For around two decades, the architectural duo of Niklaus Graber & Christoph Steiger from Lucerne have been continuously working on the design and construction of high quality buildings that can without doubt be regarded as an enrichment to Swiss building culture. Although the architects attempt to make their works generally understandable and give them a timeless legibility, when designing them they take the risk of fundamentally questioning the relevant task. That often leads to surprising interpretations and tailored solutions that reveal the specific characteristics of each project. By now, their work includes private family homes and apartment buildings, as well as a considerable number of public buildings for educational, cultural, industrial and tourist purposes, which have attracted a great deal of attention on the specialist scene both in Switzerland and abroad. For instance the extension to a window factory in Hagendorn, the therapy centre for the Heilpadagogische Zentrum Uri and the panorama gallery on the peak of Mt. Pilatus have been awarded national and international architecture prizes. Text in German, with English translation booklet enclosed.

What should a television look like? How should a dial on a radio feel to the touch? These were questions John Vassos asked when the Radio Corporation of America (RCA) asked him to design the first mass-produced television receiver, the TRK-12, which had its spectacular premier at the 1939 New York World's Fair. Vassos emigrated from Greece and arrived in the United States in 1918. His career spans the evolution of central forms of mass media in the twentieth century and offers a template for understanding their success. This is Vassos's legacy-shaping the way we interact with our media technologies. Other industrial designers may be more celebrated, but none were more focused on making radio and television attractive and accessible to millions of Americans. In John Vassos: Industrial Design for Modern Life, Danielle Shapiro is the first to examine the life and work of RCA's key consultant designer through the rise of radio and television and into the computer era. Vassos conceived a vision for the look of new technologies still with us today. A founder of the Industrial Designers Society of America, he was instrumental in the development of a self-conscious industrial design profession during the late 1920s and 1930s and into the postwar period. Drawing on unpublished records and correspondence, Shapiro creates a portrait of a designer whose early artistic work in books like Phobia and Contempo critiqued the commercialization of modern life but whose later design work sought to accommodate it. Replete with rich behind-the-product stories of America's design culture in the 1930s through the 1950s, this volume also chronicles the emergence of what was to become the nation's largest media company and provides a fascinating glimpse into its early corporate culture. In our current era of watching TV on an iPod or a smartphone, Shapiro stimulates broad discussions of the meaning of technological design for mass media in daily life.

Vorwort Hans Schmidt wurde am 1 0. Dezember 1893 in Basel geboren und starb am 18. Juni 1972 wahrend einer Tagung des BSA in Soglio. Zum Anlass seines 1 00. Geburtstages im Jahre 1993 wird das Werk von Hans Schmidt von den verschiedensten Seiten her bearbeitet und gewurdigt. Dass sich die vorliegende Untersuchung auf die stadtebaulichen Theo rien von Hans Schmidt konzentriert, ist einmal aus meinem eigenen lehr gebiet des Stadtebaus erklarlich. Vor allem aber ist Hans Schmidt fur mich derjenige unter den Architekten der Moderne, der sich am konsequentesten mit den stadtebaulichen Theorien auseinandergesetzt undzeitseines Lebens mit einer unbeirrbaren Uberzeugung nach den wesentlichen Grundlagen des Stadtebaus geforscht hat. Fur ihn gab es keine Trennung zwischen sei ner politischen, philosophischen Auffassung und seiner Tatigkeit als Stadt planer, eines bedingte unmittelbar das andere. Mit Hans Schmidt verbinden mich mehrere personliche und fachliche Begebenheiten. Da er ein Freund meines Vaters Fritz Huber war, bin ich Hans Schmidt und seiner Familie schon als Kind ofters begegnet und seine Zeichnungen von Raubergeschichten schmuckten mein Kinderzimmer. Als Architekt unseres Vaterhauses in Riehen hat Hans Schmidt die Architektur und Raumerfahrungen meiner Kindheit massgebend gepragt. ln meiner Stu dienzeit wurde eine Renovation an unserem Hause notwendig; Hans Schmidt hat mich bei der Durchfuhrung dieser Arbeiten hilfreich beraten und dabei mit mir allgemeine Fragen der Architektur diskutiert."

