Cass Gilbert's pioneering buildings injected vitality into skyscraper design, and his "Gothic skyscraper," epitomized by the Woolworth Building, profoundly influenced architects during the first decades of the twentieth century. Now, as the New-York Historical Society mounts a major exhibit documenting his architectural career, the full breadth of Gilbert's achievements is visible in one lavishly illustrated volume.

Architect of the Broadway Chambers Building, the US Custom House, the Minnesota State Capitol, the St. Louis Art Museum, and large-scale projects like the city plan for New Haven, Connecticut, Gilbert is most famous for his skyscrapers -- "symbols of our national genius and unrestraint" -- monuments of the Beaux Arts "City Beautiful" aesthetic he embraced throughout his career.

Containing essays by major Gilbert scholars, "Inventing the Skyline" documents fascinating details about the buildings: the color scheme of the main entrance of the Minnesota State Capitol, made to resemble the Byzantine tomb of Galla Placidia in Ravenna; the controversy that erupted over the use of female nudes on the relief of the Essex County Courthouse; and the ill-fated plans for the George Washington Bridge as a Beaux Arts monument with elaborate plazas, fountains, and sculptures.

A Stonewall Honor Book of the American Library Association's Gay, Lesbian, Bisexual, and Transgendered Round Table "Rare and Commonplace Flowers performs an invaluable service: unforgettably memorializing the remarkable Lota de Macedo Soares, and in the process filling in a crucial gap in Bishop's biography. This book honors a deeply moving love between two brilliant women: each highly public, a celebrity in her own nation; each deeply private, and happy (for a time) in the fragile heaven of their home."-The New York Times Book Review "As a portrait of Lota and Bishop in Brazil, Rare and Commonplace Flowers is a rare and illuminating book."-Women's Review of Books "Novelist Oliveira's engaging dual biography tells of Bishop and Soares's] 'long and sad' relationship. . . . This book offers a new perspective on the American poet, and the love story between these two women is undeniably intense and tragic. Recommended."-Library Journal Rare and Commonplace Flowers tells the story of two fascinating and controversial women. Elizabeth Bishop, the Pulitzer Prize-winning American poet, sought artistic inspiration in Brazil. There she fell in love with Lota de Macedo Soares, a self-trained Brazilian architect. This dual biography-brilliantly researched, and written in a lively, novelistic style-follows their relationship from 1951 to 1967, the time when the two lived together in Brazil. A tale of two artists and two cultures, Rare and Commonplace Flowers offers unique perspectives on both women and their work. Carmen L. Oliveira provides an unparalleled level of detail and insight, due to both her familiarity with Brazil and her access to the country's artistic elite, many of whom had a direct connection with Bishop and Soares. Rare pictures of the two artists and their home bring this unique story to life. Carmen L. Oliveira is a Brazilian novelist. Neil K. Besner is a professor in the English department at the University of Winnipeg in Canada.

In spite of its monumentality, the architecture of Legorreta + Legorreta is conceived for us to live in: it suits our needs, our appetites, and our emotions. Some of the best examples are seen in the vestibules of the Center of Visual Arts and of the Sheraton Hotel in Bilbao. Geometric pure and timeless forms instill rotundity and clarity into the complicated projects. Even in large complexes, like the Chiron Laboratories, or the Egade Graduate School, privacy and simplicity is preserved. The treatment of light also aids them in creating different spaces without any need of walls or separators. The application of color is a most important priority, especially in projects set in their native Mexico. There are tones that the architects use to dramatize spaces which intensify the personal experience of the people in the buildings. All of these ingredients integrate architecture, landscaping, and interior decoration into a single discipline that respects the place and the traditions.

Herzog & de Meuron gehoren zu den international bedeutendsten Architekten unserer Zeit. Der jungste Auftrag fur die neue Tate Gallery in London hat das einem breiteren Publikum ebenso signalisiert wie groe Ausstellungen in Tokio, New York und Paris. Die Gesamtausgabe im Birkhauser-Verlag fur Architektur tragt diesem herausragenden Stellenwert Rechnung und stellt das Werk in seinem. Band 2 umfat die Jahre 1989-91. Unter den 32 Entwurfen sind so bekannte Bauten wie das kupferummantelte Stellwerk und das Lokomotivdepot in Basel, das Museum fur die Kunstsammlung Goetz in Munchen, die Studentenwohnheime auf dem Universitatscampus in Dijon und die Sportanlage Pfaffenholz in St. Louis. Die gro angelegte Studie 'Basel, eine Stadt im Werden', aber auch die Masterplane fur den Universitatscampus in Dijon oder den neuen Ortsteil Sils Cuncas im Oberengadin gehoren zu den stadtebaulichen Analysen, die einen Schwerpunkt des Bandes ausmachen.

