Manual for Urban Design Urban design is based on planning and design principles that need to meet functional demands on the one hand, but on the other hand bring the design elements together into a distinctive whole. The basic compositional principles are, for the most part, timeless. Designing Cities examines the most important design and presentation principles of urban design, using historical examples and contemporary international competition entries designed by practices including Foster + Partners, KCAP Architects & Planners, MVRDV, and OMA. At the core of the publication is the question of how the projects were designed and what methods and tools were available to the designer: such as parametric design, in which variable parameters automatically influence the design and provide a range of possible solutions. Tools for urban design Current projects and award-winning competition entries by renowned international practices A textbook for students and a practical design aid for practicing architects and planners

From 1940 to 1970, mid-Michigan had an extensive and varied legacy of modernist architecture. While this book explores buildings by renowned architects such as Frank Lloyd Wright, Alden B. Dow, and the Keck brothers, the text-based on archival research and oral histories-focuses more heavily on regional architects whose work was strongly influenced by international modern styles. The reader will see a picture emerge in the portrayal of buildings of various typologies, from residences to sacred spaces. The automobile industry, state government, and Michigan State University served as the economic drivers when the mid-Michigan area expanded enormously in the growing optimism and increasing economic prosperity after World War II. Government, professional associations, and private industry sought an architectural style that spoke to forward-looking, progressive ideals. Smaller businesses picked a Prairie style that made people feel comfortable. Modernist houses reflected the increasingly informal American lifestyle rooted in the automobile culture. This expanded paperback edition adds over twenty architect-designed residences along the various rivers and creeks that traverse the area as well as on man-made lakes, and introduces several popular architectural designers not previously discussed. The epilogue briefly considers disappearing modernist inventions and buildings. With a detailed narrative discussing more than 150 buildings and enriched by 186 illustrations, this text is a vibrant start at reclaiming the history of mid-Michigan modernist architecture.

Part manifesto and part monograph, Radical Practice reflects the ethos and endeavors of Marlon Blackwell, a charismatic architect in the prime of his career, producing extraordinary architecture for everyday places from his studio in the Ozarks of Arkansas. Celebrating thirty years of practice in 2022, Marlon Blackwell is among the most admired architects in the country. But he isn't known for sky-high towers or houses for the one-percent crowd. Blackwell prioritizes the common good of shared spaces over the private luxuries of domestic design. Be it a pediatric clinic in Arkansas, a school in Texas, a model house in post-Katrina Mississippi, or a public park in Tennessee, his architecture is characterized by bold forms that both echo and elevate the local context-often through an economy of means. Each of the fourteen buildings profiled in this book is paired with an unvarnished photographic journey through roadside influences and an essay by a leading designer, planner, or artist. These pairings capture the radically conventional principles and practices, the time-honored methods and materials, that Blackwell mines to create works that are far from commonplace.

Here, Jacob Brillhart excavates the "visual thinking" of the twentieth century's pioneer architect, reproducing a selection of 175 drawings from the early sketchbooks of Charles-Edouard Jeanneret, whom we now know as Le Corbusier. Between 1907 and 1911, Jeanneret studied in Switzerland and travelled through Europe and the East, filling sketchbooks with exquisitely detailed drawings. Brillhart provides a physical and intellectual map for students, travellers and lovers of art and architecture. The first book to provide a succinct collection of Jeanneret's drawings, some of which are previously unpublished, Voyage Le Corbusier encourages a new generation to learn to see.

Over the past years, Dhaka-based architect Kashef Chowdhury has become renowned for a body of work that responds with great sensitivity to places, local circumstances, and the demands of a building's users. At the 2016 International Architecture Exhibition of the Venice Biennale, Chowdhury presented four recent projects his firm URBANA has realised in Bangladesh in a fascinating exhibition which he has designed with equal sensitivity and care. The labyrinth is an age-old space of intrigue, discovery and accident, which has fascinated architects throughout history. For his installation in Venice, Chowdhury challenged spatial perceptions by a simple turn: the labyrinth - which hides and blocks - is suddenly made transparent. Notwithstanding the obvious reference to Venetian glass, the labyrinth retains, or even accentuates, a sense of spatial disorientation. The installation was conceived not merely as a hyper-maze but rather as an expression of the anxiety that the artist experiences in his work due to a myriad of uncertainties. From design to construction, funding to maintenance, the part of the world where URBANA chiefly works presents itself with challenges at every turn, and it is in this milieu that an architect must operate with firm resolve. Chowdhury's Glass Labyrinth in Venice seems to explicate the notion that, although an architect has a clear vision of what he wants to do, the path to achieving that in the environment in which he operates, is laden with perplexing barriers. This new book explores and documents Kashef Chowdhury's intriguing installation in Venice with beautiful photographs by Eric Chenal and an illuminating text by Robert McCarter.

