The first monograph of renowned architect and interior designer Thomas Griem, featuring projects in London (5 projects), Hong Kong (2), Paris, Mallorca (3) and Ibiza. Thomas opened TG Studio in 2011 and this new book is a testament to the success of the studio's creativity and approach to architecture and interior design. Thomas Griem trained in London at the University of Westminster and at the Architectural Association. He has also made furniture and lights, and has always been fascinated by the making, designing and creating of not only buildings or interior spaces, but products. His work as an architect has been diverse, however he found that his passion lay in designing timeless beautiful homes. It has always been exceptionally important for Thomas to genuinely respond to the particular requirements of the client, the site and significantly the budget.

The Brazilian architect Oscar Niemeyer (1907-2012) is a twentieth century classic. He became world renowned for planning and buildingBrasilia, which was declared a World Heritage Site in 1987. In 1988 he was awarded the Pritzker Prize. His buildings are deeply respectful of the site and are characterized by an unmistakable, almost Baroque design impulse. This second and revised edition of "Oscar Niemeyer: A Legend of Modernity" has a new preface and an updated biography and list of works. It contains essays that analyze the important and current aspects of Niemeyer's work, as well as texts by Niemeyer himself. Topics include the place of Niemeyer's work in modern Brazilian architecture, his work as urban planner, the aspect of landscape in his practice, and his influence on architecture in Germany. Niemeyer, who was highly prolific up until his death, is one of the most productive architects in history with over 600 buildings to his name. He was considered the "last giant of modern architecture." (Suddeutsche Zeitung)

Text in English and German. The distinguished architect and Pritzker laureate Richard Meier has attracted public attention mainly with his museum and cultural buildings including the Atheneum in New Harmony, Indiana, the Museum fur Angewandte Kunst in Frankfurt, the High Museum of Art in Atlanta, the Getty Center in Los Angeles, the Stadthaus in Ulm and the Museu d'Art Contemporani de Barcelona. The book accompanies the exhibition of the same name at the Museum for Applied Arts in Frankfurt, which has recently been relaunched with differently conceived museum facilities and new service areas; these are addressed in detail in an appendix to the book.

The Werkgruppe Graz designed the terraced housing estate in Graz-St. Peter in 1965, during a period of societal upheaval. The complex was eventually built between 1972 and 1978. The planning group—members of the avant-garde artists’ association Forum Stadtpark—took a stand against the established system of residential construction, which was characterized by monotone design and the urban sprawl of single-family homes. Instead, they championed the utopian approach of involving residents in the planning process, which was reflected in the development’s basic structuralist framework with adaptable living units. Comprised of four terraced housing blocks in exposed concrete at the edge of Graz, the estate’s sculptural, brutalist appearance received international acclaim. Gelebte Utopie is the first book to provide a collection of texts of architectural commentary and context on the settlement. It additionally offers insights into the inhabitants’ living spaces and is enriched with artistic projects.

Until now, Emil Jauch (1911-1962) has been a little-known protagonist of Swiss post-war architecture. Shaped by the Scandinavian Modernity of the 1930s, his buildings are characterised by a remarkable sensitivity. This book demonstrates the Lucerne architect's empathetic design method by presenting his constructed school buildings. The publication describes the architect's life and work in three chapters, recognising his achievements in school building and classifying them within the European context of a humanising functionalism. Text in German.

Das Handbuch der Stadtbaukunst vermittelt grundlegendes Wissen fur den stadtebaulichen Entwurf. Stadtraume, Hofraume, Platzraume und Strassenraume werden anhand von 150 Beispielen aus uber 70 deutschen Stadten massstablich dargestellt, analysiert und verglichen. Das vierbandige Werk dokumentiert eindrucksvoll die in der Leipzig-Charta beschriebenen Qualitaten der europaischen Stadt: Schoenheit und Dauerhaftigkeit, Nutzungsmischung, soziale Vielfalt, Dichte und die Trennung in oeffentliche und private Raume. Herausgeber Christoph Mackler knupft an die Lehrbucher von Cornelius Gurlitt, Raymond Unwin und Josef Stubben aus dem fruhen 20. Jahrhundert an und liefert eine fundierte Anleitung zum Bauwerk Stadt. Mit Beitragen von Vittorio Magnago Lampugnani, Christoph Mackler, Werner Oechslin, Alexander Pellnitz, Jan Pieper, Birgit Roth, Mirjam Schmidt, Wolfgang Sonne, Jurg Sulzer und Anne Pfeil sowie Thomas Will

