-1964). In 1903, Purnell teamed up with the American engineer, Charles Paget (1874-1933) in Canton, China. Between 1903 and 1910, Purnell and Paget designed many important and impressive buildings, including the Arnhold, Karberg & Co. building (1907), one of the first reinforced concrete buildings in Southern China, and the South China Cement Factory (1907), which would later become the headquarters of Dr. Sun Yatsen (1866-1925), the first president of the Republic of China. Not many architects can design a cement factory fit for a president's palace! When Purnell returned to Australia in 1910, he had to start again from scratch. As cars were taking over from horses in a big way, he saw that designing for cars would be the next big thing in architecture. The fledgling Australian car industry was full of colourful, larger-than-life characters like Col. Harley Tarrant (1860-1949), who built his first car in 1897 and Australia's first petrol-fuelled car in 1901, and Alec Barlow Sr. (1880-1937), the archetypal dodgy car salesman. Purnell wanted in, designing many buildings for both men, including early car factories and car showrooms. In this unique book, Groves asks: why isn't Arthur Purnell more famous?

Imagine mathematics, imagine with the help of mathematics, imagine new worlds, new geometries, new forms. Imagine building mathematical models that make it possible to manage our world better, imagine solving great problems, imagine new problems never before thought of, imagine combining music, art, poetry, literature, architecture, theatre and cinema with mathematics. Imagine the unpredictable and sometimes counterintuitive applications of mathematics in all areas of human endeavour. This seventh volume starts with a homage to the Italian artist Mimmo Paladino who created exclusively for the Venice Conference 2019 ten original and unique works of art paper dedicated to the themes of the meeting. A large section is dedicated to the most recent Fields Medals including a Homage to Maryam Mirzakhani including a presentation of the exhibition on soap bubbles in art and science that took place in 2019. A section is dedicated to cinema and theatre including the performances by Claire Bardainne & Adrien Mondot. A part of the conference focused on the community of mathematicians, their role in literature and even in politics with the extraordinary example of Antanas Mockus Major of Bogota. Mathematics in the constructions of bridges, in particular in Italy in the Sixties was presented by Tullia Iori. A very particular contribution on Origami by a mathematician, Marco Abate and an artist, Alessandro Beber. And many other topics. As usual the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture. The world, life, culture, everything has changed in a few weeks with the Coronavirus. Culture, science are the main ways to safeguard people's physical and social life. Trust in humanity's creativity and ability. The motto today in Italy is Everything will be fine.This work is addressed to all those who have an interest in Mathematics.

While completing the Almannajuvet Zinc Mine Museum in southern Norway in 2016, celebrated Swiss architect Peter Zumthor asked Norwegian scholar Mari Lending to engage in a dialogue about the project. Departing from the ways in which Zumthor's pavilions frame the barely visible traces of the industrial exploitation of zinc in the 1890s, the conversation took unexpected turns. In meandering, impressionistic style and drawing on Zumthor's favourite writers, such as Johann Peter Hebel, Stendhal, Vladimir Nabokov, and T.S. Eliot, their exchanges explore how history, time and temporalities reverberate across the famous architect's oeuvre. Looking back, Zumthor ponders on how a feeling of history has informed his continuous attempts of emotional reconstruction by means of building, from architectural interventions in dramatic landscapes to his design for the redevelopment of Los Angeles' LACMA on a grand urban scale. This small, beautifully designed new book records the conversation between Zumthor and Lending, illustrated with photographs by the renowned Swiss architectural photographer Helene Binet.

This book presents a selection of papers from the International Conference Geometrias'17, which was hosted by the Department of Architecture at the University of Coimbra from 16 to 18 June 2017. The Geometrias conferences, organized by Aproged (the Portuguese Geometry and Drawing Teachers' Association), foster debate and exchange on practical and theoretical research in mathematics, architecture, the arts, engineering, and related fields. Geometrias'17, with the leitmotif "Thinking, Drawing, Modelling", brought together a group of recognized experts to discuss the importance of geometric literacy and the science of representation for the development of scientific and technological research and professional practices. The 12 peer-reviewed papers gathered here show how geometry, drawing, stereotomy, and the science of representation are still at the core of every act leading to the conception and materialization of form, and highlight their continuing relevance for scholars and professionals in the fields of architecture, engineering, and applied mathematics.

