Designed and built by Leo Salvotti, this small holiday building by the lake - renamed 'Casa Galina' by the local inhabitants for its zoomorphic shape - is the best-known building in Calceranica al Lago and represents a unique architectural experiment in Italy. Through pictures from the 1960s, drafts, and 3D reconstructions, alongside the photographic work of Luca Chiste, this book aims to enhance this building's history. Essays written by experts who insert Casa Galina into the local and Italian architectural history complement the book.

In the book Al Wasl Plaza: Dubai Expo 2020 the architects, Adrian Smith + Gordon Gill Architecture highlight the inspiration and innovation of the design of Al Wasl Plaza. The book explores each aspect of the project including the garden, the trellis, three office buildings, and two hotel buildings, all of which serve to define the centre of Expo 2020. The book is essentially divided into three phases of design. The first phase focuses on the inspiration and conception of the project. Architectural studies, sketches, and models show the process that led to the final iconic form. The second phase introduces each of the parcels including the garden, trellis, offices, hotels, the Leadership Pavilion, and the Arrivals Plaza. Each chapter illustrates the design process, architectural details, and the development of the technical systems. The third and final phase summarises the construction process, sustainability achievements, and looks to the future to reveal the District 2020 legacy master plan concept by AS+GG.

The sequel to Bernard Tschumi's best-selling Event-Cities, documenting his recent architectural projects and updating his thoughts on architectures and cities. In Event-Cities (MIT Press, 1994), Bernard Tschumi expanded his architectural concerns to address the issue of cities and their making. Event-Cities 2 continues this project through new selections from his recent architectural projects. The book includes the first comprehensive documentation of the drawings for the award-winning Parc de la Villette (including many previously unpublished drawings), his project for the expansion of the Museum of Modern Art, two architectural schools, a concert and exhibition hall, a student center, a railway station, a department store, and other urban projects. Tschumi suggests that architecture can accelerate the events of everyday life through new forms of organization. Using various modes of notation ranging from rough models to sophisticated computer-generated images, he reveals the complexities of the architectural process and the rich texture of events that define urban reality today.

In America between 1946 and 1953, the German-Jewish architect Eric Mendelsohn planned seven synagogues, of which four were built, all in the Midwest. In this book, photographer Michael Palmer has recorded in exquisite detail Mendelsohn's four built synagogues: Saint Paul, Saint Louis, Cleveland and Grand Rapids. These photographs are accompanied by an insightful contextual essay by Ita Heinze-Greenberg which reflects on Eric Mendelsohn and his Jewish identity. Mendelsohn's post-war commitment to sacred architecture was a major challenge to him, but one on which he embarked with great enthusiasm. He sought and found radically new architectural solutions for these 'temples' that met functional, social and spiritual demands. In the post-war and post-Holocaust climate, the old references had become obsolete, while the founding of the State of Israel in 1948 posed a claim for the redefinition of the Jewish diaspora in general. The duality of Jewish and American identity became more crucial than ever and the congregations were keen to express their integration into a modern America through these buildings. Hardly anyone could have been better suited for this task than Mendelsohn, as he sought to justify his decision to move from Israel and adopt the USA as his new homeland. The places he created to serve Jewish identity in America were a crowning conclusion of his career. They became the benchmark of modern American synagogue architecture, while the design of sacred space added a new dimension in Mendelsohn's work.

Writings on Architecture is an anthology of texts by George Baird, focusing on his on-going interest in planning and the built environment, something which is particularly manifest in his attention to the city of Toronto, where he is active in architecture, urban design and heritage preservation.
After graduating from the University of Toronto in 1962, and then from University College, London, England, Baird went on to teach architectural theory and design at the Royal College of Art, and the Architectural Association School of Architecture in London, returning to Toronto in 1967. There, he founded his architectural practice, and joined the faculty of architecture at the University of Toronto and the faculty of the Graduate School of Design at Harvard University, where he was the G Ware Travelstead Professor of Architecture, and Director of the M Arch I and M Arch II Programs. From 2005 to 2009 Baird was Dean of the Faculty of Architecture, Landscape, and Design at the University of Toronto.
A principal author of the pioneering 1974 urban design study Onbuildingdowntown, he is the author/editor of numerous books, including Meaning in Architecture (with Charles Jencks), 1968; Alvar Aalto, 1969; The Space of Appearance, 1995; and Queues, Rendezvous, Riots (with Mark Lewis), 1995.
The book includes an introductory essay by Louis Martin and is essential reading for those interested in architecture, architectural history and theory, urbanism and the built environment.