Ton Matton - Stadtplaner, Indie-Urbanist, bekennender Fan des performativen Urbanimus, Zweifelnder, Briefeschreiber. Zu Beginn seiner Karriere als Stadtplaner schrieb Matton Briefe, in denen er sich mit nachhaltiger Stadtplanung befasste (damals fur Stadtplaner*innen ein noch ganz neues Arbeitsfeld): an einen Minister, um ihm klarzumachen, dass eine Siedlung nur ein Kompromiss ist und kein Ersatz fur ein Leben in der Stadt oder auf dem Land. An eine Bundeskanzlerin, um sie daran zu erinnern, dass man aus Wind- und Sonnenenergie gewonnenen Strom in elektrischen Zahnbursten und Handyakkus speichern sollte. Seitdem sind viele weitere Briefe entstanden - an Politiker*innen, Projektentwickler*innen und andere mehr oder weniger prominente Personen. Was in ihnen zum Ausdruck kommt, ist Mattons leidenschaftlicher Spass am Zweifeln. Mit viel Humor und gewohnt provokativ fordert er seine Adressat*innen zum Umdenken auf und ladt damit wieder einmal auch die Leser*innen dazu ein, Eigeninitiative zu ergreifen.

In 1996, Francois Jolliet, Antoine Hahne et Guy Nicollier founded their office Pont12. In 2013, Christiane von Roten, Cyril Michod and Norbert Seara, associate partners, joined the management. A large proportion of their contracts are the result of competition successes. Their architecture is inspired by the needs of the users and is characterised by a careful choice of materials and sophisticated details. Text in English, German and French.

As the signature event of Hong Kong Interior Design Association (HKIDA), APIDA aims to promote professional standards among interior design practices, recognise outstanding interior design projects and invites interior design on a broader social level. Many outstanding submissions have not only grown in number this year, but also completed on a whole new level. Many projects pursue minimalism, adhering to the user-oriented view, reinforcing the intimate relationship among design, nature and man, transcending good interior design to sculpt space, emphasising the balance between architecture and nature with tranquil atmosphere, and pushing the boundaries of design.

Professor Pekka Pitkanen (1927 - 2018) was one of the most significant Finnish architects of the post-war period. He is known as a master of concrete buildings and as a staunch supporter of modernist approach to architecture. He won numerous commissions by architectural competitions. The Chapel of the Holy Cross (1963 - 1967) in Turku is usually considered as Pitkanen's main work. From 1950's to 1980's Pitkanen built in Turku numerous residential and commercial buildings, often in co-operation with the building company Urakoitsijat Oy. Together with Ola Laiho and Ilpo Raunio, Pitkanen planned the extension of the Finnish Parliament (1972 - 1978). Late in his career Pitkanen focused on public buildings, the finish of the career was the Turku court building, completed in 1997. The book presents Pitkanen's architecture through his whole career, based on research of his archive, the presentations of the works in contemporary magazines as well as the memoir of Pitkanen.

Powerful, memorable architecture in response to diverse conditions and briefs, conceived and developed by the Geneva architectural couple Kristina Sylla Widmann and Marc Widmann: this volume presents five school buildings and facilities with a high architectural quality, as well as several outstanding residential and administrative buildings. Text in English and German.

An essential record of Australia's annual architectural commission, MPavilion

MPavilion is an annual architectural commission designed by a leading international architect for the Queen Victoria Gardens in Melbourne, Australia. Inspired by the Serpentine Pavilion in London, the MPavilion project was established in 2014 by Naomi Milgrom AO, one of Australia's foremost cultural visionaries and philanthropists. It is, in the words of Professor Alan Pert, Director of Melbourne School of Design at the University of Melbourne, a 'cultural laboratory ... an educational environment beyond the institution, a museum without a collection.'

Centred around the six pavilion projects to date, this book reflects on MPavilion's ongoing architectural and cultural impact. Incorporating architectural drawings, renders, models and design statements, as well as eight essays by leading design writers and photographs documenting each project and the activities that it inspired, it considers how each architect responds to or highlights issues relevant to contemporary design, architecture and community building. In doing so, MPavilion positions their collective endeavour as a global model for cultural activation, design leadership, place-making, community building, architectural tourism, philanthropy and public/private partnerships. This is at once the perfect introduction to and critical assessment of the MPavilion project.

