A 'vessel for living' - such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta's collection of contemporary studio jewellery and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.

Martin and Sven Froehlich have passionately pursued the permanence and longevity of forms, images and narratives in architecture since 2000. The result is surprising, strong and memorable architecture that often appears close to conceptual and minimal art. De aedibus international is a series on contemporary, highly qualified European architects and architecture. An archive of carefully selected buildings and projects. Text in English and German.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialisation and integration into the Alpine context. Text in English and German.

In 1969 and 1970, Louis I. Kahn (1901-1974)-one of America's greatest 20th-century architects-participated in a series of interviews with a young German architectural historian, Heinrich Klotz, then a visiting professor at Yale University, and John W. Cook, who was teaching architecture at the Yale Divinity School. Louis I. Kahn in Conversation provides the first full edited transcript of these candid, illuminating interviews, which provide remarkable insights into Kahn's philosophy of architecture. The conversations touch on many of his iconic works, including the unbuilt City Tower Project for Philadelphia, the Yale University Art Gallery, the First Unitarian Church in Rochester, and major international projects then under construction, as well as the Yale Center for British Art, Kahn's final building, on which he was beginning work at the time. Illustrated with dozens of plans, drawings, and photographs, the book also features an introduction by Jules David Prown, the first director of the Yale Center for British Art, who recommended Kahn as its architect. Distributed for the Yale Center for British Art, in association with Manuscripts and Archives, Sterling Memorial Library, Yale University and the Architectural Archives of the University of Pennsylvania

Like Charles Rennie Mackintosh John Cairney began his career at the age of 15 at the Glasgow School of Art. He tells of the working life of Charles Rennie Mackintosh as well as the beautiful love story which tragically ended with Mackintosh's sudden death at the age of 60. His wife and co-artist, Margaret Macdonald died three years later.

Between 2008 and 2014, ETH Studio Basel, under the guidance of Roger Diener and Marcel Meili, has been investigating theprocess of urbanisation taking place outside cities. Territory - in the context of this investigation denotes both: the surroundings that a city subsumes into its own structure and the core city itself, which is the centre of this process of urbanisation, or "confiscation". Investigated were six regions on six continents: The Nile Valley with the dense corset of natural landscape surrounding a linear city; Rome-Adria, where territorial cells have formed within the territory, spawning an urban type of tremendous dynamism; Florida, presenting highly complex patterns of territorial organisation; Vietnam's Red River Delta, where recent reform exposed traditional settlement and cultivation of the delta to freer forces; Oman, where urbanisation of a territory essentially means reclaiming the desert with the immediate necessity to develop a system for water distribution; and Belo Horizonte, where natural conditions likewise play a major role in organising the territory as surface mining entails huge transformations of the natural terrain.The new book features two introductory essays on ETH Studio Basel's research approach and on terminology, concise illustrated reports on the six regions, and four concluding topical essays.

A book dedicated to the newly constructed expansion of the Kennedy Center that provides a new topology for performing-arts centers and a view of how art is made, designed by one of America's most influential architects. As the first major expansion in Kennedy Center history, the REACH breaks down boundaries between audience and art. Set adjacent to the Kennedy Center along the Potomac River in Washington, D.C., the REACH is set to open in 2019. As a "living memorial" for John F. Kennedy, the Center for the Performing Arts takes an active position among the great presidential monuments of the Jefferson and Lincoln memorials. Steven Holl Architects envisions the expansion of the building to fuse with the landscape and river, connecting the Kennedy Center to the Potomac riverfront for the first time: walk through a grove of thirty-five ginkgo trees, watch a free outdoor simulcast performance projected on a wall in a public park, or look out at the Potomac from a river pavilion cafe. The book offers a comprehensive look at the history of the project and includes programming initiatives by the Kennedy Center to memorialize President Kennedy and his significant contribution to the arts and American culture.

Aufgrund des Wandels in unserer Gesellschaft wird es Veranderungen in den Unternehmen geben, die auch vor den Planungsburos nicht haltmachen. Dieser Wandel betrifft auch das Personalmanagement. Der Autor gibt Tipps, wie man sich dabei in Zukunft aufstellen koennte. Der Autor:Dr. Dietmar Goldammer ist Diplom-Kaufmann und Unternehmensberater fur Architekten und Ingenieure. Er gibt als Dozent Seminare zur Betriebswirtschaft fur Planer und ist Fachbuchautor zahlreicher Publikationen zum Thema Betriebswirtschaft. Er ist Vorstandsmitglied der Praxisinitiative erfolgreiches Planungsburo (PeP) in Berlin.

