An unsung prophet of today's green movement in architecture, Frank Lloyd Wright was an innovator of eco-sensitive design generations ahead of his time. An architect and designer of far-reaching vision, it is not surprising that Frank Lloyd Wright anticipated many of the hallmarks of today's green movement. Across his work-which stands upon a philosophy Wright termed "organic"-widespread evidence is seen of a refined sensitivity to environment, to social organization as impacted by buildings, and to sustainable and sensible use of space. The desire to work and live with nature to create livable homes and cities is an ongoing theme of American architecture and planning. This book explores Wright's lessons on how climate, sustainability, sunlight, modern technology, local materials, and passive environmental controls can become the inspiration for excellent design, and highlights a selection of Wright's buildings to show how he dealt with these issues. The book is organized by the green concepts Wright used-including passive solar design and the use of thermal massing, passive berm insulation, environmentally sensitive landscaping, passive ventilation systems, passive natural light, and intelligent and artful adaptation of technology-with examples from different houses. It shows how Wright evolved certain ideas that continue to spur discussions of green architecture design today.

The first major study of one of the most important architects of the postwar era Equally admired and maligned for his remarkable Brutalist buildings, Paul Rudolph (1918-1997) shaped both late modernist architecture and a generation of architects while chairing Yale's department of architecture from 1958 to 1965. Based on extensive archival research and unpublished materials, The ArchitectureofPaul Rudolph is the first in-depth study of the architect, neglected since his postwar zenith. Author Timothy M. Rohan unearths the ideas that informed Rudolph's architecture, from his Florida beach houses of the 1940s to his concrete buildings of the 1960s to his lesser-known East Asian skyscrapers of the 1990s. Situating Rudolph within the architectural discourse of his day, Rohan shows how Rudolph countered the perceived monotony of mid-century modernism with a dramatically expressive architecture for postwar America, exemplified by his Yale Art and Architecture Building of 1963, famously clad in corrugated concrete. The fascinating story of Rudolph's spectacular rise and fall considerably deepens longstanding conceptions about postwar architecture: Rudolph emerges as a pivotal figure who anticipated new directions for architecture, ranging from postmodernism to sustainability.

Provides an index of ideas, theories, projects, and definitions that string into a methodology for evaluating the contemporary language of architecture. Beautifully designed with text and image spreads, it includes over 160 full colour illustrations. Includes interviews and contributions from Toyo Ito, Anthony Vidler, Ben van Berkel, Sou Fujimoto, Christian Kerez and Greg Lynn.

This book tells the tale of the prolific Italian architect, inventor, farmer, writer, and engineer Gaetano Ciocca, whose career took him from the battlefronts of World War I to Stalin's Russia, Mussolini's Italy, FDR's America, and finally to postwar liberal-democratic Italy. Like celebrated counterparts such as Walter Gropius and Le Corbusier, Ciocca was a visionary so confident in his vision of a future in which all aspects of life would be rationalized and modernized that no set of practical or political obstacles could ever stand in his way. Ciocca's endeavors included the development of "fast houses," a "theater for 20,000 spectators," the "guided roadway," and the rationalist pig farms referred to by Carlo Belli as "Ciocca's Grand Hotel for Pigs."

Australian architect Robin Boyd (1919-1971) advocated tirelessly for the voice of Australian architects so that there could be an architecture that might speak to Australian conditions and sensibilities.His legacy continues in the work of contemporary Australian architects yet also prompts a way forward for architecture particularly in relationship to the landscapes they inhabit through a quality of continuous space found in his work where the buildings are spatially reliant and sympathetic to the places they occupy. A selection of 22 projects are documented comprehensively in this book for the first time. This slice through Boyd's body of work reveals a gifted, complex and contemporary thinker.

Whether creating enormous exhibition spaces or designing living quarters for collectors and homes and studio facilities for artists, the acclaimed architect Max Gordon (1931-1990) shaped the physical settings of art in the world's major metropolises during his influential career. Following several decades of work with leading architectural firms in New York and London (during which he designed the headquarters of New Scotland Yard), in the early 1980s Gordon designed the first Saatchi Gallery in London, and went on to become celebrated and sought after as the art world's architect of choice, designing spaces for artists Elizabeth Murray, Jennifer Bartlett, Richard Serra and Joel Shapiro, and gallerists Paula Cooper, Brooke Alexander, Maeght-Lelong and Lorence-Monk in New York and Anthony d'Offay and Annely Juda in London. This first monograph offers a detailed overview of Gordon's projects for the art world, from the 100,000-square-foot exhibition space he designed for the Museo Nacional Centro de Arte Reina Sofia in Madrid to the SoHo home he remodeled for Richard Serra, demonstrating throughout his elegant use of light, space and minimal decoration, and displaying his gift for always highlighting the art.

