Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux's influential buildings and projects are presented and interpreted both aesthetically and historically in this book. His best-known projects - the Royal Saltwords of Arc-et-Senans, the tollgates of Paris, the ideal city of Chaux - reveal the architect's allegiance to the principles of antiquity and Renaissance but also illustrate the evolution of his own utopian language. With the French Revolution, Ledoux ceased building as his contemporaries perceived him as a royal architect. He focused on the development of his architectural theory and redefined the vision of the modern architect.

Selected research projects and architecture exploring the role of design within complex social, political and environmental conditions Toshiko Mori is a New York-based architect and Professor in the Practice of Architecture at the Harvard University Graduate School of Design for many years. As a long-time member of the World Economic Forum's Global Agenda Council on the Future of Cities, Mori led research and inquiry into sustainable architecture, enhancing cities' livability, and creating efficient urban services. Mori is also on the board of Dassault Systems, a company connecting technology to environment and life science. And she has founded the platform VisionArc, a think tank dedicated to exploring the role of design within complex social and environmental issues. This book will focus on TMA's projects based on research, and the impact of socially valuable projects to society. The book will illustrate how the observation of the architect operates as opposed to how the imagination of the architect manifests itself. Different chapters in the book are describing various ways of approaching the task of observation. Seven chapters are divided into specific projects and provide a look at the hidden thought processes that can take place behind the ideas, solutions, and physical manifestations or architecture. Presented projects include the Portable Concert Hall, called Paracoustica, which is an ongoing nonprofit work to come up with an affordable and sharable concert hall among many constituents in remote and underserved community; the Novartis Institutes for BioMedical Research focusing on socialization among scientists as a new model of work that promotes further discovery and teamwork. And i.e. the research on the role of libraries in the future using the example of the Brooklyn Public Library Central Branch. Another chapter is dedicated to the vernacular typology development in Senegal with the Albers Foundation, and the research on social spaces for collaborative educational environments.

Text in English and German. The extensive built work of the 1925 born Reinhard Gieselmann, focussing on housing and church architecture, is characterised by powerfully three-dimensional buildings, dramatic spatial effects, sophisticated handling of light and explicit material effects.

A new biography of Albert Speer, Hitler's chief architect and trusted confidant, reveals the subject's deeper involvement in Nazi atrocities "Kitchen, the author of a dozen works on twentieth-century Germany, comprehensively disassembles Speer's alibis and excuses. . . . His mastery of the revisionist evidence against Speer is complete."-John Fund, National Review Online "Brilliant and devastating. . . . Kitchen lays out a case so airtight that one marvels anew how Speer survived the Nuremberg trials with his neck intact."-Martin Filler, New York Review of Books In his best-selling autobiography, Albert Speer, Minister of Armaments and chief architect of Nazi Germany, repeatedly insisted he knew nothing of the genocidal crimes of Hitler's Third Reich. In this revealing new biography, author Martin Kitchen disputes Speer's lifelong assertions of ignorance and innocence, portraying a far darker figure who was deeply implicated in the appalling crimes committed by the regime he served so well. Kitchen reconstructs Speer's life with what we now know, including information from valuable new sources that have come to light only in recent years, challenging the portrait presented by earlier biographers and by Speer himself of a cultured technocrat devoted to his country while completely uninvolved in Nazi politics and crimes. The result is the first truly serious accounting of the man, his beliefs, and his actions during one of the darkest epochs in modern history, not only countering Speer's claims of non-culpability but also disputing the commonly held misconception that it was his unique genius alone that kept the German military armed and fighting long after its defeat was inevitable.

Urban and rural areas alike witness severe dynamics. Moreover, understandings of what constitutes the urban and the rural are changing, too. Metapolis conceptualizes the network of urban and rural settlements interconnected by flows of people, goods, and information. How can this Metapolis be understood and evolve in a more sustainable manner? By example of two study regions in Lower Saxony—a federal state of Germany consisting of few large cities, mostly mid-sized and small towns, suburbs, and villages—this volume presents an innovative analytical framework called Topoi, offering a new perspective on urban-rural development. Different scenarios explore innovative solutions for sustainable planning and design along the urban-rural gradient.

