This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect's work and offers new and important perspectives on the history of modernism. Neil Levine places Wright's projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century. Levine overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright's larger, more varied, interesting, and complex urbanism, demonstrated across the span of his lengthy career. Beginning with Wright's plans from the late 1890s through the early 1910s for reforming residential urban neighborhoods, mainly in Chicago, and continuing through projects from the 1920s through the 1950s for commercial, mixed-use, civic, and cultural centers for Chicago, Madison, Washington, Pittsburgh, and Baghdad, Levine demonstrates Wright's place among the leading contributors to the creation of the modern city. Wright's often spectacular designs are shown to be those of an innovative precursor and creative participant in the world of ideas that shaped the modern metropolis. Lavishly illustrated with drawings, plans, maps, and photographs, this book features the first extensive new photography of materials from the Frank Lloyd Wright Foundation Archives. The Urbanism of Frank Lloyd Wright will serve as one of the most important books on the architect for years to come.

Manuelle Gautrand Architecture is a Parisian-based architecture firm founded by Manuelle Gautrand in 1991, sited in the Bastille neighbourhood of this exquisite European city. The firm's key aim is to 're-enchant the city' of Paris by evoking emotion, reinventing spaces, and garnering renewal and innovation - to be bold and definitive. At the core of Gautrand's creativity lies the approach to each new project through the spirit of a blank canvas, with no a priori. Yet, each of the project that this firm produces expresses a specific relationship to the site: a desire to revive it and enchant; a deep commitment to working on programs entrusted to the firm; ensure efficiency, flexibility and surprise. Each project is a unique and symbolic encounter. Fuelled by shared ideas and prominent for its breadth of practice, this book documents the comprehensive collection of Manuelle Gautrand Architecture's design solutions. It celebrates the intuitive and stunning designs, and the firm's commitment to beauty, revival, boldness and precision.

It is understood that Mies van der Rohe is one of the most important architects of the Modern movement. But how do Mies' ideas on architecture and on the logic of construction relate to his built - and sometimes unbuilt - oeuvre? This book investigates this question based on 14 projects, with a focus on the choice of detail and material. Specially produced three-dimensional drawings provide an easy-to-understand analysis of Mies' construction concepts. The projects include Lange and Esters Houses (1927-30), Tugendhat House (1928-30), the Barcelona Pavilion (1928-29), Farnsworth House (1946-51), Lake Shore Drive (1948-51) and the New National Gallery (1962-68). The investigation covers several decades of Mies' work, and hence his German and American creative periods.

Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others.

Thirty-six architects from Europe and the USA present their very latest projects for luxury villas - from a villa in the city to a lakeside location and those on the coast or in the mountains. The book features over 100 unique and stunning houses.

Dietrich | Untertrifaller are outstanding representatives of the second generation of the New Vorarlberg Building School. Their buildings are always sensitive and, at the same time, confidently developed from the respective context; they display a spatial refinement, are formally disciplined, and feature finely nuanced materials. With a longstanding international reputation, the practice undertakes a wide spectrum of projects from its branches in Bregenz, Vienna, St. Gallen and Paris. Some of their latest works include the Omicron campus in Klaus, the Concert and Congress Center in Strasburg, and the University of Fine Arts in Nancy. This monograph presents the most important works of recent years in detail and provides a complete overview of the entire oeuvre of the architects, who are known for their efficient use of resources.

An essential record of Australia's annual architectural commission, MPavilion

MPavilion is an annual architectural commission designed by a leading international architect for the Queen Victoria Gardens in Melbourne, Australia. Inspired by the Serpentine Pavilion in London, the MPavilion project was established in 2014 by Naomi Milgrom AO, one of Australia's foremost cultural visionaries and philanthropists. It is, in the words of Professor Alan Pert, Director of Melbourne School of Design at the University of Melbourne, a 'cultural laboratory ... an educational environment beyond the institution, a museum without a collection.'

Centred around the six pavilion projects to date, this book reflects on MPavilion's ongoing architectural and cultural impact. Incorporating architectural drawings, renders, models and design statements, as well as eight essays by leading design writers and photographs documenting each project and the activities that it inspired, it considers how each architect responds to or highlights issues relevant to contemporary design, architecture and community building. In doing so, MPavilion positions their collective endeavour as a global model for cultural activation, design leadership, place-making, community building, architectural tourism, philanthropy and public/private partnerships. This is at once the perfect introduction to and critical assessment of the MPavilion project.

In words and photographs, the story of visionary architect Addison Mizner * Introduced the Mediterranean Revival and Spanish Colonial Revival styles to southern Florida * Designed and developed the resort town of Boca Raton * Designed the exquisite Everglades Club in Palm Beach Addison Mizner transformed Palm Beach and South Florida with his visionary architecture. He designed, among many others, the landmark Everglades Club in Palm Beach and the Boca Raton Resort and Club in Boca Raton. In this detailed biography, Stephen Perkins and James Caughman examine Mizner's life and origins, and explore how the events of his life influenced his marvelous architectural legacy.