Contexts: The Work of Hodder + Partners brings together contributions from architectural writers, academics and journalists to review the buildings, culture and philosophy of Hodder Associates (now Hodder + Partners), founded in 1992. Including high-quality colour images of both the practice's own work and the influences on it, this book will follow the themes of placemaking, humanisation, the influence of Arne Jacobsen and the essence of 'northerness' to place the practice's influence in context. A vital contribution to the history of one the UK's most important architectural practices, Hodder + Partners Includes essays from high-profile architectural writers, including Hugh Pearman, Laura Mark, Rob Gregory and Tony Chapman Showcases the key themes and culture of Hodder + Partners that have influenced 21st century architecture Features high-quality colour images of key projects such as the practice's work at St Catherine's College, Oxford

Due to popular demand we are delighted to offer this new paperback edition of Eric Lyons and Span. Lavishly illustrated and deeply researched, this book celebrates the work of the architect Eric Lyons OBE (1912-1980), whose famous post-war housing - that today would be marketed as 'lifestyle housing' - is as well loved today as it was vibrantly successful when first constructed. Built almost entirely for Span Developments, its mission was to provide an affordable environment "that gave people a lift". Influenced by Walter Gropius, Lyons brought a commitment to high density housing and the idea of fostering community into his Span work without compromising his intuitive sensitivity for landscape. His success brought the practice an impressive array of awards and led to a term as President of the RIBA. The enduring success of his design philosophy can be traced forward to 2005, when Span received a special Housing Design Award given to schemes that meet the current Sustainable Communities Plan. Indeed, the concept of Span mirrors current best practice thinking in housing design and continues to offer a fresh, relevant challenge to volume housebuilders in Britain today. This book serves as a lively reminder of that fact. Written by distinguished historians, practitioners and Span enthusiasts, the book has been researched using the archive compiled by Ivor Cunningham, one of Lyons ex-partners while a detailed gazetteer contains scale plan drawings of many of Spans housing templates.

Tom Munz established his St. Gallen office in 2013. Since then, he has produced a number of extremely high-quality buildings that are always developed with a special interest in structural and tectonic expression. For instance Wohnhaus Holzenstein in Romanshorn is a design inspired by Modernism, thriving on the interaction between reserved, beige-stained concrete wall surfaces and wooden window elements to achieve an extremely poetic radiance. Text in English and German.

The Supercrit series revisits some of the most influential architectural projects of the recent past and examines their impact on the way we think and design today. Based on live studio debates between protagonists and critics, the books describe, explore and criticise these major projects.

Supercrit #4 Bernard Tschumi: Parc de la Villette examines the groundbreaking public space with art installations. You can hear the architect 's project definition, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.

In 2011, Zurich-based architect Fawad Kazi submitted the winning proposal for the rebuilding and extension of a hospital complex in the Swiss city of St Gallen. Over a period of ten years, a number of existing structures will undergo vast rebuilding and new ones will be added, transforming a park with individual buildings into a single continuous complex. This new, eventually five-part monograph, documents this project in full detail. It highlights the significance of St Gallen's urban design as well as the specific demands on architectural design and construction and on the hospital's operations. Volume I features the project's genesis and the initial new building, a pavilion structure housing a restaurant and, in the basement, an electrical substation. Text in English and German.

Architect to Lady Gaga and Nicola Formichetti, Mark Foster Gage has spent 20 years leading the digital architectural avant-garde, pushing the boundaries of what is possible in architecture and design and exploding expectations. This volume features built and unbuilt work from around the globe, from a penthouse in downtown Manhattan to retail stores in Hong Kong. The work shown goes beyond traditional architecture to the realm of fashion and fine art, and includes Gage s celebrated Valentine s Sculpture for Times Square, a 3-D-printed outfit for Lady Gaga, as well as designs for Google Glass, Solar Flowers, and robotic tulips. Mark Foster Gage, whose work Harper s Bazaar has called effortlessly chic and who has been labelled a boundary breaker, is a visionary for today. Filled with surprises and creations of wonder, such as a tower for New York s 57th Street with mouthlike balconies on giant wings or a retail space bedecked with a hundred-faceted mirror, Gage s work at once challenges expectations of what architecture might be and, as well, frequently fills one with a sense of excitement. Gage s work is further elucidated in the book by the critical musings of eminent architects and cultural touchstones Peter Eisenman and Robert A.M. Stern.

