Munich based 03 Architects have in recent years developed a distinctive way of working with urban spaces. Whether creating a warehouse for building materials, a school, or designing a new neighbourhood, 03 Architects' designs always look closely at the narrative qualities of the city. For this book the architects have invited the photographer Walter Mair to provide a dialogue on their work, concepts and methods. Mair documents 03 Architects' work with great sensitivity for their ideas, but also for the context with which the buildings reflect and enable, and thereby reaches beyond the classic architectural documentation. The architects respond to Mair's images in brief, associative texts. An introductory essay on the fundamental questions and problems of architectural photography by the renowned architectural critic and curator Hubertus Adam rounds out this book with its particular haptic and manufacturing quality.

Carlo Scarpa was one of the great masters of postwar Italian architecture. This book proposes a photographic itinerary that unfurls through Venice, Treviso, Verona and Bologna, before reaching the Dolomites. His most significant projects have been photographed specifically for the book, including constructions and installations in public spaces, such as museums, shops and offices. Each example illustrates Scarpa s ability to approach the architectural volume as a whole while at the same time tending to its interior layout down to the smallest details, exploring the potential of the material, giving rhythm to the volumes through light, and expressing the poetics of the shape, even in its simplest lines. The projects featured in the book alternate between overviews and close-ups, with a very high photographic quality. They are all briefly introduced by a text that describes their genesis, explains the context in which they were made and focuses on the details that best represent Scarpa s style, with a summary and clear key to understanding the architect s work. The volume ends with a postscript by his son, Tobia Scarpa, who is currently designing the forthcoming Scarpa Museum in Treviso.

Richard Rogers, founder of Rogers Stirk Harbour + Partners, is a pre-eminent architect of his generation, whose approach to buildings is infused with his enthusiasm for modernism, love of life and strong sense of social justice. From the Pompidou Centre in Paris to the Lloyds Building in the City of London, and from airports, to cancer care centres to low-cost homes, the buildings he and his partners have designed blend private use, public space and civic value. In part inspired by his 2013 Royal Academy exhibition, A place for all people is a mosaic of life, projects and ideas for a better society. Ranging backwards and forwards over a long and creative life, and integrating relationships, projects, stories, collaborations and polemics, with case studies, drawings and photographs A place for all people is a dazzling and inspiring book as original as its author.

Urban-Think Tank (U-TT), an interdisciplinary design practice emerging from the turbulent political environment of Chávez-era Caracas, has pursued projects in Latin America, Europe, and Africa for almost twenty years. Their diverse work positioned the ��rm at the forefront of a social turn in architecture in the late 1990s, with concrete urban interventions encouraging social cohesion in the megacities of the Global South and Europe’s evolving metropoles. U-TT has also produced numerous media projects that harness ��lm, theater, exhibitions, and print to create new discursive spaces and question how our cities are shaped, and for whom. Most notable is its work on the squatted skyscraper for which the ��rm shared the Golden Lion at the Venice Biennale of Architecture in 2012. This book looks forward as well as back, imagining new spaces for a hyper-urbanized world and gaining insight from informal settlements, spatial play, and artistic interventions in public space.

Locati Architects & Interiors was founded in 1989 by its principal, Jerry Locati, in Bozeman, Montana. With the belief that quality architectural design improves lives and brings people together, each project is an opportunity to create a gathering place, a community gateway and a connection to the landscape. With decades of experience in designing high-end residential, commercial, and resort architecture, and incorporating innovative products with classic style, Locati aspires to deliver architecture as a connective art form. The result is a body of work that is more than wood, stone, glass, and metal, more than a collection of structures. Locati buildings are a means of connecting people to place. With the intention that every building should enhance the personal experience of the landscape, Locati Architects designs dream homes throughout the Western United States, homes that bring both detail and definition to the natural world. Locati Architects approaches architecture with a clear philosophy: good design improves lives.

Felix Novikov tells the dramatic story of Soviet architecture, portraying the conditions he worked in and how he collaborated with the government and other participants during the creative process. He explains how Soviet design and planning institutes were organized with reference to the Union of the Architects of the USSR and describes the creative ideals of his generation of architects, who are today identified as Soviet Modernists.