A dazzling dual portrait of Frank Lloyd Wright and early twentieth-century New York, revealing the city's role in establishing the career of America's most famous architect Frank Lloyd Wright (1867-1959) took his first major trip to New York in 1909, fleeing a failed marriage and artistic stagnation. He returned a decade later, his personal life and architectural career again in crisis. Booming 1920s New York served as a refuge, but it also challenged him and resurrected his career. The city connected Wright with important clients and commissions that would harness his creative energy and define his role in modern architecture, even as the stock market crash took its toll on his benefactors. Wright denounced New York as an "unlivable prison" even as he reveled in its culture. The city became an urban foil for Wright's work in the desert and in the "organic architecture" he promoted as an alternative to American Art Deco and the International Style. New York became a major protagonist at the end of Wright's life, as he spent his final years at the Plaza Hotel working on the Guggenheim Museum, the building that would cement his legacy. Anthony Alofsin has broken new ground by mining the recently opened Wright archives held by Columbia University and the Museum of Modern Art. His foundational research provides a crucial and innovative understanding of Wright's life, his career, and the conditions that enabled his success. The result is at once a stunning biography and a glittering portrait of early twentieth-century Manhattan.

This essential book unravels the link between regional cultures, adaptive reuse of existing buildings and sustainability. It concentrates on the social dimensions relating to Brazilian architect Lina Bo Bardi's late adaptive reuse projects and works from the 1960s to the early 1990s, interpreting her themes, technical sources and design strategies of the creation of luxury as sustainability.The edited book charts how Lina Bo Bardi "invented" her own version of sustainability, introduced this concept through her landscape and adaptive reuse designs and through ideas about cross-cultures in Brazil. The book offers a critical reflection, exploration and demonstration of the importance of adaptive reuse in the landscape and related themes for researchers and provides researchers and students new material on sustainability for further study. In the context of the plurality of revisions of Lina Bo Bardi's work, this book brings about a refreshed interpretation of her integrative approach to adaptive reuse of buildings and landscapes as a significant contribution to the sustainability debate. It offers new insights into the construction of discourses about sustainability from the perspective of one of the key architects in the period to operate in the interface between modernity and tradition. - Dr Fabiano Lemes de Oliveira, Senior Lecturer, University of Portsmouth (UK) Adaptability is one of the most important words in sustainable architecture today. From this perspective, this book looks at the work of a master of Brazilian modernism with lessons to be learnt on how to qualify indoor and outdoor spaces in social, environmental and architectural terms. Adaptive strategies as those seen throughout the work of Bo Bardi are key instrument/tools/concept to sustainable buildings and cities. Professor Joana Carla Soares Goncalves, FAU, University of Sao Paulo (Brazil) The year 2015 marked the centenary of Lina Bo Bardi. This book is looking at Bardi's work through the perspective of adaptive reuse. Bringing together specialists on sustainability with specialists of Lina's work, the book generates an interesting new layer of discussion on the work of an architect that was never shy of controversy. Associate Professor Fernando Luiz Lara, University of Texas at Austin (USA) This collection of essays makes a very important and engaging contribution to suggest that to take Lina as an inspiration is to deal with her contradictions and to evaluate the stakes of what she struggled with in a 21st century world. What the authors gathered here and have laid out is a very timely invitation to discern "Lessons from Lina" in relationship to today's pressing issues of architecture and environment, sustainability, recycling, and developing an ethical design position in a world of diminishing resources and escalating challenges. -Prof Barry Bergdoll, Columbia University and MoMA, New York (USA) The book features a Foreword by Barry Bergdoll. Winner of the Curtin University Humanities Research Award 2017 for Best Book of the Year (Oct. 2017). Here the judges' appraisal: "An elegantly conceptualised and carefully crafted volume that represents the work of the twentieth century Brazilian architect Lina Bo Bardi through the lens of urgent contemporary questions of sustainability, adaptive re-use and ethical design. The book brings together a multidisciplinary and international collection of authors and addresses a global readership. It is beautifully presented and intelligently edited." (Jury, Book Award 2017) Winner of the Curtin University Humanities Research Award 2017 for Best Chapter of the Year (Sept. 2017): Annette Condello. Chapter 3 "Salvaging the Site's Luxuriance: Lina Bo Bardi - Landscape Architect." Here the judges appraisal: "A richly textured investigation of Lina Bo Bardi, a complex, fascinating and important Italian-born Brazilian architect, designer and co-founder of the magazine Habitat. [...] This chapter is a thoughtful and respectful but also critical piece, combining thorough research with deft analysis and carefully selected images, and the publication has been highly recommended by leading academics and curators." (Jury, Book Award 2017)