Monograph.it is a unique contemporary magazine that combines monography and review. Each volume follows an original structure, although all devote several pages to the study of architecture. Accompanying these case studies are galleries flush with places, buildings, and landscapes; when combined with detailed studies focussing on cities in evolution, Monograph.it encourages its readers to conceive of urbanisation and landscape as mutually complementary. The aim of this is to provide a comprehensive overview that acknowledges differing development-speeds of architectural productions, across a variety of scales. An ongoing project, this survey will be summarised in 'Researches' (a chapter to be published in the next issue). This will stress the importance of encouraging innovation in students of architecture. Monograph.it acts as a platform for theoretical debate, conducting interviews and hosting essays from big-name figures in the architecture world - for example, the man featured in this issue: Diego Chilo. Chilo has been active in construction design from the early '80s, and has collaborated on numerous projects to create remarkable interiors and exteriors. Known for his artistic collaborations as well as his own unique personal inputs into his work, Chilo is a welcome face in Monograph.it's gallery of featured architects.

The long-awaited fifth volume on The Complete Works of Herzog & de Meuron presents the sixty projects completed between 2002 and 2004 with characteristic attention to detail. These include buildings that have already become contemporary architectural icons, such as the National Stadium in Beijing and the Elbphilharmonie in Hamburg, but also projects which, though never realized, have influenced the architectural discourse. These include the residential tower for the Schatzalp Hotel, which overlooks Davos and inspired a new generation of Alpine architecture. In the period covered by this volume, urban planing was a major focus of Herzog & de Meuron's work. International acclaim fueled by booming construction led to numerous commissions in China (the Jindong New Development Area), and in Europe: master plans for Jerez de la Frontera and the Olympic Games in London opened up entire urban regions to future development.

Laurent Lin, Alain Robbe and Rolf Seiler are the protagonists of the Geneva office founded in 1999. Since then, a dozen competition successes have resulted in several residential developments, a school building, an old people's home, commercial and administrative buildings, and individual homes. The designs are always pointedly critical and creative engagements with the building programme, the location and building regulations. Text in German and French.

This is the first-ever monograph on Verona-born architect Armando Ronca (1901-70), a significant protagonist of Italy's post-war Modernism. Following his studies in engineering in Genoa, Torino, and Padova he started working as an architect in Trento before he established his own studio in Bolzano in 1935. Ronca soon became a leading proponent of Modernism in architecture in Northern Italy. In 1944, he opened a second studio in Milano, where the 1948 expansion of the San Siro football stadium in collaboration with the structural engineer Feruccio Calzolari was the largest single project of his entire career. This new book documents Ronca's life and work, featuring in detail some forty of his designs mainly in the Trentino-Alto Adige and Lombardy regions, richly illustrated with original plans and drawings by Ronca and period photographs. Newly commissioned images by Austrian architecture photographer Werner Feiersinger present all of Ronca's preserved buildings in their current state. Essays by Andreas Kofler, Massimo Martignoni, Giorgio Mezzalira, Magdalene Schmidt, Luigi Scolari, and Jorg Stabenow, and a complete catalogue of Ronca's built and unrealised projects and interior designs round out the book. Text in Italian and German.

Born to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognised as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last fifteen years of his life. Perfectly complementing Nathaniel Kahn's award-winning documentary, My Architect, Wendy Lesser's You Say to Brick is a major exploration of the architect's life and work. Kahn, perhaps more than any other twentieth-century American architect, was a "public" architect. Eschewing the usual corporate skyscrapers, hotels, and condominiums, he focused on medical and educational research facilities, government centers, museums, libraries, parks, religious buildings, and other structures that would serve the public good. Yet this warm, captivating person, beloved by students and admired by colleagues, was also a secretive and mysterious character hiding behind a series of masks. Drawing on extensive original research; lengthy interviews with his children, his colleagues, and his students; and travel to the far-flung sites of his career-defining buildings, Lesser has written a landmark biography of this elusive man, which reveals the mind behind some of the twentieth century's most celebrated architecture.