A fresh look at the Eastern origins of Christopher Wren's architecture In this revelatory study of one of the great architects in British history, Vaughan Hart considers Christopher Wren's (1632-1723) interest in Eastern antiquity and Ottoman architecture, an interest that would animate much of his theory and practice. As the early modern understanding of antiquity broadened to include new discoveries at Palmyra and Persepolis, Wren disputed common assumptions about the European origins of Classical and Gothic architecture, tracing these building traditions not to the Greeks or Germans but to the stonemasons of the biblical East. In a deft analysis, Hart contextualizes Wren's use of classical elements-columns, domes, and cross plans-within his enthusiasm for the East and the broader Anglican interest in the Eastern church. A careful study of diary records reappraises Wren's working relationship with Robert Hooke (1635-1703), who shared in many of Wren's theoretical commitments. The result is a new, deepened understanding of Wren's work. Distributed for the Paul Mellon Centre for Studies in British Art

"Travelling the globe to work on various projects, from large European businesses to European royalty, Jadot brings a custom approach to each project, oftentimes designing the furniture that's for each one." - www.design-milk.com "My job is very varied and I like creating a new universe each day. My style is not defined and it is the diversity of my work that attracts people. Dreamers are my best audience." - Lionel Jadot. "I never make a decor that is fashionable but I always try to find out what is hidden behind the walls of a house and I try to create something authentic, where all elements come together and the end result is correct and honest." - Lionel Jadot.

The definitive monograph on the ideas and work of the Canadian-born (of Norwegian ancestry), Florence-trained, Ibiza-based architect. The fusion of Ibizan traditions with modern function, form, and taste is the hallmark of Blackstad's projects, which were dedicated to conserving the cultural significance of the island within today's architecture. Rolph Blackstad exhaustively studied Ibizan architecture when it was still a living millennial tradition, with peasant builders working with rules passed down by word of mouth from father to son. The architect's study of these builders formed the basis of his research, design and building for more than 40 years. This book is a tribute to Blackstad's work in the wake of his recent death. In it, the reader will discover an unbroken tradition reaching back to distant origins; a design based on historical Mediterranean architecture, combining style and building techniques to suit contemporary lifestyles.

Languages are constantly transforming as humans interact, change habits, and ways of doing things. This is not a radical observation. More intriguing to ponder is whether languages also transform us and the world in which we exist. Does it matter what words we use about the world? Could we, by shaping a language, also shape the world? Would the world look different if other words had been used? This work is about the urban environment, and how it is transformed by people interacting with the world that surrounds them by evoking more just living conditions. It is also an effort to demonstrate how the urban environment could be imagined in ways that differ from the neoliberalist view. Other imaginations, arising from different perspectives on and incentives for development, such as equity and inclusiveness, might produce another city entirely. From urban practices in four different contexts in Sweden, South Africa, India, and Brazil, this book investigates four dynamics of change: conflicts, commons, networks, and hybridity. From this framing, new concepts and radical imaginaries emerge, presented here as a Language of the Becoming City.

Arizona-based architect Mark Candelaria is recognized for his timeless luxury designs and signature style rooted in classical form and functionality. In Mark Candelaria Homes, the architect presents 12 new projects and pulls back the curtain to share the stories behind them. Each project is accompanied by full-color photographs, floor plans, and sketches. The book brims with design ideas for every taste, from a Spanish colonial-influenced house on axis with views of Arizona's Mummy Mountain, to a reimagined historic English Tudor, to a modernist home inspired by ranch haciendas. Candelaria describes the design process with many personal anecdotes, illustrating that the design of a home should be fun and result not just in a set of plans but a backdrop to living one's best life. An avid traveler and hobbyist chef, Candelaria includes a recipe with each house, many times prepared for or with the client as a grand finale.

