Perfect Acts of Architecture presents six sets of highly inventive drawings by the contemporary avant-garde architects Rem Koolhaas and Elia Zenghelis, Peter Eisenman, Bernard Tschumi, Daniel Libeskind and Thom Mayne. Created between 1972 and 1988, when many architects turned to teaching because economic conditions had drastically curtailed building commissions, these works reflect the period's intellectual debates and demonstrate graphic experimentation as a proactive mode of research. Each suite of drawings, fully illustrated with superb reproductions, offers great insight into the creative processes of six young designers, who went on to establish major international reputations. To put this 'paper architecture' into a broader historical context, Kipnis and Riley provide introductory texts as well as concise commentaries on each of the projects.

Writings on Architecture is an anthology of texts by George Baird, focusing on his on-going interest in planning and the built environment, something which is particularly manifest in his attention to the city of Toronto, where he is active in architecture, urban design and heritage preservation.
After graduating from the University of Toronto in 1962, and then from University College, London, England, Baird went on to teach architectural theory and design at the Royal College of Art, and the Architectural Association School of Architecture in London, returning to Toronto in 1967. There, he founded his architectural practice, and joined the faculty of architecture at the University of Toronto and the faculty of the Graduate School of Design at Harvard University, where he was the G Ware Travelstead Professor of Architecture, and Director of the M Arch I and M Arch II Programs. From 2005 to 2009 Baird was Dean of the Faculty of Architecture, Landscape, and Design at the University of Toronto.
A principal author of the pioneering 1974 urban design study Onbuildingdowntown, he is the author/editor of numerous books, including Meaning in Architecture (with Charles Jencks), 1968; Alvar Aalto, 1969; The Space of Appearance, 1995; and Queues, Rendezvous, Riots (with Mark Lewis), 1995.
The book includes an introductory essay by Louis Martin and is essential reading for those interested in architecture, architectural history and theory, urbanism and the built environment.

After Metropolis features a selection of Powell Tuck Associates key projects, from their first ground breaking work--the Metropolis Recording Studios in London, which they won in 1989--to their most recent alterations and new buildings, including Bloomberg, Riverside One, Deepwater and Stamford Brook. Through the evaluation of these projects, the book will demonstrate the practices approach to architecture and design, setting out their guiding principals, influences and attitudes, therefore emphasising their engagement with existing buildings, atTention to the interconnection of spaces and to circulation, to refined material, light and colour palettes, as well as their contemporary approach to housing and working environments. Written by julian Powell Tuck, founder of the practice, the book also features contributions from the writer and critic Fred Scott, the architect David Connor and the investor/businessman Carey Taylor who will offer their comment on the work of Powell Tuck Associates respectively from the point of view of the academic, the colleague and the client.

Spaces of Serenity showcases the small structures from Jeffery S. Poss, built for contemplation, meditation, and peace. These buildings are exquisite examples of architecture that promotes harmony between the occupant and the outside environment.

This architectural approach makes the preliminary conceptual content its foundation point. Moreover, it gives to the project a non-conventional interpretation because of the always diverse requests of functionality and appearance, and because of the many stimuli coming from the landscape and the site. A collaborative, trans-disciplinary approach allows to involve different teams in the project planning. Thanks to a dense network of experts, it is possible to establish frequent collaborative links and solve every emerging problem in the most accurate and exhaustive way. By combining project-based research with academic research at the University of Milan (Politecnico), Camillo Botticini received many awards, mostly for public works. Such awards underline Botticini s testing ground on concrete examples, in a synthesis between pragmatism and research design phases. His large experience on small-scale public works, accomplished with detailed precision in the area of Brescia, Italy, created a vast network of relationships and experiences, which constitute a solid launch pad. Their designs centre around the satisfying yet brutalist shape of a square. Provoking and bold, their work is as ultra-modernist as it is unusual.

