A spellbinding new talent explores the dark side of creativity through the stories of thirteen tragic architects 'Bold Ventures resembles a pop version of Iain Sinclair's psychogeography or Out of Sheer Rage, Geoff Dyer's anti-biography of DH Lawrence' Olivia Laing, Guardian In thirteen chapters, Belgian poet Charlotte Van den Broeck goes in search of buildings that were fatal for their architects - architects who either killed themselves or are rumoured to have done so. They range across time and space from a church with a twisted spire built in seventeenth-century France to a theatre that collapsed mid-performance in 1920s Washington, DC., and an eerily sinking swimming pool in her hometown of Turnhout. Drawing on a vast range of material, from Hegel and Charles Darwin to art history, stories from her own life and popular culture, patterns gradually come into focus, as Van den Broeck asks: what is that strange life-or-death connection between a creation and its creator? Threaded through each story, and in prose of great essayistic subtlety, Van den Broeck meditates on the question of suicide - what Albert Camus called the 'one truly serious philosophical problem' - in relation to creativity and public disgrace. The result is a profoundly idiosyncratic book, breaking new ground in literary non-fiction, as well as providing solace and consolation - and a note of caution - to anyone who has ever risked their hand at a creative act. 'What a sensible, intelligent and beautiful book' Stefan Hertmans, author of War and Turpentine

Sean Godsell, an award-winning pioneer of 'Australian bush minimalism', has established himself as an influence on the global architecture scene. This survey of his residential architecture features twelve houses and dwellings across Australia, each illustrated with full-colour photography and the architect's hand-drawn plans and exploratory sketches, which illuminate how each house connects to its surrounding landscape. Featuring an essay by Godsell about the influences of Australia's particular landscapes and culture, this survey also includes an introduction by leading critic and commentator Philip Goad about the achievements of Godsell's career, and the global importance of his visionary designs. With a complete illustrated chronology.

Drawing from the unique design experience at Adrian Smith + Gordon Gill Architecture (AS+GG) as architects of the next world's tallest tower and several others under construction, Supertall | Megatall: How High Can We Go? highlights the design, sustainability, innovative technology, programming, and contextualism that defines supertall and megatall towers. The book is a mixture of under construction and design-only projects divided into several chapters that are organized according to their special characteristics: Innovative Systems, Harnessing Energies, Designing an Icon, Extending Ecologies, and Achieving Megatall. Each project, completed between 2007-2020 at AS+GG, is discovered through context, program, form, research and development, and performance, highlighting the stories, challenges, and lessons learned.

It is by no coincidence that another collaborative project is spear-headed by K2LD. Following the success of the Lien Villa Collective at Holland Park, Singapore in 2009, Ko Shiou Hee was asked to look at a similar concept for the Dalvey Estate property and to select and lead a group of architects in the making of a unique architecture expression and yet functional outcome, suitable for contemporary living and fit for rental. It was learning from Game Theory that Ko Shiou Hee succeeded in persuading his clients to adopt this sharing strategy both in the Lien Collective and the Dalvey 7 group. The selected architects must all adhere to the rules of the game and work on the same fees and briefs. All have to consider each other's placements and planning to maximise the benefit for all parties as a whole and eventually benefit the client. As architects, each firm, and their practicing architects, has been educated to work with social, economic, and environmental sensitivity. The world that architects operate in is driven by developers and stakeholders who maximise their gain through development strategies, but leave little chance to be true to the architectural profession. It is perhaps even more pressing for architects to address this issue of true collaborative spirit in this increasingly distortive egocentric world. Through this Dalvey 7 project, there is hope in the idea outlined in Game Theory to perpetuate and flourish in this profession to encourage sharing and collaboration. Perhaps more form of joint venture in various scales like big firm-small firm, local firm-foreign firm, developer-architect venture, design-built etc, will begin to surface.