Monograph.it is a unique contemporary magazine that combines monography and review. Each volume follows an original structure, although all devote several pages to the study of architecture. Accompanying these case studies are galleries flush with places, buildings, and landscapes; when combined with detailed studies focusing on cities in evolution, Monograph.it encourages its readers to conceive of urbanisation and landscape as mutually complementary. The aim of this is to provide a comprehensive overview that acknowledges differing development-speeds of architectural productions, across a variety of scales. An ongoing project, this survey will be summarised in 'Researches' (a chapter to be published in the next issue). This will stress the importance of encouraging innovation in students of architecture. Monograph.it acts as a platform for theoretical debate, conducting interviews and hosting essays from big-name figures in the architecture world for example, the woman featured in this issue: Odil Decq. Perhaps this celebrated French architect's most renowned project is the L'Opera Restaurant in Paris, France, whose softly sweeping lines and red and white decor create an atmosphere that is simultaneously majestic and cosy. A breath of fresh air among modern architects bewitched by the strength of a straight line, Decq's constructions are not afraid to be curvaceous.

The Werkgruppe Graz played a major role in post-war Austrian architecture. All four of its members were educated at the Technical University in Graz and began their collaboration in the late 1959, with the first building completed in 1963. The group was an important precursor of what became known as the Graz School in Austrian architecture. Socially progressive, with a participatory as well as scientific approach they created projects that remain significant milestones until the present day. Werkgruppe Graz 1959-1989 is the first comprehensive documentation of the group's work; putting it in historical and international context. With comprehensive details of 30 building projects, it is a complete catalogue of their work.

By retracing Frank Lloyd Wright's footsteps on journeys he made beyond his homeland of the USA, this book explores his global ambitions and his lasting legacy and offers an original and contemporary view of Wright and his architecture. While Lloyd Wright is perceived as the quintessential American architect, in fact he was well-travelled, and these six journeys were to develop and promote his globalising 'organic' philosophy. The author takes off first to Japan and Germany to explore the way Wright's visits to these countries informed and framed his 'Prairie House' period. He then travels to Russia and the UK, where Wright presented his global 'Usonian' manifesto. The final two chapters pursue Wright to Italy and the Middle East as part of his 'Legacy' period. The book is beautifully illustrated with Wright's own sketches and photographs, as well as some historical photographs of Wright's original journeys and works. The author meets people who are living and coping with Wright's 'organic' architecture today and asks them whether their homes are still true to Wright's intent or whether there is something else that made their home particular.By considering Wright beyond America, his architecture is critiqued against different cultural settings so that it can be evaluated as emerging from a new globalised era of architectural production. The author reflects on Frank Lloyd Wright as an early promoter of globalisation - in fact, as the first 'global architect'.

Sandra Giraudi and Felix Wettstein, another architect couple from Lugano, became renowned with the construction of a residential building in Cadro (1997), the laboratory building on the university campus in Lugano (2002) and the new concourse in Basel station (2003, with Cruz-Ortis, Sevilla). Sharply defined, finely shaped structures respectfully and yet pointedly combine with the evolved surrounding environment. Text in English and German.

The now venerable firm of Royal Barry Wills was founded in a one-room office on Boston's Beacon Street in 1925. Initially fueled by word of mouth and occasional newspaper exposure, the firm gained admiration for Wills s fresh take on various New England styles, including Georgian, Tudor, French Provincial, and Colonial American. Driven by the country's desire for both aesthetic appeal and practicality, the firm's popularity increased dramatically with its focus on the creation of modern homes inspired by the one-and-a-half-story Cape Cod houses, which perfectly balanced the classic and the new. Now run by his son, Richard Wills, the firm has been designing elegant private homes in the classically inspired Colonial New England tradition for more than eighty-five years. As time has passed, their Cape Cod-style homes have proven remarkably adaptable to the demands of contemporary life, while staying true to Wills's original flair for intermingling past and present. This book features examples of the firm's work from its founding to the present, with an emphasis on more recent houses that have been built throughout New England."

