Arthur Erickson, Canada's preeminent philosopher-architect, was renowned for his innovative approach to landscape, his genius for spatial composition and his epic vision of architecture for people. Erickson worked chiefly in concrete, which he called "the marble of our times," and wherever they appear, his buildings move the spirit with their poetic freshness and their mission to inspire. Erickson was also a controversial figure, more than once attracting the ire of his fellow architects, and leading a complicated personal life that resulted in a series of bankruptcies. In a fall from grace that recalls a Greek tragedy, Canada's great architect -- a handsome, elegant man who lived like a millionaire and counted among his close friends Pierre Trudeau and Elizabeth Taylor -- eventually became penniless. Arthur Erickson is both an intimate portrait of the man and a stirring account of how he made his buildings work.

The multi-award-winning Ahmedabad-based practice matharoo associates was founded in 1992 by Gurjit Singh Matharoo, whose architectural lineage stretches back to his great-grandfather. Focused on highly refined aesthetics that are married with functional yet playful interpretations of design (for instance, the House with Balls or Curtain Door), the firm's holistic approach is well regarded, and ranges across architecture and structural design, interiors and product design, creating public, private, commercial, and institutional works. This splendid volume provides an in-depth look into the creativity and insight of a very contemporary Indian practice.

Andreas Schluter (1659-1714) was a well-known Baroque sculptor and the architect behind some of Berlin's most famous buildings, from the legendary Amber Room to the City Palace--which is in the midst of a major rebuilding effort. In his role as court sculptor and court architect, Schluter worked under the direction of Frederick I of Prussia, who hoped to position the city through ambitious new art and architectural projects alongside Paris and Rome as a chief artistic center of Europe. The perfect companion for those planning a trip to the city or interested in this particularly rich period of its architectural history, Schluter In Berlin: A City Guide takes readers through all of the architect's most famous works with illustrations and convenient city maps. Each sculpture or building is accompanied by a concise description and a longer essay on the broader historical background of the period. Schluter is the artistic force behind what is now known as Baroque Berlin, and Schluter in Berlin is the first book to offer English-language readers a look at his many contributions to the city.

Activism at Home offers a unique study of architects’ own dwellings purposely designed to express social, political, economic, and cultural critiques. Through thirty case studies by architectural scholars, this book highlights different forms of　activism at home　from the early twentieth century to today. The architect-led experiments in activist living discussed in this book include the dwellings of Ralph Erskine, Paulo Mendes Da Rocha, Charles Moore, Flora Ruchat-Roncati, and Kiyoshi Seike, as well as many others.　
 Offering candid appraisals of alternative living solutions that formulate a response to rising real estate prices, economic inequality, social alienation, and mounting environmental and cultural challenges, Activism at Home is more than a historical study; it is an appeal to architects to use the discipline’s tools to their full potential, and a plea to scholars to continue to bring into focus architecture’s activist practices—whether at home or elsewhere.

The life of Antoni Gaudi (1852-1926) was full of complexity and contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single spectacular church, La Sagrada Familia. In his youth, he courted a glamorous social life and the demeanor of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar. Gaudi's incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batllo to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Familia, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites. Packed full of expert texts and hundreds of full-color illustrations, including new photography, this book presents Gaudi's complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the "Dante of architecture" was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Anthony Poon's passion for music inspires a vibrant architecture that engages its users and the environment. Affordability and sustainability are hallmarks of Poon's designs, which fuse quality and innovation. His success explodes the myth that architect-designed houses are more expensive and challenging than generic solutions and raises the bar for developers and architects alike. This monograph explores three fields in which Poon Design have excelled: housing, schools, and restaurants. It explains how they enrich the experience of living, learning, and eating, and promote social interaction. Readers can track the creative process from concept sketch to model, plan to completion.