One of Sweden's most renowned contemporary architects, Johan Celsing has created a diverse body of work that spans from housing to public institutions such as museums, libraries, and churches - all of it united by an intense and realistic engagement with the craft of making buildings. Johan Celsing: Buildings, Texts is the first book to comprehensively collect Celsing's designs. It features both built and unrealised projects are featured through working drawings and sketches, watercolours, and images of models, as well as new photographs by London-based photographer Ioana Marinescu. In addition to more than seven hundred illustrations, the buildings are discussed in essays by architects, educators, and critics including Wilfried Wang, Claes Caldenby, Katarina Rundgren, and Elizabeth Hatz. The book also offers a selection of Johan Celsing's own writings.

Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life's work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she's still considered an insider's tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo's special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific "story" behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect's general design methods.

studio bau:ton, the practice founded by Swiss architect Peter Gruneisen, designs buildings rooted in the sphere of imagination and creativity. The practice's main clients are in the music and film production industry in Los Angeles, for whom it designs private houses and work spaces. The focus is on the combination of high-tech entertainment design with glamorous, exclusive architecture. On the occasion of its 30th anniversary, the Los Angeles-based architectural practice nonzero\architecture is publishing the second monograph. The book includes conversations with well known clients including Hans Zimmer, David Lynch, Bruce Botnik, and Paul Lieberstein. The completed projects include residences, mixed residential/work spaces, through to recording studios and public buildings.

Featuring international hotel and restaurant design at its best, created for brands such as Designhotels, 25 Hours, Superbude, Neni-Restaurants by this award-winning German design firm. A beautifully photographed compendium of inventive and inspiring work created over the last 15 years by the award-winning German interior design firm Dreimeta. This book explores their unique approach to every project, and takes a look behind the scenes at their pursuit of adventurous ideas - the soul and the driver of creativity. Pictures, sketches and collages with side notes on hotel, restaurant and bar design projects illuminate the creative process, supplemented with anecdotes and memories from many of those involved - including "greats" from the hotel industry like Claus Sendlinger (Design Hotels), Kai Hollmann, Christoph Hoffmann (25Hours) and Remo Masala (Thomas Cook).

Despite being one of the oldest building materials, wood is revolutionising the way we design and construct buildings today. Criteria such as a changing work-life balance and working for a carbon-neutral future allow us to better account for the resources that buildings use and their effect on the natural environment. Studies have also shown the positive impacts of wood on health, wellness, and working toward equity in our local communities as we create beautiful spaces in which to gather, learn, and live. Initially applied in the early 2000s as a decorative element in the facade of buildings, mass timber is increasingly seen as an alternative to traditional steel-and-concrete construction. With advances in technology, mass timber is now even used in the structural frame of tall buildings. Featured in this title is a comprehensive survey of over 50 buildings. From museum projects like the Aspen Museum of Art to Pompidou Metz, the new global headquarters for Swatch and temporary shelters for both natural and man-made disasters, they showcase the state of the art in this emerging technology, one that imagines novel applications for this most ancient of building materials, as well as Mount Fuji World Heritage Center, La Seine Musicale Performance Hall in Paris, the Oita Prefectural Museum, and the 19-story Terrace House in Vancouver, the world s tallest mass timber building, scheduled for completion in 2022.

The philosophy of CLB Architects, Inspired by Place, permeates all the firms design work, from public projects to bespoke homes. Their portfolio projects - timeless, thoughtful, distinct and beautiful - are examples of how to tread softly on the land in some of the world's most iconic landscapes. They introduce a new approach to form and materiality in a region where the design world is often limited by a nostalgic view of the past. Inspired By Place showcases ten homes by CLB Architects, many of which feature interiors by CLB's design team; these are always sophisticated yet comfortable and conceived as an extension of the architecture. From a streamlined modern masterpiece on the banks of the Snake River to architecture as connected barnlike structures to a private glass pavilion retreat perfectly oriented for wildlife viewing, CLB's work references local forms and vernaculars while speaking in a new architectural language for the Rocky Mountain West.