If you can set up your laptop anywhere, what is the meaning of the dedicated workspace? New Work, New Workspace argues that designated space is still needed, but that it is changing fast. As collaborative interaction is favoured over individual toil, with millenials and Gen X taking a very different attitude to work, and as social upheaval and technological innovation influence the form nthat the places take in which we are employed forever. Metrics for measuring the effectiveness of workspace show that good design, which is focused on the environment and wellbeing that a workforce needs, is still valued. At the same time, more generic spaces, such as co-working spaces, have to fit everyone - or at least all of the target community. Detailed case studies showcase all the places where people work - in large and small offices, in home spaces, in ateliers and workshops and architects' studios. With emphasis on the design details of the space, especially the interior, this is a must-have book providing inspiration for all types and scales of workplace. Case studies include: 80 Atlantic Avenue, Toronto, Canada by Quadrangle Nick Vesey Studio and Gallery, Kent, UK by Guy Hollaway Architects Kostner House, Castelrotto, Italy by MoDus Architects GS1 Portugal, Lisbon, Portugal by Promontorio

From 1951 to 1969, John Brinckerhoff (J. B.) Jackson founded, edited, and published Landscape, a magazine that changed the way scholars, writers, teachers, designers, planners, and artists came to understand the everyday places that surround us and influence us in fundamental ways. Then, as a lecturer at Harvard University and the University of California, Berkeley, Jackson further pioneered ""landscape studies,"" a field through which he continues to inspire those who study and interpret landscapes, whether urban, rural, suburban, social, or wild. Drawn to Landscape is the first book to present fully the many aspects of Jackson's career. Including original essays by those who not only knew him best but who have carried his torch to new heights in their own respective work, the book sheds valuable light on Jackson's life and oeuvre, from the time of his childhood to his death in 1996, as well as on his many legacies that remain today. Also included, some pieces reproduced for the first time, is a wide-ranging display of Jackson's original drawings, watercolors, and teaching slides. J. B. Jackson taught us to pay attention to the often overlooked but defining features of our landscapes, such as the road and commercial strip, the garage and backyard, and flea markets and borderlands, as well as changing recreational uses of the land, the necessity for ruins and the inherent artificiality of historic preservation, and the importance of the clock--as opposed to the geographical and spiritual grounding of indigenous cultures--in defining our communities, societies, and economies. The book will be a welcome addition to anyone seeking, as Jackson urged, to ""read the landscape"" in order to understand our everyday world in new and enlightened ways.

The fourth volume in the series The Architect's Studio is dedicated to the works of Anupama Kundoo. The much appraised Indian architect aims to shed light on a scarce resource in our life: time. Kundoo sees time as a forgotten resource in architecture. For her, architecture is a process that embraces the present, the past and the future. Taking inspiration from ancient building methods, Kundoo is concerned with using as few resources as possible in her architecture. This publication explores how traditional Indian building customs, crafts and materials are integrated into her studio's remarkable projects.

While the grandiosity of Fallingwater and elegance of Taliesin are recognized universally, Frank Lloyd Wright's first foray into affordable housing is frequently overlooked. Although Wright began work on his American System-Built Homes (ASBH, 1911-17) with great energy, the project fell apart following wartime shortages and disputes between the architect and his developer. While continuing to advocate for the design of affordable small homes, Wright never spoke publicly of ASBH. As a result, the heritage of many Wright-designed homes was forgotten. When Nicholas and Angela Hayes became stewards of the unassuming Elizabeth Murphy House near Milwaukee, they began to unearth evidence that ultimately revealed a one-hundred-year-old fiasco fueled by competing ambitions and conflicting visions of America. The couple's forensic pursuit of the truth untangled the ways Wright's ASBH experiment led to the architect's most productive, creative period. Frank Lloyd Wright's Forgotten House includes a wealth of drawings and photographs, many of which have never been previously published. Historians, architecture buffs, and Wrightophiles alike will be fascinated by this untold history that fills a crucial gap in the architect's oeuvre.