Architect Ernesto Nathan Rogers (1909-1969) was a towering figure in 20th-century Italian architecture, with a significant impact at the international level. Through the work of his collaborative firm (Banfi Belgiojoso Peressutti Rogers, or BBPR), the editorship of publications such as Domus and Casabella, and his teaching at the Politecnico in Milan, Rogers ensured a lasting influence on the field as a practitioner, theorist and educator. However his contributions have been largely neglected by scholarship outside of Italy. Published as part of the Bloomsbury Studies in Modern Architecture series, which brings to light the work of significant yet overlooked modernist architects, this book re-assesses Ernesto Nathan Rogers' cultural legacy. It is the first comprehensive, critical work on Rogers in English, and emphasizes Rogers' vision for the role of the architect as a public intellectual, as well as his commitment to pursue a renewed path of professional and cultural research within the "Modern Project." The book also discusses Roger's willingness to challenge academic classicized monumentality as well as modernist stereotypes, to emerge as a leader of Italian design in the aftermath of World War II; his interest in all scales of design and planning, with a cross-disciplinary mentality; tradition in modernity; and criticality as a mode of practice, to bring a detailed account of the work and thought of Ernesto Nathan Rogers to an English-speaking audience for the first time. With a foreword by Kenneth Frampton.

Quirino De Giorgio (1907-1997) is among the few Italian architects whose careers represents the entirety of the twentieth century: from futurism through fascism to the experimentations linked to the invention of reinforced concrete. Too often remembered exclusively for his early futurist and fascist works, De Giorgio is an architect whose production continued, until his last years, to develop in the experimental and dynamic way which had characterised its beginnings. Quirino De Giorgio: An Architect's Legacy, the first English-language book dedicated to the Italian architect, is a constellation of his surviving buildings shown through the eyes of photographer Enrico Rizzato. In Rizzato's pictures, each one of the ninety surviving works will showcase the universality of De Giorgio's projects and the transformations that time has stamped on his creations, taking the reader on a voyage across the different facets of Italian architecture. Accompanying site plans, floorplans and sections provide deeper insight into De Giorgio's spatial, structural, urban, and landscaping inventions. An opening essay will introduce the reader to the still relatively unknown method and life of this highly original yet still too little known architect. The book also includes a full list of De Giorgio's works that has been reconstructed here for the first time through extensive archival work.

Though lacking any formal education in architecture, Jean Prouve (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouve was raised in an environment of artistic, socially motivated innovation: his father belonged to "l'Ecole de Nancy," a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouve to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouve to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Despite their advantages, though, few of these architectural triumphs were built, and even fewer survive. In order to preserve Prouve's architectural and engineering legacy, the Galerie Patrick Seguin has worked tirelessly to promote Prouve's "constructional philosophy," exhibiting his designs and showcasing his ecologically responsible methodologies. "Jean Prouve Maison Demontable 6x6 Demountable House," the first of nine monographs published by the Galerie Patrick Seguin on Prouve's housing modules, highlights the simplest of these modules. Introduced by Catherine Coley, renowned art and architectural historian, it contains Prouve's sketches, black-and-white photographs of the designer at work and detailed examples of the building process.

The works by the architect and designer Federico Delrosso (1964) constantly reflect a passing of the torch between past and present that, far from being a nostalgic or derivative operation, makes everything topical. His career as a designer clearly reflects the teaching of modernists - especially Gio Ponti, Ernesto Nathan Rogers and Le Corbusier, who envisaged the figure of the architect as a designer of things ranging from "the spoon to the city", and who constantly stressed the idea of the exploration of space, later taken up by Richard Meier. This first monograph completes the cycle of architectural plans for private and commercial buildings, interior decor and design projects Delrosso has created over the past twenty years.

