In words and photographs, the story of visionary architect Addison Mizner * Introduced the Mediterranean Revival and Spanish Colonial Revival styles to southern Florida * Designed and developed the resort town of Boca Raton * Designed the exquisite Everglades Club in Palm Beach Addison Mizner transformed Palm Beach and South Florida with his visionary architecture. He designed, among many others, the landmark Everglades Club in Palm Beach and the Boca Raton Resort and Club in Boca Raton. In this detailed biography, Stephen Perkins and James Caughman examine Mizner's life and origins, and explore how the events of his life influenced his marvelous architectural legacy.

"Art is the signature of a civilization." (Beverly Sills) In times of heated discussions about the allocation of public money, the reduction of funds for cultural organizations in Germany is often demanded by critics and feared by numerous arts institutions. Whatever one's opinion may be, here, we are talking about the cultural identity of a people. Hence it is important to explore alternatives to raise money in order to ensure the financial basis for the promotion of the arts. In this context it suggests itself to look at successful financing models in foreign countries. Moreover, corporations are facing increasing difficulties in addressing their stakeholders effectively. Constant information overload by the media is a huge challenge for external corporate communications. Yet also internal communication strategies play a crucial role in order to reach the highest possible degree of staff satisfaction and consequently optimal output. In view of these aspects, this paper draws a comparison between arts financing and particularly arts sponsorship in Germany and the USA. It is focused on the political and social integration of the arts in society on the one hand and the promotion of the cooperation between the arts and the business world on the other hand. Three practical examples are presented: the Stuttgart State Opera, the Elbphilharmonie in Hamburg and the San Francisco Opera.

Homeworks(R) is an approach to consumer-oriented townhouse development that reduces developers' risks, produces buildings that are change-ready, and provides a new framework for housing product and process innovation.

The first biography in English of the Japanese artist who was a central figure in the dazzling artistic milieu of 1920s Paris When we think of expatriates in Paris during the early decades of the twentieth century, certain names come to mind: Hemingway, Picasso, Modigliani--and Foujita, the Japanese artist whose distinctive works, bringing elements of Japanese art to Western oil painting, made him a major cultural figure in 1920s Montparnasse. Foujita was the only Japanese artist to be considered part of the "School of Paris," which also counted among its members such prominent artists as Picasso and Modigliani. Noteworthy, too, was Foujita's personal style, flamboyant even for those flamboyant times. He was best known for his drawings of female nudes and cats, and for his special white color upon which he could draw a masterful line--one that seemed to outline a woman's whole body in a single unbroken stroke.
With the advent of the Second World War, Foujita returned to Japan, where he allied himself with the ruling Japanese mili-tarists and painted canvases in support of the war effort. After Japan's defeat, he was scorned for his devotion to the military cause and returned to France, where he remained until his death in 1968. Acclaimed writer and translator Phyllis Birnbaum not only explores Foujita's fascinating, tumultuous life but also assesses the appeal of his paintings, which, in their mixture of Eastern and Western traditions, are memorable for their vibrancy of form and purity of line.

In the early years of the twentieth century, Spokane was singled out for praise in the West for the quality of its architecture and the impressive way it had rebuilt after the devastating fire of 1889. Major credit for the city's distinctive character was extended to Kirtland Kelsey Cutter for his "rare architectural force and genius for design." His remarkable career, stretching from the Gilded Age to the Great Depression, allows a fascinating study of the evolution of an eclectic form of architecture that was an inevitable response to rich regional and historical influences during a time of transition from frontier settlements to modern city. Cutter's influence was felt beyond Spokane--in Seattle, other areas of Washington, and in Oregon, Idaho, and Montana. He was also responsible for buildings in the East and even for one in England. After financial problems ended his career in the Northwest, he began anew at age sixty-three in southern California, and worked there as an architect until his death in 1939 at age seventy-nine. Henry Matthews presents a comprehensive study of the whole body of Cutter's work, with ample photographs and illustrations. The book is based on exhaustive research in both the Northwest and California, revealing the influences on Cutter and his associates, the processes at work in the design and construction of the buildings, and the relations between the architect and the many people who commissioned his work. Particularly useful to Matthews's research was a collection of 290 sets of drawings, as well as office accounts, letters, and books from Cutter's library--materials acquired by the Eastern Washington State Historical Society. He also was able to interview former assistants and clients, who provided valuable insights on the architect and the way Cutter worked. In addition, many of the architect's residences, hotels, clubs, and commercial buildings are still standing. This book adds significantly to an understanding of Western urban and regional history. But Cutter's experimentation in many styles and the imaginative nature of his work make for a study that goes beyond regional limits and sheds light on national trends. Winner of the 1999 Washington State Book Award