"...bombings, German sappers, restorers and rebuilders have totally wiped my modern works. Only the buildings which represent the bureaucratic side of my job as public officer forced to obey, have survived." (from a letter to B.Zevi 9/1974). The Heating plant of the railway station of Florence is a piece of a jigsaw puzzle which miraculously survived to restorers and rebuilders who could have erased any trace of it. This survived fragment, tells either the story of architecture between monumentalism, rationalism and futurism or the complex personality of its architect.

The most thoroughgoing survey of nearly all of Le Corbusier's extant projects, beautifully photographed and authoritatively detailed. Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier - from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India. Le Corbusier: The Built Work provides numerous views of each project to bring a fuller understanding of the architect's command of space, sometimes surprising use of materials and color, and the almost ineffable qualities that only result from a commanding synthesis of all aspects of design. With an authoritative text by scholar and curator Jean-Louis Cohen, Le Corbusier: The Built Work is a groundbreaking opportunity to appreciate the master's work anew.

This book investigates the architectural, product design, and urban typology of the capsule which, beginning in the 1960s, broadened the concept of the basic building blocks of architecture to include a minimal living unit, called the "capsule." Here it is presented with regard to the continuity of the development of the Modern Movement, its revisionist criticism, pioneering examples, as well as contemporary examples and uses. The typology of the capsule allows us to consider this theme in terms of the architecture of resistance, with the potential to search for an "other" architecture that is embedded in our contemporaneity (manifested in small dwellings, composite structures, and container units; shelters and mobile homes in nature and the urban environment; technology transfer in high-tech designs; devices, additions, and extensions etc.). The concept of the capsule as a building element of architecture, as well as a spatial element, can therefore be regarded as having a generative potential for an architecture of personal space for the individual, forcing us to reflect on our existing living and dwelling conditions.

A lively intellectual biography of one of the 20th century's most iconic buildings The Centre Georges Pompidou, also called Beaubourg, is today considered an icon of contemporary Paris, the quintessence of a modern building, and a model for what a museum can be. In 1971, Renzo Piano and Richard Rogers, together with the engineering firm Ove Arup & Partners, won an international architecture competition with their innovative and irreverent design. Completed in 1977, the building was at first received skeptically by critics, yet it was quickly embraced by the public as a beloved monument of the modern city of Paris. This lively intellectual biography of the building explores its history and the reasons for its success, from its genesis as a politically calculated response to Paris's turbulent 1968 student protests to the role played by architects in its construction, as well as the historical influences and the engineering solutions that inform its design. A key reason for the Centre Pompidou's success indeed lies in its ability to channel architectural memory, connecting it powerfully to Paris's historic urban fabric. This essential text on one of the twentieth century's most significant buildings is accompanied by a portfolio of rare drawings and photographs.

"An important document that should be included in any library of design and architecture." - Daniella Ohad "A masterful blend of émigré biography and architecture and design history, proving that the twentieth century fostered more than one modernism." - Donald Albrecht Christopher Long, author of seminal monographs on Adolf Loos, Kem Weber, and Paul T. Frankel, turns his attention to the little-known architect and designer Jock Peters, a largely forgotten figure of early Los Angeles modernism. This visually rich study is also an intimate portrait of an architect who, like too many, struggled to establish a career during the early decades of the 20th century, years ravished by World War I and the Great Depression. Among Peters's early works in Germany are designs for the Levantehaus and Karstadt department stores, an innovative design dated 1916 for a magnificent glass pavilion, and his work for Peter Behrens after the war, but the architect's most accomplished and compelling work came after 1922 when he settled in Southern California. Most notable are the strikingly lavish and elegant commercial interiors Peters designed for the iconic Bullock's Wilshire store in Los Angeles and the tragically forgotten Hollander department store in New York City; both projects brought him international recognition. The breathtaking scope of his short-lived career includes modern film sets for Famous Players-Lasky, later Paramount Pictures, while working under the legendary art director Hans Dreier; a dynamic sales office for the trendsetting Maddux Air Lines, which later became TWA; and modern residences, including the still extant homes he built for cinematographer Alfred Gilks, who would later win an Academy Award for An American in Paris, and art gallerist and developer William Lingenbrink for whom Peters also designed stores and a vibrantly colourful sidewalk for the Silver Strand beach development north of Los Angeles. Lingenbrink, a major supporter of the burgeoning modernism, also commissioned Jock Peters, alongside Schindler, to design houses for Park Moderne, the legendary avant-garde modernist retreat for artists in Calabasas. Peters also designed the retreat's Streamline Moderne pump house, clubhouse, and zigzag fountain, which still stands. This important study on early modernism includes never before published material from the architect's personal archive, still in family hands. These remarkable and inspiring images-more than 250 historic photographs, etchings, watercolours, and drawings-alongside Long's insightful narrative, demonstrate how Peters, despite his early death, managed to leave his mark on the modernist landscape in Southern California at a time when the new style was just emerging.