The ELEMENTAL studio, headed by artistic director Alejandro Aravena and based in the capital of Chile, Santiago, is untraditionally composed of people with a variety of skills and abilities. Their analytical approach to architecture and urban planning has led them towards original solutions to social challenges, such as the housing shortage in Santiago's economically disadvantaged neigh- bourhoods. Instead of designing cheap housing, ELEMENTAL builds "half houses" at the same cost and enables buyers to build the other halves themselves. The combination of good design and the engagement of the buyers creates more sustainable housing areas. In the series The Architect's Studio the Louisiana Museum of Modern Art presents an exhibition on the ELEMENTAL studio, curated by Mette Marie Kallehauge and Kjeld Kjeldsen. The richly illustrated publication will portray ELEMENTAL's working methods and work philosophy, as well as showing examples of their most important projects.

Practice with Purpose is about designing buildings beyond their property lines to address some of society's most urgent challenges: the climate emergency, racial and ethnic injustice, chronic homelessness, educational crises, and the preservation of the embodied carbon and culture of existing buildings. To successfully contend with these ecological and societal emergencies, the design values and practice of architecture must be rapidly transformed within the next decade. Architects must become creative agents of change, providing the vision and skill to lead our communities toward an equitable, climate-positive future for all. Twenty years ago, San Francisco-based Leddy Maytum Stacy Architects rededicated its practice to focus on these urgent issues. Its mission-driven designs not only address the critical concerns of twenty-first century architecture, but also bring clients and users into the dialogue. LMSa's award-winning works show the creative potential of building a practice with purpose. In this book, LMSa shares its experience and insight as a call to action to the architecture profession. Through case studies, data-driven essays, user testimonials, and thought-provoking questions, LMSa offers design strategies to architects who want to make an environmental and social impact.

Climate change and increasing resource scarcity together with rising traffic volumes force us to develop new environmentally friendly and people-oriented mobility options. In order to provide a positive mobility experience, the transition from one mobility mode to another must be managed smoothly and safely, and individual, shared or public means of transportation must become convenient and easy. Conceptual as well as existing infrastructure projects provide models for future sustainable and connected mobility. This volume focuses on the importance of design, introducing through photos, plans, and brief texts over 60 groundbreaking projects from the disciplines of product design, architecture, and urban planning. With this international overview Mobility Design portrays the current situation of sustainable mobility systems, while identifying mobility as one of the most important design tasks of the future. With project texts by Markus Hieke, Christian Holl, and Martina Metzner

A leading architect of the Italian Renaissance, Baldassarre Peruzzi (1481-1536) has, until now, been a little-known, enigmatic figure. A paucity of biographical documentation and a modest number of surviving buildings, coupled with an undeservedly critical assessment by Giorgio Vasari (1511-1574), have long cast Peruzzi's career in shadow. With Becoming an Architect in Renaissance Italy, Ann C. Huppert taps into a known, but neglected resource-Peruzzi's autograph drawings-and reveals the full scope and artistic mastery of Peruzzi's work and its enduring influence. Extraordinary not only in their beauty and design inventiveness, but also in the varied representational techniques and practical mathematics noted within them, Peruzzi's drawings record an evolving artistic process. Reassessing his architectural masterworks, Huppert also explores lesser-known work: his studies of Roman antiquity, realized paintings and unrealized buildings, as well as engineering projects. Huppert shows that Peruzzi anticipated modern representational methods and scientific approaches in architecture, and pinpoints the moment when architecture began to emerge as a profession distinct from the other arts.

A richly-illustrated monograph on recent works of the award-winning architect. The work of Eric Owen Moss is an intriguing mix between a sort of Los Angeles critical regionalism (most of his production is in Culver City - Los Angeles) and the highest level of formal and spatial experimentation. Considered one of the most interesting and innovative North American architects today, he is best known for reinventing spaces for commercial uses and performing arts facilities, breathing new life into a marginal area in the celebrated sequence of buildings in Culver City's Hayden Tract. Over the last decade Eric Owen Moss has built his critical fortune producing a series of masterpieces which represent one of the most advanced elaborations of the de-constructivist theories of the 1990s. Paola Giaconia essay introduces the themes of Moss's work including geometry and manipulation, typological and spatial features, wall as design element and uncertainty of the contemporary condition. The book features an array of his works in over 250 illustrations including the Wedgewood Holly Complex, the Beehive and the Box. Also included is an interview with the architect and a bio-bibliography. Eric Owen Moss opened his office in Los Angeles in 1973. In addition to practicing, he has held professorial chairs at Yale, Harvard, and appointments in Copenhagen and Vienna, in addition to Sci-Arc, where he is on the Board of Directors. He has received numerous awards for his work, including the Award in Architecture from the American Academy of Arts and Letters in 1999, and the Gold Metal from the Los Angeles Chapter of the American Institute of Architects in 2001. His work has been widely exhibited, most recently in the Russian Pavilion at the 2002 Venice Biennale.