Alexandra and Michael Misczynski, the wife-and-husband team behind the Los Angeles-based AD100 design firm Atelier AM, are standard-bearers for the concepts of quality and connoisseurship. In an image-driven culture, where novelty and extravagance so often masquerade as virtues, the Misczynskis remain steadfast in their belief that true style can emerge only from substance. Architectural Digest Atelier AM has been the go-to designers for true connoisseurs since they opened their office in 2002. Taking on very few projects each year, each Atelier AM home is a complete masterwork where design and art are fully integrated into the architecture and landscape for a rich and immersive experience. Eight new homes are featured in this new volume, and each features Atelier AM s signature reverence for patina mixed with the new: reclaimed wood beams and well-loved vintage modern furniture pieces mingles comfortably with century-old artefacts and antiques. The projects in this volume show a deep understanding of design history from Spanish Colonial and English Classicism to contemporary. The mix of modern and ancient acknowledges and celebrates both the past and the future of design. With photography by their long-term collaborator Francois Halard, and insightful texts by Mayer Rus, Houses: Atelier AM promises to be as rich and satisfying as an Atelier AM home itself.

While Le Corbusier's urban projects are generally considered confrontational in their relationship to the traditional urban fabric, his proposal for the Venice hospital project remained an exercise in preserving the medieval fabric of the city of Venice through a systemic replication of its urban tissue. This book offers a detailed study of Le Corbusier's Venice hospital project as a plausible built entity. In addition, it analyses it in the light of its supposed affinity with the medieval urban configuration of the city of Venice. No formal attempt to date has been made to critically analyse the hospital project's design considerations in comparison to the medieval urban configuration of the city of Venice. Using a range of methodologies including those from architectural theory and history, using archival resources, on-site analysis, and interviews with important resource persons, this book is an interpretation of the conceptual basis for Le Corbusier understanding of the structural formulation of the city of Venice as mentioned in The Radiant City (1935). In doing so, it deciphers the diagrammatic analysis of the city structure found in this work into a set of coherent design modules that were applied in the hospital project and that could become a point of further investigation. Architects and other architecturally interested laypeople with an interest in Venice will find the book a valuable addition to their knowledge. For architectural historians the book makes an important link between modernism and the historically grown Venice.