An unprecedented look at the wide-ranging artistic work of one of the 20th century's most significant landscape architects The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909-1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasilia. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work-which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more-is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name. This beautifully illustrated and groundbreaking publication covers the full range of Burle Marx's artistic output, as well as his remarkable home, an abandoned estate that he transformed into his office, workshop, gallery, and living space. The enduring influence of Burle Marx's work is also explored through interviews with seven contemporary artists: Juan Araujo, Paloma Bosque, Dominique Gonzalez-Foerster, Luisa Lambri, Arto Lindsay, Nick Mauss, and Beatriz Milhazes. These artists exemplify the extent to which his work continues to be a source of inspiration. Published in association with the Jewish Museum, New York Exhibition Schedule: Jewish Museum, New York (05/06/16-09/18/16) Deutsche Bank KunstHalle, Berlin (07/07/17-10/08/17)

Since its establishment in 1996, Vienna-based firm driendl*architects have pursued their search for prototype solutions in furniture and building design, infrastructure, and urban planning. The notion that we are constantly situated in a built environment, or in any case influencing it in some way or another, is guiding all their projects and is reflected in this new book. Ritual / Original reviews driendl*architects' work in a striking literary-visual manner, analysing in theory and exemplified by selected designs the circumstances of their approach: How environment and users affect buildings, cities, infrastructures, and systems; the effect of the inevitable discrepancy between vision and reality; and architects' capacity to observe and react to social structures and phenomena.

The twin sisters Selma Mikou and Salwa Mikou founded their own Paris office in 2006 - after working for many years for Jean Nouvel and Renzo Piano. Each project primarily aims to liberate itself from preconceived forms in order to create original solutions that focus on the dimension of an emotional spatial experience. The architects have produced numerous prominent buildings in this way, including the Balsaneo Aquatics Center in Chateauroux (2021), which was developed as a dynamic figure that spans the boulevard like a bridge to overlook the unique landscape of the Indre region. Text in English and German.

"Vietnamese cities have lost their tropical beauty. They have turned into concrete jungles just like Bangkok or Jakarta." Vo Trong Nghia In a context of rapid urbanization and environmental crisis, Vietnam, like many other countries across the world, requires innovative new architectural solutions to improve the lives of its urban residents. Green Architecture showcases the multi-faceted responses to these challenges conceived by the award winning studio VTN Architects, led by Vo Trong Nghia, in which the emphasis is placed on bringing greenery back to cities in a holistic and sustainable manner. Through detailed illustrated breakdowns of a series of building projects such as The Babylon Hotel, House for Trees and Nanoco Headquarters, as well as several schools, educational institutions and apartment buildings, and enlightening texts including an interview with the architect, this book explores how Vo Trong Nghia and his team draw on their experience and philosophy to help restore the connection between architecture and nature. "Green architecture means being friendly with the environment, not just planting trees," Nghia says, and in these pages we see those sentiments reflected in the flow and design of his buildings, which transcend functionality to foster a sense of community in a way that is drawing admiration and setting an example across Southeast Asia and much further afield.

Modern skyscrapers are often inseparably associated with images of the cities that host them: the Eiffel Tower in Paris, the Gherkin in London, the Empire State Building in New York, and so on. And while skyscrapers emerge in large numbers, only the most beautiful of them become symbols of the city that hosts them. This book presents Vasily Klyukin's projects: towers and residential buildings that have not found their home yet, but some of them will be built in the future and become architectural symbols of our age.

Alexandra and Michael Misczynski, the wife-and-husband team behind the Los Angeles-based AD100 design firm Atelier AM, are standard-bearers for the concepts of quality and connoisseurship. In an image-driven culture, where novelty and extravagance so often masquerade as virtues, the Misczynskis remain steadfast in their belief that true style can emerge only from substance. Architectural Digest Atelier AM has been the go-to designers for true connoisseurs since they opened their office in 2002. Taking on very few projects each year, each Atelier AM home is a complete masterwork where design and art are fully integrated into the architecture and landscape for a rich and immersive experience. Eight new homes are featured in this new volume, and each features Atelier AM s signature reverence for patina mixed with the new: reclaimed wood beams and well-loved vintage modern furniture pieces mingles comfortably with century-old artefacts and antiques. The projects in this volume show a deep understanding of design history from Spanish Colonial and English Classicism to contemporary. The mix of modern and ancient acknowledges and celebrates both the past and the future of design. With photography by their long-term collaborator Francois Halard, and insightful texts by Mayer Rus, Houses: Atelier AM promises to be as rich and satisfying as an Atelier AM home itself.

Byoung Cho aims to make each of his buildings `so it looks like it's not designed at all, it's just there'. Influenced by Korea's rich aesthetic tradition, Cho utilizes understated forms to create serene buildings that yield powerful and subtle experiences for their inhabitants. His work focuses on seemingly simple structures and has a strong regard for nature and sustainability. He has created many iconic buildings, art and cultural centres, schools, health facilities and residences throughout Korea, Japan and the United States. This book features over 25 of Cho's most highly acclaimed projects, including Twin Trees (2010), his instantly iconic towers located adjacent to the 14th-century royal Gyeongbok Palace in Seoul. The projects are accompanied throughout by sketches and plans, providing a comprehensive insight into the making of these buildings. Byoung Cho offers an engaging and indepth overview of one of the most creative and deeply thoughtful designers working today. It will inspire architects, architectural students and anyone interested in sustainability and the built environment.