Bruno Taut (1880-1938) is generally considered the leading housing estate architect of the modern era. Utilizing the latest architectural techniques and concentrating on the needs of the people who were to inhabit his buildings, he made a lasting impression on the housing construction of his time - which is not simply reflected by the 10,000 flats built by him. This revised and extended edition presents the extensive catalogue of Bruno Taut's works. Each project is portrayed by means of texts, plans as well as historic and contemporary photos. Proven experts lead the reader through the creative work and life of Bruno Taut in several introductory essays that show him not only as a city planner, designer and social reformer but above all as an artist who therefore truly deserves to be honored as the master of colourful architecture in Berlin.

"Beautiful, haunted, evocative and so open to where memory takes you. I kept thinking that this is the book that I have waited for: where objects, and poetry intertwine. Just wonderful and completely sui generis." (Edmund de Waal, author of "The Hare with Amber Eyes")
An unforgettable voyage across the reaches of America and the depths of memory, this generational memoir of one incredible family reveals America's unique craft tradition. In "Red Brick, Black Mountain, White Clay," renowned critic Christopher Benfey shares stories--of his mother's upbringing in rural North Carolina among centuries-old folk potteries; of his father's escape from Nazi Europe; of his great-aunt and -uncle Josef and Anni Albers, famed Bauhaus artists exiled at Black Mountain College--unearthing an ancestry, and an aesthetic, that is quintessentially American. With the grace of a novelist and the eye of a historian, Benfey threads these stories together into a radiant and mesmerizing harmony.

The Home has emerged as an elementary figure in architectural research and practice over the last decade. This book highlights the variety of ways in which Home has been individually articulated and explored. In text and images it takes an original look at projects such as MVRDV's Hagen Island residential units, AZL's Slit House in Nanjing, Haus Walter in Malans by Bearth and Deplazes, and the Rudin house by Herzog & de Meuron.

The cooperation of Trix and Robert Haussmann with the Roethlisberger carpenters, which started in 1979, yielded numerous successful experiments in artistic and handcrafted furniture. Not comparable to furniture from the retail store, these exclusive designs were sold as a limited edition of 15 pieces each. For the first time, a publication presents the full scope of furniture that was developed in Trix and Robert Haussmann's "Allgemeine Entwurfsanstalt" for the Roethlisberger Kollektion. The design objects were highly sophisticated in the planning of each detail as well as their realization and required a high level of innovation, new techniques and technical expertise. The close collaboration and good relation between manufacturer and designers were what constituted the special appeal of the finished products.

This revealing memoir by Aldo Rossi (1937--1997), one of the most visible and controversial figures ever on the international architecture scene, intermingles discussions of Rossi's architectural projects--including the major literary and artistic influences on his work--with his personal history. Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual. The book originally appeared as one of the landmark titles in the MIT Press's Oppositions Books series, but has been out of print for many years. This newly issued paperback reprint includes illustrations--photographs, evocative images, and a set of drawings of Rossi's major architectural projects prepared particularly for this publication--selected by the author himself to augment the text.

How modern architecture came to embrace the urges and fears of the affective unconscious. "Eight million Americans a year cool their heels in psychiatric waiting rooms. Design can help lower this nervous overhead."-Richard Neutra, 1954 Sylvia Lavin's Form Follows Libido argues that by the 1950s, some architects felt an urge to steer the cool abstraction of high modernism away from a neutral formalism toward the production of more erotic, affective environments. Lavin turns to the architecture of Richard Neutra (1892-1970) to explore the genesis of these new mood-inducing environments. In a series of engaging essays weaving through the designs and writings of this Vienna-born, California-based architect, Lavin discovers in Neutra a sustained and poignant psychoanalytic reflection set in the context of a burgeoning psychoanalytic culture in America. Lavin shows that Neutra's redirection of modernism constituted not a lyrical regression to sentimentality but a deliberate advance of architectural theory and technique to engage the unconscious mind, fueled by the ideas of psychoanalysis that were being rapidly disseminated at the time. In Neutra's responses to a vivid range of issues, from psychoanalysis proper to the popular psychology of tele-evangelical prayer, Lavin uncovers a radical reconstitution of the architectural discipline. Arguing persuasively that the received historical views of both psychoanalysis and architecture have led to a suppression of their compelling coincidences and unorthodoxies, Lavin sets out to unleash midcentury architecture's hidden libido. Neither Neutra nor psychoanalysis emerges unscathed from her investigation of how architecture came to be saturated by the intrigues of affect, often against its will. If Reyner Banham sought to put architecture "on the couch," then Lavin, through Neutra, leaps beyond Banham's ameliorative aim to lure contemporary architecture into the lush and dangerous liaisons of environmental design.