Though lacking any formal education in architecture, Jean Prouve (1901-1984) became one of the most influential architects of the twentieth century, boldly experimenting with new building designs, materials and methods. Prouve was raised in an environment of artistic, socially motivated innovation: his father belonged to "l'Ecole de Nancy," a collective that sought to unite art, industry and social awareness. He continued this practice throughout his adulthood, opening the Ateliers Jean Prouve to manufacture standardized, economical goods on a mass scale--which, during World War II, included creating portable and demountable barracks. After the war, the French government commissioned Prouve to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Despite their advantages, though, few of these architectural triumphs were built, and even fewer survive. In order to preserve Prouve's architectural and engineering legacy, the Galerie Patrick Seguin has worked tirelessly to promote Prouve's "constructional philosophy," exhibiting his designs and showcasing his ecologically responsible methodologies. "Jean Prouve Maison Demontable 8x8 Demountable House," the second of nine monographs published by the Galerie Patrick Seguin on Prouve's housing modules, highlights the second of these modules. Introduced by Catherine Coley, renowned art and architectural historian, it contains Prouve's sketches, black-and-white photographs of the designer at work and detailed examples of the building process.

In 2015, a volume in the Anthologie series was published on the buildings by this Lucerne architect, who is originally from the Upper Valais region. Since then, many further projects and an impressive number of new buildings have followed. They all demonstrate a respectful, gentle further development of the settlements and locations. The Kronengasse building in Sempach is exemplary: in it, the architect seeks a connection between traditional anonymous construction and a sophisticated finesse in designing the building. Text in English and German.

Tom Munz established his St. Gallen office in 2013. Since then, he has produced a number of extremely high-quality buildings that are always developed with a special interest in structural and tectonic expression. For instance Wohnhaus Holzenstein in Romanshorn is a design inspired by Modernism, thriving on the interaction between reserved, beige-stained concrete wall surfaces and wooden window elements to achieve an extremely poetic radiance. Text in English and German.

Examining 20 years' worth of the work of architect Paola Iacucci, who has spent a career between New York and Italy, this document is a record of the often heterogeneous experience of architecture. Iacucci's projects, drawings, models, buildings, and writings offer a deep and sharp sensibility and insight into contemporary architecture as they unfold two different perspectives: those of the East and the West. The two parts of this consideration--the Book of the East and the Book of the West--investigate the subtle relation between the concepts of the void and the solid or material in architecture in two very different worlds. An additional, 100-page booklet with architectural drawings is also included.

There are numerous links between architecture and art. In his architectural work, Philipp von Matt, who lives with his partner the Japanese artist Leiko Ikemura, has often explored themes relating to the creation and presentation of art. Designs of exhibitions and “artist houses” feature among the Swiss’s oeuvre – and such projects have brought him far beyond his adopted city of Berlin. With his two studio buildings O12 and A27, von Matt has delivered impressive designs that reveal key aspects of his understanding of architecture. Free from standard forms of the era, his buildings reflect the architect’s interest in different materials and technical solutions as well as the influence of traditional Japanese and Swiss architecture. The book provides insights into von Matt’s diverse work. In addition to highlighting his “artist houses”, it showcases many exhibition designs that he produced for Leiko Ikemura, including her major exhibition in the National Art Center in Tokyo and the 2019 retrospective created in collaboration with the Kunstmusem Basel. Text in English and German.

During a career spanning over three decades, award-winning architect Mok Wei Wei has designed numerous large- and small-scale projects in Singapore with his practice W Architects. From apartment complexes and museums to houses and community centres, each project reveals the architect's key inspirations and ingenious solutions to the challenges of building in the tropical city-stage. The works are presented in three themed chapters - Refract, Respond, Reflect - and move through Mok Wei Wei's career from the early 1980s to the present. In our increasingly urban world, W Architects illustrates a unique approach to designing buildings for a dense city environment, working in the context of a diverse multicultural society facing up to the challenges of climate, heritage preservation, globalism and national identity.

