'Patio, channel of sky/The patio is the window/Through which God watches souls/The patio is the slope/Down which the sky follows into the house/Serene' - Jorge Luis Borges Bedmar & Shi's Chancery Lane is the apotheosis of their ongoing interaction with a new language of tropical residential architecture. Evocative of the simple, open structures of time's past, yet possessed of a modernity of spirit perfectly in keeping with contemporary life. Set around an open courtyard space, with a series of demarcated private abodes, Chancery Lane perfectly embodies the tenets of personal privacy heightened and brought together through shared experience. Subtle and serene, this is a residence borne of a coalescence between the environmental, the aesthetic, and the spatial. A true gem.

First published in 1982, German architect Oswald Mathias Ungers' "City Metaphors" juxtaposes more than 100 various city maps throughout history with images of flora and fauna and other images from science and nature. Ungers assigns each a title--a single descriptive word printed in both English and German. In Ungers' vision, the divisions of Venice are transformed into a handshake and the 1809 plan of St Gallen becomes a womb. Ungers writes in his foreword: "Without a comprehensive vision reality will appear as a mass of unrelated phenomenon and meaningless facts, in other words, totally chaotic. In such a world it would be like living in a vacuum; everything would be of equal importance; nothing could attract our attention; and there would be no possibility to utilize the mind." A classic of creative cartography and visual thinking, "City Metaphors" is also an experiment in conscious vision-building.

Like few others, Louis Kahn cultivated the craft of drawing as a means to architecture. His personal design drawings - seen either as a method of discovery or for themselves - are unique in the twentieth century. Over two hundred - mostly unpublished - drawings by Kahn and his associates are woven together with a lively and informed commentary into an intimate biography of an architectural idea. Unfolding around the iconic project for the Dominican Motherhouse (1965 - 69) the drawings form a narrative which not only reveals the richness and hidden dimensions of this unbuilt masterpiece, but provides compelling insights into Louis Kahn's mature culture of designing. Kahn - long considered an architects' architect" - emerges as a vivid and instructive guide, provoking reflection on questions which continue to remain relevant: on how works are conceived, on how they might be perceived, on how they become part of human experience. Fascinating not only in their beauty, the drawings open a new and stimulating perspective on one of the past century's great architects.

As synthetic materials, mutant and hybrid concoctions attain prominence in our daily lives - in our handheld devices, cooking utensils, vehicles, even things as simple as our shopping bags - the design and construction industries have instead reembraced the familiar, the conventional - wood, which has regained prominence through innovations in engineering and construction methodologies. Technology is now commonly used and often (though not always) affordably used - to cut, perforate, assemble, erect, and even fabricate materials in a manner not previously possible. Wood is one such material, and Timber in the City documents both the imaginings of those in the nascence of their education and practice and the executed work of design professionals at the leading edge of architecture. These designers, regardless of the duration of their immersion in the field, have imaginatively rethought the means by which we build and the methods by which we define space merely through differing deployments of a familiar building material.

Konstantin Melnikov (18901974) is unquestionably one of the outstanding architects of the 20th century in spite of the fact that he fell silent early, leaving behind only limited work that was insufficiently publicized, and restricted almost exclusively to Moscow, the city of his birth in which he spent nearly his entire life and which did not appreciate him. He was raised in humble circumstances, but enjoyed an excellent education. Beginning in the mid-1920s, after the turmoil that followed the war, revolution and civil war, his career soared at almost meteoric speed as he took the lead in the young Soviet architecture movement with completely autonomous, highly artistic buildings that were free from dogmatism of any kind. Even more rapid than his rise to fame was his downfall: Treated with general hostility, he was unable to defend himself against the accusation of formalism when Stalin put an end to architectural ventures and experiments around the mid-1930s. He was expelled from the architects' association and was banned from practicing as an architect for the remaining four decades of his life. In the late 1920s, at the peak of his career, he had the opportunity to build a house for himself and his family in Moscow, in which he was then able to live until the end of his life. This house, a memorable symbiosis of almost peasant-like simplicity and extreme radicalness, is one of the most impressive, surprising and probably most enigmatic works produced by 20th-century architecture. Its simplicity is only outward; in reality this is a highly complex work which links together the elements of architecture explicitly and inextricably, which takes a clear and completely autonomous stand and which, in a way that little else has done, raises the question as to the nature of genuinely architectonic thinking. In essayistic form the book attempts to follow the paths laid out in the architect's work from the perspective of an architect.

