An expanded edition on the master of Modernism, Le Corbusier, by award-winning architectural historian William J. R. Curtis. Originally published in 1996 to critical fanfair, scholar William J.R. Curtis has re-issued his classic text with extensive new scholarship and contemporary research that continues the high standard of the original. Presented chronologically with a clear narrative, Curtis has worked tirelessly not only to document Le Corbusier's key projects in detail but to contextualize them within the architect's overarching philosophy of urbanism and art and the pervading culture of Le Corbusier's time. With full access to the renowned Le Corbusier archive, Curtis' text is lavishly illustrated with new photographs, plans and original sketches and a fresh new design. Praise for the first edition: "This is not only the best single work on Le Corbusier - a model of scholarship, erudite yet eminently readable - it is also an invaluable analysis of the creative architectural process. It should be read and re-read by every student of architecture." - Building Design "William J. R. Curtis is the best architectural historian writing in the English language." - Chicago Tribune

Dietmar Goldammer zeigt wie sich Architektur- und Ingenieurburos auf veranderte Arbeitswelten, soziale Verantwortung und Nachhaltigkeit als neue Herausforderungen einstellen mussen. Der Autor beschreibt Fruhwarnsysteme, Zertifizierungen und neue Organisationsformen, die dabei helfen. Er thematisiert auch, wie die Regelung der Nachfolge des Unternehmers ausgestaltet werden kann. So zeigt sich: Der gesellschaftliche Wandel ist auch in den Planungsburos angekommen. Es ware ein Leichtsinn zu glauben, dass dort alles so weiter geht wie bisher. Das Essential hilft kurz und pragnant, die richtigen Schritte anzustossen.

Henri Labrouste is one of the few nineteenth-century architects consistently lionized as a precursor of modern architecture throughout the twentieth century and into our own time. The two magisterial glass-and-iron reading rooms he built in Paris gave form to the idea of the modern library as a collective civic space. His influence was both immediate and long-lasting, not only on the development of the modern library but also on the exploration of new paradigms of space, materials and luminosity in places of great public assembly. Published to accompany the first exhibition devoted to Labrouste in the United States--and the first anywhere in the world in nearly 40 years--this publication presents nearly 225 works in all media, including drawings, watercolors, vintage and modern photographs, film stills and architectural models. Essays by a range of international architecture scholars explore Labrouste's work and legacy through a variety of approaches.

The works by the architect and designer Federico Delrosso (1964) constantly reflect a passing of the torch between past and present that, far from being a nostalgic or derivative operation, makes everything topical. His career as a designer clearly reflects the teaching of modernists - especially Gio Ponti, Ernesto Nathan Rogers and Le Corbusier, who envisaged the figure of the architect as a designer of things ranging from "the spoon to the city", and who constantly stressed the idea of the exploration of space, later taken up by Richard Meier. This first monograph completes the cycle of architectural plans for private and commercial buildings, interior decor and design projects Delrosso has created over the past twenty years.

This is the first book devoted to Frank Lloyd Wright's designs for remaking the modern city. Stunningly comprehensive, The Urbanism of Frank Lloyd Wright presents a radically new interpretation of the architect's work and offers new and important perspectives on the history of modernism. Neil Levine places Wright's projects, produced over more than fifty years, within their historical, cultural, and physical contexts, while relating them to the theory and practice of urbanism as it evolved over the twentieth century. Levine overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright's larger, more varied, interesting, and complex urbanism, demonstrated across the span of his lengthy career. Beginning with Wright's plans from the late 1890s through the early 1910s for reforming residential urban neighborhoods, mainly in Chicago, and continuing through projects from the 1920s through the 1950s for commercial, mixed-use, civic, and cultural centers for Chicago, Madison, Washington, Pittsburgh, and Baghdad, Levine demonstrates Wright's place among the leading contributors to the creation of the modern city. Wright's often spectacular designs are shown to be those of an innovative precursor and creative participant in the world of ideas that shaped the modern metropolis. Lavishly illustrated with drawings, plans, maps, and photographs, this book features the first extensive new photography of materials from the Frank Lloyd Wright Foundation Archives. The Urbanism of Frank Lloyd Wright will serve as one of the most important books on the architect for years to come.

