Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life's work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she's still considered an insider's tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo's special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific "story" behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect's general design methods.

This Is A New Release Of The Original 1919 Edition.

Nothing is more precious than family and keeping the memories of those special moments make for great conversations. There is no better way to keep a log of those precious memories than to have a Family Photo Album. With an album like this you can keep track of those precious memories with ease and the great thing is that you can make the necessary notations with each picture and even add the date the pictures were taken and the location.

The Benefits and uses of a Baby Photo Album for Twins Twin Pictures: When a family has twins things are often combined since there are two babies. One way to help the twins maintain their own sense of self is to have a few things that are just for them. A photo book is one good way to do this. When the twins are growing up it might be helpful to have three pictures albums. If you have three albums then you can have one album dedicated to each twin, and have one album with pictures of them together. This way when the twins grow up they will be able to see pictures that are just about them and not tied to the fact that they are a twin.

The autobiography of Benvenuto Cellini was started in the year 1558 at the age of 58 and ended abruptly just before his last trip to Pisa around the year 1563 when Cellini was approximately 63 years old. The memoirs give a detailed account of his singular career, as well as his loves, hatreds, passions, and delights, written in an energetic, direct, and racy style.

2014 Reprint of 1926 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. "The Autobiography of an Idea" is an account of Sullivan's career and his architectural theories. Sullivan was a spokesman for the reform of architecture, an opponent of historical eclecticism, and did much to remake the image of the architect as a creative personality. His own designs are characterized by richness of ornament. His importance lies in his writings as well as in his architectural achievements. These writings, which are subjective and metaphorical, suggest directions for architecture, rather than explicit doctrines or programs. Sullivan himself warned of the danger of mechanical theories of art.

"Wall Street Journal," "Favorite Books of the Year 2013"
"Cosmopolitan," "Best Books of the Year for Women"
"Library Journal," "Best Books of 2013"
"Salon," "Best Books of 2013"
"Haunting... more than a beautifully written memoir. A] powerful and raw love letter."--"The Washington Post
"A BLAZINGLY PASSIONATE MEMOIR OF IDENTITY AND LOVE: WHEN A CHARISMATIC AND TROUBLED YOUNG WOMAN DIES TRAGICALLY, HER IDENTICAL TWIN MUST STRUGGLE TO SURVIVE
Christa Parravani and her identical twin, Cara, were linked by a bond that went beyond siblinghood, beyond sisterhood, beyond friendship. Raised up from poverty by a determined single mother, the gifted and beautiful twins were able to create a private haven of splendor and merriment between themselves and then earn their way to a prestigious college and to careers as artists (a photographer and a writer, respectively) and to young marriages. But, haunted by childhood experiences with father figures and further damaged by being raped as a young adult, Cara veered off the path to robust work and life and in to depression, drugs and a shocking early death.

A few years after Cara was gone, Christa read that when an identical twin dies, regardless of the cause, 50 percent of the time the surviving twin dies within two years; and this shocking statistic rang true to her. "Flip a coin," she thought," those were my chances of survival." First, Christa fought to stop her sister's downward spiral; suddenly, she was struggling to keep herself alive.

Beautifully written, mesmerizingly rich and true, Christa Parravani's account of being left, one half of a whole, and of her desperate, ultimately triumphant struggle for survival is informative, heart-wrenching and unforgettably beautiful.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The ICC Berlin is a Gesamtkunstwerk, a giant time capsule that has been waiting for a new usage concept for almost a decade. Planned in the 1960s and opened in 1979, the exhibition building-designed by Ursulina Schuler-Witte and Ralf Schuler, and encompassing Frank Oehring's incomparable wayfinding system-remains an attentiongrabbing structure. While the building's brutalist exterior overwhelms the viewer, its interior conveys an air of calm, offering a view of the suddenly quieted traffic through its panoramic windows. This volume of photographs by Zara Pfeifer is dedicated to documenting the interior of the building. Taking an unsentimental approach, Pfeifer records the largely unchanged inner appearance of the building that has been variously dubbed the Giant of Witzleben, the Battleship Charlottenburg, or the Hall of Megalomania. Her images develop a sense for the building's noteworthy elements and capture the liminal condition in which it has been suspended for years.