Arizona-based architect Mark Candelaria is recognized for his timeless luxury designs and signature style rooted in classical form and functionality. In Mark Candelaria Homes, the architect presents 12 new projects and pulls back the curtain to share the stories behind them. Each project is accompanied by full-color photographs, floor plans, and sketches. The book brims with design ideas for every taste, from a Spanish colonial-influenced house on axis with views of Arizona's Mummy Mountain, to a reimagined historic English Tudor, to a modernist home inspired by ranch haciendas. Candelaria describes the design process with many personal anecdotes, illustrating that the design of a home should be fun and result not just in a set of plans but a backdrop to living one's best life. An avid traveler and hobbyist chef, Candelaria includes a recipe with each house, many times prepared for or with the client as a grand finale.

In 1969 and 1970, Louis I. Kahn (1901-1974)-one of America's greatest 20th-century architects-participated in a series of interviews with a young German architectural historian, Heinrich Klotz, then a visiting professor at Yale University, and John W. Cook, who was teaching architecture at the Yale Divinity School. Louis I. Kahn in Conversation provides the first full edited transcript of these candid, illuminating interviews, which provide remarkable insights into Kahn's philosophy of architecture. The conversations touch on many of his iconic works, including the unbuilt City Tower Project for Philadelphia, the Yale University Art Gallery, the First Unitarian Church in Rochester, and major international projects then under construction, as well as the Yale Center for British Art, Kahn's final building, on which he was beginning work at the time. Illustrated with dozens of plans, drawings, and photographs, the book also features an introduction by Jules David Prown, the first director of the Yale Center for British Art, who recommended Kahn as its architect. Distributed for the Yale Center for British Art, in association with Manuscripts and Archives, Sterling Memorial Library, Yale University and the Architectural Archives of the University of Pennsylvania

In this remarkable and gorgeously illustrated book, Neil Jackson presents a vibrant profile of the Los Angeles architect Pierre Koenig, who Time magazine said lived long enough to become "cool twice." From the influences of Koenig's youth in San Francisco and his military service during World War II to the Case Study Houses and his later award-laden years, Jackson's study plots the evolution of Koenig's oeuvre against the backdrop of Los Angeles-a city that both shaped and was shaped by his architecture. The book is anchored by Jackson's exciting discoveries in Koenig's archive at the Getty Research Institute. Drawings, photographs, diaries, letters, lecture notes, building contracts, and university projects-many of which are published for the first time-provide an expanded understanding of Koenig and additional context for his architectural achievements. An examination of Koenig's Case Study Houses shows how his often single-minded and pragmatic approach to domestic architecture recognised the advantages of production housing and presciently embraced sustainable, ecologically responsible design. A new account of the Chemehuevi housing project in Havasu Lake, California, demonstrates the special role that learning and teaching played in the development of his architecture. Over his fifty-year career, Koenig not only designed iconic houses but also directed their restoration and curated their legacy, ensuring that his work could be seen and appreciated by present and future admirers of midcentury Los Angeles.

"I think bamboo is the right material for creating a new architectural language unique to Vietnam." Vo Trong Nghia. With the climate crisis raging and awareness of humanity's detrimental impact on the environment now patently apparent, the need for architects to come up with sustainable new solutions has never been more pressing. A key part of any green approach to architecture is the use of local natural materials with a low environmental impact. Bamboo, which has been widely used in Asian architecture for centuries as scaffolding and for bridges, pavilions, houses and other structures, is an ideal material in this context: lightweight, strong and readily available. In an effort to meet the challenges of the 21st century, VTN Architects has developed new ways of working with two species of bamboo in particular: the flexible "Tam Vong" (Thyrsostachys oliveri Gamble) and sturdier "Luong" (Dendrocalamus barbatus), creating a manufacturing workflow that allows for the production of standardized modules, a knitting technique that enables the material to span large distances and environmentally friendly traditional treatments such as mud-soaking and smoking. In Bamboo Architecture we see how these methods have been applied in award-winning, groundbreaking projects such as the Wind and Water Cafe, Diamond Island Community Center, and the majestic Vedana Restaurant, alongside an illuminating introduction by Masaaki Iwamoto and an interview with the studio principal Vo Trong Nghia who offers an inspiring vision for the future of natural, green architecture.