Maria Giuseppina Grasso Cannizzo exhibited at the Venice Biennial in 2004 and 2008, and was honored by the Royal Institute of British Architects (RIBA) in 2012. That same year she won a gold medal for her life's work at the Milan Triennial, and has been nominated twice for the Mies van der Rohe Prize. Nevertheless, she's still considered an insider's tip. She lives in Vittoria, a small city in southern Sicily, where she realizes the majority of her architecture, including many transformations of historical buildings, single and multiple-family housing, or projects such as the control tower in Marina di Ragusa. Grasso Cannizzo's special design methods are based on her analyses of the urban context and the landscape, as well as her examination of the specific "story" behind each project. She translates the knowledge gained into minimal, self-aware, and sometimes radical concepts, which are ultimately always open to any changes that life and the passage of time may bring. At the same time, this first comprehensive monograph is also a conceptual manifesto by Grasso Cannizzo. Collected in a black box, loose prints provide insight into her most important buildings and make it possible to see the architect's general design methods.

Priscilla J. Henken lived at Taliesin with her husband David as part of The Fellowship, the group of acolytes who made Taliesin an architectural colony from the 1930s through the 1950s. Her lively description of day-to-day life on a communal working farm in south central Wisconsin provides unique insights into the world of Wright during the period and will fascinate Wright enthusiasts as well as those with specialized interest in midcentury architecture; social and spiritual movements; and the clash of cultures represented by two socialist, Jewish New Yorkers and the Midwestern farm community at Taliesin. Henken vividly describes the daily program, from cooking duties to editing the great architect s autobiography and watching films. The internecine battles of the apprentices and the contentious relationship between Wright, the apprentices, and his third wife, Olgivanna Lazovich, enliven the account. Annotations supplement the diary, and accompanying essays by several scholars explore the cultural history of the period."

Kazunari Sakamoto (born 1943) has mainly been working on smaller residential buildings, in which he questions and explores the principles of architecture. His buildings and theoretical works have had a big influence on the contemporary Japanese architecture. The lecture in this book is about his search for spaces, which enables the people to be free from the constraints and restrictions of our society and to develop freely. Text in English and Japanese.

Jean-Michel Wilmotte and his collaborators are leading more than 100 projects in 27 different countries, from the biggest to the smallest, from the most spectacular to the most ordinary, with the same fervour from the initial sketch to completion. This practice has recently completed the Russian Orthodox Spiritual and Cultural Center in Paris (France), the headquarters of L'Oreal Group in Clichy (France), the headquarters of Unilever group in Rueil-Malmaison (France), the Center for Arts of the International School of Geneva (Switzerland), the Allees Richaud & Allees Foch high-end residential buildings in Versailles (France), the Cultural Center of Daejeon (South Korea), the 36,200-seat Allianz Riviera Stadium in Nice (France), the London headquarters of Google and JCDecaux (United Kingdom), the Ferrari Sporting Management Center (Formula 1) in Maranello (Italy), a Convention and Exhibition Center in Sao Paulo (Brazil), and an ecological park in Baku (Azerbaijan) for the 2015 European Games. In these projects, which are both innovative and sustainable, the design always takes into account landscaping, lighting, materials, and finishes, while being respectful of the local and historic context of the site. This new title, as part of IMAGES' renowned Leading Architects series, delves into the extraordinary work of this firm and the process of its innovative and creative team. Showcasing projects throughout the book with rich, full-colour images, detailed plans, and informative texts, this monograph is a must-have for any professional design collection.