Millions have visited the museums that bear her name, yet few know much about Madame Tussaud. A celebrated artist, she had both a ringside seat at and a cameo role in the French Revolution. A victim and survivor of one of the most tumultuous times in history, this intelligent, pragmatic businesswoman has also had an indelible impact on contemporary culture, planting the seed of our obsession with celebrity.

In "Madame Tussaud," Kate Berridge tells this fascinating woman's complete story for the first time, drawing upon a wealth of sources, including Tussaud's memoirs and historical archives. It is a grand-scale success story, revealing how with sheer graft and grit a woman born in 1761 to an eighteen-year-old cook overcame extraordinary reversals of fortune to build the first and most enduring worldwide brand identified simply by reference to its founder's name: Madame Tussaud's.

In the spring of 1970, artist Ralph Steadman went to America in search of work and found more than he bargained for when he met Hunter S. Thompson at the Kentucky Derby. Their remarkable collaboration resulted in the now-legendary Gonzo Journalism, which would document the civil rights movement, the Nixon administration, Watergate, and the many bizarre and great events that shaped the second half of the twentieth century. When Thompson committed suicide in 2005, it was the end of a unique friendship filled with both betrayal and understanding. A rollicking, no-holds-barred memoir, The Joke's Over is the definitive inside story of the Gonzo years.

Santiago Calatrava is not only one of the world's most prominent architects, but is also an engineer, sculptor, and painter. His reputation as an unparalleled architectural engineer was cemented with his numerous bridges for cities around the world. With recent projects such as the stadium for the 2004 Athens Olympic Games and the new railway station in Liege, Belgium, he has unarguably made his name in Europe and continues to look further ahead. His work is closely related to his own drawings of the human body, and to his sculptures of geometric forms, inspired by the dynamics of movement and tension. Winner of the 2005 American Institute of Architects Gold Medal and the only architect ever to have his work exhibited at both the Museum of Modern Art and the Metropolitan Museum of Art in New York, Calatrava is one of today's greatest and most innovative architects. This book provides an introduction to and overview of his work to date. Every book in "Taschen's Basic Architecture" series features: approximately 120 images, including photographs, sketches, drawings, and floor plans; introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects; the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions; and an appendix including a list of complete or selected works, biography, bibliography and a map indicating the locations of the architect's most famous buildings.

Everyone knows what modern architecture looks like, but few understand how this revolutionary new form of building emerged little more than a century ago or what its aesthetic, social, even spiritual aspirations were. Through illuminating studies of the leading men and women who forever changed our built environment, veteran architecture critic Martin Filler offers fresh insights into this unprecedented cultural transformation. From Louis Sullivan, father of the skyscraper, to Frank Gehry, magician of post-millennial museum, Filler emphasizes how their force of personality has had a decisive effect on everything from how we inhabit our homes to how we shape our cities.
Why was the sudden shift in architectural fashion that wrecked the career of the Scottish designer Charles Rennie Mackintosh not enough to destroy the indomitable spirit of Frank Lloyd Wright, who rose from adversity to become America's greatest architect? Why was Philip Johnson, "dean of American architecture" during the 1980s, so haunted by the superior talent of this less-fortunate contemporary Louis Kahn that he could barely utter his name even at the peak of his own success? How did Ludwig Mies van der Rohe's dictum "Less is more" give way to Robert Venturi's "Less is a bore"?
Surveying such current urban design sagas as the reconstruction of Ground Zero and the reunification of Berlin, Filler also trains his sharp eye on some of the biggest names in architecture today, puncturing more than one overinflated reputation while identifying the true masters who are now building for the ages.