Almost everything that landscape architects design is ultimately for a community. Community can be the boon or bane of a project, and oftentimes both. LA+ COMMUNITY aims to explore how, over time, each of us moves in and out of multiple communities, shaping them as they shape us, and in turn shaping our landscapes and cities. We ask how different disciplines construct different ideas of community and how those communities are anchored in space and time, whose interests they serve, and what traces they leave. And we examine how - in this pluralistic, fragmented, and fluid world - designers can meaningfully engage with communities. Contributions from: Anne Whiston Spirn reflects upon her personal and professional journey through her long-term engagement with the Mill Creek community in the West Philadelphia Landscape Project. Architect and cofounder of the DisOrdinary Architecture Project Jocelyn Boys discusses how designers and policy-makers make assumptions about the "ordinary user" of public space and explores ways of understanding and improving how people with disabilities engage with such spaces. Historical geographer Garrett Dash Nelson contemplates the conceptual and practical slippages between understanding community in both its geographical and sociological forms, and what this means for designers seeking to give spatial form to the concept of community. A multi-perspective Q+A with BIPOC designers, educators, and artists Kofi Boone, Julian Agyeman, Hanna Kim, Alma du Solier, Jeffrey Hou, Melissa Guerrero, and Kat Engleman confronts the enduring practices of spatial injustice and the need for new processes, engagement, and outcomes for a racially and culturally inclusive future. Philosopher and author Mark Kingwell considers the literal ins and outs of the question "What is community?" in the midst of a global pandemic. Landscape architect Kate Orff speaks about the ways in which she uses community activism and different practices of engagement to drive better design outcomes. Criminologists James Petty + Alison Young open our eyes to the rise of hostile architecture and criminalisation of homelessness in public space. Designer Chrili Car reflects on lessons learned from working with a self-organised community in a remote village in northern Ghana to masterplan long-term local sustainability and greenbelt projects. Ecologist Jodi Hilty, President and Chief Scientist of the Yellowstone to Yukon Initiative, speaks about the realisation of this visionary wildlife-corridor project spanning 3,200 km, two countries, and hundreds of different communities and interests. Historic preservationist and planner Francesca Russello Ammon teases out the contradictions in the canonical urban renewal success story of Philadelphia's Society Hill. Landscape architect Jessica Henson gives us the inside story on the intractably complex socio-political and ecological task of master planning a 51-mile swath of the Los Angeles River with a diverse range of user communities. Michael Schwarze-Rodrian recounts the extraordinary achievements of the Emscher Landscape Park in Germany's Ruhrgebiet, where over the last 30 years a working-class community facing the trauma of transition to a post-industrial economy has been sustained by the medium of landscape, without the forms of displacement or gentrification typically associated with high-end greening. Urban planner and author of Just Sustainabilities Julian Agyeman elucidates what the culturally inclusive design of public space entails. Architect Mario Matamoros delivers a stinging critique of the way in which developers and designers in the Honduran city of Tegucigalpa dupe the public with cynical community consultation so as to anesthetise the possibility of dissent, and Sara Padgett Kjaersgaard interviews the CEO of the Federation of Traditional Owner Corporations, Paul Paton and landscape architect Anne-Marie Pisani about working with Indigenous communities in Australia to help facilitate self-determination and connection to their lands.

Through the process of redrawing the plans of a wide range of completed projects by Le Corbusier, this book offers a new interpretation of his architectural works. Redrawing all the technical drawings provides an insight into the thoughts of the architect when dealing with different building types with different functions and provides a fresh understanding of the morphological strategies. Containing 11 different types of public buildings completed by Le Corbusier, this book draws on 80 of his works, and includes drawings and 3D model spatial diagrams. When examined in the context of completion date, the reader is able to observe the continuity and transition of Le Corbusier's design ideas. By focusing on Le Corbusier and his influential architecture, the book provides a better understanding of the morphological basis of modernist architecture in the 20th century.

The Elusive Modernist revisits the history of the Modern movement through the legacy of one of its protagonists, Gabriel Guevrekian (c. 1900-1970). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage, and Robert Mallet-Stevens and among his famous designs are the Cubist garden for Villa Noailles in France and two houses for the Vienna Werkbund exhibition. Not yet 30, Guevrekian was recognized as one of the protagonists of the European Avant-garde in Paris. During the 1930s, he spent a few years in Iran to design public buildings and later, after the Second World War, he took teaching responsibilities in Europe and America. All his various pursuits, and the homes and nationalities he held in Asia, Europe and then America, led to a serial adoption of personae. He made every discipline meaningful, every city central, every period epochal simply by his own very tangible engagement with it.