Since its inception, T.O.P. office has boosted architecture as an uncompromising social tool to persistently question the terrestrial scale and the delicate balance with mankind. Whichever way you turn it, Earth - the orb - is the undeniable alpha and omega for any future stance, action or intervention. An insight Luc Deleu & T.O.P. office have never failed to underscore - or challenge. Armed with an unsparing but humorous logic, a firm belief in the freedom of the individual, and a persistent commitment to ecology, T.O.P. office continues to hold up a mirror to society. Always unsolicited. Simply because they have to. For this publication, editors Peter Swinnen and Anne Judong were given unlimited access to the archives of T.O.P. office. The title is also the filter through which to examine the living archive. Which projects - whether conceived in the 1970s or 2000s - retain the intelligent promise of a future plan? And how can they enlighten designers, architects, urban planners, ecologists, cultural workers, administrations and policymakers of today and tomorrow? A future plan in itself.

A stunning celebration of the architect's residential masterpieces Louis Kahn (1901-1974), one of the most important architects of the postwar period, is widely admired for his great monumental works, including the Kimbell Art Museum, the Salk Institute, and the National Assembly Complex in Bangladesh. However, the importance of his houses has been largely overlooked. This beautiful book is the first to look at Kahn's nine major private houses. Beginning with his earliest encounters with Modernism in the late 1920s and continuing through his iconic work of the 1960s and 1970s, the authors trace the evolution of the architect's thinking, which began and matured through his design of houses and their interiors, a process inspired by his interactions with clients and his admiration for vernacular building traditions. Richly illustrated with new and period photographs and original drawings, as well as previously unpublished materials from personal interviews, archives, and Kahn's own writings, The Houses of Louis Kahn shows how his ideas about domestic spaces challenged conventions, much like his major public commissions, and were developed into one of the most remarkable expressions of the American house.

Translations examines the architecture and artwork of Sigrid Miller Pollin. A Fellow of the American Institute of Architects and a professor of architecture at the University of Massachusetts, Miller Pollin has created a rich body of work, from residential and academic buildings to furniture and artwork inspired by the natural world. Her design sense and deep understanding of space and colour combine to present an oeuvre worthy of study. As a book about a practicing female architect who has successfully woven family, work, and art into a creative life, it offers inspiration, anecdotes and examples for women entering the professional world of architecture.

Christian Norberg-Schulz's Interpretation of Heidegger's Philosophy investigates the theoretical contribution of the world-renowned Norwegian architectural theorist Christian Norberg-Schulz and considers his architectural interpretation of the writings of German philosopher Martin Heidegger. Though widely recognised as providing the most comprehensive reading of Heideggerian philosophy through the lens of architecture, this book argues that Norberg-Schulz neglected one of the key aspects of the philosopher's contributions: the temporal nature of being-in-the-world as care. The undeveloped architectural implications of the ontological concept of care in his work prevented the fruition of his ultimate aim, transforming the 'art of place' into an 'art of living'. This book seeks to realign Norberg-Schulz's understanding of time as continuity and change to present a holistic approach grounded in Heidegger's phenomenological philosophy; architecture as art of care. Aimed at academics and scholars in architectural theory, history and philosophy, Christian Norberg-Schulz's Interpretation of Heidegger's Philosophy surveys the implications and significance of Norberg-Schulz's works on architectural criticism in the late 20th century.

Among the general public, Frank Lloyd Wright remains the best-known American architect of the twentieth century. And yet his larger-than-life profile in the popular realm contrasts sharply with his near invisibility in academic and professional circles. In Rethinking Frank Lloyd Wright, Neil Levine and Richard Longstreth have assembled a group of eminent scholars to address this most puzzling paradox of the great architect's career. In a series of engaging and well-illustrated essays, the contributors draw on their wide-ranging understanding of modern architecture to reveal the ways in which Wright continues to play an instrumental role in domestic and international spheres, making the case for reevaluating his popular and professional reputations. Prompted by the transfer of the architect's archive from its home at Taliesin West in Scottsdale, Arizona, to the Avery Library at Columbia University and the Museum of Modern Art, this volume revisits Wright's relevance for a contemporary audience. Contributors Barry Bergdoll, Columbia University * Daniel Bluestone, Boston University * Jean-Louis Cohen, New York University * Cammie McAtee, independent scholar * Neil Levine, Harvard University * Dietrich Neumann, Brown University * Timothy M. Rohan, University of Massachusetts Amherst * Richard Longstreth, George Washington University * Jack Quinan, University at Buffalo * Alice Thomine-Berrada, Ecole des Beaux-Arts

For decades Frederick Law Olmsted (1822-1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post-Civil War America. Historians, landscape architects, conservationists, city planners, and citizens' groups continue to turn to Olmsted for inspiration in their planning and protection of public open space in our cities.