Sigfried Giedion's small but vocal manifesto Befreites Wohnen (1929) is an early manifestation of modernist housing ideology and as such is key to the broader understanding of the ambitions of the International Congresses of Modern Architecture (CIAM) and the debate on the industrialization of construction processes and its impact on public housing at the beginning of the twentieth century. An important step in Giedion's rise as one of the foremost propagators of modern architecture, this manifesto is based on the argumentative power of visual comparisons, and is the only book the art historian both authored and designed. Along a facsimile edition in German, Giedion's Befreites Wohnen is presented here for the first time in English translation (by Reto Geiser and Rachel Julia Engler). It is completed with annotations and a scholarly essay that anchors the work in the context of its time and suggests the book's relevance for contemporary architectural discourse.

This book illustrates the extensive design and construction work in Milan over the past 20 years by the notable Milanese architectural firm ARAssociati. This award-winning firm has been involved in a wide range of projects, including new construction in the residential, hospitality, office and retail sectors, as well as work on prestigious historic buildings. Projects in the historical heart of the city are counterbalanced by those in the new areas of Milan, which is undergoing a transformation to a multicentric metropolis. The result is an expertise based on a deeply rooted knowledge of the city and its history, sensitive to the context and stratification over time, allowing the firm to retrace and map out the large-scale transformations that have changed and are still changing the face of Milan. Text in English and Italian.

Zaha Hadid was a revolutionary architect. For years, she was widely acclaimed and won numerous prizes despite building practically nothing. Some even said her work was simply impossible to build. Yet, during the latter years of her life, Hadid's daring visions became a reality, bringing a new and unique architectural language to cities and structures such as the Port House in Antwerp, the Al Janoub Stadium near Doha, Qatar, and the spectacular new airport terminal in Beijing. By her untimely death in 2016, Hadid was firmly established among architecture's finest elite, working on projects in Europe, China, the Middle East, and the United States. She was the first female architect to win both the Pritzker Prize for architecture and the prestigious RIBA Royal Gold Medal, with her long-time Partner Patrik Schumacher now the leader of Zaha Hadid Architects and in charge of many new projects. Based on the massive TASCHEN monograph, this book is now available in an extensively updated and accessible edition covering Hadid's complete works, including ongoing projects. With abundant photographs, in-depth sketches, and Hadid's own drawings, the volume traces the evolution of her career, spanning not only her most pioneering buildings but also the furniture and interior designs that were integrated into her unique, and distinctly 21st-century, universe.

For his entire professional life, British architect Cedric Price (1934-2003) reflected on the mechanisation of society and its effect on people's lives. In the 1960s and 1970s Price searched for a new language in modern architecture. His multifaceted, interdisciplinary approach and his sense of humour and self-irony, also with regard to his own profession, lead him into the fields of art and of social and natural sciences. Tanja Herdt's new book on the work and life of Cedric Price for the first time offers a comprehensive demonstration of his architectural concepts and social visions. Herdt focuses on his view of the city as a socio-technical system, the influence of product and everyday culture on architecture, and the role of science and technology in architectural design. Based on extensive research and drawing from rich and largely unpublished material, she features some of Price's well-known projects, such as Fun Palace (1961) or Potteries Thinkbelt (1964), in context with her new findings. Herdt's thorough analysis of his lesser-known works from the 1970s, including McAppy (1973-1975) and The Generator (1976), also questions the common perception of Cedric Price as an "anti-architect".

This beautifully produced book celebrates the work of Robert Adam, the great eighteenth-century architect who influenced generations by stamping his distinctive neoclassical aesthetic vision on the English country house interior. Lavish new photography provides a deeply visual exploration of Adam s most important surviving country houses, to which the author and photographer gained unparalleled access. Included are magnificent country houses such as Syon House and Harewood House styled and inspired by the ideal of the neoclassical as well as Adam s castle-style Mellerstain and town houses such as Home House all captured in splendid detail. Original Adam design drawings, from Sir John Soane s Museum, illustrate the boldness of planning, color, and creative interpretation of Adam s domestic interiors. A biographical and contextual account of Adam s life and work describes his unique design process, his patrons, and the legacy of his design achievement. This richly illustrated volume will appeal to designers and homeowners as well as traditional architecture enthusiasts, promising to become an important addition to any architecture and interior design library.

