The Open Call in Flanders (the Dutch-speaking, northern part of Belgium) is more than just another architecture competition: any governmental agency or public institution can choose to work with an Open Call for any given construction project. Since its invention by the first Flemish Government Architect bOb Van Reeth in 2000, more than 700 assignments have been published in this procedure, resulting in almost 350 completed public architectural and infrastructural projects so far. This volume compiles 70 of these, from all over Flanders-from its west coast to the Dutch border in the east-to illustrate the astounding quality of these projects. They prove that public architecture can be daring, thought-provoking, cooperative, and well-done at the same time. The book takes an extensive look at how this procedure works, how it is received by architects, politicians, and clients-and ultimately, at the outstanding public architecture in Flanders as an example for other countries to study closely. Including buildings by 51N4E, Bovenbouw Architectuur, Compagnie O, Dierendonckblancke, KAAN, Ney & Partners, noAarchitecten, NU architectuuratelier, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter, Zaha Hadid, among others

This book examines the social, political, and cultural factors that have and continue to influence the evolution of the urban waterfront as seen through production created from art and design practices. Reaching beyond the disciplines of architecture and urban design, Occupation:Boundary distills the dual roles art and culture have played in relation to the urban waterfront, as mediums that have recorded and instigated change at the threshold between the city and the sea. At the moment in time that demands innovative approaches to the transformation of urban waterfronts, and strategies to foster resilient boundaries, architect Cathy Simon recounts her career building at and around the water's edge and in service of the public realm. In so doing, the work of contemporary architects is presented, while the origins and principles of a guiding design philosophy are located in meditations on art and observations on coastal cities around the world. The port cities of New York and San Francisco emerge as case studies that structure the reflections and mediate a narrative that is at once a professional and personal memoir, richly illustrated with images and drawings. Comprising three parts, the first two corresponding parts of Occupation:Boundary draw connections between the past and present by tracing the rise and fall of urban, industrial ports and providing context-in the forms of textual and visual media-for their recent transformations. Such reinterpretations, achieved via design, often serve the public through environmentally conscious strategies realized through inventive approaches to cultural and recreational programs. The work of visual artists, both historical and contemporary, appears alongside architecture, poetry, and literary references that illustrate and draw connections between each of these sections. The third section features select architectural work by the author, framed by critic John King and the architect and urbanist Justine Shapiro-Kline. Introduced with a foreword by the prominent landscape architect Laurie Olin, Occupation:Boundary draws on artistic and cultural intuitions and the experience of an architect whose practice negotiates the boundary between urban contexts and the bodies of water that sustain them. Together, the instincts, reflections, and architectural production collected here evidence the role of art and design in the creation of an equitable and inviting public realm.

Pat Hammond is not your ordinary artist. In fact, she doesn’t even consider herself an artist. She takes everyday objects, such as spinning tops and jars of cicada shells, and infuses them with new meaning and hope. Through humor and personalization, she uses insignificant and unconventional objects to illuminate a “grand truth� about the world, and even about herself. Author Christopher Ornelas found out about Hammond through her remarkable kite collection—hundreds of kites amassed over twenty years. Hammond’s kites, which have been featured at the Smithsonian and the Modern Museum of Art, were gathered from every corner of the world, including Guatemala, Korea, and Polynesia. Hammond also designs her own kites, drafting ideas and sketches for numerous creations she has dreamed of flying. While many of these kites have never made it into the air, they demonstrate her untamed creativity: a corset on a string titled “Of Corset Flies,� a kite made of chicken wire titled “Flew de Coop.� Hammond’s idiosyncratic humor soars beyond her kites, and as Ornelas quickly discovers, they are just a stroke on the canvas of an artistic life that includes troves of trinkets laced with whimsy and beautiful intentions, all displayed in Hammond’s home in San Antonio, Texas. Hammond’s love for the unexpected and her fascination with science and physics are contagious. She is passionate about bees and collecting honey, and her shelves upon shelves of books touch on subjects as varied at Goya and Asimov. From her assortment of animal specimens (bird wings, butterflies, beetles) to crates of small spinning tops (she makes hundreds of them from round metal discs and matchstick spindles), every item is an exploration illustrating the heart of an artist and the legacy of a true free spirit. With a foreword by poet and friend Naomi Shihab Nye and intimate photographs of Hammond’s home and collections, Name Them—They Fly Better offers a portrait of a woman who has sought to transform each moment into a creative act.