This latest and seventh volume of the "Papers of Frederick Law Olmsted" presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, "The Spoils of the Park." In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system--the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted's commentary on issues of the times including federal Reconstruction policy and civil-service reform.

"The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals."

Public interest in architecture and spatial issues has never been so high. The Flanders Architectural Review No.14 presents striking architecture from Flanders and Brussels. It assembles a broad range of recently completed architectural projects and situates them in the evolution of the socio-cultural domain in which they arose. The key concept for the selection of these projects is encapsulated in the title: When Attitudes Take Form. The editors chose architecture that demonstrates a convincing social commitment while also challenging and questioning its own discipline. These fifty projects display the multifaceted nature of the resulting architecture. Each of the twelve essays examines a current topic. The authors scrutinise the conditions for the production of contemporary architecture, such as the large-scale urban expansion project, the (post-) reconstruction landscape of the south-west corner of Flanders, and school building within the region. But they also explore the various positions adopted by architects: that of designer and also of researcher or committed citizen in the civil sector.

This architectural approach makes the preliminary conceptual content its foundation point. Moreover, it gives to the project a non-conventional interpretation because of the always diverse requests of functionality and appearance, and because of the many stimuli coming from the landscape and the site. A collaborative, trans-disciplinary approach allows to involve different teams in the project planning. Thanks to a dense network of experts, it is possible to establish frequent collaborative links and solve every emerging problem in the most accurate and exhaustive way. By combining project-based research with academic research at the University of Milan (Politecnico), Camillo Botticini received many awards, mostly for public works. Such awards underline Botticini s testing ground on concrete examples, in a synthesis between pragmatism and research design phases. His large experience on small-scale public works, accomplished with detailed precision in the area of Brescia, Italy, created a vast network of relationships and experiences, which constitute a solid launch pad. Their designs centre around the satisfying yet brutalist shape of a square. Provoking and bold, their work is as ultra-modernist as it is unusual.

This monograph showcases the trajectory of an empire built by the sheer dint of its driving success. Archgroup has gained international recognition as a comprehensive service provider in the architectural segment, with special focus being on its prolific and vital role dominating the skyline of the UAE's world-class destination, Dubai. The firm's work has now become synonymous with epithets such as 'tallest', 'highest' and 'longest' across the Gulf region. Inside, the richly illustrated pages chronicle close to 100 projects by Archgroup, both built and in progress. Each work provides insight into the values, design-thinking and process-orientated approach that is the firm's signature, making this volume a valuable resource that goes beyond the study of the built form to talk about the firm's inimitable ethos that guides its design candour.

An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters-many from far-flung places-until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner.

"This is a tale of murdered prostitutes and exhumed nuns, of still-born babies and live chickens cast in plaster, of patches of skin removed without anaesthetic from young men, of cholera, alcoholism, riot arson and death-by-tram, at the centre of which there is a celibate, vegetarian, devout man who liked lettuce dipped in milk for lunch…
'Evening Standard'

For many Gaudi's unique architecture 'is' Barcelona. But little is known about the shadowy figure behind the swirling, vivid buildings that inspired the surrealists. Contemporary accounts describe an effete dandy who dressed like a tramp, a revolutionary patriot arrested in a pro-Catalan riot dressed like a tramp age 73, and a hermit who chose lifelong celibacy, rejected by the woman he loved. This masterly biography is the first to untangle his paradoxes, bringing the obsessions of both man and architect powerfully to life, against the changing backdrop of Catalonia.

"A terrifically stirring biography…van Hensbergen animates ideas with narrative drive. Buildings are his characters."
'New York Times'

"'Gaudi' brings vividly alive for the first time the Catalan cultural and political background that is the key to understanding Gaudi"
'Sunday Telegraph'

"The most definitive work on the architect"
'Art Review'

"A soaring biography, meticulously researched, elegantly organised, fluidly and lucidly written"
'Chicago Tribune'

"At the end [of reading 'Gaudi' I felt like jumping on a jet to Barcelona, imagination at full stretch, rosary in hand"
'Guardian'