The Masters of Concrete Shells Concrete shell construction started to become popular in the mid-20th century. Technically advanced designs with conspicuous expressiveness began to appear all over the world. With three typical protagonists - Felix Candela (1910-1997), Heinz Isler (1926-2009), and Ulrich Muther (1934-2007) - the book examines this construction method. Their work - primarily in Mexico, Switzerland, and the former GDR - was carried out under very different political, economic, social, and cultural conditions. The authors analyze the buildings and projects against the background of developments in architecture and engineering at that time. The focus is on mutual influence, shared aspects and differences in the design processes, the structural design, and the execution. In addition, the book examines how the work was received and today's application of the building method. Learning from Felix Candela, Heinz Isler, and Ulrich Muther and their historic shell construction buildings Unknown material from the drawing archives In English with summaries in German and Spanish

Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, "What does it mean to be fulfilled?" This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture's unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljacki - Boston, MA; Ang Li - Boston, MA; Ashley Bigham - Columbus, OH; Cristina Goberna Pesudo - Madrid, Spain; Curtis Roth - Columbus, OH; Jesse LeCavalier - Toronto, Canada; John McMorrough - Ann Arbor, MI; Keith Krumwiede - San Francisco, CA; Laida Aguirre - Ann Arbor, MI; Leigha Dennis - New York, NY; Lluis Alexandre Casanovas Blanco - Barcelona, Spain; Michelle Chang - Boston, MA; Miles Gertler - Toronto, Canada; Mira Henry & Matthew Au (Current Interests) - Los Angeles, CA

This beautifully produced book celebrates the work of Robert Adam, the great eighteenth-century architect who influenced generations by stamping his distinctive neoclassical aesthetic vision on the English country house interior. Lavish new photography provides a deeply visual exploration of Adam s most important surviving country houses, to which the author and photographer gained unparalleled access. Included are magnificent country houses such as Syon House and Harewood House styled and inspired by the ideal of the neoclassical as well as Adam s castle-style Mellerstain and town houses such as Home House all captured in splendid detail. Original Adam design drawings, from Sir John Soane s Museum, illustrate the boldness of planning, color, and creative interpretation of Adam s domestic interiors. A biographical and contextual account of Adam s life and work describes his unique design process, his patrons, and the legacy of his design achievement. This richly illustrated volume will appeal to designers and homeowners as well as traditional architecture enthusiasts, promising to become an important addition to any architecture and interior design library.

Living Buildings celebrates the 50th Anniversary of Donald Insall Associates, the Practice founded by distinguished British architect Donald Insall, a leading exponent in the field of Architectural Conservation. Probably best known for the restoration of Windsor Castle after a devastating fire in 1992, the team's dedicated work has ensured the longevity of many of Britain's national treasures. This book presents a detailed examination of a painstaking approach to architectural conservation, comprehensively illustrated by case-studies, drawings, plans and in-depth descriptions. It is designed for a wide readership among all those who love and care for old buildings and appreciate good new design in sensitive areas.

The iconic eighteenth-century architect Robert Adam was based in London for more than half of his life and made more designs for this one city than anywhere else in the world. This book reviews a wide variety of his designs for London, highlighting lesser-known buildings as well as familiar ones. Each of Adam's projects explored in this book is plotted on Horwood's map of London (1792-99), enabling the reader to recognise Adam's work as they move around the city, as well as to envisage London as if more of his ingenious designs had been executed or survived demolition.

This volume, the first comprehensive assessment of the work of the Metabolic architect Kiyonori Kikutake (1928 - 2011) in the English language, highlights his lifelong creation of a constantly evolving platform for living, floating above land and sea hrough pivotal works, from the late 1950s to today. Abundantly illustrated, the publication situates Kikutake's work within an international context and as a vital inspiration for Japanese architectural practice today.

Climate change and increasing resource scarcity together with rising traffic volumes force us to develop new environmentally friendly and people-oriented mobility options. In order to provide a positive mobility experience, the transition from one mobility mode to another must be managed smoothly and safely, and individual, shared or public means of transportation must become convenient and easy. Conceptual as well as existing infrastructure projects provide models for future sustainable and connected mobility. This volume focuses on the importance of design, introducing through photos, plans, and brief texts over 60 groundbreaking projects from the disciplines of product design, architecture, and urban planning. With this international overview Mobility Design portrays the current situation of sustainable mobility systems, while identifying mobility as one of the most important design tasks of the future. With project texts by Markus Hieke, Christian Holl, and Martina Metzner