In the face of the radical convergence of a health crisis and an ecological crisis, it is not possible to return to the investigative trajectories on inhabitation and dwelling that yielded good results in the past. What is it that now defines inhabitation within the plurality of conditions, geographies, and politics that connote it? Lifelines is a work of collective research on the spaces where life intertwines, mingles, and twists in constant resistance to the mechanisms that capture, exploit, and create the social and environmental precariousness that characterizes the violent techno-capitalist present. The book investigates the roles and challenges of design in uncertain spaces and brings together empirical explorations from Italy, Ecuador, the US, Lebanon, Germany, and the UK.

Norman Foster and Renzo Piano invoke his name. For many architects he is a landmark - Jean Prouve, creator of the metal curtain wall, pioneer in its application and early initiator of industrialised building techniques. His unfailing ability to combine functional engineering achievements with artistic sensitivity commands recognition. The period covered in this latest volume is significant in many respects. The post-war years placed enormous demands on housing and school construction. In his Maxeville factory Prouve developed pre-fabricated housing, facade panelling, light filtering and other systems on a large scale. He was inspired by the works of the automobile and aeronautics industry, developing new applications for aluminium, which he presented in the 1954 Aluminium Centenary Pavilion. Moreover, Prouve's furnitures of this period have become valuable collectors' items, some of which are now being reissued under licence.

Six remarkable churches built by Nicholas Hawksmoor from 1712 to 1731 still stand in London. In this book, architectural historian Pierre de la Ruffiniere du Prey examines these designs as a coherent whole--a single masterpiece reflecting both Hawksmoor's design principles and his desire to reconnect, architecturally, with the "purest days of Christianity."

Monograph.it is a unique contemporary magazine that combines monography and review. Each volume follows an original structure, although all devote several pages to the study of architecture. Accompanying these case studies are galleries flush with places, buildings, and landscapes; when combined with detailed studies focussing on cities in evolution, Monograph.it encourages its readers to conceive of urbanisation and landscape as mutually complementary. The aim of this is to provide a comprehensive overview that acknowledges differing development speeds of architectural productions, across a variety of scales. An ongoing project, this survey will be summarised in 'Researches' (a chapter to be published in the next issue). This will stress the importance of encouraging innovation in students of architecture. Monograph.it acts as a platform for theoretical debate, conducting interviews and hosting essays from big-name figures in the architecture world for example, the firm featured in this issue: Corvino and Multari. A remarkable pair of architects, Corvino and Multari have been shortlisted for a number of international awards, and won the 2006 Italian Architecture Award for their restoration of the Pirelli Skyscraper. Their projects have been exhibited worldwide, and works-in-progress range from music halls, to shopping centres, to the post-earthquake repair of residential property. A versatile team with a seemingly infinite repertoire, Corvino and Multari have a reputation for problem-solving: their creations are as daring as they are functional, and never fail to impress.

With his residential buildings, office blocks, schools and factories, Boris Velikovsky (1878-1937) made a definitive contribution to Russian avant-garde architecture. His early constructions, such as Gribov House in Moscow, are still very much bound to Russian Neoclassicism, yet since the Revolution of 1917, he increasingly designed Constructivist architecture. One example is his Gostorg Management Building, distinguished by glass facades, the functional division of space and use of state-of-the-art materials. Furthermore in the garden city of Druzhba for instance, Velikovsky intensively engaged with new ideas in town planning. With mostly hitherto unpublished technical plans as well as numerous historical and new colour photographs of his most famous projects, Boris Velikowsky's contribution to Russian avant-garde architecture is appreciated for the first time in book form.

John Dixon Hunt introduces PWP Landscape Architecture: Building Ideas with a discussion of how we read landscapes and, hence, how they are designed with the reader/client in mind and the historical implications of such efforts. Peter Walker, Gary Hilderbrand, and Gina Crandell trace the history of Peter Walker's various firms from the 1950s until 2000, and Jane Gillette discusses some recent projects in terms of using consultants to further design ideas. Twelve finished projects, seven works in progress, and three competitions, from roughly 2000 to 2015, demonstrate the firm's goals and achievements with an emphasis on the expansion of landscape architecture from the surrounds of buildings to self-sufficient entities that express the highest accomplishments of both ecological function and design.

The new agricultural school in Salez, in the St. Gallen Rhine valley region, has a slender, airy and light appearance. It is an extremely intelligently conceived low-tech construction made of timber. The design is by Andy Senn, who has led his architectural office in St. Gallen since 1998 and has produced an extraordinary, homogeneous oeuvre in the last 20 years. Text in English and German.