Christian Norberg-Schulz's Interpretation of Heidegger's Philosophy investigates the theoretical contribution of the world-renowned Norwegian architectural theorist Christian Norberg-Schulz and considers his architectural interpretation of the writings of German philosopher Martin Heidegger. Though widely recognised as providing the most comprehensive reading of Heideggerian philosophy through the lens of architecture, this book argues that Norberg-Schulz neglected one of the key aspects of the philosopher's contributions: the temporal nature of being-in-the-world as care. The undeveloped architectural implications of the ontological concept of care in his work prevented the fruition of his ultimate aim, transforming the 'art of place' into an 'art of living'. This book seeks to realign Norberg-Schulz's understanding of time as continuity and change to present a holistic approach grounded in Heidegger's phenomenological philosophy; architecture as art of care. Aimed at academics and scholars in architectural theory, history and philosophy, Christian Norberg-Schulz's Interpretation of Heidegger's Philosophy surveys the implications and significance of Norberg-Schulz's works on architectural criticism in the late 20th century.

The Korsmo House, 1955, is an icon of moder n Scandinavian
architecture--an experimental house that has been frequently
published in magazines and architecture anthologies. A few years
ago a jury elected the house as one of the ten most significant
buildings in Norwegian twentieth century architecture. Professor Knut
Hjeltnes says in the Arkitektur-N 5/2012 review that "Planet Road, 12,
is one of the most important private houses in Norway, owing both to
the qualities of the house and the significance of the inhabitants in
Norwegian post-war culture." The original owner, Grete Prytz Kittelsen
(earlier Korsmo) lived in the house until she passed away in 2010.
The house is now listed for preservation.
Arne Korsmo (1900-1968) was a prominent Norwegian architect,
best-known for a large number of functionalist buildings and interiors
made in the 1930s. Also a renowned exhibition architect and product
designer, Korsmo was highly-esteemed as a post-war teacher of
architecture and interior design. Grete Prytz Korsmo (later Kittelsen,
1917-2010) was a goldsmith and pioneering enamel artist, a 'grand
lady' of Scandinavian design and a trusted member of the World
Craft Council. Scandinavian Design is subject to increasing interest
worldwide and with it so is the Korsmo House. The Korsmo couple
were the incarnation of post-war Scandinavian design, winning prizes
internationally for product design and exhibition architecture.
Planetveien 12 discusses the location of this architectural icon, the
house's many incarnations, the biographies of the architect and
the Korsmo couple's visit to America where they met Hugo Weber,
Mies van der Rohe, Frank Lloyd Wright, Alexander Calder and,
significantly, Ray and Charles Eames. The book also details Korsmo's
other projects and his teaching careeer, alongside detailed plans
from inception and a full photographic essay about the finished
house. The author, Elisabeth Tostrup, is an architect and professor
at the Oslo School of Architecture; previous publications include
Norwegian Wood: the Thoughtful Architecture of Wenche Selmer,
2006, and Architecture and Rhetoric: Text and Design in Architectural
Competitions, 1999.

Craig Ellwood, the Cary Grant of architecture, was one of the most visible faces of California mid-century modernism. He was known as much for his exquisitely designed, minimalist structures as he was for his exuberant lifestyle. This book celebrates and explores the glamour of Ellwood s work, life, myth, and career. Through photographs, primarily of the iconic houses he designed in Southern California during the 1950s and 60s, we see a life of refined decadence, expressed through gorgeous architecture, fast cars, beautiful women, Hollywood style, palm trees, swimming pools, and minimalist design all in the context of the Southern California postwar building boom. This volume will appeal to design junkies, architecture buffs, students of modernism, and anyone interested in problem-solving and elegant solutions.

John McAndrew's Modernist Vision tells the compelling story of the architect, scholar, and curator John McAndrew, who played a key role in redefining modernism in the United States from the 1930s onward. The designer of the Vassar College Art Library-arguably the first modern interior on a college campus-and the curator of architecture at the Museum of Modern Art in New York from 1937 to 1941, McAndrew was instrumental in creating a distinct and innovative aesthetic that bridged the European modernist lineage and American regional vernacular. Providing a fascinating glimpse into McAndrew's life, his associations with important architects and artists, and the historical context that shaped his work, this book is a thoroughly researched testament to a man who left a powerful mark on the evolution of American architecture.