We wanted the house to lie amid the woods | Landscape, esthetics, and common sense are the three axes that direct the work of Argentine architect Luciano Kruk. This book illustrates in great detail one of his most representative works: his own summer house. And it is precisely because it tackles a self-imposed need that his deepest insights about architecture are condensed in this house. | L4 HOUSE is one of Kruk's most mature works, one in which he managed to stretch his esthetic and spatial search to the extreme. The author's philosophy and architectural values emerge through a thorough study of this house. "You learn watching", Luciano sometimes says. | In this project as in all of his other buildings, Kruk seeks to create essential spaces where the esthetic pleasures can be enjoyed. His structures aim to provide an harmonious integration with the landscape, since he cosiders houses to be shelters.

The Pritzker Prize is the most prestigious international prize for architecture. Architect includes all 42 recipients of the Pritzker Prize, and captures in pictures and their own words their awe-inspiring achievements. Organized in reverse chronological order by laureate each chapter features four to six of the architect's major works, including museums, libraries, hotels, places of worship, and more. The text, culled from notebooks, interviews, articles, and speeches illuminates the architects' influences and inspirations, personal philosophy, and aspirations for his own work and the future of architecture. The book includes More than 1000 stunning photographs, blueprints, sketches, and CAD drawings. Architect offers an unprecedented view into the minds of some of the most creative thinkers, dreamers, and builders of the last three decades and reveals that buildings are political, emotional, and spiritual.

Die vorliegende Arbeit ist aus meiner 1984 an der Universitat Harnburg einge reichten Magisterarbeit Le Corbusier: Poeme Electronique. Studien zum Philips Pavillon, Weltausstellung Brusse/1958 entstanden. Sie hatte nicht geschrieben werden konnen ohne einen vom Deutschen Akademischen Austauschdienst finanzierten Studienaufenthalt in Paris und ein zweijahriges Promotionsstipendium der Uni versitat Hamburg, dessen Gewahrung ich der Fursprache von Herrn Professor Martin Warnke verdanke. Er hat meine Arbeit mit Geduld und Umsicht betreut. Zu grossem Dank verpflichtet bin ich ebenfalls Herrn Dr. Fritz Jacobs, der mein Interesse fur Le Corbusier geweckt und mich bei der Klarung vieler Probleme stets hilfsbereit unterstutzt hat. Einblick in die Arbeitsorganisation im Atelier Le Corbusiers ermoglichten mir Auskunfte seiner fruheren Mitarbeiter, fur deren Gesprachsbereitschaft ich mich hier bedanke: der Sekretarin, J eannette Gabillard, sowie Roggio Andreini, Roger Aujame, Fernand Gardien, Guillermo Jullian de la Fuente, Robert Rebutato und Andre Wogenscky. Den Mitarbeitern der, Fondation Le Corbusier' in Paris, in erster Linie Evelyne Trehin und Martine Lasson, danke ich fur ihre Hilfsbereitschaft. Kritik und Hilfe erfuhr ich auch von Dagmar Nowitzki und Stefan Brenske. Einleitung "Das grosse Rom ist voll von Triumphbogen. Wer errichtete sie? . . ."

Today one of Australia's leading architects, Angelo Candalepas's career lifted off in 1994, when, at the age of twenty-six, he gained wide recognition for his winning project in the international competition for housing in Sydney's Pyrmont neighbourhood. Over the course of twenty-five years, the designs of Sydney-based firm Candalepas Associates have won numerous awards and have been widely published internationally in magazines and journals. They show a development of architectural considerations drawing upon the heritage of past masters such as Louis I. Kahn, Carlo Scarpa, or Le Corbusier, and that of eminent Australian architects Glenn M. Murcutt, Richard Johnson and Colin Madigan. This has evolved into a body of work of a quality rarely found in Australia's contemporary architectural environment. This first full-scale monograph features a selection of on Angelo Candalepas's key designs through photographs, plans and elevations as well as his hand-drawings and sketches. Completed buildings feature alongside unrealised projects that mark milestones in the firm's development, and other not yet built ones, also offering an insight into the firm's future trajectory. Together with topical essays by Alberto Campo Baeza and Laura Harding as well as an insightful text by the architect it offers a comprehensive, lavishly illustrated survey of the outstanding achievements of Candalepas Associates to date.