William Lumpkin's residential designs speak volumes about the fusion of styles -- Spanish colonial, Pueblo, Art Deco -- in the Southwest. This book shows his distillation of the pure architectural elements of Pueblo style -- the heart of 'Santa Fe' style -- in 47 modern adobe projects. A skilled manipulation of this truly American architectural form. Also demonstrated is Lumpkin's adept talent for incorporating modern living standards into historic architecture with pleasing functional results.

Gustafson Guthrie Nichol (GGN) is a landscape architecture firm based in Seattle, Washington. GGN was founded in 1999 by Jennifer Guthrie, Shannon Nichol, and Kathryn Gustafson, and it is world-renowned for designing high-use landscapes in complex, urban contexts. GGN: Landscapes 1999-2018 is the first book devoted to their ground-breaking work. It surveys some of their most important achievements including the Bill & Melinda Gates Foundation Campus in Seattle, Washington; the National Museum of African American History and Culture in Washington, DC; the Lurie Garden at Millennium Park in Chicago, Illinois; and the Venice Biennale in Italy. Packed with practical design lessons and inspiration, this is a must-have resource for design students and professionals, and fans of beautifully designed public spaces.

A beautifully illustrated retrospective of Art Nouveau architect and designer Hector Guimard, positioning him at the forefront of the modernist movement The aesthetic of architect Hector Guimard (1867-1942) has long characterized French Art Nouveau in the popular imagination. This groundbreaking book showcases all aspects of his artistry and recognizes the fundamental modernity of his work. Known for, among other things, the decorative entrances to the Paris Metro and the associated lettering, he often looked to nature for inspiration, and combined materials such as stone and cast iron in unique ways to create designs composed of curves and waves that evoked movement. Guimard broke away from his classical Beaux-Arts training to advocate a modern, abstract style; he also pioneered the use of standardized models for his design objects and experimented with prefabricated designs in his social housing commissions, advancing the technology of the time. With copious, beautifully reproduced illustrations of his architectural drawings as well as his furniture, jewelry, and textile designs, this volume explores Guimard's full oeuvre and elucidates the significance of his work to the history of modern art. Essays by an international group of scholars present Guimard as a visionary architect, a shrewd entrepreneur, an industrialist, and a social activist. Published in association with the Richard H. Driehaus Museum Exhibition Schedule: Cooper Hewitt, Smithsonian Design Museum, New York (November 17, 2022-May 21, 2023) The Richard H. Driehaus Museum, Chicago (June 22, 2023-January 7, 2024)

Key Modern Architects provides an accessible and thought-provoking introduction to the work of the most significant architects of the modern era. Fifty short chapters introduce fifty key architects, from Le Corbusier to Aldo Van Eyck to Zaha Hadid, exploring their most influential buildings and developing a critique of each architect’s work within a broader cultural and historical context. The selection represents the most influential architects working from 1890 to the present, those most likely to be taught on survey courses in modern architectural history, along with some lesser-known names with an equal claim to influence. Emphasis is placed on a critical and interpretative approach, allowing the student to position each architect in a cultural and intellectual context quickly and easily. Artistic, technical, social, and intellectual developments are brought to the fore – built and unbuilt projects, writings and influences. This approach brings to light the ideology behind architectural work, offering insights into each architect’s working practice. - Helps students to develop a critical approach to understanding modern architectural history. - One chapter per architect – meaning chapters may be read individually as a concise resource for the study of an architect, or together as a coherent book-length history of the whole period of modern architecture. - Chapters are supported by boxed lists of each architect’s most significant projects, along with suggestions for further reading as a springboard to further study and research. Combining the clarity and accessibility of a textbook with in-depth reading and a critical approach, Key Modern Architects provides an invaluable resource for both the classroom and for independent study in architectural and art history.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) MigraTouriSpace is an artistic examination of travelling as an approach to the phenomena of migration and tourism, and of the many ways in which they overlap. Understanding that when people travel they also take with them spaces and images means that tourism no longer inevitably refers to the vacation as an exceptional state. Brought back home, the tourist's gaze has long operated to shape everyday life. For three years, artist Stefanie Burkle and her interdisciplinary team travelled between Berlin and South Korea, photographing and filming. The result of this research is an atlas of images, with places such as the Vietnamese wholesale market Dong Xuan Center in Berlin Lichtenberg and the German Village, Dogil Maeul, in South Korea, that demonstrates the tension between a migration of culturally coded spatial contexts and post-touristic practices. With a preface by Martina Loew