In 2010, photographer Cemal Emden set out to document every building designed by the master architect Le Corbusier. Traveling through three continents, Emden photographed all the 52 buildings that remain standing. Each of these buildings is featured in the book and captured from multiple angles, with images revealing their exterior and interior details. Interspersed throughout the book are texts by leading architects and scholars, whose commentaries are as fascinating and varied as the buildings themselves. The book closes with an illustrated, annotated index. From the early Villa Vallet, built in Switzerland in 1905, to his groundbreaking Unite d'Habitation in Marseille, completed in 1947, this ambitious project presents the entirety and diversity of Le Corbusier's architectural output. Visually arresting and endlessly engaging, it will appeal to the architect's many fans, as well as anyone interested in the foundation of modern architecture.

Though lacking any formal education in architecture, Jean Prouve (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouve was raised in an environment of artistic, socially motivated innovation: his father belonged to "l'Ecole de Nancy," a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouve to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouve to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Despite their advantages, though, few of these architectural triumphs were built, and even fewer survive. In order to preserve Prouve's architectural and engineering legacy, the Galerie Patrick Seguin has worked tirelessly to promote Prouve's "constructional philosophy," exhibiting his designs and showcasing his ecologically responsible methodologies. "Jean Prouve Maison Demontable 6x6 Demountable House," the first of nine monographs published by the Galerie Patrick Seguin on Prouve's housing modules, highlights the simplest of these modules. Introduced by Catherine Coley, renowned art and architectural historian, it contains Prouve's sketches, black-and-white photographs of the designer at work and detailed examples of the building process.

The works by the architect and designer Federico Delrosso (1964) constantly reflect a passing of the torch between past and present that, far from being a nostalgic or derivative operation, makes everything topical. His career as a designer clearly reflects the teaching of modernists - especially Gio Ponti, Ernesto Nathan Rogers and Le Corbusier, who envisaged the figure of the architect as a designer of things ranging from "the spoon to the city", and who constantly stressed the idea of the exploration of space, later taken up by Richard Meier. This first monograph completes the cycle of architectural plans for private and commercial buildings, interior decor and design projects Delrosso has created over the past twenty years.

The Masters of Concrete Shells Concrete shell construction started to become popular in the mid-20th century. Technically advanced designs with conspicuous expressiveness began to appear all over the world. With three typical protagonists - Felix Candela (1910-1997), Heinz Isler (1926-2009), and Ulrich Muther (1934-2007) - the book examines this construction method. Their work - primarily in Mexico, Switzerland, and the former GDR - was carried out under very different political, economic, social, and cultural conditions. The authors analyze the buildings and projects against the background of developments in architecture and engineering at that time. The focus is on mutual influence, shared aspects and differences in the design processes, the structural design, and the execution. In addition, the book examines how the work was received and today's application of the building method. Learning from Felix Candela, Heinz Isler, and Ulrich Muther and their historic shell construction buildings Unknown material from the drawing archives In English with summaries in German and Spanish

Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire - sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification - one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, "What does it mean to be fulfilled?" This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects - warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers - with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture's unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories. Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljacki - Boston, MA; Ang Li - Boston, MA; Ashley Bigham - Columbus, OH; Cristina Goberna Pesudo - Madrid, Spain; Curtis Roth - Columbus, OH; Jesse LeCavalier - Toronto, Canada; John McMorrough - Ann Arbor, MI; Keith Krumwiede - San Francisco, CA; Laida Aguirre - Ann Arbor, MI; Leigha Dennis - New York, NY; Lluis Alexandre Casanovas Blanco - Barcelona, Spain; Michelle Chang - Boston, MA; Miles Gertler - Toronto, Canada; Mira Henry & Matthew Au (Current Interests) - Los Angeles, CA

Manuelle Gautrand Architecture is a Parisian-based architecture firm founded by Manuelle Gautrand in 1991, sited in the Bastille neighbourhood of this exquisite European city. The firm's key aim is to 're-enchant the city' of Paris by evoking emotion, reinventing spaces, and garnering renewal and innovation - to be bold and definitive. At the core of Gautrand's creativity lies the approach to each new project through the spirit of a blank canvas, with no a priori. Yet, each of the project that this firm produces expresses a specific relationship to the site: a desire to revive it and enchant; a deep commitment to working on programs entrusted to the firm; ensure efficiency, flexibility and surprise. Each project is a unique and symbolic encounter. Fuelled by shared ideas and prominent for its breadth of practice, this book documents the comprehensive collection of Manuelle Gautrand Architecture's design solutions. It celebrates the intuitive and stunning designs, and the firm's commitment to beauty, revival, boldness and precision.

All of Richard Neutra's works gathered together in one volume
"" ...] the definitive volume on the Viennese-born architect." - Los Angeles Times," Los Angeles
Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style.
Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. His ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture.
For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume, illustrated by over 1000 photographs, including those of Julius Shulman and other prominent photographers.