Jo Berben, Ingrid Mees and Luc Vanmuyssen are the founders of the Belgian architectural team a2o, with offices in Brussels and Hasselt. Their buildings are powerfully and inventively integrated into the mostly urban environment. Their forms and details are reduced, creating a meditative atmosphere. De aedibus international is a series on contemporary, highly qualified European architects and architecture; an archive of carefully selected buildings and projects. Text in English and German.

Since its founding in 1989, the office of Gigon/Guyer architects has designed a truly impressive series of projects. Among the most important are museum, residential, and office buildings, as well as mixed-use constructions. The recently completed Prime Tower and its annex buildings on the Maag site in Zurich have been internationally acclaimed. The monograph offers keen insight into how Annette Gigon and Mike Guyer understand architecture. The diverse concepts and the varied applications of design, material, form, and color employed in their projects are presented in detailed documentation of their work that includes photography, plans, and short texts. Three essays and a discussion between Patrick Gmur, Martin Steinmann, and the architects offer in-depth reflection and contextualization.

Provides an index of ideas, theories, projects, and definitions that string into a methodology for evaluating the contemporary language of architecture. Beautifully designed with text and image spreads, it includes over 160 full colour illustrations. Includes interviews and contributions from Toyo Ito, Anthony Vidler, Ben van Berkel, Sou Fujimoto, Christian Kerez and Greg Lynn.

Palladio (1508-80) combined classical restraint with constant inventiveness to produce one of the most beautiful, and easily the most influential, series of buildings in the history of art.

In this brilliantly incisive study, Professor Ackerman sets Palladio in the context of his age - the great Humanist era of Michelangelo and Raphael, Titian and Veronese - examines each of the wonderful villas, churches and palaces in turn, and tries to penetrate to the heart of the Palladian miracle. Palladio's theoretical writings are important and illuminating, he suggests, yet they can never do justice to the intense intuitive skills of 'a magician of light and colour'. Indeed, as the fine photographs in this book reveal, Palladio was 'as sensual, as skilled in visual alchemy as any Venetian painter of his time', and his countless imitators have usually captured the details, but not the essence, of his supreme style. There are buildings all the way from Philadelphia to St. Petersburg which bear witness to Palladio's 'permanent place in the making of architecture', yet he richly deserves also to be seen on his own terms; this masterly introduction to a master architect does just that.

Despite the fact that he shaped Venice and its contemporary form, Eugenio Miozzi remains a little-known figure. Yet both locals and visitors experience his legacy every day, in particular when they cross his bridges: from the Ponte della Liberta, the Ponte dell'Accademia, the various bridges over the Rio Nuovo, to the exemplary Ponte degli Scalzi. Miozzi, chief engineer of the Commune of Venice from 1931 to 1954, carried out a large number of works and projects, including a vast modernist parking garage and the Casino on the Lido. The prolific engineer-architect played a role in the development of the Fenice, made plans for the restoration of the city and the extension of the Tronchetto, and designed a trans-lagoon road and a motorway from Venice to Monaco. These projects and the others presented in this illustrated volume represent Miozzi's efforts to combine the centuries-old traditions of Venice with a spirit of innovation as a guarantee for the city's survival.