2014 Reprint of 1947 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Louis Henry Sullivan was one of the foremost American architects, and has been called the "father of skyscrapers" and "father of modernism." He is considered by many as the creator of the modern skyscraper, was an influential architect and critic of the Chicago School, was a mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects who have come to be known as the Prairie School. Along with Henry Hobson Richardson and Wright, Sullivan is one of "the recognized trinity of American architecture." This collection of his writings includes other essays in additional to the book length "Kindergarten Chats." The are: Characteristics and Tendencies of American Architecture What is the Just Subordination, in Architectural Design, of Details to Mass? Ornament in Architecture Emotional Architecture as Compared to Intellectual The Tall Office Building Artistically Considered The Young Man in Architecture Education What is Architecture: A Study in the American People of Today

The Benefits and uses of a Photo Album for a Baby Girl Save All of the Memories. When a girl reaches her teenage years, many parents wish they could return to simpler times. As hard as raising a teenage girl can be, however, it is nothing compared to taking care of a baby. Remind yourself of this fact with a baby album. Don't just keep the cute moments, like that first crawl, but keep pictures of all the little burps and spit ups and midnight cries, too. Every time she screams and slams the door, or cries herself to sleep over that boy you warned her about, you can look at the album of your daughter when she was little, and remind yourself that at least she can use the bathroom on her own.

Through the conceptual framework of five overlapping themes, readers will consider the following issues:
Choreographed Experience. Just as globalization and cultural conformity make the uniqueness of place more essential, so too does our virtual connectedness call for a physical counterweight. The work of Duda/Paine Architects explores how visual, auditory, and tactile perception anchors an individual's physical experience and intellectual understanding of his or her surroundings. Like storytellers, choreographers, and directors, they design meaningful sequences of movement and discovery that add layers of sensory information, giving personal meaning to the architectural experience.
Creating Context. Duda/Paine Architects often adapt urban strategies to suburban and edge city settings, creating destinations with a strong sense of place - even in the absence of an existing architectural context of neighboring buildings, sidewalks, and open spaces. Each of these projects uses multiple buildings to strike a balance between built form and open space; each contrasts man-made gardens with the natural landscape; and each looks at the physical qualities of its site and surroundings to inspire an appropriate architectural language.
Transformations. Progressive leaders in business, healthcare, and education often aspire to cross disciplinary boundaries, collaborate more effectively, and innovate more freely. Architecture, like alchemy can effect transformation. Duda/Paine's interactive and inclusive design process not only reflects their clients' strategic visions but can also act as a catalyst to help redefine how they live, work, play or learn. The projects in this section establish new paradigms by bringing people together in ways that stimulate fresh ideas and practices.
Skyline/Streetscape. A majority of the world's population now lives in cities for the first time, making the tower typology more crucial than ever. Towers make public gestures in the skyline and the streetscape, acting at the scale of the city as well as the more intimate scale of the human body. Whether seen from a distance or experienced close-up, these projects become landmarks in the city skyline while simultaneously responding to the characteristics of the existing urban fabric and amplifying the vibrancy of its' street life.
Public Rooms. The benefits of today's virtual connectedness and increased mobility cannot replace the importance of physical gathering places where we share experiences, build collective memories, and see ourselves as part of a larger community. The privatization that leads to suburban sprawl and gated communities reinforces the architect's civic duty to provide public spaces that counteract this tendency. Whether urban or suburban, indoors or out, Duda Paine's public rooms nurture civic life by encouraging social interaction through chance encounters and casual conversations.

The Benefits of a Family Photo Album Family Photo Albums Aren't Going Anywhere. Family photo albums are a great way to share memories with others. One of the biggest benefits about using photo albums is that they do not require any batteries or electricity to be used. Photo albums are easy to carry around for other people to view. They're not as popular as they used to be in the past, but family photo albums do bring a certain historic appeal and character to the setting they're located in. Photos can be exchanged and rearranged without the need of connecting a computer or device in order to transfer images. Family photo albums can be handed down from one generation to the next, allowing children and grandchildren to see what things looked like in the "old days."

Richard Neutra (1892-1970) is considered one of the twentieth century's most influential architects. Born in Vienna, his career occurred at a critical moment in the history of the modern movement. His early inspiration was provided by pioneering architects such as Adolf Loos and Frank Lloyd Wright. His first major commission -- Lovell House -- built in Los Angeles in 1929, just six years after his arrival in the United States, is known as one of the landmarks of modern architecture.

He is recognized for his open and innovative designs, his extensive use of glass allowing indoor and outdoor spaces to flow freely together, and his application of industrial techniques to architecture. He made major contributions to urban planning, was the author of several books, including Survival through Design, and won over fifty awards for architectural designs.