As a firm founded on the first day of the first month of the new millennium, 24H is a practice dedicated to engaging the technology and sensibility of the contemporary era, along with a commitment to produce architecture that both enriches and invigorates the built environment and its users at the dawn of the twenty-first century. Still in its infancy, the firm has been commissioned for projects in the Netherlands, the UK, Sweden and Germany. Although many of its projects are at design stage only, it also has an impressive collection of built work under its belt. The projects in the book demonstrate how 24H Architecture employs creative solutions that incorporate decoration and an eye for detail, without straying from the authenticity of solutions produced by modern construction technology. Also available in the series: Powers Brown Architecture ISBN 10: 1864702508 ISBN 13: 9781864702507 %29.95 Manuelle Gautrand Architectes ISBN 10: 1920744878 ISBN 13: 9781920744878 %29.95 J

Only few architecture firms in Europe have addressed the villa as a building type as consistently and with such formal rigor as Stuttgart-based Alexander Brenner Architects. The firm is widely known for designs characterised by plastic-geometric facades often resembling constructivist tableaux. What all of Alexander Brenner’s designs have in common is a truly holistic approach to the task. A house’s interior, kitchen, cupboards and other built-in furniture, is attended to with the same care for detail as its exterior. Corresponding gardens with curved sensual forms surround, and contrast, Brenner’s bright white cubic architectural sculptures. This new monograph follows-up on two successful previous volumes published in 2011 and 2015, and features five buildings realised between 2015 and 2021, including the architect’s own home in Stuttgart, the Brenner Research House. They are all documented in rich detail through striking photography, standardised plans and visualisations, as well as concise texts. An essay by Alexander Brenner rounds out this volume that serves again as a source of inspiration for anyone with an interest in residential architecture. Text in English and German.

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

ABS Bouwteam is a high-end contractor of exclusive residential projects: villas, country houses and mansions in timeless and contemporary style. This first monograph highlights the most important projects by the company, with an overview of 30 years of exceptional architecture and interior design.

Acclaimed photographer, filmmaker, composer, novelist, and memoirist, Gordon Parks has participated in, been witness to, and documented many of the major events in the twentieth and the twenty-first centuries.
In "A Hungry Heart, " Parks reflects on the people and events that shaped him: from growing up poor on the Kansas prairie to crisscrossing the country on the North Coast Limited; documenting poverty and injustice in Chicago to doing fashion spreads for "Vogue;" photographing black revolutionaries to writing, composing the soundtrack for, and directing the Hollywood movie version of his novel "The Learning Tree." More than a self-portrait of the artist, "A Hungry Heart" is a striking account of an American era.

Anecdotal, funny, frank, "POPism" is Warhol's personal view of the Pop phenomenon in New York in the 1960s and a look back at the relationships that made up the scene at the Factory, including his rela-tionship with Edie Sedgewick, focus of the upcoming film "Factory Girl." In the detached, back-fence gossip style he was famous for, Warhol tells all--the ultimate inside story of a decade of cultural revolution.

Calvin Tomkins first discovered the work of Robert Rauschenberg in the late 1950s, when he began to look seriously at contemporary art. While gazing at Rauschenberg's painting "Double Feature, " Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that "for the last forty years it's been his] ambition to write about contemporary art not as a critic or a judge, but as a participant." Tomkins has spent many of those years writing about Robert Rauschenberg, whom he rapidly came to see as "one of the most inventive and influential artists of his generation." So it seemed natural to make Rauschenberg the focus of "Off the Wall," which deals with the radical changes that have made advanced visual art such a powerful force in the world.
"Off the Wall" chronicles the astonishingly creative period of the 1950s and 1960s, a high point in American art. In his in his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Rauschenberg's vitally important and productive career spans this revolution, reaching beyond it to the present day. Featuring the artists and the art world surrounding Rauschenberg--from Jackson Pollock, and Willem de Kooning to Jasper Johns, Frank Stella, and Andy Warhol, together with dealers Betty Parsons, and Leo Castelli, and the patron Peggy Guggenheim--Tomkins's stylish and witty portrait of one of America's most original and inspiring artists is fascinating, enlightening, and very entertaining.