Throughout his 45+ year career Peter Arnell has played a significant role in creating and collaborating on platforms, products and strategies for many of the world's leading brands. Arnell has built his reputation working in architecture, design, photography, communications, technology and publishing. From his earliest days he has been known for creating unique, ground-breaking work bringing design, innovation, brand creation, brand strategy and customer experience to the forefront of his work. This beautifully conceptualized two-volume monograph provides an insight into the great creator's oeuvre, highlighting his contributions to a vast number of industries ranging from technology to automotive design, hospitality to fashion and beyond. The monograph celebrates many of Arnell's works created and developed alongside the highly talented collaborators. It includes projects with contributions by such luminaries as Denis Piel, Neal Slavin, Helmut Newton, Lance Wyman, Michael Graves and Muhammad Ali, to name a few, and spans over four decades. Included are signature projects for Donna Karan, Chanel, Fendi, Chrysler, Nespresso, Goop Pepsi, Reebok, Gucci and Special Olympics and in addition features texts written by Arnell's friends and collaborators architect Frank Gehry and photographer Peter Lindbergh.

From the award-winning author of Wrestling with Moses comes a fascinating, accessible biography of the most important architect of the twentieth century. Modern Man is a riveting biography of Le Corbusier-a man who invented new ways of building and thinking. Modern Man is a penetrating psychological portrait of a true genius and constant self-inventor, as well as a sweeping tale filled with exotic locales, sex and celebrity (he was a lover of Josephine Baker), and high-stakes projects. In Flint's telling, Corbusier isn't just the grandfather of modern architecture but a man who sought to remake the world according to his vision, dispelling the Victorian style and replacing it with something never seen before. His legacy remains controversial today, as the world grapples with how to house its skyrocketing urban population and the cult of the "starchitect" continues to grow. Modern Man is for readers fascinated by the complex personal lives and outsized visions of both groundbreaking artists and dazzling, charismatic innovators like Steve Jobs.

For nearly three decades, the J. Paul Getty Museum has played a leading role in the development of seismic mitigation for museum collections. Contributors to this volume--ranging from museum conservators, mount makers, and historical archaeologists to seismologists and structural engineers--discuss and illustrate a wide variety of earthquake-mitigation efforts for collections, from the simple and inexpensive to the complex and costly.
The book's essays examine the techniques applied to large collections and to small house museums, to exhibition cases containing objects as well as to monumental works of art and historical structures. Approaches range from securing and restraining objects to decoupling them from the ground through a variety of base-isolation mechanisms. These pioneering efforts have been developed in the face of significant challenges since, as any engineer, conservator, or mount maker who has undertaken this work can attest, a small sculpture can often be a far greater challenge to protect than a multistory building.

The creator of the ubiquitous Knoll "Tulip" chairs and tables, Eero Saarinen (1910-1961) was one of the 20th century's most prominent space shapers, merging dynamic forms with a modernist sensibility across architecture and design. Among Saarinen's greatest accomplishments are Washington D.C.'s Dulles International Airport, the very sculptural and fluid TWA terminal at JFK Airport in New York, and the 630 ft. (192 m) high Gateway Arch of St. Louis, Missouri, each of them defining structures of postwar America. Catenary curves were present in many of his structural designs. During his long association with Knoll, Saarinen's other famous furniture pieces included the "Grasshopper" lounge chair and the "Womb" settee. Married to Aline Bernstein Saarinen, a well-known critic of art and architecture, Saarinen also collaborated with Charles Eames, with whom he designed his first prize-winning chair. With rich illustration tracing his life and career, this introduction follows Saarinen from his studies across his training all the way to his most prestigious projects, and explores how each of his designs brought a new dimension to the modernist landscape. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

Founded in 1996 by Brian Messana and Toby O Rorke in New York City, Messana O Rorke describe their particular brand of minimalist-infected modernism as pragmatism, with their approach to design capturing as much usable square footage as possible, rigorously limiting the number of interior elements, and extracting maximum impact from the chosen interventions. This distinctive approach extends to their entire material vocabulary: white walls stripped of mouldings, with recessed lighting at their perimeter; honey-toned oak floors; highly polished stainless steel railings and hardware; and marble fixtures and countertops and dark limestone flooring in the bathrooms and kitchen. With their masterful manipulation of space and judicious selection of materials oak flooring wire-brushed and lightly limed to contrast white walls but also to bring out its vivid grain, simultaneously conveying the woodworker s craft and the rawness of nature; statuary marble in a kitchen chosen for the painterly quality of the veining; architectural photography and ceramic objects adding sophisticated drama Messana O Rorke create complete environments of simplicity and serenity.

James Stirling (1924-1992) is acclaimed as the most influential and controversial modern British architect. His partnership with James Gowan (b. 1923) between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence. Published for the Paul Mellon Centre for Studies in British Art

Until now, Emil Jauch (1911-1962) has been a little-known protagonist of Swiss post-war architecture. Shaped by the Scandinavian Modernity of the 1930s, his buildings are characterised by a remarkable sensitivity. This book demonstrates the Lucerne architect's empathetic design method by presenting his constructed school buildings. The publication describes the architect's life and work in three chapters, recognising his achievements in school building and classifying them within the European context of a humanising functionalism.