The selection, preparation and application of materials in architecture represent key decisions in the design process, today as in the past. This book features projects by Archea Associati, a firm of architects and designers founded in Florence in 1988, that demonstrate how materials can be used in innovative ways, while still honouring their traditional characteristics. Glass, terracotta, concrete and wood are just a few of the elements they work with. Examples of ancient and contemporary materials are featured throughout this well-illustrated volume. A gallery of photographic images accompanied by drawings and descriptive texts illustrate each building, alternating between details and general views, from the basic elements to the complete work as a whole.

Since launching his practice in 2001 with The Lawns, which was shortlisted for the Stirling Prize, Nick Eldridge has become renowned for his beautiful bespoke houses. This book provides a wide-ranging survey of his key projects up to the present day including the Manser Medal-winning house, Greenways in Coombe Park. Eldridge is an architectural storyteller: thoughtfully responding to different landscapes, settings, histories and clients, each house explores fresh narratives, while at the same time, being connected by strong threads to a cohesive body of work. Throughout the book, from earliest projects to new work, including a beach house in Shoreham, a barn conversion in Cornwall and an innovative modern modular house in Devon, Eldridge's work explores and experiments: his houses feel fresh and different, lifted by an innovative approach to tectonic engineering and form fused with a passion for artisanal interiors, fine detailing and characterful materials. They show the architect's varied influences: from Arts & Crafts and mid-century modern through to hi-tech design - Eldridge spent six years with Norman Foster. The projects analysed in the book are broadly divided into two main sections: new build projects, and highly imaginative, responsive adaptations, extensions and reinventions of existing buildings.

Paulo Providencia occupies a special place in contemporary Portuguese architecture. He is recognised by many as one of the best of the generation following Eduardo Souto de Moura. His work is concerned about interpretation of programmatic needs, relating architecture to specific cultural contexts. His buildings the vast majority of them located in Portugal are based on sound theoretical background, rooted in philosophical and anthropological research. This new book features seven of Providencia's realised structures in striking duotone photographs taken by the Portuguese photographer Alberto Placido. Each is documented as well with selected plans and key information. Five topical essays by Providencia round out the first monograph in English on this eminent architect and theoretician.

The Graub nden-based architect Valerio Olgiati has become well-known outside Switzerland for such buildings as his school building in Paspels and the Atelier Bardill in Scharans, but not least for his Yellow House and his studio in Flims. In the form of a well-illustrated essay, the architect explains how he develops his projects, the parameters that influence his design process, and the intellectual context from which he works. In a reduced, clear language this iconographic autobiography offers a very personal view of the Valerio Olgiati's activity and of his self-image as an architect, thus supplementing with a personal statement the earlier publication "DADO."
Text and images complement each other to create a narrative thread that offers informative insights into the architect's intellectual and visual imagination and expands our understanding of Olgiati's oeuvre.

From artworks and chairs to architecture, landscaping and interior design, Michael Boyd's devotion to the principles of modernism is comprehensive. An artist and musician, he acquired his expertise as a collector, surrounding himself with rare and beautiful finds. His immersion in the philosophy and creativity of the masters inspired him to restore a succession of classic modern houses, curate exhibitions, create a versatile range of furniture and rugs, and design sculptural gardens. Millennium Modern: Living in Design details his work across the first two decades of the new millennium and reflects his belief that the tenets of modernism - honesty and simplicity - developed more than a century ago, are equally relevant to our pluralistic age. In contrast to the pioneers who wanted to do away with the past, his creations are deeply rooted in the history of design. Essays by Boyd and architectural writer Michael Webb, along with comments from collaborators and critics, explore each facet of his residential design. This beautifully illustrated volume reveals Boyd's holistic design practice from his discovery of design classics in flea markets, to his own furniture designs, which feature in residential interiors, hotels and museums, through to his sensitive restoration of the houses by Paul Rudolph and Oscar Niemeyer, Richard Neutra and Craig Ellwood, and the sculptural landscapes he designed to enhance these residences, as well as masterpieces by John Lautner.

Ken Yeang remains one of the world's foremost experts on sustainability and the modern skyscraper. Acknowledging that the skyscraper is possibly one of the most ecologically unfriendly of all building types, he states that until an economically viable alternative is identified, it is necessary to make them as humane and as sustainable as possible. Each project is presented together with data on its climatic location, the local vegetation, plot ratio, net and gross areas.