First monograph on a leading architect of the American Country House Era who synthesized Scandinavian, European, and American traditions. This architectural tour brings to light the genius and influence of Harrie T. Lindeberg, a leader of the American Country House Era who synthesized Scandinavian, European, and American traditions. Harrie T. Lindeberg (1880-1959) was born of Swedish immigrants who settled in New Jersey. He apprenticed with architect George A. Freeman, joined the prestigious firm McKim, Mead & White in 1901, and forged out on his own in 1906, beginning fifty years of independent practice. An impressive client list includes the leading American families - Du Pont, Havemeyer, Doubleday - for whom he built houses in affluent suburbs and resorts across the country - Rhinebeck, Newport, Grosse Point, Lake Forest, and the Gold Coast of Long Island. As a designer, Lindeberg drew inspiration from the English Arts and Crafts movement, with touches from the Beaux-Arts, mixed with Norman, Tudor, and Georgian elements. He borrowed ideas from his ancestral Sweden, including steep roofs and a floor plan that interacted closely with the landscape. Today, as his country houses enter their second century, a remarkable number stand as they were originally built, prized by their owners for their livability and their elegantly wrought design. Architect Peter Pennoyer and historian Anne Walker bring Lindeberg's work to life in Harrie T. Lindeberg and the American Country House. This survey of Lindeberg's most stunning and influential projects includes more than 200 photographs - including new color photography by Jonathan Wallen - floor plans, and sketches. After introducing Lindeberg's personal history and professional background, the book traces his career from his acclaimed debut in Pocantico Hills to larger developments like Meadow Spring and the export of his signature style to the Onwentsia Country Club in Lake Forest, Illinois. Pennoyer and Walker follow Lindeberg as he adapted to the building busts of the Great Depression and the rise of modernism. Experimenting with President Franklin D. Roosevelt's aesthetic mission to bring America's architecture abroad, Lindeberg also designed the United States Legation in Helsinki. A gorgeous entree to one of America's most recognizable yet underappreciated architects, Harrie T. Lindeberg and the American Country House brings readers insight into how we view country houses today.

Text in English and German. Otto Ernst Schweizer (1890-1965), architect, philosopher and teacher, had a crucial effect on the path of Modern architecture. When the central dairy in Nuremberg was finished in 1931 it was the largest complex of its kind in Europe and was seen by critics as a work that deserved the rank of prototype.

Text in English and German. The building has been totally restored for the 125th anniversary of the Museum's opening in 1876. Merz's basic idea was to reveal the various historic layers of this building.

Familienfotoalben sind eine grossartige Weise, Erinnerungen mit anderen zu teilen. Einer der grossten Vorteile bei der Verwendung von Fotoalben ist, dass sie zur Nutzung keine Batterien oder Strom notig haben. Fotoalben konnen leicht transportiert werden, damit andere Menschen sie ansehen konnen. Sie sind nicht mehr so beliebt wie sie in der Vergangenheit waren, aber Familienfotoalben bringen einen bestimmten geschichtlichen Anreiz und Charakter in die Umgebung, in der sie sich befinden."

Dedicated entirely to the legendary Casa de Retiro Espiritual, this book accompanies the MoMA exhibition of Ambasz's award-winning project. Considered a minimalist idea for some and a deconstructionist fable for others, Emilio Ambasz's Casa de Retiro Espiritual in Spain is instead an unclassifiable statement about architectural essentials. Situated close to Seville, this vacation home reinterprets in a non-vernacular manner the prototype of the Andalusian house, with a central patio which all the rooms look out on, where the earth is also used as an insulation system against the heat of the sun. Seen from afar, the house disappears like an optical mirage, leaving a view on the horizon of only the two empty backdrops arranged at right angles resembling an open book. Designed in 1975, the house has won innumerable architectural awards including the Progressive Architecture First Award and an AIA award. It foretold of Ambasz's pioneering work seeking to reconcile architecture with nature. Faithful to his conviction that "a building should return to the community in the form of garden, accessible to the community, all the land the building has covered," Ambasz's "green buildings," integrating garden and building into one inseparable entity, have been the precursors of a whole movement towards an energy efficient architecture. The fully illustrated volume includes an essay by Peter Buchanan, over 60 stunning full-color photographs of the house and an interactive CD Rom including aerial views, exterior and interior shots taken in daylight and at night.

Text in English and German. Heinz Tesar's buildings occupy a very particular place on the Austrian architectural scene, which is anyway populated by a lot of individualists. There is a great deal of creative imagination at work here, which always operates outside the scope of modern routine. The town of Klosterneuburg, north of Vienna, has become something like an artistic home for Tesar. The Schomerhaus, an office building whose huge oval central hall leaves convention far behind, and the Protestant church, which has a rounded floor plan like a tear-drop, were now followed by the impressive museum he has built here to house 4000 objects from the private Essl collection, which includes the most important collection of Austrian art after 1945. The floor plan is based on a triangle. Above a storage floor that runs the whole length of the building three individually shaped architectural entities are grouped around a green courtyard. The elaborately orchestrated section of the building on the short leg of the triangle accommodates the entrance foyer, staircase, library, offices and a flat.The long side of the triangle contains the hall for temporary exhibitions extending over two storeys; on the lower floor it is glazed on the courtyard side, and in the upper storey it is lit partly from the side and partly from the skylights in the slightly undulating roof. The hypotenuse is made up of a sequence of parallel galleries; they are topped by lanterns, which admit a great deal of daylight. Finally, Tesar gives the cubic building an organic touch with a curved flourish at the tip of the triangle. Following Gehry and Zumthor, who have recently made important contributions to the theme of art museums, Tesar is now offering a variant that responds very physically to its surroundings, creating individual spaces with a variety of light.