A compelling personal account of Terry Farrell's life in architecture, as an influential Postmodern designer, architect-planner and principal of a leading global practice. What have the defining projects and watershed moments and encounters been in Farrell's career? How has did he secure significant building projects such as Charing Cross, The MI6 Building and Beijing South Station? What have the highs and lows been in realising such large-scale schemes? Providing the inside view of what it is like to be an architect at the top of his profession, this autobiography highlights what it takes to develop a successful international practice. Farrell, alongside his High-Tech contemporaries, was a game-changer in the way he ran his business, with a deep commitment to marketing and finance. Working with the private sector, he made a complete break from a previous post-war generation of firms that were almost solely reliant on publicly funded building programmes. Tracing the story of his early life growing up in Greater Manchester and then on the post-war Grange Estate in Newcastle, before attending Newcastle University and the University of Pennsylvania in Philadelphia, and subsequently setting up in practice in London with Sir Nicholas Grimshaw in 1965, it highlights how Farrell, despite his working-class background, was able to seize the opportunities provided to him in the 1950s through free access to education. Featuring a richly illustrated full-colour section, including photos from his own private collection and images of Farrell's most significant buildings, this book is a window into the life and career of one of Britain's leading architects.

A classic of utopian literature, more urgent than ever: Buckminster Fuller's provocative blueprint for the future Composed of lectures given by Buckminster Fuller throughout the world in the 1960s, Utopia or Oblivion presents the thesis that humanity, for the first time in its history, has the opportunity to create a world where the needs of 100% of humanity are met. Fuller's grandson, in the introduction, refers to this selection as "hardcore Bucky," as these essays display Fuller's investigations into mathematics, geometry and how they intersect with the arts, music and world peace. In Fuller's words, "This is what man tends to call utopia. It's a fairly small word, but inadequate to describe the extraordinary new freedom of man in a new relationship to universe--the alternative of which is oblivion. First published in 1969 and then reprinted by Lars Muller in 2008, Utopia or Oblivion also includes one of the earliest published discussions of Fuller's World Game, a revolutionary "game" that set as the goal for players, that the world "works" for 100% of humanity to nobody's disadvantage. It challenged players to overlook traditional world units such as nations, states and other political and economic divisions.

The ELEMENTAL studio, headed by artistic director Alejandro Aravena and based in the capital of Chile, Santiago, is untraditionally composed of people with a variety of skills and abilities. Their analytical approach to architecture and urban planning has led them towards original solutions to social challenges, such as the housing shortage in Santiago's economically disadvantaged neigh- bourhoods. Instead of designing cheap housing, ELEMENTAL builds "half houses" at the same cost and enables buyers to build the other halves themselves. The combination of good design and the engagement of the buyers creates more sustainable housing areas. In the series The Architect's Studio the Louisiana Museum of Modern Art presents an exhibition on the ELEMENTAL studio, curated by Mette Marie Kallehauge and Kjeld Kjeldsen. The richly illustrated publication will portray ELEMENTAL's working methods and work philosophy, as well as showing examples of their most important projects.

Nomos is an association of architects based in Geneva, Lisbon and Madrid. They collaborate on projects of all scales, from furniture to master plans, with a special focus on the cultural context and the environment. Primarily using drawing to shape their ideas, they explore new ways of creating community through buildings that seek to transform constraints into opportunities. They approach each project with enthusiasm, care and curiosity, always striving for sustainable beauty. Text in English and German.

More than 400 years after his death, Andrea Palladio (1508-80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously unexplored works that put Palladio in a new social context and brings out unexpected stories about the impact of his legacy on functionality and style. It also questions how a style and an approach to architecture that Palladio intended to be democratic is now associated with wealth. Palladian Design: the Good, the Bad and the Unexpected provides classic catalogue entries which will expand on individual objects as well as bring new opinions and critical thinking to the subject matter through commissioned essays from a range of disciplines and perspectives. It combines the historical with the modern and contemporary, connecting the Palladio collection with contemporary practice and current research outside and within RIBA. It is thought-provoking and will stimulate debate amongst a specialist audience and capture the imagination of a non-specialist audience, providing them with new insight into Palladian design principle across time and place. The catalogue includes the following essays: * Palladio, Palladianism, Palladians by Guido Beltramini * Palladianism: A Project of Radical Discontinuity by Pier Vittorio Aureli * Cyma Recta: Palladianism and the Everyday by Daniel Maudlin The catalogue accompanies the exhibition on Palladian Design that is on display in the Architecture Gallery at RIBA (from 9 September 2015 to 9 January 2016).