Interior architect, designer, and founder of the agency RDAI, Rena Dumas (1937-2009) developed an architectural style that was subtle and meticulous, with which she marked her many creations for clients that included Hermès, Artémis, Christie's, John Lobb and Yves Saint Laurent. Her sensitive approach to space, along with her love for natural light, are evident in the Maison Hermès Ginza in Tokyo, designed in collaboration with the architect Renzo Piano, as well as in all Hermès's maisons and stores around the world since the 1980s. Her studies of materials and colours nourished her passion for design, from tableware to 'Pippa', her timeless collection of nomadic furniture. This detailed monograph, including over 400 documents, photographs, plans and drawings, traces her 55 years of creating, reflecting a talent that transcended fashion.

Though lacking any formal education in architecture, Jean Prouve (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouve was raised in an environment of artistic, socially motivated innovation: his father belonged to "l'Ecole de Nancy," a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouve to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouve to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Despite their advantages, though, few of these architectural triumphs were built, and even fewer survive. In order to preserve Prouve's architectural and engineering legacy, the Galerie Patrick Seguin has worked tirelessly to promote Prouve's "constructional philosophy," exhibiting his designs and showcasing his ecologically responsible methodologies. "Jean Prouve Maison Demontable 8x8 Demountable House," the second of nine monographs published by the Galerie Patrick Seguin on Prouve's housing modules, highlights the second of these modules. Introduced by Catherine Coley, renowned art and architectural historian, it contains Prouve's sketches, black-and-white photographs of the designer at work and detailed examples of the building process.

Spaces of Serenity showcases the small structures from Jeffery S. Poss, built for contemplation, meditation, and peace. These buildings are exquisite examples of architecture that promotes harmony between the occupant and the outside environment.

An engaging, playfully designed survey of the small- and large-scale projects that define WORKac as one of the most progressive and optimistic architecture firms in practice today. This book surveys the projects that define WORKac (WORK Architecture Company) as one of the most progressive and playful architecture firms in practice today. WORKac: We'll Get There When We Cross That Bridge traces fifteen years of collaboration between architects Amale Andraos and Dan Wood. Structured as a conversation between the two partners, the book alternates between explorations of seminal projects and discussions framing a series of issues that are key to their work. The book follows the firm's career over the course of three Five-Year Plans (Say Yes to Everything, Make No Medium-Sized Plans, Stuff the Envelope), examining the relationships between work and life, and the limits and opportunities of collaborative creativity and practice. WORKac has achieved international acclaim, winning design competitions in Russia, Gabon, and China, and in 2015 the practice was named the 2015 AIANY State Firm of the Year. Showcasing projects for MoMA PS1, Edible Schoolyards NYC, Anthropologie, Diane von Furstenberg, Creative Time, and many more, the book is a tasting menu of everything the practice embraces: never assuming what architecture "is" but always imagining together what it can become. From residential interiors to futuristic masterplans of ecological cities, WORKac samples the wide spectrum of their critical, witty, and dialogued work.

Translations examines the architecture and artwork of Sigrid Miller Pollin. A Fellow of the American Institute of Architects and a professor of architecture at the University of Massachusetts, Miller Pollin has created a rich body of work, from residential and academic buildings to furniture and artwork inspired by the natural world. Her design sense and deep understanding of space and colour combine to present an oeuvre worthy of study. As a book about a practicing female architect who has successfully woven family, work, and art into a creative life, it offers inspiration, anecdotes and examples for women entering the professional world of architecture.

Writings on Architecture is an anthology of texts by George Baird, focusing on his on-going interest in planning and the built environment, something which is particularly manifest in his attention to the city of Toronto, where he is active in architecture, urban design and heritage preservation.
After graduating from the University of Toronto in 1962, and then from University College, London, England, Baird went on to teach architectural theory and design at the Royal College of Art, and the Architectural Association School of Architecture in London, returning to Toronto in 1967. There, he founded his architectural practice, and joined the faculty of architecture at the University of Toronto and the faculty of the Graduate School of Design at Harvard University, where he was the G Ware Travelstead Professor of Architecture, and Director of the M Arch I and M Arch II Programs. From 2005 to 2009 Baird was Dean of the Faculty of Architecture, Landscape, and Design at the University of Toronto.
A principal author of the pioneering 1974 urban design study Onbuildingdowntown, he is the author/editor of numerous books, including Meaning in Architecture (with Charles Jencks), 1968; Alvar Aalto, 1969; The Space of Appearance, 1995; and Queues, Rendezvous, Riots (with Mark Lewis), 1995.
The book includes an introductory essay by Louis Martin and is essential reading for those interested in architecture, architectural history and theory, urbanism and the built environment.