Neutra established new aesthetic standards and there is currently a tremendous renewal of interest in his legacy. This concise overview of his achievements is the essential introduction to his work and philosophy.

Providing a new insight into twentieth-century architecture, this is the first book in English on the work of French architect Fernand Pouillon (1912-1986). It includes Jacques Lucan's analysis of his post-war urbanism and its critique of mainstream modernism, a description of material construction by Adam Caruso, and Pouillon himself inspired by Aix-en-Provence and reflecting on the contemporary architect's position in a cultural continuum. At the book's heart lie survey drawings and photographs of Pouillon's key Parisian housing projects. This book is first in a series on 'The Limits of Modernism - a Forgotten Generation of European Architects'.

Author Lynn Barnes admits she's known all along that she'd been a little different in ways she can't explain. In her memoir, The Last Exit before the Toll, she examines her life and tries to make sense of who and what she is and how her being affects her existence.

She reflects on growing up as an only child and her life now as a single, surrealist artist and Poe aficionado. Barnes recalls the events that have greatly impacted her, including the deaths of her mother and father and the suicide of her best friend, Marc. But it was the discovery that she has undiagnosed Asperger's syndrome that helped piece together the puzzle that has been her life and allowed her to come to terms with the troubling personality traits she has experienced all her life.

An insightful and creative look at Barnes's life, The Last Exit before the Toll provides a glimpse into the sometimes frustrating and unknown world of someone who lives with Asperger's syndrome.

Emanuel Dimas de Melo Pimenta started working on architecture and urban planning in the early 1980s. Then, he coined the concept of "virtual architecture" and launched Woiksed - the first virtual planet of the world, anticipating Second Life in about twenty years. From a floating island to a building created after mathematical principles -each one of his architectural designs is an exercise of discovery and invention. The book 30 Years of Architecture shows sixty of his works, created between 1980 and 2011.

Literary Nonfiction. Poetry History & Criticism. Revised and Expanded Second Edition. Here is the definitive biography of American poet and artist Kenneth Patchen. Kenneth Patchen (1911-1972) was a poet, novelist, artist, performer of poetry-jazz in the tradition of engaged writing which he helped forge in America. Producing a book a year during his writing life, his work and life stand as a huge exposed girder in the structure of American culture and art. His friendships with such writers as James Laughlin, Henry Miller, E. E. Cummings, Muriel Rukeyser, Amos Wilder, Dylan Thomas, Lewis Mumford, Kenneth Rexroth, David Dellinger, Jonathan Williams, and Lawrence Ferlinghetti place him at the center of dissident writing in America.Rising from his native grounds in working-class Ohio, he became a leading figure among the Leftist thinkers and artists of 1930s and 1940s Greenwich Village, then moved on to the West Coast where he created dynamic blends of poetry and art, poetry and jazz, poetry and theater. Finally crippled with back pain during the last decades of his life, he created the famed picture poems of his Wonder Period.For four decades on East and West Coasts, by the force of his will and native genius, Patchen molded life and art as one. With the loving support of wife Miriam, he endured the pain and travail of years of struggle to recast an art based on truth and striking beauty. The tale of Kenneth and Miriam Patchen has become one of the great lover stories of American literature. His is the story of the rebel artist in America."In my eyes Kenneth Patchen is now and will remain one of the outstanding figures in American letters. He represents all that a poet should represent, whether expressing himself in verse, in prose, in paint, or in action. By his example he has given courage, direction, and inspiration to more poets than anyone I know of on this continent Patchen stands out like a shining warrior, a herald of peace and truth, endowed with invincible heart and integrity. No one can read him without being affected--and influenced in his own life and work. It is not only the youth who are indebted to him but all of us, unto the last and most fanatically ardent defender of the Word."--Henry Miller