Climate change and increasing resource scarcity together with rising traffic volumes force us to develop new environmentally friendly and people-oriented mobility options. In order to provide a positive mobility experience, the transition from one mobility mode to another must be managed smoothly and safely, and individual, shared or public means of transportation must become convenient and easy. Conceptual as well as existing infrastructure projects provide models for future sustainable and connected mobility. This volume focuses on the importance of design, introducing through photos, plans, and brief texts over 60 groundbreaking projects from the disciplines of product design, architecture, and urban planning. With this international overview Mobility Design portrays the current situation of sustainable mobility systems, while identifying mobility as one of the most important design tasks of the future. With project texts by Markus Hieke, Christian Holl, and Martina Metzner

A richly-illustrated monograph on recent works of the award-winning architect. The work of Eric Owen Moss is an intriguing mix between a sort of Los Angeles critical regionalism (most of his production is in Culver City - Los Angeles) and the highest level of formal and spatial experimentation. Considered one of the most interesting and innovative North American architects today, he is best known for reinventing spaces for commercial uses and performing arts facilities, breathing new life into a marginal area in the celebrated sequence of buildings in Culver City's Hayden Tract. Over the last decade Eric Owen Moss has built his critical fortune producing a series of masterpieces which represent one of the most advanced elaborations of the de-constructivist theories of the 1990s. Paola Giaconia essay introduces the themes of Moss's work including geometry and manipulation, typological and spatial features, wall as design element and uncertainty of the contemporary condition. The book features an array of his works in over 250 illustrations including the Wedgewood Holly Complex, the Beehive and the Box. Also included is an interview with the architect and a bio-bibliography. Eric Owen Moss opened his office in Los Angeles in 1973. In addition to practicing, he has held professorial chairs at Yale, Harvard, and appointments in Copenhagen and Vienna, in addition to Sci-Arc, where he is on the Board of Directors. He has received numerous awards for his work, including the Award in Architecture from the American Academy of Arts and Letters in 1999, and the Gold Metal from the Los Angeles Chapter of the American Institute of Architects in 2001. His work has been widely exhibited, most recently in the Russian Pavilion at the 2002 Venice Biennale.

Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life's work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she's still considered an insider's tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo's special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific "story" behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect's general design methods.

Practice with Purpose is about designing buildings beyond their property lines to address some of society's most urgent challenges: the climate emergency, racial and ethnic injustice, chronic homelessness, educational crises, and the preservation of the embodied carbon and culture of existing buildings. To successfully contend with these ecological and societal emergencies, the design values and practice of architecture must be rapidly transformed within the next decade. Architects must become creative agents of change, providing the vision and skill to lead our communities toward an equitable, climate-positive future for all. Twenty years ago, San Francisco-based Leddy Maytum Stacy Architects rededicated its practice to focus on these urgent issues. Its mission-driven designs not only address the critical concerns of twenty-first century architecture, but also bring clients and users into the dialogue. LMSa's award-winning works show the creative potential of building a practice with purpose. In this book, LMSa shares its experience and insight as a call to action to the architecture profession. Through case studies, data-driven essays, user testimonials, and thought-provoking questions, LMSa offers design strategies to architects who want to make an environmental and social impact.

Nachhaltigkeit, aus oekologischer Sicht eine Notwendigkeit, gewinnt auch aus Developer-Perspektive zunehmend an Bedeutung: Quantifiziert fliesst sie in die Bewertung einer Immobilie mit ein. Carlo Baumschlager und Jesco Hutter sind mit ihrem Buro Baumschlager Hutter Partners (Dornbirn, Heerbrugg, Wien, Munchen, St. Gallen, Zurich) seit 2010 aktiv, 2019 erhielt es den Staatspreis fur Architektur und Nachhaltigkeit. In dieser thematischen Monografie werden 11 Bauten dargestellt, die vom Ziel der Nachhaltigkeit wesentlich gepragt sind. Neben projektspezifischen Informationen und Planen findet der Leser wichtige Kennzahlen mit eigens entwickelten Infografiken sowie ein Glossar der einschlagigen Terminologie. Ein eigener opulenter Bildteil bringt die gestalterische Qualitat der Bauten zur vollen Entfaltung.

The philosophy of CLB Architects, Inspired by Place, permeates all the firms design work, from public projects to bespoke homes. Their portfolio projects - timeless, thoughtful, distinct and beautiful - are examples of how to tread softly on the land in some of the world's most iconic landscapes. They introduce a new approach to form and materiality in a region where the design world is often limited by a nostalgic view of the past. Inspired By Place showcases ten homes by CLB Architects, many of which feature interiors by CLB's design team; these are always sophisticated yet comfortable and conceived as an extension of the architecture. From a streamlined modern masterpiece on the banks of the Snake River to architecture as connected barnlike structures to a private glass pavilion retreat perfectly oriented for wildlife viewing, CLB's work references local forms and vernaculars while speaking in a new architectural language for the Rocky Mountain West.