When architecture is the subject of an exhibition, there is almost always a dilemma: architecture can only be represented through drawings, models, and photographs; the physicality of architecture per se is missing. The abstraction of architecture for exhibition and the absence of architectural experience in architectural exhibition are in fact two sides of the same coin: The problem of the lack of an architectural reality. In this book, Yong He Chang traces the history of architectural intervention in exhibitions and answers the above questions through more than forty exhibition designs made by Chang and Atelier FCJZ. The book showcases his original approach to construction and shares his thoughts on the relationship between architecture and the timeless aspects of 'exhibition'. It also includes a discussion of a series of issues Yong He Chang and his team have encountered in designing exhibitions and installations, and the responses they came up with.

Along with his numerous political achievements, Thomas Jefferson was also the first great architect of the United States. The Jeffersonian Classical style has been so influential that along with Frank Lloyd Wright and Philip Johnson, Jefferson is one of the three most recognized architects in American History.

Designed in 2018 by Nina Edwards Anker, acclaimed architect and interior designer and founder of nea studio, the Cocoon House is a feat of sustainable design. Located in Long Island, New York, the completely unique, LEED-certified home, gets its name from the curved walls which form its cocoon-like shape. The building, which is half exposed and half opaque, also boosts beautiful skylights inspired by Goethe's colour theory, which provide sunlight-hued illuminations throughout. Cocoon House, a book that records every step of this ambitious project with stunning photography and insightful text, will appeal to a wide range of readers: those interested in sustainable design or the progression of solar technology in building, as well as those who are simply drawn to nature inspired statement houses, crafted with the utmost ingenuity. The carefully considered theories that served as inspiration to the house are discussed in depth, making Cocoon House a crucial reference book to anyone studying sustainable architecture as a whole.

Gordon Walker's (b. 1939) highly unusual design process has yielded an extensive architecture of extraordinary quality; he is a unique figure in the American architectural movement and in the history of the Pacific Northwest. This personal and professional biography contributes both to our understanding of the breadth of viable design processes and, in a broader sense, to regional and architectural history. Gordon Walker is a 1962 graduate of the University of Idaho. He was co-founder of Olson Walker Architects (now Olson Kundig), worked with NBBJ in Seattle and San Francisco, and practiced in his own name for twelve years before joining Mithun Architects as a consulting principal. His work embraces the American west coast from Davis, California, to the Canadian border. He has designed over thirty residences (and built several with his own hands); a host of buildings and plans for universities throughout the Northwest and California; three buildings for the Pacific Northwest Ballet; and myriad commercial buildings, remodels, restaurants, and parks. He has been an educator and mentor, teaching at the Universities of Idaho and Washington. In addressing all of its determinants simultaneously in plan, section, and elevation, Gordon Walker has, for half a century, created an architecture of exceptional merit.

This new biography-featuring over 150 archival images and full-color photographs printed throughout-introduces Julia Morgan as both a pioneering architect and a captivating individual. Julia Morgan was a lifelong trailblazer. She was the first woman admitted to study architecture at the Ecole des Beaux-Arts in Paris and the first licensed to practice architecture in California. Over the first half of the 20th century, she left an indelible mark on the American West. Of her remarkable 700 creations, the most iconic is Hearst Castle. Morgan spent thirty years constructing this opulent estate on the California coast for the newspaper magnate William Randolph Hearst-forging a lifelong friendship and creative partnership with him. Together, they built a spectacular and unequalled residence that once hosted the biggest stars of Hollywood's golden age, and that now welcomes hundreds of thousands of visitors each year. This compelling biography draws on interviews, letters, and Morgan's diaries, including never-before-seen reflections on faith, art, and her life experiences. Morgan's friendship with Hearst, her passion for California's landscape, her struggles with familial dementia, and her devotion to architecture reveal her to have been a singularly brilliant and determined artist. PREVIOUSLY UNPUBLISHED CONTENT: Victoria Kastner has spent years compiling photographs, interviews, letters, drawings, and diaries-including material never published before-to create the first truly comprehensive portrait of this amazing woman. OVER 150 PHOTOGRAPHS: This book features over 150 photographs, printed throughout the text. These include both fascinating archival images and beautiful, full-color contemporary shots of Morgan's buildings. INSPIRING STORY: By exploring both Morgan's work and her life, Kastner weaves a captivating tale about courage, vision, and resilience. Julia Morgan forged a path for herself against the odds, and her story will inspire contemporary women and creatives. ARCHITECTURAL ICON: Julia Morgan created 700 buildings during her career, from hotels to churches to private homes. Born in San Francisco and trained in Paris, she developed a distinctive aesthetic that now defines certain regions of California. But only in the last twenty years has her contribution to architecture been fully recognized and celebrated. In 2014, the American Institute of Architects' posthumously awarded her its Gold Medal; she was the first female recipient. Perfect for: * History buffs * Students, enthusiasts, and professional architects * Aspiring creatives in all fields * Feminists seeking role models * Visitors to Hearst Castle and Morgan's other buildings * Californians and visitors to California