Sigfried Giedion's small but vocal manifesto Befreites Wohnen (1929) is an early manifestation of modernist housing ideology and as such is key to the broader understanding of the ambitions of the International Congresses of Modern Architecture (CIAM) and the debate on the industrialization of construction processes and its impact on public housing at the beginning of the twentieth century. An important step in Giedion's rise as one of the foremost propagators of modern architecture, this manifesto is based on the argumentative power of visual comparisons, and is the only book the art historian both authored and designed. Along a facsimile edition in German, Giedion's Befreites Wohnen is presented here for the first time in English translation (by Reto Geiser and Rachel Julia Engler). It is completed with annotations and a scholarly essay that anchors the work in the context of its time and suggests the book's relevance for contemporary architectural discourse.

The Umbrella House is the smallest residential home by Japanese architect and mathematician Kazuo Shinohara (1925-2006). This book tells the story of his unique masterpiece, which was first built in Tokyo in 1961. More than sixty years later, a stroke of good fortune made it possible to save the Umbrella House from demolition and move it to a new location, where it now stands on the Vitra Campus in Weil am Rhein (Germany). The wooden house's post-and-beam construction references traditional Japanese domestic and temple architecture. Experts from Japan and Europe supervised the dismantling of the house in Tokyo and its reassembly in Weil am Rhein. The book traces the long journey of the Umbrella House in lavish illustrations including impressions from 1960s Japan, architectural designs and plans, and photographs that document its dismantling and reassembly or show the house in its new location. Texts by Ryue Nishizawa (SANAA), Shin-ichi Okuyama, and David B. Stewart discuss the Umbrella House against the background of Japanese architectural discourse between 1960 and the present. "The strength of my conviction that A House is a Work of Art was born of the struggle with this small house. I wished to express the force of space contained in the doma [earthen-floor room] of an old Japanese farmhouse, this time by means of the geometric structural design of a karakasa [oiled-paper Japanese umbrella]." Kazuo Shinohara in a text on the Umbrella House published in October 1962 in the Japanese architecture journal Shinkenchiku (vol. 37, no. 10; first published in English in February 1963 in The Japan Architect, vol. 38, no. 2).

In 2015, a volume in the Anthologie series was published on the buildings by this Lucerne architect, who is originally from the Upper Valais region. Since then, many further projects and an impressive number of new buildings have followed. They all demonstrate a respectful, gentle further development of the settlements and locations. The Kronengasse building in Sempach is exemplary: in it, the architect seeks a connection between traditional anonymous construction and a sophisticated finesse in designing the building. Text in English and German.

Clarence S. Stein (1882-1975) was an architect, housing visionary, regionalist, policymaker, and colleague of some of the most influential public figures of the early to mid-twentieth century, including Lewis Mumford and Benton MacKaye. Kristin E. Larsen's biography of Stein comprehensively examines his built and unbuilt projects and his intellectual legacy as a proponent of the "garden city" for a modern age. This examination of Stein's life and legacy focuses on four critical themes: his collaborative ethic in envisioning policy, design, and development solutions; promotion and implementation of "investment housing;" his revolutionary approach to community design, as epitomized in the Radburn Idea; and his advocacy of communitarian regionalism. His cutting-edge projects such as Sunnyside Gardens in New York City; Baldwin Hills Village in Los Angeles; and Radburn, New Jersey, his "town for the motor age," continue to inspire community designers and planners in the United States and around the world.Stein was among the first architects to integrate new design solutions and support facilities into large-scale projects intended primarily to house working-class people, and he was a cofounder of the Regional Planning Association of America. As a planner, designer, and, at times, financier of new housing developments, Stein wrestled with the challenges of creating what today we would term "livable," "walkable," and "green" communities during the ascendency of the automobile. He managed these challenges by partnering private capital with government funding, as well as by collaborating with colleagues in planning, architecture, real estate, and politics.