Since a compilation of their work was published in the series Anthologie 2012 ISBN 9783037610565, Detlef Horisberger and Mario Wagen have achieved further competition successes and expanded their exciting oeuvre. The designs always critically and creatively engage with the building programme, the location and the legal construction regulations. Text in English and German.

This comprehensive monograph presents the flagship projects--both completed and in progress--designed by the innovative architects Jakob + MacFarlane.

International architectural firm Jakob + MacFarlane-- an experimental laboratory focused on environmental transition and digital culture--accords particular attention to programmatic and urban social innovations.

The agency seeks links between the technicality and materiality of each project to anchor it in its temporal relationship and site. Signature works include the restaurant Georges at the Centre Pompidou (2000) and the Docks--City of Fashion and Design (2008), both in Paris, and Cardinal's Cube Orange headquarters (2010) and Euronews world headquarters (2014), both in Lyon. In addition to six ongoing projects in France and Belgium, the agency was awarded projects in Saint-Denis Pleyel and Reykjavik as part of the international "C40-Reinventing Cities" competition. The agency's work has been featured in museums such as the Victoria & Albert, San Francisco MoMA, Museum of Architecture in Moscow, Artist Space in New York, the Mori Art Museum in Tokyo, and the Bartlett School Gallery in London.

This bilingual English and French monograph, published to coincide with the Venice Biennale in May 2020, highlights the architects' insight on their profession, achievements, and perspectives. Text by respected critic Philip Jodidio is accompanied by more than 350 sketches, drawings, plans, sections, and photographs.

Zweisprachige Ausgabe (deutsch/englisch) / Bilingual edition (English/German) "Das Baudenkmal fuhrt uns vor Augen, dass wir von der Vergangenheit getrennt sind. Zugleich erinnert es uns daran, dass es unsere Aufgabe ist, eine Beziehung mit der Geschichte aufzunehmen. Darum fuhrt mich gerade das Bauen im Bestand auf die Suche nach einer Architektur, die die Geschichte fortsetzt. Diese Suche nach dem Neuen, das ohne das Alte nicht moeglich und denkbar ware, nenne ich Weiterbauen." Max Dudler Max Dudler: Geschichte weiterbauen erscheint anlasslich der gleichnamigen Ausstellung in der Kunsthalle Bielefeld. In Fotografien und Planen schlagt der Band eine Brucke zwischen Max Dudlers Erweiterungen bedeutender Baudenkmaler, wie den Bauten fur das Hambacher Schloss, und neueren Projekten, wie dem Eisenbahnmuseum in Bochum. Aus der architektonischen Transformation der Historie entstehen abstrakte, skulpturale Bauten, die in Form und Material unseren Kontakt zur Geschichte wahren.

Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux's influential buildings and projects are presented and interpreted both aesthetically and historically in this book. His best-known projects - the Royal Saltwords of Arc-et-Senans, the tollgates of Paris, the ideal city of Chaux - reveal the architect's allegiance to the principles of antiquity and Renaissance but also illustrate the evolution of his own utopian language. With the French Revolution, Ledoux ceased building as his contemporaries perceived him as a royal architect. He focused on the development of his architectural theory and redefined the vision of the modern architect.

From imperial Russia to the Rome of the 1960s, the work of architect, painter and scenographer Andre Beloborodoff (1886-1965) expresses his unique vision of the history of modernity. An enlightened Palladian, Beloborodoff designed palaces, chateaux and villas for Cafe Society patrons using modern construction techniques, such as reinforced concrete. The interior design of the Yusupov palace in Saint Petersburg, the Caulaincourt chateau in Picardy, and the Villa Pepoli for Maurice Sandoz in Rome - built at the same time as Le Corbusier's Cite radieuse - are witnesses to his timeless, stripped-down and refined classicism. He won the Prix de Rome in 1934, and subsequently spent many years living and working in Italy. Many of his architectural ideals are found in his metaphysical and surrealist paintings and watercolors, highly praised by Paul Valery, Mario Praz, Henri de Regnier, and Jean-Louis Vaudoyer. His atmospheric vistas of sunken or vanished worlds recall the edifices that Beloborodoff, eternally rootless, was never able to build. Text in French.