Die vorliegende Arbeit ist aus meiner 1984 an der Universitat Harnburg einge reichten Magisterarbeit Le Corbusier: Poeme Electronique. Studien zum Philips Pavillon, Weltausstellung Brusse/1958 entstanden. Sie hatte nicht geschrieben werden konnen ohne einen vom Deutschen Akademischen Austauschdienst finanzierten Studienaufenthalt in Paris und ein zweijahriges Promotionsstipendium der Uni versitat Hamburg, dessen Gewahrung ich der Fursprache von Herrn Professor Martin Warnke verdanke. Er hat meine Arbeit mit Geduld und Umsicht betreut. Zu grossem Dank verpflichtet bin ich ebenfalls Herrn Dr. Fritz Jacobs, der mein Interesse fur Le Corbusier geweckt und mich bei der Klarung vieler Probleme stets hilfsbereit unterstutzt hat. Einblick in die Arbeitsorganisation im Atelier Le Corbusiers ermoglichten mir Auskunfte seiner fruheren Mitarbeiter, fur deren Gesprachsbereitschaft ich mich hier bedanke: der Sekretarin, J eannette Gabillard, sowie Roggio Andreini, Roger Aujame, Fernand Gardien, Guillermo Jullian de la Fuente, Robert Rebutato und Andre Wogenscky. Den Mitarbeitern der, Fondation Le Corbusier' in Paris, in erster Linie Evelyne Trehin und Martine Lasson, danke ich fur ihre Hilfsbereitschaft. Kritik und Hilfe erfuhr ich auch von Dagmar Nowitzki und Stefan Brenske. Einleitung "Das grosse Rom ist voll von Triumphbogen. Wer errichtete sie? . . ."

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kate Muller Chapman arrived in New Mexico at the time Santa Fe Style architecture was just developing. In the 1920s and 1930s Kate designed adobe houses, and directed local workmen during construction. Well versed in the tenets of the evolving Santa Fe Style, Kate also added her own distinctive touch to the projects. Kate Chapman skillfully directed rehabilitation projects preserving the essential historic character of nineteenth century adobes while updating and enlarging them. Two of her rehabilitations on Canyon Road are partially accessible to visitors: El Zaguan and the Borrego House. With graphic layout, linoleum cut illustrations by Stewart, and her own folksy humor, Kate combined a certain romantic spirit with recommendations that still apply to New Mexico adobe building. In 1930 Kate Chapman collaborated with her friend, artist Dorothy N. Stewart, to produce a small volume filled with practical tips about earthen architecture. First printed by Spud Johnson's Laughing Horse Press, "Adobe Notes or How to Keep the Water Out with Just Plain Mud" is reprinted and included in this book. Catherine Colby is a professional historic preservationist working in Santa Fe for over twenty years. She has a Bachelor's Degree in History and a Masters Degree in Architecture. During her career with the National Park Service Catherine researched and documented historic properties throughout the southwest. She runs a consulting business in Santa Fe, preparing National Register Nominations and reports on historic properties for their owners and for the Historic Santa Fe Foundation. She received a Heritage Preservation Award from the State of New Mexico for her role in the conservation of the Bishop Everett Jones property in Santa Fe.

Vicky Tiel started as an "it" girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous. Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, "What's New, Pussycat?," her classic design inspired the red dress that transformed Julia Roberts in "Pretty Woman," and her creations are worn today by stars such as Halle Berry and Kim Kardashian. Tiel's own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best friend Mia Fonssagrives in Paris, from marrying MGM's top make-up man to becoming Elizabeth Taylor's dear friend and part of her longtime entourage. Tiel forged her own path, and picked up some distinctive and hard-earned lessons from the rich, famous and celebrated along the way.

In IT'S ALL ABOUT THE DRESS, you'll get a glimpse of what it's like to be Hollywood royalty (think yachts, tiny dogs, giant pearls and peanut butter sandwiches washed down with Chateau Margaux), discover the seduction secrets of the greats (from Kim Novak to Goldie Hawn to Warren Beatty), take in a little husband-hunting advice, and even learn legendary model Dorian Leigh's recipe for "gigot d'agneau sept heures."

Vicky Tiel will teach you to dress like a sex symbol, cook like the owner of a French country inn, and seize what you want from the world like an American ingenue.

Richard Neutra (1892-1970) is considered one of the twentieth century's most influential architects. Born in Vienna, his career occurred at a critical moment in the history of the modern movement. His early inspiration was provided by pioneering architects such as Adolf Loos and Frank Lloyd Wright. His first major commission -- Lovell House -- built in Los Angeles in 1929, just six years after his arrival in the United States, is known as one of the landmarks of modern architecture.

He is recognized for his open and innovative designs, his extensive use of glass allowing indoor and outdoor spaces to flow freely together, and his application of industrial techniques to architecture. He made major contributions to urban planning, was the author of several books, including Survival through Design, and won over fifty awards for architectural designs.

Neutra established new aesthetic standards and there is currently a tremendous renewal of interest in his legacy. This concise overview of his achievements is the essential introduction to his work and philosophy.