Steven Naifeh and Gregory White Smith, who galvanized readers with their Pulitzer Prize-winning biography of Jackson Pollock, have written another tour de force--an exquisitely detailed, compellingly readable portrait of Vincent van Gogh. Working with the full cooperation of the Van Gogh Museum in Amsterdam, Naifeh and Smith have accessed a wealth of previously untapped materials to bring a crucial understanding to the larger-than-life mythology of this great artist: his early struggles to find his place in the world; his intense relationship with his brother Theo; and his move to Provence, where he painted some of the best-loved works in Western art. The authors also shed new light on many unexplored aspects of Van Gogh's inner world: his erratic and tumultuous romantic life; his bouts of depression and mental illness; and the cloudy circumstances surrounding his death at the age of thirty-seven.
Though countless books have been written about Van Gogh, no serious, ambitious examination of his life has been attempted in more than seventy years. Naifeh and Smith have re-created Van Gogh's life with an astounding vividness and psychological acuity that bring a completely new and sympathetic understanding to this unique artistic genius.
"NEW YORK TIMES "BESTSELLER
Praise for "Van Gogh: The Life"
"Magisterial."--Michiko Kakutani, The New York Times
"This generation's definitive portrait of the great Dutch post-Impressionist."--"Time"
" "
"A tour de force . . . an enormous achievement . . . Reading his life story is like riding an endless roller coaster of delusional highs and lows. . . . A] sweepingly authoritative, astonishingly textured book."--"Los Angeles Times"
"Marvelous . . . "Van Gogh"] reads like a novel, full of suspense and intimate detail. . . . In beautiful prose, Naifeh and Smith argue convincingly for a subtler, more realistic evaluation of Van Gogh, and we all win."--"The Washington Post"
"Brilliant . . . At once a model of scholarship and an emotive, pacy chunk of hagiography."--"The Daily Telegraph "(London)
A "NEW YORK TIMES" NOTABLE BOOK
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "THE WASHINGTON POST - THE WALL STREET JOURNAL - SAN FRANCISCO CHRONICLE" - NPR - "THE ECONOMIST - NEWSDAY" - BOOKREPORTER

Heinz Tesar's architecure is associated with holistic ideas, and it is value-conservative in this sense. But at the same time, the architecture relates to its time, is modern, frank and open to consensus in a subjective dialectic between connection and isolation. However, the holistic concept is not concerned with hierarchical orders, but with relative weighting in a denomination process. He works from a fictitious, almost ritualized dialog situation, in which the levels for coming closer to a building idea can be accessed - in terms of drawing and of building itself.

If you've ever wondered how leading architectural firms successfully embed energy modelling into their practices, this book is for you. Featuring expert contributions from leading architects and practices, this book illustrates architects' approaches to learning, sharing and integrating energy modelling across a range of design projects, in both small and large firms in the UK and internationally. Discussing the practical and business implications of embedding energy modelling in practice, this practical guide is an essential manual for the energy-literate architect. Includes case study examples from award-winning architecture firms of how to implement energy modelling in different organizational structures Shows innovative ways of organising and managing design projects to achieve an integrated outcome Presents a first-of-its-kind approach to discussing energy modelling from an organizational rather than a technical perspective Features insights from a range of practice sizes, including AHMM, Architype, bere:architects, Feilden Clegg Bradley, Henning Larsen, HOK, Kieran Timberlake, Prewett Bizley and Tonkin Liu

David Connor is a British interior and architectural designer, who in the early 1980s was one of a few pioneers who changed perceptions of what design could be. A graduate of the Royal College of Art, Connor began his career as an interior designer before branching out into architecture. His clients and collaborators include Vivienne Westwood, Anish Kapoor, Malcolm McLaren, Adam Ant, Janet Street Porter, Marco Pirroni and Leyton House, amongst others. This book examines Connor's most significant projects, assessing his idiosyncratic working methods and identifying his influences and professional liaisons with partners, collaborators and clients. With beautiful illustrations and photographs, it considers the impact of his interior-design education on his architectural projects and the link between his drawing techniques and the particularity of his finished work.

Ludwig Mies van der Rohe’s writings and lectures are relatively modest in quantity compared with the number of his remarkable buildings that have transformed cities throughout the globe. These writings, like his architecture, have continued to generate interest among different generations of students and scholars. This anthology contains all of his writings and lectures, both well-known and never republished. Succinct and speculative, these writings concerning architecture and education – mostly translated from German to English – reveal Mies as an arch­itect who constructed his texts with the same disciplined restraint with which he designed buildings.