This fully illustrated volume represents the most comprehensive examination yet of the life and work of the great Egyptian architect Hassan Fathy (1900-89), and the regional and international significance of his contribution to the lived environment. Eleven Egyptian and international scholars reveal the man, his milieu, his goals and his passions, his concept of social living and his fight for a humane model for affordable housing in tune with the environment, the application of these concepts in his numerous plans and buildings, his relations with the establishment, the extent of his influence, and the lasting legacy of his completed projects. Generously illustrated with archival and color photographs and the architect's own distinctive and beautifully decorated gouache plans and elevations, many never previously published.

Diener & Diener Architects, based in Basel and Berlin and one of Switzerland's leading contemporary firms, have had a special focus on residential architecture throughout its 40 years of existence. The origins of the work are based in the previous studio of Marcus Diener, founded in 1942 and joined in 1976, and taken over entirely in 1980, by his son Roger Diener. This new monograph documents comprehensively this 'recherche patiente' of four decades. It discusses 30 realised designs and unbuilt proposals that exemplify Diener & Diener's philosophy, based on their characteristics and individual urban context. Illustrated with photographs, floor and site plans as well as archival images and plans, and drawing on the firms archive and Roger Diener's collected lectures, the authors investigate the typological design process on which each project is based. Diener & Diener update and adapt fundamental types to the requirements and restraints of each new task. The consistency of this approach constitutes the significance of their work in contemporary housing.

Giuseppe Terragni, an influential proponent of modernism in Italian architecture and design in the 1920s and 1930s, translated the visual vocabulary of Le Corbusier and Mies van der Rohe into what became known as the Rationalist School of Architecture. This monograph covers his later years (he died in 1943), with a focus on the war and his devastating experience as a soldier. It includes some notable projects from the 1930s like the Casa del Fascio in Como, and the designs for an unrealised final project for a cathedral that he did in the days before his death. The book is illustrated with historical photographs and includes letters Terragni wrote from the front.

The philosophy of CLB Architects, Inspired by Place, permeates all the firms design work, from public projects to bespoke homes. Their portfolio projects - timeless, thoughtful, distinct and beautiful - are examples of how to tread softly on the land in some of the world's most iconic landscapes. They introduce a new approach to form and materiality in a region where the design world is often limited by a nostalgic view of the past. Inspired By Place showcases ten homes by CLB Architects, many of which feature interiors by CLB's design team; these are always sophisticated yet comfortable and conceived as an extension of the architecture. From a streamlined modern masterpiece on the banks of the Snake River to architecture as connected barnlike structures to a private glass pavilion retreat perfectly oriented for wildlife viewing, CLB's work references local forms and vernaculars while speaking in a new architectural language for the Rocky Mountain West.

This book documents contemporary architectural projects designed by women architects participating in diverse forms of practice in diverse regions around the world. Examining each design within its unique context, this collection of forty projects includes beautifully illustrated case studies of transformative buildings, encompassing a range of sizes, building types, materials, and construction methods. Overcoming historical challenges within architectural practice, the women architects in this collection lead their firms and expand the field of architecture. Brit Andresen, Andresen O'Gorman Architects, Australia; Sandra Barclay, Barclay & Crousse Architecture, Peru + France; Tatiana Bilbao Estudio, Mexico; Shirley Blumberg, KPMB Architects, Canada; Eliana Bormida, Bormida y Yanzon Arquitectos, Argentina; Fernanda Canales Arquitectura, Mexico; Gabriela Carrillo, Mexico; Aziza Chaouni Projects, Canada; Elizabeth Diller, Diller Scofidio + Renfro, USA; Carmen Espegel, Espegel Arquitectos, Espana; Yvonne Farrell and Shelley McNamara, Grafton Architects, Eire; Jeanne Gang, Studio Gang, USA + France; Lina Ghotmeh Architecture, France; Melkan Gursel, Tabanlioglu Architects, Turkey, UK + USA; Studio Anna Heringer, Deutschland; Francine Houben, Mecanoo, Nederland, Taiwan, UK + USA; Carla Juacaba Studio, Brasil; Antonia Lehmann, Izquierdo Lehmann Arquitectos, Chile; Ines Lobo Arquitectos, Portugal; Lu Wenyu, Amateur Architecture Studio, China; Doriana Mandrelli Fuksas, STUDIO FUKSAS, Italia, France, UAE + China; Nina Maritz Architects, Namibia; Valerie Mulvin, McCullough Mulvin Architects, Eire; Sheila O'Donnell, O'Donnell + Tuomey, Eire + UK; Patricia Patkau, Patkau Architects, Canada; Estudio Carme Pinos, Espana; Samira Rathod Design Associates, Bharat Ganarajya; Maria Samaniego, arquitectura x, Ecuador; Kazuyo Sejima, Kazuyo Sejima and Associates + SANAA, Japan; Brigitte Shim, Shim-Sutcliffe Architects, Canada; Sonja Petrus Spamer Architects, South Africa; Marina Tabassum Architects, Bangladesh; Kerstin Thompson Architects, Australia; Lene Tranberg, Lundgaard & Tranberg Arkitekter A/S, Danmark; Billie Tsien, Tod Williams Billie Tsien Architects | Partners, USA; Claire Weisz, WXY Architecture + Urban Design, USA; Sarah Wigglesworth Architects, UK; Xu Tiantian, DnA (Design and Architecture), China; Estudio Cazu Zegers Arquitectura, Chile; Marusa Zorec, Arrea Arhitektura, Slovenija