Each book begins with this statement: This is one in a series of books, each of which tells the story of a single building. It is our hope that as these books accumulate alongside our body of work, they, in their aggregate, will form a profile of our design intentions. Acting as a 'profile' of a building as well as contributing to the 'profile' of Ennead Architects, each book employs initial program studies, schematic sketches, early two- and three-dimensional study models, construction shots, final photography and a personal statement by the designer to present an intimate, insider's view of the creative process. A supplementary piece written by a critic, historian or client or a 'found' text that relates to the designer's aspirations or building's program, site, function is typically included. The photographic narrative combines the precision and technical virtuosity of classic architectural photography with more lyrical and personal interpretations of the building, its context and the people who use it.

In 1952 Le Corbusier was commissioned "to dwell in the silence of men of prayer and study and to construct a church for them." The result was his impressive Convent of La Tourette, marking a significant step in modern religious architecture. Beginning with the rectangular form common to the Cirstercian monastic tradition, he created a building whose stark form contrasts beautifully with the organic elements of the interior court and the grasslands surrounding it. The church itself is a model of simplicity, the cement has been left rough and the well located sources of light evoke a feeling of silence and reflection. The order's precept of prayer, study and reflection is aptly mirrored in the architecture. Like the other Le Corbusier Guides published by Birkhauser, this volume provides a wealth of plans, details, photographs and information on this building which today is also a conference centre.

The Masters of Concrete Shells Concrete shell construction started to become popular in the mid-20th century. Technically advanced designs with conspicuous expressiveness began to appear all over the world. With three typical protagonists - Felix Candela (1910-1997), Heinz Isler (1926-2009), and Ulrich Muther (1934-2007) - the book examines this construction method. Their work - primarily in Mexico, Switzerland, and the former GDR - was carried out under very different political, economic, social, and cultural conditions. The authors analyze the buildings and projects against the background of developments in architecture and engineering at that time. The focus is on mutual influence, shared aspects and differences in the design processes, the structural design, and the execution. In addition, the book examines how the work was received and today's application of the building method. Learning from Felix Candela, Heinz Isler, and Ulrich Muther and their historic shell construction buildings Unknown material from the drawing archives In English with summaries in German and Spanish

In 1996, Francois Jolliet, Antoine Hahne et Guy Nicollier founded their office Pont12. In 2013, Christiane von Roten, Cyril Michod and Norbert Seara, associate partners, joined the management. A large proportion of their contracts are the result of competition successes. Their architecture is inspired by the needs of the users and is characterised by a careful choice of materials and sophisticated details. Text in English, German and French.

Space Packed: The Architecture of Alfred Neumann is the first critical monograph on the work of the Austrian-born modernist architect Alfred Neumann (1900-1968). Based on an exploration of his writings and a close study of his built and unbuilt projects, it unveils and analyses Neumann's approach to architecture in the context of post-war modernism and the establishment of the State of Israel from 1948 onwards. Rafi Segal's book brings to attention again this highly significant, yet largely forgotten figure who contributed vastly to establishing modernism in Israel and who had a lasting impact on the new country's architectural culture. At his time, Neumann was equally renowned and controversial for his original designs that differed from modernist mainstream. Space Packed is divided into four chapters that discuss the development of Neumann's architectural theories, methodologies, and built work during the 1950s and 1960s, against the backdrop of contemporary architectural discourse and the nation-building demands of the new state of Israel. It also features a chronologically-organised and illustrated catalogue of Neumann's buildings and designs, including a vast number of previously unpublished photographs, drawings and sketches.

The diverse works of architect Nicholas Hawksmoor (?1661-1736) ranged from small architectural details to ambitious urban plans, from new parish churches to work on the monument of his age, St. Paul's Cathedral. As a young man Hawksmoor assisted Christopher Wren and John Vanbrugh, emerging from these formidable apprenticeships to design some of the most vigorous and dramatic buildings in England. In this engaging book, architectural historian Vaughan Hart presents a fresh view of Hawksmoor's built and planned work. In addition, Hart offers the first coherent explanation of Hawksmoor's theory of architecture.
The book explains why Hawksmoor's buildings look the way they do, what contemporary events influenced his work, and how such ancient buildings as Solomon's temple and Mausolus's tomb inspired him. Underscoring the unique qualities of the architect's accomplishments and aspirations, Hart establishes with new clarity Hawksmoor's vital role in the development of English architecture.