2022 PROSE Award Finalist in Architecture and Urban Planning 2022 Association for Latin American Art Arvey Foundation Book Award, Honorable Mention Throughout the early twentieth century, waves of migration brought working-class people to the outskirts of Buenos Aires. This prompted a dilemma: Where should these restive populations be situated relative to the city's spatial politics? Might housing serve as a tool to discipline their behavior? Enter Antonio Bonet, a Catalan architect inspired by the transatlantic modernist and surrealist movements. Ana Maria Leon follows Bonet's decades-long, state-backed quest to house Buenos Aires's diverse and fractious population. Working with totalitarian and populist regimes, Bonet developed three large-scale housing plans, each scuttled as a new government took over. Yet these incomplete plans-Bonet's dreams-teach us much about the relationship between modernism and state power. Modernity for the Masses finds in Bonet's projects the disconnect between modern architecture's discourse of emancipation and the reality of its rationalizing control. Although he and his patrons constantly glorified the people and depicted them in housing plans, Bonet never consulted them. Instead he succumbed to official and elite fears of the people's latent political power. In careful readings of Bonet's work, Leon discovers the progressive erasure of surrealism's psychological sensitivity, replaced with an impulse, realized in modernist design, to contain the increasingly empowered population.

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch) The ICC Berlin is a Gesamtkunstwerk, a giant time capsule that has been waiting for a new usage concept for almost a decade. Planned in the 1960s and opened in 1979, the exhibition building-designed by Ursulina Schuler-Witte and Ralf Schuler, and encompassing Frank Oehring's incomparable wayfinding system-remains an attentiongrabbing structure. While the building's brutalist exterior overwhelms the viewer, its interior conveys an air of calm, offering a view of the suddenly quieted traffic through its panoramic windows. This volume of photographs by Zara Pfeifer is dedicated to documenting the interior of the building. Taking an unsentimental approach, Pfeifer records the largely unchanged inner appearance of the building that has been variously dubbed the Giant of Witzleben, the Battleship Charlottenburg, or the Hall of Megalomania. Her images develop a sense for the building's noteworthy elements and capture the liminal condition in which it has been suspended for years.

In this title, the 'house partners' at RAMSA, four distinguished architects, present twenty houses and apartments the firm has completed in the past ten years, each a unique design and collectively a stylistically diverse group reflecting deep knowledge of history and precedent.

A beautifully designed and lavishly illustrated biography of one of Chicago's greatest lost buildings For six months in 1961, Richard Nickel, John Vinci, and David Norris salvaged the interior and exterior ornamentation of the Garrick Theater, Adler & Sullivan's magnificent architectural masterpiece in Chicago's theater district. The building was replaced by a parking garage, and its demolition ignited the historic preservation movement in Chicago. The Garrick (originally the Schiller Building) was built in 1892 and featured elaborate embellishments, especially in its theater and exterior, including the ornamentation and colorful decorative stenciling that would become hallmarks of Louis Sullivan's career. Reconstructing the Garrick documents the enormous salvaging job undertaken to preserve elements of the building's design, but also presents the full life story of the Garrick, featuring historic and architectural photographs, essays by prominent architectural and art historians, interviews, drawings, ephemera from throughout its lively history and details of its remarkable ornamentation-a significant resource and compelling tribute to one of Chicago's finest lost buildings. A seventy-two-page facsimile of Richard Nickel's salvage workbook is tipped into the binding.

Focusing on six recent projects, including House 2B, that recently won the prestigious Aga Khan Award for Architecture, this publication presents the architecture of renowned Turkish architect Han Tumertekin to the English-speaking world. The book examines in detail his ability to engage in some of the more difficult issues confronting architects throughout the world today, such as suburban tract development, landscape and environment, and the challenges of practicing in different countries throughout the world.

The book includes an introductory essay by Hashim Sarkis, an article by Tumertekin on his design approach, and written and graphic explanations of Tumertekin's projects. It is the first of a new series of occasional monographs on contemporary designers in the Middle East and Muslim world.

For over 20 years, an extremely lively and outstanding architectural scene has been thriving in South Tyrol. Gerd Bergmeister and Michaela Wolf have been one of its main protagonists from the very beginning. Their buildings are surprising, imaginative solutions that sound out the entire spectrum of architecture: the formation of space, shaping, construction, materialisation and integration into the Alpine context. Text in English and German.