Vast interior spaces have become ubiquitous in the contemporary city. The soaring atriums and concourses of mega-hotels, shopping malls and transport interchanges define an increasingly normal experience of being 'inside' in a city. Yet such spaces are also subject to intense criticism and claims that they can destroy the quality of a city's authentic life 'on the outside'. Interior Urbanism explores the roots of this contemporary tension between inside and outside, identifying and analysing the concept of interior urbanism and tracing its history back to the works of John Portman and Associates in 1960s and 70s America. Portman - increasingly recognised as an influential yet understudied figure - was responsible for projects such as Peachtree Center in Atlanta and the Los Angeles Bonaventure Hotel, developments that employed vast internal atriums to define a world of possibilities not just for hotels and commercial spaces, but for the future of the American downtown amid the upheavals of the 1960s and 70s. The book analyses Portman's architecture in order to reconsider major contexts of debate in architecture and urbanism in this period, including the massive expansion of a commercial imperative in architecture, shifts in the governance and development of cities amid social and economic instability, the rise of postmodernism and critical urban studies, and the defence of the street and public space amid the continual upheavals of urban development. In this way the book reconsiders the American city at a crucial time in its development, identifying lessons for how we consider the forces at work, and the spaces produced, in cities in the present.

James Stirling (1924-1992) is acclaimed as the most influential and controversial modern British architect. His partnership with James Gowan (b. 1923) between 1956 and 1963 put postwar British architecture on the international map, and their Leicester University Engineering Building became an iconic monument for a new kind of modernism. Mark Crinson's book is the most thoroughly researched study of Stirling and Gowan's partnership to date. Based on extensive interviews and archival research, Crinson argues that their work was the product of two equally creative partners whose different concerns produced a dynamic aesthetic. He gives an in-depth account of their training and early careers, their relation to key architects and movements of the time, and the commissioning, design, and construction of their work. This critical reassessment dispels previous myths and inaccuracies regarding their partnership and analyzes how ideas about mannerism, modernism, nostalgia, community, consumerism, Victorian cities, and institutional typologies influenced their designs. Stirling and Gowan positions their avant-garde creations within a larger context as creative responses to Britain's postwar deindustrialization and the shift from austerity to affluence. Published for the Paul Mellon Centre for Studies in British Art

This celebration of 20 of China's latest generation features detailed profiles of each architect, exploring their routes to success, their inspirations and the challenges posed for those working and designing in this richly diverse and rapidly evolving region. Each profile is followed by a selection of recent works, including everything from small-scale conceptual plans to country houses, schools, offices and large-scale city development projects. From exploring new ways to build with radical, sustainable materials to sensitively honouring the vernacular traditions of the country's complex history, each architect brings their unique vision to the question of what architecture means in China today.

Practice with Purpose is about designing buildings beyond their property lines to address some of society's most urgent challenges: the climate emergency, racial and ethnic injustice, chronic homelessness, educational crises, and the preservation of the embodied carbon and culture of existing buildings. To successfully contend with these ecological and societal emergencies, the design values and practice of architecture must be rapidly transformed within the next decade. Architects must become creative agents of change, providing the vision and skill to lead our communities toward an equitable, climate-positive future for all. Twenty years ago, San Francisco-based Leddy Maytum Stacy Architects rededicated its practice to focus on these urgent issues. Its mission-driven designs not only address the critical concerns of twenty-first century architecture, but also bring clients and users into the dialogue. LMSa's award-winning works show the creative potential of building a practice with purpose. In this book, LMSa shares its experience and insight as a call to action to the architecture profession. Through case studies, data-driven essays, user testimonials, and thought-provoking questions, LMSa offers design strategies to architects who want to make an environmental and social impact.

Since 1987, Eileen Joy Liebman and Fernando Villavecchia have produced a series of diverse projects from their studio in Barcelona, Spain, with an emphasis on residential architecture and the renovation of historic buildings in a range of rural and urban contexts. Over the years, they have gradually developed an oeuvre with a special "reserve" and with particular and measured attention to spatial expression. Projects include the careful restoration and adaptation of the 1958 Casa Coderch Mila in Cadaques (2017) and the Casa Sant Llorenc (2014) in the mountains of Lerida. Text in English and German.