Since its founding in 1989, the office of Gigon/Guyer architects has designed a truly impressive series of projects. Among the most important are museum, residential, and office buildings, as well as mixed-use constructions. The recently completed Prime Tower and its annex buildings on the Maag site in Zurich have been internationally acclaimed. The monograph offers keen insight into how Annette Gigon and Mike Guyer understand architecture. The diverse concepts and the varied applications of design, material, form, and color employed in their projects are presented in detailed documentation of their work that includes photography, plans, and short texts. Three essays and a discussion between Patrick Gmur, Martin Steinmann, and the architects offer in-depth reflection and contextualization.

The work of Kohn Pedersen Fox is international in scope, collaborative in design, and a product of individual voices focused on a single objective - making an architecture, of our time, which creates strong bonds with the the specific place it occupies. While William Pedersen founded the firm, with partners Gene Kohn and Shelley Fox, he never aspired to be a 'director of design.' They had the components with Gene's entrepreneurial drive, Shelley's management and Bill's design leadership - to be a large firm. 'Directing' the work of a large firm was not Bill's desire, instead he wanted to focus on a body of work which he could call his own. The example that work set would inspire others, and it did. Now there are several voices leading their design - all of them rose to their position within the office. The purpose of this book is to define the work of one of the voices - Bill Pedersen's. Pedersen has worked with many different designers, in close collaboration, throughout his career, though his work speaks with a singular voice. Here it is represented chronologically and concludes with the latest phase - furniture. Working from the largest scale to the smallest has always been a preoccupation of those who lead design in KPF. Many of Pedersen's architectural heroes designed chairs, and he strives to follow in their footsteps.

Discover the completely unique aesthetic of Tadao Ando, the only architect ever to have won the discipline's four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. Philippe Starck defines him as a "mystic in a country which is no longer mystic." Philip Drew calls his buildings "land art" as they "struggle to emerge from the earth." His designs have been described as haiku crafted from concrete, water, light, and space. But to Ando, true architecture is not expressed in metaphysics or beauty, but rather through space that embodies physical wisdom. This thoroughly updated edition spans the breadth of his entire career, including such stunning new projects as the Shanghai Poly Theater and the Clark Center at the Clark Art Institute in Williamstown, Massachusetts. Each project is profiled through photographs and architectural drawings to explore Ando's unprecedented use of concrete, wood, water, light, space, and natural forms. Based on the massive XXL monograph, this edition brings the architect's definitive career overview to an accessible format.

This is a richly illustrated monograph revealing William T. Baker's masterful detailing and superior craftsmanship of magnificent family residences. Showcasing 14 classically inspired homes of grace and beauty, each property reflects an astute comprehension of life as it is lived in the 21st century, with deliberate nods to historical aesthetics that coexist harmoniously with the architectural language of natural light, passive design themes, voluminous space, and fabulous comfort. Inspired by the bounty of classical architecture found in the grand homes of the southern United States, particularly the state of Georgia, the hallmarks of William T. Baker's architecture are extraordinary attention to details of craftsmanship and construction, and a keen eye for scale and proportion. His work clearly reflects the aspirations of the American Dream. This beautifully photographed monograph of William T. Baker's work is the third volume in IMAGES' successful Classicist series, and showcases the exquisitely designed homes of the modern family, who entrusted Baker with their dreams and visions, and whose trust has been rewarded with classically inspired homes of grace and beauty. His work contributes greatly to some of the most aesthetically pleasing residences being built in the United States today.

To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. That concept is distilled to its essence so that it can inform the design at all scales, from massing to materials to details. The consistency of the concept is evident in the finished product. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight. Architecture of Place is the follow up to Bespoke Home, the first comprehensive survey of Bates Masi’s fifty-plus years of work published in 2016. It focuses on the firm’s recent residential portfolio. Using each house as a case study, the book documents Bates Masi’s design process with concept images, diagrams, architectural models, and narratives for each project. This book demonstrates how influences of the physical and historical context, as well as the client, are distilled into a guiding concept for each project. With over 200 pages of photos and drawings of extraordinary second homes, Architecture of Place will appeal to architects and design devotees alike.