In these rapidly changing times, we are increasingly embracing change and innovation; we deviate, modify, shift and pivot to challenge long-accepted norms. Transformation is everywhere, at all times. Transformation is also the central topic in the architectural profession and the built environment. It can be evidenced in concepts and ideas, in awareness, appearance, form, character, nature or culture. This year, the Zumtobel Group commissioned the international architecture practice UNStudio to create their annual report for 2021/2022, adding to the Austrian lighting company's unique oeuvre of yearly published art books. As a collaboration with graphic design duo Bloemendaal & Dekkers, this year's publication presents a design reflection on the theme of transformation. Using illustrations drawn from the work of UNStudio over the past thirty years, the book presents a visual investigation into the creative process, and demonstrates how ideas and concepts are developed by the practice into physical form. Through a similar thought process, the book itself is designed to undergo its own metamorphosis.

A former U.N. worker and prominent architect clearly explains every aspect of taking a greener approach to housing in impoverished tropical climates--including design, materials, and implementation. Hundreds of explanatory drawings by van Lengen allow even novice builders to get started.

In America between 1946 and 1953, the German-Jewish architect Eric Mendelsohn planned seven synagogues, of which four were built, all in the Midwest. In this book, photographer Michael Palmer has recorded in exquisite detail Mendelsohn's four built synagogues: Saint Paul, Saint Louis, Cleveland and Grand Rapids. These photographs are accompanied by an insightful contextual essay by Ita Heinze-Greenberg which reflects on Eric Mendelsohn and his Jewish identity. Mendelsohn's post-war commitment to sacred architecture was a major challenge to him, but one on which he embarked with great enthusiasm. He sought and found radically new architectural solutions for these 'temples' that met functional, social and spiritual demands. In the post-war and post-Holocaust climate, the old references had become obsolete, while the founding of the State of Israel in 1948 posed a claim for the redefinition of the Jewish diaspora in general. The duality of Jewish and American identity became more crucial than ever and the congregations were keen to express their integration into a modern America through these buildings. Hardly anyone could have been better suited for this task than Mendelsohn, as he sought to justify his decision to move from Israel and adopt the USA as his new homeland. The places he created to serve Jewish identity in America were a crowning conclusion of his career. They became the benchmark of modern American synagogue architecture, while the design of sacred space added a new dimension in Mendelsohn's work.

Spanish visionary Santiago Calatrava is renowned around the world as an architect, structural engineer, sculptor, and artist. Famed for bridges as much as buildings, he has made his name with neofuturistic structures that combine deft engineering solutions with dramatic visual impact. From the Athens 2004 Olympic sports complex and the Museum of Tomorrow to the Peace Bridge in Calgary, Alamillo Bridge in Seville, and the Mujer Bridge in Buenos Aires, Calatrava's creations show particular interest in the meeting point of movement and balance. With influences ranging from NASA space design to da Vinci's nature studies, the structures dazzle with a sense of lightness, agility, and aerodynamism, but always with a graceful poise amid their particular surroundings. This compact introduction explores Calatrava's unique aesthetic with key projects from his career, from early breakthroughs to his most recent work. Through buildings of culture, science, faith, and across his many famous bridges, we explore his integration of organic forms and human movements, and a uniquely fluid futurism, soaring towards tomorrow. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Published by the interdisciplinary design studio MODU, this reader explores the space between the interior and the exterior. How does the design of interior spaces align with an urban world and vice versa? Where can the boundaries between the interior and the urban be drawn? What role does the environment play in this? For their research and design projects, Phu Hoang and Rachely Rotem look at three major cities on different continents: New York, Rome, and Tokyo. MODU leaves behind the binary idea of inside and outside and rather understands architecture as an extension of the environment. Thus, it imagines a hybrid of urban space, architecture, and interior space. The book explores the different geographic locations and presents their own design projects.