In a world that fetishises aesthetic frivolity and iconographic bombast at the expense of substance and nuance, the critically acclaimed work of Johnsen Schmaling Architects stands out for its conceptual rigor, profound simplicity, and quiet repose. Formally restrained and informed by innovative tectonic and material experimentations, Johnsen Schmaling's precisely crafted architecture creates poetic atmospheres of enduring clarity. Johnsen Schmaling: On Rigor is the firm's first monograph and provides an in-depth look at thirteen seminal residential and commercial projects. The book reveals how the architects' unique reading of context and cultural memory translates into an abstract palette of architectural operations that guide the entire design process, from initial concepts to intricate, meticulously detailed material assemblies.The crisply designed book features beautiful photography and delightful graphics that Illustrate how the projects came to life.

Richard Meier, Architect: Volume 8 comprehensively documents Meier s work since 2017. This extensively illustrated presentation vividly conveys the purity and power of Meier s unique and celebrated vision. Thirty residential, commercial, and civic projects are featured in a dazzling variety of scales and locales, including Manhattan, Los Angeles, the Hamptons, Las Vegas, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among many other venues. The development and significance of Meier s work is discussed in authoritative essays by the distinguished architectural historian and curator Kurt W. Forster and world-renowned architect Alberto Campo Baeza. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

Since the mid-1990s, when China allowed its architects to practice independently from government-run design institutes, a new kind of architecture, distinguished by unique regional characteristics, has emerged. China Dialogues is a rigorously selected collection of insightful interviews that the book's author Vladimir Belogolovsky has conducted with 21 leading Chinese architects during his extensive travels in China. At the time when so many buildings that are being built around the world are no longer rooted in their place and culture, the leading Chinese architects succeeded collectively in producing unique architectural body of work that could not be confused with any other regional school. The interviews are accompanied by over 120 photographs and drawings of beautifully executed projects built throughout China since early 2000s. China Dialogues opens up the thinking process of the country's top architects, as they share their ideas, insights, intentions, and visions in unusually revealing and candid ways.

Ludwig Mies van der Rohe’s writings and lectures are relatively modest in quantity compared with the number of his remarkable buildings that have transformed cities throughout the globe. These writings, like his architecture, have continued to generate interest among different generations of students and scholars. This anthology contains all of his writings and lectures, both well-known and never republished. Succinct and speculative, these writings concerning architecture and education – mostly translated from German to English – reveal Mies as an arch­itect who constructed his texts with the same disciplined restraint with which he designed buildings.

The definitive volume on Gaetano Pesce's incomparable life and career, as told in the iconoclastic artist-designer's own words. In a category all his own, Gaetano Pesce is widely considered one of the most important, and elusive, creative figures of the last half century. Bridging numerous key art and design movements, while never truly belonging to any of them, Pesce's singular practice has remained steadfastly provocative, defying widely held notions of convention, utility, and good taste. Yet as New York magazine demonstrated in its feature on the 'Pope of Gloop' upon the opening of his recent solo show at acclaimed gallery Salon 94, the world has arguably caught up to Gaetano Pesce. Now in his eighth decade, Pesce recounts his life and career to renowned design curator and critic Glenn Adamson, generating discussion conducted over several years that is as informative as it is surprising. Discussing his incomparable decades-long career which includes the creation of the classic articles of his UP series, the effusively postmodern design for Chiat/Day's headquarters, and countless works of furniture and design objects in his signature poured resin - Pesce shares his wide-ranging thoughts on art, design, and architecture. Always forward-looking, Pesce's process of reinterpreting and transforming the premises of modern design to create idiosyncratic and deeply personal works beat a path for multidisciplinary design practice seen everywhere today. Particularly in his exploration of introducing imperfections, if not 'defects' into the traditionally uniform systems of mass fabrication, Pesce turns out to be much more of a prophet of modern design than a curious detractor. Gaetano Pesce: The Complete Incoherence is the long overdue summary of an irreverent, wildly inventive career that should inspire practitioners across all creative disciplines.