This poetic and minimalist anthology presents 10 years of heritage of AIRES MATEUS design studios at the Accademia di Archittettura di Mendrisio in Switzerland.100 images of largescale models built by students of AIRES MATEUS are brought together to create a family portrait. Each expertly staged model is pictured with the essential schemes necessary to understand the volumes portrayed. Francisco and Manuel Aires Mateus’ many years of experience in pedagogy and the use of models in practice are brought together in a manifesto which precedes the anthology of images. The importance of the model in the formation of architectural ideas and throughout the design process, as well as its potency as a standalone statement are highlighted. The evocative photographs in this book reveal abstract spaces produced by artistic interpretations of light, volume and materiality.

At the turn of the 16th century, Italy was a turbulent territory made up of independent states, each at war with or intriguing against its neighbor. There were the proud, cultivated, and degenerate Sforzas in Milan, and in Rome, the corrupt Spanish family of the Borgia whose head, Rodrigo, ascended to St Peter's throne as Pope Alexander VI. In Florence, a golden age of culture and sophistication ended with the death of the greatest of the Medici family, Lorenzo the Magnificent, giving way to an era of uncertainty, cruelty, and religious fundamentalism.
In the midst of this turmoil, there existed the greatest concentration of artists that Europe has ever known. Influenced by the rediscovery of the ancient cultures of Greece and Rome, artists and thinkers such as Botticelli and da Vinci threw off the shackles of the Middle Ages to produce one of the most creative periods in history - the Renaissance.
This is the story of twelve years when war, plague, famine, and chaos made their mark on a volatile Italy, and when a young, erratic genius, Michelangelo Buonarroti, made his first great statue - the David. It was to become a symbol not only of the independence and defiance of the city of Florence but also of the tortured soul who created it. This is a wonderful history of the artist, his times, and one of his most magnificent works.

Ned Lutyens was England's most prolific architect since Sir Christopher Wren, and his work still enhances our lives, from the fountains of Trafalgar Square and the Cenotaph in Whitehall, to the last 'castle' built in Britain and numerous country houses among his 600 commissions. His collaboration with the garden designer Gertrude Jekyll at places such as Hestercombe in Somerset and Lindisfarne Castle can still be enjoyed by vistiors and the memorials he designed to commemorate the dead of the First World War impress all who tour the battlefields of northern France. Of these, Thiepval Memorial to the Missing is the most awesome.

Morris Lapidus, the famous mid-century architect, outraged the architectural profession and riled critics with an architecture that was popularly embraced. His Miami Beach resort hotels - the Fontainebleau, the Eden Roc, and the Bal Harbour Sheraton - are synonymous with the glamour of Miami Beach in the 50s. Lapidus hotels are infamous as the stomping grounds of the Rat Pack and their fellow movie stars. Yet, during his life he was never published in architectural magazines and was discredited by the architectural profession - before undergoing a renaissance as a prophet of postmodernism. This book establishes the importance of his work and offers private insights into a man who once said why be exotic in private? .

A pioneer of Italian Renaissance architecture, Filippo Brunelleschi is most famous for his daring and original ideas, among them the magnificent dome of Florence's famed Santa Maria del Fiore cathedral. This comprehensive book describes how he created the structure, construction concepts, and other inventions. 28 halftones, 18 line illustrations.

Ideas for small bank buildings; store buildings; double or twin houses; and two-, four-, six- and nine-apartment buildings. Originally published in 1909, this was the first book showing popular designs in low-priced flats and store buildings, containing fifty-seven original and practical designs prepared by architects of the Radford Architectural Company. Constructions show are in stone, brick, cement, and wood.

"Palladio is the Bible," Thomas Jefferson once said. "You should get it and stick to it." With his simple, gracious, perfectly proportioned villas, Andrea Palladio elevated the architecture of the private house into an art form during the late sixteenth century -- and his influence is still evident in the ample porches, columned porticoes, grand ceilings, and front-door pediments of America today.

In The Perfect House, bestselling author Witold Rybczynski, whose previous books have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal architectural figures, The Perfect House reflects Rybczynski's enormous admiration for his subject and provides a new way of looking at the special landscapes we call "home" in the modern world.