Interloop-Architecture is a Houston-based design office founded in 2001 by principals Dawn Finley and Mark Wamble, who both also teach at Rice University's School of Architecture. The firm's focus is on innovative building technologies, inventive forms, and precise material finishes. Their project types range from the design of custom furniture and fixtures to private residences, research complexes, and cultural institutions. System of Novelties is the first book on Interloop-Architecture's work to date, tracking the firm's formation and trajectory. It operates between a monograph and a field guide, presenting novel works of architectural design within a broader context of influence, procedures, and techniques that are threaded from project to project over a period of two decades. It features a diverse collection of built and speculative designs that are framed through three research topics: Information - Shape, Procedure - Assembly, and Material - Pattern. All this is supplemented with graphic notes that synthetically connect the unique and recurring systems engaged in this innovative architectural practice. System of Novelties offers unique insights on innovative forms of contemporary practice in architecture and demonstrates the firm's technical expertise with material, manufacturing, and delivery processes.

For the first time a comprehensive account of the outstanding work of Ryder & Yates has been chronicled in this new book by Tyneside architect Rutter Carroll. Formed by Gordon Ryder and Peter Yates and heavily influenced by Le Corbusier and Berthold Lubetkin, the practice dominated the development of modern architecture in the North East of England from the early 1950s, where their uncompromising modernism put them in stark contrast to their contemporaries. Structured by building type, the book attempts to reveal the principles of design particular to the practice of Ryder & Yates. It tells how, from its formation in Newcastle in 1953, it quickly established a reputation for innovative and highly individual buildings situated almost exclusively on Tyneside. Lavishly illustrated by images from the Ryder & Yates private archive, this book is an essential read for architects, students, architectural historians and modernist enthusiasts interested in learning more about one of the 20th century's most intriguing British practices. This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.

"Every successful enterprise should have a historian at work on its anecdotes...Building a culture is like building a memory, and you need to be sure that the anecdotes you entertain are good ones, ethical ones." - Leon van Schaik What makes a good school great? A good community of practice great? For close to half-a-century, architect and educator Leon van Schaik has prosecuted an answer to these questions. It is a venture that would lead him from the Architectural Association in London, to the townships of apartheid South Africa, and finally to Australia and the Royal Melbourne Institute of Technology (RMIT), where he initiated its now globally-renowned practice-based architecture research program. In Building a Culture, van Schaik traces the origin and development of design practice research at RMIT and his own journey into architecture and its teaching. From his early university studies under artist Richard Hamilton, to his experiences with Alvin Boyarsky at the Architectural Association, and his work alongside Cyril Ramaphosa at the Urban Foundation in South Africa, van Schaik imparts learnings garnered from a lifetime spent studying and cultivating successful creative ecologies. Through anecdotes and a consideration of archival material, the author draws a `loose-fit' roadmap to implementing cultural change in educational organisations, detailing most especially the challenges he encountered developing RMIT's unique pedagogical culture and its innovative practice-based research program. Based on a 2018 lecture van Schaik gave at RMIT on the occasion of his appointment to Emeritus Professor, Building a Culture is an insider's account of how organisational transformation was effected within this renowned architectural school. It is also a lively and at times humorous personal reflection on the people, ideas and experiences that have shaped the thinking of one of Australia's most influential educators.

Nomos is an association of architects based in Geneva, Lisbon and Madrid. They collaborate on projects of all scales, from furniture to master plans, with a special focus on the cultural context and the environment. Primarily using drawing to shape their ideas, they explore new ways of creating community through buildings that seek to transform constraints into opportunities. They approach each project with enthusiasm, care and curiosity, always striving for sustainable beauty. Text in English and German.