This monograph showcases the trajectory of an empire built by the sheer dint of its driving success. Archgroup has gained international recognition as a comprehensive service provider in the architectural segment, with special focus being on its prolific and vital role dominating the skyline of the UAE's world-class destination, Dubai. The firm's work has now become synonymous with epithets such as 'tallest', 'highest' and 'longest' across the Gulf region. Inside, the richly illustrated pages chronicle close to 100 projects by Archgroup, both built and in progress. Each work provides insight into the values, design-thinking and process-orientated approach that is the firm's signature, making this volume a valuable resource that goes beyond the study of the built form to talk about the firm's inimitable ethos that guides its design candour.

"The oldest things are the newest"-this paradoxical idea is present throughout the oeuvre of contemporary Japanese artist and photographer Hiroshi Sugimoto. In 2008, Sugimoto and the architect Tomoyuki Sakakida founded the New Material Research Laboratory, an architectural firm that researches and develops "new materials" from known materials and techniques by applying a different approach and interpretation. The Laboratory's aim is to rethink the use of old materials passed on to us from ancient times, the Middle Ages and the modern period. It advocates for a reconnection of the present with a bygone era, and to extend that connection to the future through architecture. Old Is New delves into the art and architecture, as well as the archaeological philosophy and contemporary practice of the New Material Research Laboratory. Richly illustrated, the book shows the choice of materials for each project. The photographs in itself are compositions, presenting scenes that show a balance of the present and past. Sugimoto and Sakakida, discussing their practice and approach, wrote the principal texts of this volume. Additional text contributions delve into the origin of the laboratory's design ethos rooted in Japanese tradition and aesthetics and their historical context. The book also includes an annotated index of materials and classic Japanese techniques with information drawn from the laboratory's research.

The Umbrella House is the smallest residential home by Japanese architect and mathematician Kazuo Shinohara (1925-2006). This book tells the story of his unique masterpiece, which was first built in Tokyo in 1961. More than sixty years later, a stroke of good fortune made it possible to save the Umbrella House from demolition and move it to a new location, where it now stands on the Vitra Campus in Weil am Rhein (Germany). The wooden house's post-and-beam construction references traditional Japanese domestic and temple architecture. Experts from Japan and Europe supervised the dismantling of the house in Tokyo and its reassembly in Weil am Rhein. The book traces the long journey of the Umbrella House in lavish illustrations including impressions from 1960s Japan, architectural designs and plans, and photographs that document its dismantling and reassembly or show the house in its new location. Texts by Ryue Nishizawa (SANAA), Shin-ichi Okuyama, and David B. Stewart discuss the Umbrella House against the background of Japanese architectural discourse between 1960 and the present. "The strength of my conviction that A House is a Work of Art was born of the struggle with this small house. I wished to express the force of space contained in the doma [earthen-floor room] of an old Japanese farmhouse, this time by means of the geometric structural design of a karakasa [oiled-paper Japanese umbrella]." Kazuo Shinohara in a text on the Umbrella House published in October 1962 in the Japanese architecture journal Shinkenchiku (vol. 37, no. 10; first published in English in February 1963 in The Japan Architect, vol. 38, no. 2).

What "really constitutes an architectural atmosphere," Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way." Zumthor's passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it? In nine short, illustrated chapters framed as a process of self-observation, Peter Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and "presence" of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.

The European Nomadic Biennial Manifesta takes place every two years in a different European city. The biennial rethinks the relations between culture and society, investigating and catalyzing positive social change in Europe through contemporary culture in a continuous dialogue with its host city. Manifesta's founding director, Hedwig Fijen invited the architectural bureau MVRDV led by Winy Maas to develop an urban research of the city of Marseille. This new methodology, is a manner to decipher the complex settings of the cities that invite the biennial. In the study, multilayered structures of religion, ethnicity, geography, culture and politics are explored. Breaking away from its particular focus on art and culture, Manifesta has become an interdisciplinary and participatory program that aims to embrace holistic approaches that are uniting political, cultural and ecological questions within the host city.