Text in English and Italian. Ivano Gianola is one of the most important exponents of the so-called Ticino School. This developed in the early 1970s as a loose association of architects who thought in related ways. At the time, their ambition was to set radical alternatives of a powerfully symbolic nature against the increasing destruction of the environment by new building in Ticino. What made Gianola's buildings different from others of the Ticino School from the outset was the subtle way they were bound into their context, and their precise craftsmanship. The latter meant that building after building, especially in terms of interior finish and the coherence of all the details, became real total works of art. So it is hardly surprising that Gianola created the most beautiful living spaces in Ticino, in the best Artsand-Crafts tradition. This craft precision, combined with high formal and aesthetic values, was probably also crucial to the fact that in the 1990s Gianola was commissioned to design a series of public and private buildings abroad. Thus his conversions and new buildings for the Bayerische Vereinsbank in Schafflerhof in Munich made a major contribution to the new concept for the well-known Funf Hoefe site. But Gianola's greatest success so far was winning an international competition for redesigning the extensive site around the ruins of the former 'Palace' luxury hotel in Lugano. Here a theatre seating over 1 200 people, a modern art museum, housing and offices, a municipal park and a new section of the lakeside promenade will be created over the next five years. This is the biggest project that the Canton of Ticino has ever awarded, and it will have found an appropriate architect. This first publication of the complete works of Gianola gives the latest of the leading protagonists of the Ticino School a monograph of his own.

Text in English and Spanish. In 2000 the Autostadt, a show park for the Volkswagen group and its subsidiaries from Seat via Audi to Bentley and Lamborghini, opened in Wolfsburg. Alfredo Arribas designed the Seat Pavilion, and has brought off the brilliant trick of making an essentially reticent building into the focal point of the Autostadt. The structure is like a snail shell, forbidding and closed with the exception of a band of windows that seems to rise directly out of the surface of the lake on the Autostadt site. The irregular curve of the ground plan is reminiscent of a leaf or other forms borrowed from nature. Access is via two elegant ramps floating over the water and the site and thrusting straight into the centre of the pavilion: a homage to the old master, Le Corbusier. And then inside we are confronted with a surprise-packed exhibition landscape: a dazzling synthesis of acoustic and visual impressions that cast their spell over visitors as they walk round. Alfredo Arribas was a provocative newcomer on the architectural scene in Barcelona in the late eighties and is now an international success. He was probably predestined for this job like no other architect. He showed a highly personal flair for presenting spaces and goods from the outset, attracting early attention with his designs for discotheques and bars like the enormous Louie Vega (1988) discotheque, or the Torres de Avila (1990). The expressive tower for the Marugame Hirai Museum (1993) is also part of this creative phase, where forms did not necessarily have to be justified by functional logic. But Arribas' architecture changed into its business suit for the very next commissions. For example, even bankers in their pin-stripe suits feel perfectly at home in the cafeteria he designed for Norman Foster's Commerzbank headquarters in Frankfurt. Arribas is working on two large projects at present: a family entertainment centre in Bari and the Cite des Musiques Vivantes in Montlucon.

Text in English and German. In autumn 1997 the Zentrum fur Kunst und Medientechnologie (ZKM) moved into the production hall of a former munitions factory in Karlsruhe, built by Stuttgart architect Philipp Jakob Manz in 1914-18. Hamburg architects Schweger plus Partner were commissioned to convert this industrial structure, over 300 m long and with 10 atria, after Rem Koolhaas' project of a new building for the ZKM immediately adjacent to the main station in Karlsruhe had been rejected in favour of refurbishing and converting the imposing old building. There is no doubt that the thinking that led to the decision to retain an industrial monument dating from the turn of the century and to bring it back to life for different purposes, rather than putting up a new building, was essentially practical in nature. And yet the result is unique, as a dialogue of a quality that could scarcely be matched anywhere in the world was initiated between the four-storey hall with it's extensive atria and its new users, the ZKM institutes, the Staatliche Hochschule fur Gestaltung and several museums -- Medienmuseum, Museum fur Neue Kunst and Stadtische Galerie.The architects were experienced in handling large industrial and office buildings, but also ambitious museum projects -- among others they designed the Wolfsburg Kunstmuseum -, and they succeeded not only in showing the historical building substance and it's spatial potential to the best advantage, and in complementing this brilliantly inside and out; but they also combined the real architectural space and the imaginative space of modern pictorial worlds in an exciting way.