An attractive volume presenting 14 of the renowned Canadian architectural firm's most prominent projects. A good half or more of the book is devoted to excellent color and b&w photographs and diagrams of the projects, most of which are situated in Ontario, Canada. The address of the press: Technical

Flow chronicles the Omega Center for Sustainable Living at the Omega Institute for Holistic Studies in Rhinebeck, New York. Designed by BNIM Architects, the OCSL embraces the concept of sustainable design and construction to the fullest, certifying it as a Living Building striving to have a net zero impact. Built in 2009, the center is an anchor for the groups' environmental efforts, and brings together state-of-the-art energy and waste systems, efforts to work with area farms and organic growers, and a teaching facility that demonstrates local solutions to global problems. It's unique location on one of the most important watersheds in the world--the 13,400-sq mile Hudson River watershed basin--informs its dedication to water quality and responsible stewardship.

Following the success of Conrad White's previous book about Blakstad (Ibiza Blakstad Houses, December 2012 and revised May 2019, ISBN 978 849936 174 1), this new book collects the new and most recent creations of the architecture studio founded by Rolf Blakstad and developed later by his sons Rolf and Nial. This 336-page book shows, through some incredible photographs by Conrad White, some of the most representative houses that the Blakstad family has designed and constructed in the island of Ibiza. Rolph Blackstad exhaustively studied Ibizan architecture when it was still a living millennial tradition, with peasant builders working with rules passed down by word of mouth from father to son. The architect's study of these builders formed the basis of his research, design and building for more than 40 years. This book is the latest tribute to Blackstad's work in the wake of his recent death.

First published in 1982, German architect Oswald Mathias Ungers' "City Metaphors" juxtaposes more than 100 various city maps throughout history with images of flora and fauna and other images from science and nature. Ungers assigns each a title--a single descriptive word printed in both English and German. In Ungers' vision, the divisions of Venice are transformed into a handshake and the 1809 plan of St Gallen becomes a womb. Ungers writes in his foreword: "Without a comprehensive vision reality will appear as a mass of unrelated phenomenon and meaningless facts, in other words, totally chaotic. In such a world it would be like living in a vacuum; everything would be of equal importance; nothing could attract our attention; and there would be no possibility to utilize the mind." A classic of creative cartography and visual thinking, "City Metaphors" is also an experiment in conscious vision-building.

The Olympiapark in Munich is one of the most famous projects of the landscape architect Gunther Grzimek (1915-1996), yet his entire oeuvre has proved to be pioneering and timeless. He advocated for a new form of urban green space in Germany, a "demokratisches Grun" (democratic green space), while also campaigning for practice-oriented training in landscape architecture. Grzimek's biography offers a wellspring of new discoveries. It traverses the history of modern Germany and encompasses his collaborations with famous architects, town planners, and designers - including Otl Aicher, who developed the basic outline of this volume together with Grzimek in the 1980s. Featuring plans, images, texts, and excerpts from Grzimek's own writings, this comprehensive new book offers a vivid and in-depth encounter with this major innovator and illustrates the lively history of landscape architecture in Germany from the 1930s in Berlin to the 1990s in Munich.

Die Bundesregierung hat mit der Verordnung uber die Honorare fur Leistungen der Architekten und Ingenieure vom 17. September 1976, kurz Honorar- ordnung fur Architekten und Ingenieure (HOAI), im Vertragsrecht und auf dem Gebiet des Honorarwesens fur Architekten und Ingenieure eine voellig neue Lage geschaffen. Der Leitgedanke bei der Abfassung der Verordnung war, die Leistungen der Architekten und Ingenieure als Teile einer umfassenden Bauleistung in Leistungsbildern so darzustellen, dass eine Ausweitung des Einflusses auf eine wirtschaftliche Planung und Bauausfuhrung ermoeglicht wird, und deren Honorie- rung so auszulegen, dass Leistungen mit kostensenkender Tendenz oder gar kostensparendem Erfolg nicht mehr zum Nachtei I der Architekten oder Ingenieure ausschlagen koennen. Mit der Verordnung wurde zugleich der Versuch unternommen, Architekten und Ingenieure vertragsrechtlich und honorarmassig auf die gleiche gemein- same Linie zu fuhren, auf der sich beide Berufsgruppen von ihren Tatigkeits- bereichen her ohnehin schon immer bewegen. Da die Erarbeitung der HOAI unter Zeitdruck erfolgte, wurden aus dem umfangreichen Arbeitsbereich der Ingenieure lediglich die speziellen Leistungen bei der Tragwerksplanung in die Verordnung aufgenommen. Sie stehen allerdings, mit Ausnahme der Ingenieur- leistungen fur Betriebstechnik, enger als die ubrigen Ingenieurleistungen in Ver- bindung mit den Architektenleistungen bei Gebauden, Freianlagen und Innen- raumen und zu den Zusatzlichen Leistungen des Teils 111, die den Kern der HOAI ausmachen.