This book is Michele Saee's life's work. A collection of projects, built, unbuilt, conceptual, and experimental which expands over more than three decades. There are over 50 projects in different cities and countries, with different programs, scales or sizes all over the world. This book is about an architect's journey of discoveries; a fluid emotional exercise in life, love, work, and architecture, providing a tool for growth. The book is designed by the creative Chinese designer Xingyu Wei (Weestar) and his team in Beijing. There are hand and computer sketches, drawings, and model studies of different stages of their development-from the conception of the projects in their early stages through the process of their creation. The introduction is by the iconic French architect Claude Parent. In addition, there are two essays written by American architect Eric Owen Moss, responsible for some of the most iconic LA architecture, and by architect Nick Gillock, theoretical writer and co-founder of lookinglass studio.

Heinz Tesar's architecure is associated with holistic ideas, and it is value-conservative in this sense. But at the same time, the architecture relates to its time, is modern, frank and open to consensus in a subjective dialectic between connection and isolation. However, the holistic concept is not concerned with hierarchical orders, but with relative weighting in a denomination process. He works from a fictitious, almost ritualized dialog situation, in which the levels for coming closer to a building idea can be accessed - in terms of drawing and of building itself.

Philip Webb was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He had a long association with William Morris and was responsible for the design of the hugely influential Red House, Morris's first home. Webb's letters will be of interest to art and architecture historians.

"...exquisite coffee-table book presents breathtaking buildings by superstar Japanese architect Kengo Kuma" - Daily Mail Kengo Kuma is a globally acclaimed Japanese architect whose prodigious output possesses an inherent respect and value of materials and environment, often creating a harmonious balance between building and landscape. He masterfully engages both architectural experimentation and traditional Japanese design with twenty-first-century technology, resulting in highly advanced yet beautifully simple, gentle, human-scaled buildings. He's renowned for the drive to search for new materials to replace concrete and steel, seeking a new approach for architecture in a post-industrial society, and fusing interior and exterior realms to make spaces that both create a calming and tranquil atmosphere and which "transform" topography. In the pages of this exquisitely illustrated volume, Kuma presents close to forty of his most recognised and award-winning works, including FRAC Marseille, V&A Dundee, Mont-Blanc Base Camp, and Japan National Stadium. Kuma continues to forge a new design language: in this book he offers the reader deep insight into how he has engaged with different aspects of the architectural discipline by transforming topography, construction, and representation in order to give further progress to his ideas.

Bilingual edition (English/Arabic) / Zweisprachige Ausgabe (englisch/arabisch) Designing Modernity: Architecture in the Arab World 1945–1973 is the result of a fascinating investigation by international experts into the influences of modernist architecture in the Arab world. Ten case studies provide the foundation for a thorough exploration of the relevant cultural-historical, sociopolitical, climatic and demographic aspects. Questions concerning the region’s reciprocal relationship with modernist architecture in the period from 1945 to 1973 are investigated through the biographies of selected buildings and building complexes from Iraq, Lebanon, Kuwait, Syria, Palestine, Jordan, Egypt and Morocco. Texts, contemporary images, architectural drawings and archival material are used to document the process from commissioning and design through to completion and building use.

In the 1920s, the urban theory of Ludwig Hilberseimer (1885-1967) redefined architecture's relationship to the city. His proposal for a high-rise city, where leisure, labor and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer's "Groszstadt-architektur" ("Metropolisarchitecture") is presented here for the first time in English translation. Two additional essays frame this international cross-section of metropolitan architecture: "Der Wille zur Architektur" (The Will to Architecture) and "Vorschlag zur City-Bebauung" (Proposal for City-Building). The propositions assembled here encourage us to reconsider mobility, concentration and the scale of architectural intervention in our own era of urban expansion. This is the second title in the "GSAPP Sourcebooks" series, devoted to recovering and translating overlooked texts on architecture and the city.

Built by Spanish Franciscan missionaries in the seventeenth century, the magnificent mission church at Acoma Pueblo in west-central New Mexico is the oldest and largest intact adobe structure in North America. But in the 1920s, in danger of becoming a ruin, the building was restored in a cooperative effort among Acoma Pueblo, which owned the structure, and other interested parties. Kate Wingert-Playdon's narrative of the restoration and the process behind it is the only detailed account of this milestone example of historic preservation, in which New Mexico's most famous architect, John Gaw Meem, played a major role.