Quirino De Giorgio (1907-1997) is among the few Italian architects whose careers represents the entirety of the twentieth century: from futurism through fascism to the experimentations linked to the invention of reinforced concrete. Too often remembered exclusively for his early futurist and fascist works, De Giorgio is an architect whose production continued, until his last years, to develop in the experimental and dynamic way which had characterised its beginnings. Quirino De Giorgio: An Architect's Legacy, the first English-language book dedicated to the Italian architect, is a constellation of his surviving buildings shown through the eyes of photographer Enrico Rizzato. In Rizzato's pictures, each one of the ninety surviving works will showcase the universality of De Giorgio's projects and the transformations that time has stamped on his creations, taking the reader on a voyage across the different facets of Italian architecture. Accompanying site plans, floorplans and sections provide deeper insight into De Giorgio's spatial, structural, urban, and landscaping inventions. An opening essay will introduce the reader to the still relatively unknown method and life of this highly original yet still too little known architect. The book also includes a full list of De Giorgio's works that has been reconstructed here for the first time through extensive archival work.

This is an eye-opening tour through the exuberant works of two pioneering postwar architects. From 1946 to 1973, Whitney Rowland Smith and his partner, Wayne Williams, designed more than 800 projects, from residential, commercial, and public buildings to housing tracts, multi-use complexes, and parks and master plans for cities. Working in the wake of the first generation of avant-garde architects in Southern California and riding the postwar building boom, their firm, Smith and Williams, developed a pragmatic modernism that, through remarkable planning and design, integrated landscapes with buildings and decisively shaped the modern vocabulary of architecture in Los Angeles. Through a breathtaking array of images, Outside In unveils the core of Smith and Williams' architectural practice. Their most influential designs, the authors show, are compositions of balanced opposites: shelter and openness, private and public, restraint and exuberance, light and shadow. Smith and Williams created spaciousness in their buildings by layering spaces and manipulating the relationship between structure and landscape. This spaciousness expressed modern ideas about the relationship of architecture to environment, of building to site, and, ultimately, of outside to in.

Sir John Soane (1753-1837) has come to be regarded as one of the great architects of late 18th and early 19th century Europe, and contemporary architects and designers are becoming increasingly influenced by the subtleties of the unique 'Soane style'. Dorothy Stroud's classic book, which is appearing in paperback for the first time, in an updated second edition, is the culmination of a lifetime's research. It brings together all the threads in her previous writings on Soane, combining a concise biography of the architect with a comprehensive and fully illustrated survey of his works. After studying in Italy, Soane built up a considerable private practice and a reputation that secured his appointment in 1788 as architect to the Bank of England, where over a period of forty-five years he designed a vast complex of courts and offices. With his appointment to the Office of Works in 1815, he became responsible for public buildings in Whitehall and Westminster, which entailed the designing of a Royal entrance and gallery in the House of Lords, new Law Courts, Privy Council Offices and a State Paper Office. As professor of architecture at the Royal Academy from 1806, he was to play a leading role in the improvement of architectural education in Britain; and he was active in the founding of what is now the Royal Institute of British Architects. Although much of his work was thoughtlessly destroyed towards the end of the 19th century, a substantial number of buildings and parts of buildings survive, especially outside London, as a testimony to his genius

Alexandra and Michael Misczynski, the wife-and-husband team behind the Los Angeles-based AD100 design firm Atelier AM, are standard-bearers for the concepts of quality and connoisseurship. In an image-driven culture, where novelty and extravagance so often masquerade as virtues, the Misczynskis remain steadfast in their belief that true style can emerge only from substance. Architectural Digest Atelier AM has been the go-to designers for true connoisseurs since they opened their office in 2002. Taking on very few projects each year, each Atelier AM home is a complete masterwork where design and art are fully integrated into the architecture and landscape for a rich and immersive experience. Eight new homes are featured in this new volume, and each features Atelier AM s signature reverence for patina mixed with the new: reclaimed wood beams and well-loved vintage modern furniture pieces mingles comfortably with century-old artefacts and antiques. The projects in this volume show a deep understanding of design history from Spanish Colonial and English Classicism to contemporary. The mix of modern and ancient acknowledges and celebrates both the past and the future of design. With photography by their long-term collaborator Francois Halard, and insightful texts by Mayer Rus, Houses: Atelier AM promises to be as rich and satisfying as an Atelier AM home itself.

Marcel Breuer (1902-1981) is celebrated as a furniture designer, teacher, and architect who changed the American house after his emigration from Hungary to the U.S.A. in 1937. More recently historians, architects, and-with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer-a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a "Brutalist modernism" of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.