Practice with Purpose is about designing buildings beyond their property lines to address some of society's most urgent challenges: the climate emergency, racial and ethnic injustice, chronic homelessness, educational crises, and the preservation of the embodied carbon and culture of existing buildings. To successfully contend with these ecological and societal emergencies, the design values and practice of architecture must be rapidly transformed within the next decade. Architects must become creative agents of change, providing the vision and skill to lead our communities toward an equitable, climate-positive future for all. Twenty years ago, San Francisco-based Leddy Maytum Stacy Architects rededicated its practice to focus on these urgent issues. Its mission-driven designs not only address the critical concerns of twenty-first century architecture, but also bring clients and users into the dialogue. LMSa's award-winning works show the creative potential of building a practice with purpose. In this book, LMSa shares its experience and insight as a call to action to the architecture profession. Through case studies, data-driven essays, user testimonials, and thought-provoking questions, LMSa offers design strategies to architects who want to make an environmental and social impact.

A richly-illustrated monograph on recent works of the award-winning architect. The work of Eric Owen Moss is an intriguing mix between a sort of Los Angeles critical regionalism (most of his production is in Culver City - Los Angeles) and the highest level of formal and spatial experimentation. Considered one of the most interesting and innovative North American architects today, he is best known for reinventing spaces for commercial uses and performing arts facilities, breathing new life into a marginal area in the celebrated sequence of buildings in Culver City's Hayden Tract. Over the last decade Eric Owen Moss has built his critical fortune producing a series of masterpieces which represent one of the most advanced elaborations of the de-constructivist theories of the 1990s. Paola Giaconia essay introduces the themes of Moss's work including geometry and manipulation, typological and spatial features, wall as design element and uncertainty of the contemporary condition. The book features an array of his works in over 250 illustrations including the Wedgewood Holly Complex, the Beehive and the Box. Also included is an interview with the architect and a bio-bibliography. Eric Owen Moss opened his office in Los Angeles in 1973. In addition to practicing, he has held professorial chairs at Yale, Harvard, and appointments in Copenhagen and Vienna, in addition to Sci-Arc, where he is on the Board of Directors. He has received numerous awards for his work, including the Award in Architecture from the American Academy of Arts and Letters in 1999, and the Gold Metal from the Los Angeles Chapter of the American Institute of Architects in 2001. His work has been widely exhibited, most recently in the Russian Pavilion at the 2002 Venice Biennale.

Nachhaltigkeit, aus oekologischer Sicht eine Notwendigkeit, gewinnt auch aus Developer-Perspektive zunehmend an Bedeutung: Quantifiziert fliesst sie in die Bewertung einer Immobilie mit ein. Carlo Baumschlager und Jesco Hutter sind mit ihrem Buro Baumschlager Hutter Partners (Dornbirn, Heerbrugg, Wien, Munchen, St. Gallen, Zurich) seit 2010 aktiv, 2019 erhielt es den Staatspreis fur Architektur und Nachhaltigkeit. In dieser thematischen Monografie werden 11 Bauten dargestellt, die vom Ziel der Nachhaltigkeit wesentlich gepragt sind. Neben projektspezifischen Informationen und Planen findet der Leser wichtige Kennzahlen mit eigens entwickelten Infografiken sowie ein Glossar der einschlagigen Terminologie. Ein eigener opulenter Bildteil bringt die gestalterische Qualitat der Bauten zur vollen Entfaltung.

After eight years, the new volume on the complete works of Herzog & de Meuron is published covering the years 2005 to 2007. The book presents 60 projects, which show the architects at the height of their powers. Their designs encompass the full range of architectural devices and respond to contemporary developments with a wide range of solutions - the designs refine the interaction with the respective site, with projects ranging from a small private conversion project to a studio ensemble, through to residential towers and urban design projects. For their designs, Herzog & de Meuron again develop new processes and create references to classic modernism just as to their own oeuvre. Architecture becomes a means of providing physical presence and stability in an increasingly virtual world.