Library design in the 21st century has one common theme: collaboration is at the heart of innovation. Designing modern libraries is a complex process involving many stakeholders and participants. Libraries of all types work with an almost limitless range of constituent groups for input, buy-in and successful implementation. Securing support for new library buildings and renovations of libraries engages many people: library clients, community members, faculty, funding agencies, donors, governing authorities, librarians, architects, interior designers and planners. Telling the right story and getting to the end game demand carefully crafted approaches, wide-ranging skills, a unified vision and productive teamwork. The IFLA Library Buildings and Equipment Section has selected the best papers presented by award-winning architects and international thought leaders from the academic and public library sector at our recent satellite conferences and seminars: "Collaborative Strategies for Successful Library Design" (Chicago, Illinois), "What comes after the Third Place?" (Columbus, Ohio); "Key Issues for Library Space: International Perspectives" (Maynooth, Ireland); "Storage, the final frontier" (Munich, Germany) and "Telling and selling the space story" (Wroclaw, Poland). The stories by the library and design professionals within this publication illustrate how powerful a role partnerships, outreach and cooperation play in a library project's success.

A sumptuous treatment of the architecture of modernist masters Charles Gwathmey and Robert Siegel, whose apartments, houses, and commercial buildings are gleaming beacons of clarity and refinement. Quintessential modernists, the principals of Gwathmey Siegel have championed an aesthetic that is at once refined and lyrical, and ultimately richly enticing. Clientele of the legendary firm includes a virtual who's who of the entertainment and business worlds, and with good reason, as vibrantly evidenced here. Rizzoli's third monograph on this distinguished New York firm presents the exquisite residential work for which the firm is so justifiably renowned-from private apartments and three residential skyscrapers in Manhattan to homes in Aspen, Colorado, a ranch in Texas, the new Setai Hotel on Fifth Avenue in New York, and the new W Hotel in downtown Manhattan. Also shown, and representing a large part of the firm's creative output of the last decade, are cultural and institutional works, notably the U.S. mission to the United Nations.

Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Liberta, the Ponte dell'Accademia, the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief engineer of the Commune of Venice from 1931 to 1954, carried out a large number of works and projects, including a vast modernist parking garage and the Casino on the Lido. The prolific engineer-architect played a role in the development of the Fenice, made plans for the restoration of the city and the extension of the Tronchetto, and designed a trans-lagoon road and a motorway from Venice to Monaco. These projects and the others presented in this illustrated volume represent Miozzi's efforts to combine the centuries-old traditions of Venice with a spirit of innovation as a guarantee for the city's survival.

Manual for Urban Design Urban design is based on planning and design principles that need to meet functional demands on the one hand, but on the other hand bring the design elements together into a distinctive whole. The basic compositional principles are, for the most part, timeless. Designing Cities examines the most important design and presentation principles of urban design, using historical examples and contemporary international competition entries designed by practices including Foster + Partners, KCAP Architects & Planners, MVRDV, and OMA. At the core of the publication is the question of how the projects were designed and what methods and tools were available to the designer: such as parametric design, in which variable parameters automatically influence the design and provide a range of possible solutions. Tools for urban design Current projects and award-winning competition entries by renowned international practices A textbook for students and a practical design aid for practicing architects and planners

Architectural exhibition is an important aspect in the study and transmission of architectural culture. The academic thoughts and design styles that influence the trends of global architecture are all established through one or a series of important architectural exhibitions. This book is produced based on the GSD (Harvard Graduate School of Design) autumn exhibition: 'Towards a Critical Pragmatism: Contemporary Chinese Architecture'. It reveals a unique perspective of contemporary Chinese architecture by showcasing 60 works from 60 contemporary architects within five thematic categories: cultural, residential, regeneration, rural, and digital. The selected architects attempt to maintain, from the earliest moments of the design process to its finished outcome, a certain level of critical thinking and quality. It is a record of the continuous evolution and growth of contemporary Chinese architecture and hopes to open up a new avenue from which to encourage further conversation regarding both the present and future state of China's architecture culture.