'A charming account of a daughter, a house and a fastidious dad' Sunday Times Shelley Klein grew up in the Scottish Borders, in a house designed on a modernist open-plan grid. With colourful glass panels set against a forest of trees, it was like living in a work of art. Her father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style. Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision - or his distinctive way of looking at the world. Told with great tenderness and humour, this is Shelley's account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death. 'A sad, funny, utterly fascinating book about families, home and how to say goodbye' Mark Haddon 'Original, moving and bracingly honest... often hilarious' Blake Morrison, Guardian 'It is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight' Telegraph

Ludwig Mies van der Rohe (1886-1969) is undoubtedly one of the most significant and influential architects ever. To the present day, his designs and realised buildings, as well as his thinking and writings, continue to initiate many controversial debates on the achievements and failures of modern architecture. Yet not only architects and urban designers have been inspired or appalled by Mies. This new book demonstrates that his influence reaches far beyond the boundaries of professional architecture. Almost Nothing collects work by 100 painters, sculptors, photographers, film directors, designers, cartoonists, and architects who comment on the buildings, designs, and statements by, or images of, the legendary architect. The works also form a 100-fold re-interpretation of Mies van der Rohe's life and oeuvre. New York-based architect and writer Christian Bjone in his accompanying text provides rich background information on the individual artists and the depicted art works. The book's title refers to a statement by Mies himself on one of his celebrated masterpieces, Crown Hall on IIT campus in Chicago, which ingeniously combines simplicity with complexity.

Adèle Naudé: A Form of Practice celebrates the architect’s 40 years of practice and teaching. In notable academic leadership positions, Naudé taught across many locations globally, and her practice followed to new locations around the world. A Form of Practice is the first comprehensive monograph presenting the work and academic contributions by Naudé - from South Africa and Chile to Japan and the United States. “…my teaching career at important institutions led to offers for increasingly important leadership positions including Architecture Chair at the University of Pennsylvania, the deanships at the University of California San Diego (UCSD) and later at MIT.�

Over nearly three decades, Paczowski & Fritsch Architects has established itself as an impressive studio that spectacularly fuses the complex mysteries of the art of building with technological rationality, contemporary culture, and the expressive requirements of the project's image. It has been consolidating its experience in the sectors of public buildings, service buildings, as well as collective and individual housing; it also specialises in logistics and transport, supermarkets, and high-end retail. The office has played an important role in carrying out important urban planning studies, and excels in the fields of sustainable development and BIM (Building Information Modeling). This beautifully presented book serves to highlight the incredible output of this world-leader in architecture and design. Internationally renowned architectural writer Philip Jodidio writes an insightful essay on the variety and intelligence that these architects bring to their work. Jodidio engages with the directorship directly, illuminating on their visionary practice, their unique ethos, and the plans for the future under the new generation at the helm. While remaining true to its original philosophy, the office has been successful in numerous competitions and has won significant prizes and international acclaim.

The name of the architect Victor Baltard is inseparable from the Halles Centrales of Paris, the complex of iron-and-glass pavilions built between 1854 and 1874 in the historic heart of the city. Making Modern Paris is the only comprehensive study to address systematically not only the role Baltard played in the markets' design and construction but also how the markets relate to the rest of Baltard's work and professional practice. Christopher Curtis Mead interprets the Central Markets as a cogent expression of Baltard's professional experience as he adjusted his academic training to new criteria of municipal administration, urban planning, and building technology. Considering his entire career over the three decades he worked for the Prefecture of the Seine, this investigation of how architectural and urban practice came together in Baltard's work offers a case study of the historical process that produced modern Paris between 1840 and 1870.

From the award-winning author of Wrestling with Moses comes a fascinating, accessible biography of the most important architect of the twentieth century. Modern Man is a riveting biography of Le Corbusier-a man who invented new ways of building and thinking. Modern Man is a penetrating psychological portrait of a true genius and constant self-inventor, as well as a sweeping tale filled with exotic locales, sex and celebrity (he was a lover of Josephine Baker), and high-stakes projects. In Flint's telling, Corbusier isn't just the grandfather of modern architecture but a man who sought to remake the world according to his vision, dispelling the Victorian style and replacing it with something never seen before. His legacy remains controversial today, as the world grapples with how to house its skyrocketing urban population and the cult of the "starchitect" continues to grow. Modern Man is for readers fascinated by the complex personal lives and outsized visions of both groundbreaking artists and dazzling, charismatic innovators like Steve Jobs.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfangen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen fur die historische wie auch die disziplingeschichtliche Forschung zur Verfugung, die jeweils im historischen Kontext betrachtet werden mussen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfangen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen fur die historische wie auch die disziplingeschichtliche Forschung zur Verfugung, die jeweils im historischen Kontext betrachtet werden mussen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

As an architect, urban planner and sculptor, Rob Krier has created a multifaceted oeuvre which is presented here in a comprehensive manner for the first time. After graduating, Krier first worked with O. M. Ungers and Frei Otto before setting up his own studios in Vienna and Berlin. He later taught at the Vienna University of Technology from 1976 to 1998 and as a visiting professor at Yale University in 1986. Drawing on a wealth of historical models and archetypal patterns, he developed new typologies of streets and public squares as an architect and urban planner, and was responsible for numerous urban development projects throughout Europe. These included the perimeter block development on Ritterstrasse for the IBA in Berlin, the residential complex on Breitenfurter Strasse in Vienna, the Kirchsteigfeld district in Potsdam, and numerous projects in the Netherlands.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfangen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen fur die historische wie auch die disziplingeschichtliche Forschung zur Verfugung, die jeweils im historischen Kontext betrachtet werden mussen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.