This previously unpublished work is essential reading for anyone who has followed Marco Frascari's scholarship and teachings over the last three decades. It also provides the perfect introduction for anyone new to his writings. As ever, Frascari does not offer prescriptive tools and frameworks to enact his theories of drawing and imagination; instead, he teaches how to build one's own through individual practice. An illuminating introduction places the text in a wider context, providing the reader with a fascinating and important context and understanding to this posthumous work. Frascari's sketchbooks are reproduced faithfully in full colour to provide the reader with a remarkable insight into the design process of this influential mind.

This stunning book takes a rare glimpse into the intriguing and unique homes of some of the world's best-known architects. How do these architects design their own private domains? How do their furnishing styles impact on the structural integrity of the space? How do these individuals express their interior design flair in their own haven? The title starts by introducing the relationship between the architect and their professional work, by telling how that marries with their own private tastes, and how they interpret current trends and enable their own philosophies to transfer to their personal, private environments. Combining rich photography and spectacular imagery with the personal stories of these industry professionals, this book provides a rich source for those keen to delve into the design aesthetics, concepts and innovations of leaders in their very own field. Architects featured include: Mark Jamison/Jamison Architects, Australia; Corbett Lyon, Australia; Feras Gabriel Raffoul, Australia; Philip M Dingemanse, Australia; David Saunders, Australia; Ben Edwards, Australia; Domenic Alvaro, Australia; Terry McQuillan /bureau^proberts, Australia; Michael Bellemo and Cat MacLeod/Bellemo & Cat, Australia; Gunther Domenig/Domenig & Wallner, Austria; Massimiliano Fuksas/Fuksas, France; Werner and Ursula Sobek/Werner Sobek, Germany, Andreas Fuhrimann and Gabrielle Hachler/Andreas Fuhrimann Gabrielle Hachler Architekten, Germany; Bimal Patel/HCP Design, Planning and Management, India; Pedevilla Architects, Italy; Paolo Carlesso, Italy; Michael O'Sullivan , New Zealand; Todd Saunders/Saunders Architecture, Norway; Anton Garcia-Abril/Ensamble Studio, Spain; Leo Qvarsebo /Leo Qvarsebo Arkitekt MSA, Sweden; Mark Merer, United Kingdom; Carl Turner , United Kingdom; Peter Gluck/Gluck+, United States; Christoph Kaiser , United States; Shane Pavonetti, United States; Timothy Eddy/Hennebery Eddy Architects, United States; Jeff Stern (In Situ), United States; David Hertz, United States; Marc Manack/Silo AR+D, United States; Doug Larson, United States; Lorcan O'Herlihy, United States.

This richly illustrated monograph delves into the innovative output of one of the world's most prolific international design and architecture practitioners, Tokyo-based Shigeru Ban. Canvassing an enormous compilation of works, this title is a significant contribution to IMAGES' stable of works showcasing renowned architects from around the globe. This book features an array of innovative projects, from commercial and residential innovation strategies to humanitarian works, such as emergency shelters made from paper and modular shelters for earthquake victims. Shigeru Ban's visionary residential design philosophies encompass timber hybrid structures, including a building constructed from cardboard tubes; the tallest hybrid timber structure in the world for a residential tower in Vancouver; as well as the new home designed for the Aspen Art Museum, which features woven wooden cladding. His innovation extends to the industrial design of an architect's scale pen used for drawing. This book also helps to relay Shigeru Ban's contemporary discourse on architectural culture, and how it is moving in new directions. This title is a must-have for any serious aficionado of modern architecture, innovative thinking, and design.