The Green Energy Laboratory (GEL) is a research centre for low environmental impact building technologies on the the Minhang Campus of Jiao Tong University in Shanghai. Created in collaboration between the university and the Italian Ministry for Environment, Land and Sea Protection, it was designed and built by the Florentine architectural firm Archea Associati in 2012. This book features critical essays, technical drawings, photos of the construction site and the completed project, and illustrates the harmony of this structure through its perfect blend of tradition, architectural ingenuity, and sustainability. The GEL building is based around a central courtyard with a retractable roof. The top, or third floor, is recessed in relation to the main block, with a steeply sloped roof to house solar panels. The outer shell of the building's double skin is composed of terracotta elements designed to form pictograms common in the Chinese language. This landmark project represents a symbol of intercultural cooperation between Italy and China. Text in English and Italian.

David Adjaye, the son of a Tanzanian diplomat, spent his childhood moving between international cities before settling in London, where he was educated. Fresh out of the Royal Academy of Art, his early commissions reflected an influential generation of artists at the turn of the millennium with whom he shared a range of sensibilities. His artistic sensitivity, deft use of space and inexpensive, unexpected materials resulted in a number of iconic projects. With the hindsight of almost twenty years of practice and a raft of high-profile projects around the world - perhaps best symbolized by his National Museum of African American History and Culture in Washington, D.C. - the significance of Adjaye's earlier projects is clear. Never shying away from a challenge, Adjaye used his first projects as testbeds for what would become his unique, acclaimed and highly sought after brand of 'critical regionalism'. This monograph presents the first projects of Adjaye's corpus, many little documented. From London's West End to Brooklyn, clever urban interventions and pavilions to private houses for artists and public buildings for the many. These early projects, brought together and presented with new analyses and recently uncovered archival material, testify to the originality of an architect at the height of his talents who is changing the face of our built world.

The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines the country's traditional building crafts with sophisticated technologies and materials. From his iconic Glass House (1995) to Dundee's V&A (2018), this is the complete record of Kuma's built work, comprising thirty projects to date. Kenneth Frampton's revised and updated essay frames Kuma's work in the context of post-war Japan's flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma's ideas and buildings have received. The heart of the book consists of projects presented in detail, accompanied by descriptive text and detailed drawings, and organized by the material themes that have come to define the architect's output. This new edition includes five new projects: Komatsu Seiren Fabric Laboratory fa-bo, Under One Roof project for the EPFL ArtLab, Japan House Sao Paulo, China Academy of Art's Folk Art Museum, and the V&A Dundee.

With his geometric structures perched upon the hillsides, beaches, and deserts of California, John Lautner (1911-1994) was behind some of the most striking and innovative architectural designs in mid-20th-century America. This introductory book brings together the most important of Lautner's projects to explore his his ingenious use of modern building materials and his bold stylistic repertoire of sweeping rooflines, glass-paneled walls, and steel beams. From commercial buildings to such iconic homes as the Chemosphere, we look at Lautner's sensitivity to a building's surroundings and his unique capacity to integrate structures into the Californian landscape. With several of Lautner's houses now labeled Los Angeles Historic-Cultural Monuments, we'll also consider the architect's cultural legacy, as much as his pioneering of a visual paradigm of 1950s optimism, economic growth, and space-age adventure. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

There are numerous links between architecture and art. In his architectural work, Philipp von Matt, who lives with his partner the Japanese artist Leiko Ikemura, has often explored themes relating to the creation and presentation of art. Designs of exhibitions and “artist houses� feature among the Swiss’s oeuvre – and such projects have brought him far beyond his adopted city of Berlin. With his two studio buildings O12 and A27, von Matt has delivered impressive designs that reveal key aspects of his understanding of architecture. Free from standard forms of the era, his buildings reflect the architect’s interest in different materials and technical solutions as well as the influence of traditional Japanese and Swiss architecture. The book provides insights into von Matt’s diverse work. In addition to highlighting his “artist houses�, it showcases many exhibition designs that he produced for Leiko Ikemura, including her major exhibition in the National Art Center in Tokyo and the 2019 retrospective created in collaboration with the Kunstmusem Basel. Text in English and German.