Manuelle Gautrand Architecture is a Parisian-based architecture firm founded by Manuelle Gautrand in 1991, sited in the Bastille neighbourhood of this exquisite European city. The firm's key aim is to 're-enchant the city' of Paris by evoking emotion, reinventing spaces, and garnering renewal and innovation - to be bold and definitive. At the core of Gautrand's creativity lies the approach to each new project through the spirit of a blank canvas, with no a priori. Yet, each of the project that this firm produces expresses a specific relationship to the site: a desire to revive it and enchant; a deep commitment to working on programs entrusted to the firm; ensure efficiency, flexibility and surprise. Each project is a unique and symbolic encounter. Fuelled by shared ideas and prominent for its breadth of practice, this book documents the comprehensive collection of Manuelle Gautrand Architecture's design solutions. It celebrates the intuitive and stunning designs, and the firm's commitment to beauty, revival, boldness and precision.

The building of a city is an ongoing, additive act of creativity. Urban centres are continually made and remade. They are palimpsests of the values, technologies, ingenuity, and aesthetics of a time that precedes ours and was vital in creating our present. To evolve, it is incumbent upon designers to find ways to preserve this past while shaping a rich and resilient ecosystem for the future. This monograph explores the deep, inextricable relationship between the unique past and future potential of architecture that defines DXA's practice. The book presents 14 projects that embrace history as a critical influence: they use New York City as a laboratory to implement this unique approach, acknowledging contexts and constraints as constructive rather than restrictive. The work seeks to foster a dialogue between generations, shaping good design that brings value and a sense of belonging. Integral to its time and place, such architecture offers a distinctive identity, clarity, and timelessness to the urban fabric. The through line connecting the projects is DXA's interest in the transformative power of architecture. When well-conceived and expertly crafted, buildings can be more than the sum of their materials. They activate the city in a meaningful way and can change entire neighbourhoods, serving as a catalyst for growth and vitality. Whether designing carefully considered ground-up buildings or adapting older buildings for new life, building on history is a fundamental base for contemporary practice. This belief has set DXA apart as a practice with an extensive portfolio of completed work in New York, as well as informs the studio's ongoing work in metropolitan areas throughout the United States.

Throughout his 45+ year career Peter Arnell has played a significant role in creating and collaborating on platforms, products and strategies for many of the world's leading brands. Arnell has built his reputation working in architecture, design, photography, communications, technology and publishing. From his earliest days he has been known for creating unique, ground-breaking work bringing design, innovation, brand creation, brand strategy and customer experience to the forefront of his work. This beautifully conceptualized two-volume monograph provides an insight into the great creator's oeuvre, highlighting his contributions to a vast number of industries ranging from technology to automotive design, hospitality to fashion and beyond. The monograph celebrates many of Arnell's works created and developed alongside the highly talented collaborators. It includes projects with contributions by such luminaries as Denis Piel, Neal Slavin, Helmut Newton, Lance Wyman, Michael Graves and Muhammad Ali, to name a few, and spans over four decades. Included are signature projects for Donna Karan, Chanel, Fendi, Chrysler, Nespresso, Goop Pepsi, Reebok, Gucci and Special Olympics and in addition features texts written by Arnell's friends and collaborators architect Frank Gehry and photographer Peter Lindbergh.

Between 2008 and 2014, ETH Studio Basel, under the guidance of Roger Diener and Marcel Meili, has been investigating theprocess of urbanisation taking place outside cities. Territory - in the context of this investigation denotes both: the surroundings that a city subsumes into its own structure and the core city itself, which is the centre of this process of urbanisation, or "confiscation". Investigated were six regions on six continents: The Nile Valley with the dense corset of natural landscape surrounding a linear city; Rome-Adria, where territorial cells have formed within the territory, spawning an urban type of tremendous dynamism; Florida, presenting highly complex patterns of territorial organisation; Vietnam's Red River Delta, where recent reform exposed traditional settlement and cultivation of the delta to freer forces; Oman, where urbanisation of a territory essentially means reclaiming the desert with the immediate necessity to develop a system for water distribution; and Belo Horizonte, where natural conditions likewise play a major role in organising the territory as surface mining entails huge transformations of the natural terrain.The new book features two introductory essays on ETH Studio Basel's research approach and on terminology, concise illustrated reports on the six regions, and four concluding topical essays.